Leonardo's Brain

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Leonardo's Brain Page 26

by Leonard Shlain


  listening, 196

  literature, 2, 3

  The Lives of the Most Excellent Painters, Sculptors, and Architects (Vasari), 15, 82

  locks and dams, 128

  Lomazzo, Giovanni, 17

  Louis XII, 24–25, 28

  Lovelock, James, 121

  Lumière, Auguste and Louis, 62

  Luria, Alexander, 138

  Lyell, Charles, 120, 159

  M

  MacCurdy, Edward, 110, 155–57

  Machiavelli, Niccolò, 27–28, 153

  machines, 24, 110, 128

  Mademoiselle V . . . in the Costume of an Espada (1862) (Manet), 57

  Maestlin, Michael, 117

  Malraux, André, 9, 179

  Manet, Édouard, 55–57

  maps, 16, 27, 117, 152–54

  Marey, Étienne-Jules, 62

  Mary (mother of Jesus), 76–78

  Mary Magdalene, 78–79

  Masini, Tommaso, 18

  mass, law of conservation of, 115

  Masters, Roger D., 152–53

  A Mathematician’s Apology (Hardy), 5

  mathematics, 2, 5, 115–16, 118, 140

  Matisse, Henri, 63

  matter, 144

  Matthew, Gospel of, 76–77

  Maxwell, Clerk, 187

  McLuhan, Marshall, 19, 176, 196

  measuring devices, 128

  Medici, Lorenzo de, 19–20

  Medici family, 16

  medicine. See science and medicine

  Melzi, Francesco, 22, 111

  memory, 144–45

  men, brain differences, 161–63

  Merezhkovsky, Dmitry, 55

  metaphor, 136–37

  meteorology, 116

  Michelangelo, 3, 17, 26, 28, 29, 129

  Michelson, Albert A., 187

  Milan, 20–25, 28–29

  mind. See brain

  The Mind of Leonardo da Vinci (MacCurdy), 155–57

  Minkowski, Hermann, 146–47

  modern art, 44–45, 55–65

  Mona Lisa (Leonardo da Vinci), 28, 51, 73–74

  Monet, Claude, 57–58

  moon, 116–17

  Moore, Henry, 64

  Morghen, Raphael, 71

  Moro reflex, 93

  Morris, Desmond, 106

  Mother Nature, xvi, 88, 106–7

  motion, Newton’s laws of, 113–14

  movies, 62–63

  Mozart, 91

  music, 20, 83–84, 126–27, 138–39, 174

  musical instruments, 126

  Muybridge, Eadweard, 62

  myelin and myelination, 93–94

  N

  Nabokov, Vladimir, 101

  The Naked Ape (Morris), 106

  natural beauty, 102

  Natural Selection, xvi, 96–97, 106, 145

  nature, 46–47, 107

  Nazca Lines, 149–50

  neurobiochemistry, 38–40

  neurons, 10, 35

  neuroscience, 32–41, 130

  neurotransmitters, 39–40

  Newton, Isaac, 113–14, 115, 119, 145–46

  Nicholl, Charles, 17

  Nietzsche, Friedrich, 86

  Nile, 180

  norepinephrine, 97

  novelty, 96–98, 101, 108

  Nude Descending a Staircase, No. 2 (1912) (Duchamp), 68–69, 72

  numeracy, 140

  O

  October the First Is Too Late (Hoyle), 147–48

  “Ode on a Grecian Urn” (Keats), 95

  oil tankers, 125

  Ong, Walter, 109

  ophthalmology, 130

  optic chiasma, 130

  optics, 49, 118

  Orff, Carl, 138

  Ottoman Empire, 25

  P

  Pacioli, Luca, 24, 115–16

  paddleboats, 128

  painterly ambiguity, 64–65

  painting

  first under tutelage of Verrocchio, 16

  Leonardo’s influence over Duchamp, 67–74

  Leonardo’s influence over modern art, 55–65

  Leonardo’s innovations, 43–53

