She stood on the beach and watched until Tastion was gone from sight. He would likely be out all day, for he and his father fished farther out than many of the others. Where they went and how they found their way back on the vast and featureless sea was a mystery to her, and even though Tastion had tried to explain it to her, she didn’t understand. All she knew for certain about fishing was that she was forbidden to do it.
. . . . .
Later that afternoon, after dressing in clothes uncontaminated by blood, she emerged from the boathouse to find Soter awaiting her outside.
He observed her sternly, his expression grave, although she couldn’t think of anything she had done to warrant it. Maybe, she thought, he was unhappy that he was sober. Then he turned sharply, commanding her: “Follow.”
She smiled to herself as she obeyed. The imperious stride was all too familiar. Today Soter was acting the sage, the teacher, the wise old man whose pupil was a source of constant disappointment. She knew his roles: They had little to do with her, everything to do with him.
Where most people she knew were recognizably constant, Soter comprised a collection of posturings, guises, a composite of masks, so many that she had no idea if any one of them had ever been the true Soter, or if there had never been anything but masks.
He marched her across the island to his hut. They passed Gousier’s asymmetrical house and outbuildings, where the smell of Dymphana’s white root pie filled the air. Where the path split, they went right, away from the cavern, away from the trail to Ningle.
Soter made a show of sidestepping a large tree root that snaked out of the ground in the middle of the path. His dodging it reminded her of the night he’d fallen over it: less than a year ago, after he’d performed for the villagers without her and gotten roaring drunk as well. She had heard him yelling and careering through the woods with the two undaya cases and stole out to see what he was doing. He had tripped across that root and crashed to the ground, the cases landing atop him. She arrived in time to see two village elders, fairly pickled themselves, drag him to his feet. He was weeping, blubbering incoherently, and not at the two men but as if he were alone. The villagers took him by the arms and carried him and the cases the rest of the way to his hut. His behavior was so peculiar that she had followed along behind them. As the elders returned, she had ducked into the shadows. Passing close by, one of them told the other, “He’s ashamed to be alive.”
She glanced now at the scaly back of his head and wondered if that was true. Why had he fallen to weeping that night? Ashamed to be found so drunk? But he was drunk so often. It wasn’t something she could ask him about.
His hut stood hidden among an overgrown mass of vines and weeds so thick that only the glinting hexagons of the windows hinted at its presence. The roof had been rethatched not so long ago, and thick new windows added, bought from a Ningle glazier; but an ancient smell of charred, smoked fish remained. Even the fermenting vats behind the hut couldn’t obliterate it entirely.
He’d set up the booth against the back wall. Because of the smallness of the hut, it was only half as deep as a real booth. There was no room for an accompanist.
Within the curtains, on top of the undaya cases, Soter had laid out six puppets for her. He pushed into the confines behind her, moving to the side to watch as she considered the figures. Leodora knew every story Soter knew. His tests now probed whether or not she could formulate what specific tale or tales he expected her to perform based solely on which figures he’d selected. He was adamant that she be able to carry every single story and all of its nuances in her head; that she be able to take any elements and weave a performance from them.
“There are only a handful of true stories,” he said so often that she could parrot his exact emphasis. “The rest are simply embellishments, or reconstructions. Variations, my girl. When you walk the spans you’ll hear a thousand versions of the same story. Some are dark, others light. Tales get rewritten to suit people and place. What’s beheld as divine wisdom on one span will be mythic farce on another, with nary a word dividing the two. All depends on what is believed. I’ve seen stories revised from top to bottom, too, after the gods have sent something down to a Dragon Bowl. That one about the girl made of wood who receives a magic visit from an Edgeworld god who sends her off to find a prince and her wedding—well, it was once someone much lower than a god who granted her wishes, some local spirit somewhere. After a while that local spirit wasn’t recollected anymore and got replaced. Stories, you see, are alive, or else not worth the telling.”
As to which tales might be originals, she didn’t know. Perhaps everything was embellishment. Was the simplest the more fundamental? Or just a true tale stripped of true meaning? In the end she had stopped fretting over it. It was no more important than knowing on which span the story had begun. She was expected to know every one of them, regardless of their origin.
She now considered the puppets Soter had laid out for her on the case: the orange figure that was sometimes a beggar but most often a thief, a pair of winged dragons, a maiden, an emperor, an assortment of tiny weapons, two guards, a young man, and an old man. Soter had fitted a straight wand in the old man’s hand. From that she knew he was a wizard. Last of all was the resplendent figure of the handsome suitor.
The key object was missing, however. He had withheld it on purpose to challenge her. She smiled to herself for having recognized this, too. “It’s the tale of the Druid’s Egg,” she announced authoritatively.
Soter rocked on his heels. “You are positive?”
“Yes,” she replied, concealing the doubt his question let in. “But you have the title element.” She boldly held out her hand.
Soter’s gaze fastened on hers. “How did you identify the tale if I have the key?”
“The thief figure is also the beggar figure, so his limbs are detachable. In the Druid’s Egg tale the thief isn’t swift enough to steal the egg without being bitten by one of the twin serpents who hold the egg aloft, and he loses an arm to its venom. The old man is the wizard with the magic wand. He transforms himself into the handsome suitor to capture the heart of the princess, who is the true love of the thief. She’s the reason he stole the egg in the first place—to have her for a wife. The wizard wants her because he wants to rule the kingdom. He wants power. The thief fears she won’t want him with one arm, and so—”
“Enough! Here!” He handed her the prop of the translucent golden egg. “Show. Don’t tell.” Then he collected the figures of the guards and the emperor.
“Wait! I need them. How can I tell it right?”
As if the question were superfluous, he answered, “Improvise.” He pushed apart the drapery and left the booth.
The lantern was already lighted. She had only to rotate it to cast its beam upon the taut white silk screen. Beneath the screen was a narrow shelf. A groove ran the length of it.
She brought the figure of the wizard to the screen. Normally the trappings of a set would have been hooked in place around the puppet. But Soter forced her to rely on storytelling alone to convey situations.
It was theater without a stage.
She picked up her story: “The wizard disguised himself as a physician, and gained admittance to the palace in that form, taking a small room that overlooked the city. There he performed his dark arts. He used his powers to discover every suitor the princess had, worthy or not. He saw the thief’s passion for her. That was why the wizard, in the guise of the good doctor, had sent him on the impossible quest for the Druid’s Egg—for with that prize and his knowledge of how to unlock it, the wizard would gain remarkable powers, and as a reward would give the girl to the thief, after first stealing her love for himself.
“Other, more suitable if simpleminded suitors, he plagued with easy magics so that they would never arrive in the city at all. Some lost their bearings and wandered into other spans. Some fell in love with barmaids, hags, or even their animals.”
By rotating the puppet’s arm s
he made the wizard’s shadow sweep the wand above his head. At the same time she spun the lantern, and its light flashed and flickered, white and red, as the different lenses splashed the silk.
“Now he was unopposed for her hand. There remained but a final act to secure her. He must hide his true unwholesome nature.”
She caught the lamp. It stopped with its red lens glowing upon the screen.
“With a blast of magic he transformed himself.”
She gave the lantern a gentle twist. The red light slowly slid to the right, replaced by darkness—the blank side of the lamp. Then the dark, too, was pushed aside by the light of the clear lens. But in the instant that darkness covered the screen, she deftly swapped the old wizard’s figure for the young suitor, carefully fiddling the rods to keep the suitor’s arms in the same position as the wizard’s.
“He became the handsomest man in the world.”
She heard Soter’s grunt of approval. It was her embellishment of the text to make him not merely handsome, but the handsomest.