  number attributed to Leonardo, 6

  perspective, 7, 47–51, 56–57

  See also specific paintings

  Pascal, Blaise, 133–34, 185

  Pasteur, Louis, 90

  Pater, Walter, 95

  pathology, 131–32

  Peek, Kim, 183

  pendulum, 158

  perspective, 7, 47–51, 56–57

  Pert, Candace, 5

  Petrarch, 82

  pheromones, 103–4

  photography, 50–51, 62

  phyllotaxis, 131

  physics, 113–16, 118, 187–88

  Piaget, Jean, 183

  Picasso, Pablo, 58–59, 98

  Pieta (Michelangelo), 3

  Pillsbury, Harry, 181

  Pisa, 153–54

  plants, 130–31

  Plato, cave analogy, 143–44

  poetry, 174–75

  Poincaré, Henri, 91, 117

  Poliziano, 17

  Pollock, Jackson, 61, 62

  Pontine Marshes map, 154

  Pope, Alexander, 4

  population, 194

  porcelain, 2

  portraits, 51–53

  Pozzo, Cassiano dal, 82

  Predis, Evangelista de, 76–78

  Predis, Giovanni Ambrogio de, 76–78

  Premack, David, 189

  Price, Pat, 151–52

  The Prince (Machiavelli), 27

  Principia (Newton), 119

  Principles of Geology (Lyell), 120

  printing, 13–14

  proto memory, 144–45

  Proust, Marcel, 9

  Puthoff, Hal, 150–52

  Q

  quantum physics, 148, 176, 186, 188, 190, 191

  R

  Rain Man, 183

  randomness, 107

  Raphael, 29, 78

  Ravel, Maurice, 138

  Rayleigh, Lord, 116

  reading, xv, 176, 192, 196–97

  relativity physics, 188

  religion, 82, 197

  Rembrandt, 57n

  remote viewing, 149–59

  The Renaissance, 2–3, 13

  reproduction, 103–5

  Réti, Richard, 181

  Richter, Jean Paul, 156

  right brain

  creativity and, 85–88, 90, 91–93, 98–100

  danger hormone, 97

  role of, xiii, 134–39

  skills housed in, 8

  right-handed heterosexual males (RHHM), 161–63

  Rilke, Rainer Maria, 135

  robots, 128

  Roemer, Olaus, 119

  Romagna, 27

  Roman Catholic Church, 29, 75–76, 172

  Roman mythology, 90

  Rosheim, Mark Elling, 128

  Rubaiyat (Khayyam), 2

  Rubens, Peter Paul, 71

  Rubin, Edgar, 65

  Rucker, Rudy, 186

  Russell, John, 55

  S

  Sala delle Asse, 176

  Salai, 22, 169

  San Bernardino da Siena, 17

  Santa Maria del Fiore, 2

  Sardinia, 155

  Sassoon, Donald, 123

  Saussure, Horace-Bénédict de, 128

  Savonarola, Girolamo, 25–26

  The School of Athens (Raphael), 29

  Schreiner, Olive, 161

  Schrödinger, Erwin, 143

  Schwab, Richard, 167–68

  Schwartz, Lillian, 73n

  science and medicine, 109–21

  art comparison, 1–8

  astronomy, 116–17, 120

  botany, 130–31

  embryology, 131

  evolution, xvi, 120–21, 140–41, 185–98

  fluid dynamics, 118

  Gaia theory, 121

  Leonardo’s contributions to, 109–13

  light, 119–20

  meteorology, 116

  neuroscience, 32–41, 130


  ophthalmology, 130

  pathology, 131–32

  physics, 113–16, 118, 187–88

  quantum physics, 148, 176, 186, 188, 190, 191

  sound, 118–19

  See also anatomical dissections and drawings

  scissors, 125

  sculpture, 2, 3, 6, 26

  Selfe, Lorna, 183

  The Sense of Being Stared At (Sheldrake), 180–81

  sequence, 141

  Sex, Time, and Power: How Women’s Sexuality Shaped Human Evolution (Shlain), xv, 164–65