“Transformed, he paused to consider himself in a mirror.” The suitor touched his face, ran his hands down his sides, then held them up to look at them. “He was pleased with his handiwork. His power remained undiminished. No one could refuse him!”
The next scene she could not fully perform without the puppets Soter had withheld.
“He went before the emperor as if just arrived from another span. He bowed with a deep respect that he felt not at all, and then asked to be considered as a son-in-law.”
The suitor knelt on one knee, bowed low, and finally lay prostrate, with his hands outstretched as if to plead with someone beyond the screen.
“His clever disguise protected him from an emperor who would have killed him for all the evil he had created in that kingdom and others.
“The emperor sent the new suitor to his daughter. She knew already that he was in the palace—word of him had reached her through her servants. Now, with her chaperone behind the nearest curtain, she met the suitor. His face did take her breath away. He was smooth in every nuance. Calculated in every implied invitation.”
The princess, dressed in a purple gown, extended a hand; he kissed her, bowing. His gestures were graceful, and each one ended with the slightest pull, drawing the girl slowly across the screen, nearer with each flourish until she almost touched him. Then he reached out behind her, and his hand wove magic knots in the air.
“Soon the princess was caught in his spell. With a flick of the wrist, he put the chaperone to sleep behind her drapery. Then he was alone with his prize.”
The suitor stepped back. He touched the princess’s shoulder and swept her clothing away. The diaphanous purple gown caught on the puppet’s sharp fingertip, lifting off the tiny pin that had held it in place on her figure. It dropped from the screen onto the small shelf below.
Leodora thought she heard Soter stifle a gasp, even though he knew that Bardsham’s princess was designed for this shocking moment. The stripping and the presentation of the rape of the princess were Bardsham’s embellishments. No one else had ever performed it this way. No one else had ever constructed a puppet whose clothing could be torn away.
She stood revealed in all her translucent nakedness. The sharp nipples of her breasts, even the dark thatch in the meeting of her thighs, were plainly visible. In a full rendition of the story, the audience had heard her speak by now and had come to know her with affection, and often a cry of alarm accompanied the moment, protests of outrage ringing out as though a real girl had been stripped bare by the fiend.
The suitor glided up against her and pushed her roughly down. She vanished below the screen. The suitor lay on top of her. The top of him became the bottom line of the screen. Slowly his body began to move back and forth, telling the story in agonizing silence. The figures sank from sight while the red of the lantern passed harsh judgment upon the scene.
“What has happened to the poor thief meanwhile? Sent out by the wizard, he has lost his left arm and very nearly his life to the dragon’s venom. More than this, he has lost his hope. What princess will have a poor man consigned now to a life of begging?—for no other fate can await him. The egg is just an egg. He can find no power there. The thief’s quest is ended. He has no power to win the affections of so beautiful a creature as the princess; the kindly doctor who sent him will dismiss the trophy, claim that he took it from some huge bird, a roc perhaps, but not from the deadly serpents. He sees now that his dream has been pure folly. He would only want her if she wanted him; and what ever made him believe she would?
“He will, he decides, complete his task and afterward climb all the way to the top of the highest minaret and throw himself to his death.
“Outside the palace, he stood for a long time beneath the window of his beloved. He set his resolve to see her one last time, that her image might be with him when he died.”
The thief began his climb. But the same vines that had carried him before were not so navigable with only one arm. He lumbered clumsily up to the balcony of his beloved, but saw nothing from the ledge. She was not there. The puppet hung his head.
“Fate was cruel today, he thought.”
He continued with less enthusiasm on toward the higher apartment of the doctor, to bid him farewell. Whatever else, he was honorable, and he would leave the egg there as he’d promised.
As she moved the puppet’s limbs with one hand, Leodora steadily lowered the vertical cutout of the vines beside him to create the illusion that he was climbing ever higher. The cutout folded in places so that it stacked neatly on the shelf as she drew it down.
“He hadn’t climbed far when his hand slipped for a moment and he twisted and grabbed a branch to save himself; but the violent movement caused the magic egg to fall from his pouch. Certain it would shatter, he dove to catch it before it struck the tiles on the princess’s balcony below. If he’d had both hands, he might have reached it, but with only the one he couldn’t. His fingers just brushed their target, and the egg hit the floor. The thief tucked his head and rolled as best he could to protect himself. It was not a long fall, but without his other arm to absorb the blow he struck the floor hard, bounced, and then lay there dazed.
“He sat up, horrified to be on this of all balconies. But it seemed that no one had heard him fall. The curtains remained drawn.
“He turned to snatch the egg and found it beside him, split in two. A fiery glow emerged from within each half.”
Leodora nimbly separated the two rods controlling the prop egg she had.
“The glow poured over him and through him. He felt as though he were the sun, burning.”
She took hold of the lanyard that secured the lantern and lowered it until its red lens was aimed straight through the translucent puppet. The skeletal structure etched lightly into the taut skins caught the light, gaining emphasis. His body seemed to have become glass. She pulled on the lanyard, raising the lantern again. The thief stood up. And now—for all eyes would follow the light as it moved—he had two arms again. The new one she had hooked into place as she pulled the rope past the screen and secured it below. The thief stood and marveled at his two hands, then danced a little jig of joy.
“He looked to the skies and thanked the gods for his good fortune. No one had seen him yet, so he fitted the two halves of the egg back together and prepared to leave. But at that moment he heard a noise, a terrible moan, emerge from beyond the curtains that closed off the balcony. His curiosity and his desire held him there. He crept across and ever so carefully parted the curtains.
“He beheld a horrible sight. His princess, the jewel of his life, lay naked and ravished. A handsome figure climbing off her turned to close its robes, faced him, and started as their eyes met. That moment seemed to last an eternity.”
The handsome suitor edged back from the princess. Her figure lay just visible, propped in place at the bottom of the screen by its rods, secured in the groove of the shelf below. The suitor suddenly sprang off
screen.
“‘Guards! Guards!’ the magician cried. ‘Come quickly—a thief has broken in and attacked the princess!’ Never for a second did he imagine that the thief had succeeded in carrying out his mission. No one had ever met the twin dragons and lived. The wizard assumed that the thief had never really gone at all or had given up, as anyone else would have done. As he would have done. The plan fixed itself even as he cried out. The unconscious chaperone behind the curtain—the thief had struck her and hidden himself there. As for the girl, the wizard would magnanimously offer to marry her, thus securing her father’s eternal debt. The rape would remain a secret between them. The thief would be executed before day’s end, the shamed girl reduced to his docile slave. It was all too perfect, even better than his original plan.”
Leodora had no guards to bring onto the scene. But she did have their pikes among the weapons Soter had given her. The suitor’s figure she locked in place for a moment by setting its control rods in the grooved shelf. Then she picked up two pikes and leaned them in from the side, one above the other.
“The guards entered. The suitor thrust a finger at the thief. ‘There he is. Look at what he’s done!’”
She drew the suitor’s figure back slightly from the screen so that his shadow swelled in size while the thief leapt into motion.
“‘No!’ cried the young thief. ‘I didn’t do this—he did. I was climbing up the vines outside to fulfill my pact with the good physician who dwells higher up, but I fell onto the balcony trying to catch this!’”
He lifted into view the golden Druid’s Egg. Leodora swung down the lantern again and spun it red at the same moment that, with her pinkie, she coaxed apart the rods of the egg, splitting it open.
“‘Aiiieeee, I’m undone!’ cried the suitor. He tried to grab the egg, but the thief hopped back. The wizard stood trapped between the thief and the guards he had called. He quailed at the power of the egg. Its power would defeat any enemy—and most certainly he was the enemy of this thief. Even if the thief didn’t realize it, the egg knew.”
Shadowbridge Page 9