  sex and sexuality, 11, 100, 102–5, 170–72

  sexual orientation, 167–68. See also homosexuality

  Sforza, Ludovico, 20–22, 24–25, 52, 76, 126

  sfumato, 48–49, 64

  Sheldrake, Rupert, 180–81

  Sherrington, Charles, 86

  Signora of Florence, 28

  Sikorsky, Igor, 127

  silicon dioxide, 194–96

  Sistine Chapel, 3, 28, 29

  Sixtus VI, 19

  sky, reason for blue color of, 116

  Slave Market with the Disappearing Bust of Voltaire (1940) (Dalí), 65

  Sophocles, 190

  sound, 118–19, 127

  space and time relationship, 119–20, 135, 143–48, 158–59

  speech, 86–87, 139–40, 196

  Speke, John, 180

  Sperry, Roger, 35, 37

  split-brain duality

  creativity and, 85–94

  evolutionary advantage, xiii

  hemispheric specialization, 145, 192

  paradox represented by “I,” xi–xii

  Pascal’s discovery of, 133–34

  split-brain studies, 36–38

  St. Jerome (1480) (Leonardo da Vinci), 63, 80

  St. John the Baptist (Leonardo da Vinci), 57, 80–83, 84

  St. Peter’s Basilica, 29

  Stanford, Leland, 62

  Stapp, Henry, 149

  statistics, 118

  Steinberg, Leo, 50, 65, 72

  Steinmetz, H., 161

  Strozzi, Filippo, 17

  The Structure of Scientific Revolutions (Kuhn), 97–98

  submarines, 126

  sun, 116–17, 125

  Swann, Ingo, 150, 152

  symbolism, 80–81

  Symons, Donald, 133

  synapse, 40

  T

  tanks, 126

  Targ, Russell, 151

  telescope, 123–24

  Ten Commandments, 46–47

  theory of mind, 182

  Thompson, Benjamin, 124

  time

  evolution of human brain to perceive, 141, 191–92

  Leonardo’s depictions of multiple durations in paintings, 72

  relationship with space, 119–20, 135, 143–48, 158–59

  Tooby, John, xvi

  Töpffer, Rodolphe, 52–53

  Torricelli’s law, 114

  Toscanelli, Paolo dal Pozzo, 16

  travel, 106–7

  Treatise on Painting (Leonardo da Vinci), 61, 64, 111

  Treffert, Darold, 182

  trompe l’oeil, 65

  truth, 95–96

  U

  Uccello, Paolo, 48

  universe, 186, 191

  Uriel, 76–77, 78

  V

  vagus nerve, 39

  Val d’Arno (Leonardo da Vinci), 45

  Val di Chiana, 117, 153

  Vasari, Giorgio, 15, 18, 48, 75, 78, 82

  Vaughan, Philip, 127

  Vauxcelles, Louis, 58

  vegetarianism, 7, 17–18, 175

  Venice, 25

  vernacular, 13

  Verrocchio, Andrea del, 16, 17

  Virgin of the Rocks (Leonardo da Vinci), 23, 29, 64, 76–78

  The Vitruvian Man (Leonardo da Vinci), 69

  Vogel, Philip, 36–37

  W

  war and warfare, 27, 118, 125–26

  water, 118, 127–28

  weapons, 125–26

  Wernicke, Carl, 35

  Wheeler, John, 190, 191

  Whitehead, Alfred North, 190

  Wigner, Eugene, 148

  windmill, 125

  Witelson, Sandra, 163

  Wolf, Fred Alan, 188

  women, xv, 6–7, 161–63, 170–72

  Woodworth, Robert Shaver, 85

  writing, xiv–xv, 7–8, 24, 196

  Y

  Young, Thomas, 119–20

  About the Author

  Leonard Shlain was a best-selling author, inventor, and surgeon. Admired among artists, scientists, philosophers, anthropologists, and educators, Shlain authored three best-selling books: Art & Physics, Alphabet Versus the Goddess, and Sex, Time, and Power. He delivered stunning visual presentations based upon his books in venues around the world including Harvard, The New York Museum of Modern Art, CERN, Los Alamos, The Florence Academy of Art, and the European Council of Ministers. His fans include Al Gore, Norman Lear, and singer Björk. Shlain died in May 2009 at the age of seventy-one from brain cancer shortly after the completion of this book.

  His legacy continues with his children who helped bring this book to publication: Kimberly Brooks, artist and founding editor of the Arts and Science Section of the Huffington Post, Jordan Shlain, doctor and founder of Healthloop.com, and Tiffany Shlain, filmmaker, founder of The Webby Awards, and director of the Sundance documentary Connected, about the ideas in Leonardo’s Brain, as well as Leonard Shlain’s final year. Visit leonardshlain.com.

 

 

 


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