by Max Brooks
Then…a pounding at the door. My door. This…[shakes his fist] bom-bombom-bom…from the bottom, near the floor. I heard the thing groaning outside. I heard other noises, too, from the other apartments. These were my neighbors, the people I’d always tried to avoid, whose faces and names I could barely remember. They were screaming, pleading, struggling, and sobbing. I heard one voice, either a young woman or a child on the floor above me, calling someone by name, begging them to stop. But the voice was swallowed in a chorus of moans. The banging at my door became louder. More siafu had shown up. I tried to move the living room furniture against the door. It was a waste of effort. Our apartment was, by your standards, pretty bare. The door began to crack. I could see its hinges straining. I figured I had maybe a few minutes to escape.
Escape? But if the door was jammed…
Out the window, onto the balcony of the apartment below. I thought I could tie bedsheets into a rope…[smiles sheepishly]…I’d heard about it from an otaku who studied American prison breaks. It would be the first time I ever applied any of my archived knowledge.
Fortunately the linen held. I climbed out of my apartment and started to lower myself down to the apartment below. Immediately my muscles started cramping. I’d never paid much attention to them and now they were reaping their revenge. I struggled to control my motions, and to not think about the fact that I was nineteen floors up. The wind was terrible, hot and dry from all the fires. A gust picked me up and slammed me against the side of the building. I bounced off the concrete and almost lost my grip. I could feel the bottom of my feet bumping against the balcony’s railing and it took all the courage I had to relax enough to climb down just those few extra feet. I landed on my ass, panting and coughing from the smoke. I could hear sounds from my apartment above, the dead that had broken through the front door. I looked up at my balcony and saw a head, the one-eyed siafu was squeezing himself through the opening between the rail and the balcony floor. It hung there for a moment, half out, half in, then gave another lurch toward me and slid over the side. I’ll never forget that it was still reaching for me as it fell, this nightmare flash of it suspended in midair, arms out, hanging eyeball now flying upward against its forehead.
I could hear the other siafu groaning on the balcony above and turned to see if there were any in this apartment with me. Fortunately, I saw that the front door had been barricaded like mine. However, unlike mine, there weren’t any sounds of attackers outside. I was also comforted by the layer of ash on the carpet. It was deep and unbroken, telling me that no one or nothing had walked across this floor for a couple days. For a moment I thought I might be alone, and then I noticed the smell.
I slid the bathroom door open and was blown back by this invisible, putrid cloud. The woman was in her tub. She had slit her wrists, long, vertical slices along the arteries to make sure the job was done right. Her name was Reiko. She was the only neighbor I’d made any effort to know. She was a high-priced hostess at a club for foreign businessmen. I’d always fantasized about what she’d look like naked. Now I knew.
Strangely enough, what bothered me most was that I didn’t know any prayers for the dead. I’d forgotten what my grandparents had tried to teach me as a little kid, rejected it as obsolete data. It was a shame, how out of touch I was with my heritage. All I could do was stand there like an idiot and whisper an awkward apology for taking some of her sheets.
Her sheets?
For more rope. I knew I couldn’t stay there for very long. Besides the health hazard of a dead body, there was no telling when the siafu on that floor would sense my presence and attack the barricade. I had to get out of this building, get out of the city, and hopefully try to find a way to get out of Japan. I didn’t have a fully thought-out plan yet. I just knew I had to keep going, one floor at a time, until I reached the street. I figured stopping at a few of the apartments would give me a chance to gather supplies, and as dangerous as my sheet-rope method was, it couldn’t be any worse than the siafu that would almost certainly be lurking in the building’s hallways and stairwells.
Wouldn’t it be more dangerous once you reached the streets?
No, safer. [Catches my expression.] No, honestly. That was one of the things I’d learned online. The living dead were slow and easy to outrun or even outwalk. Indoors, I might run the risk of being trapped in some narrow choke point, but out in the open, I had infinite options. Better still, I’d learned from online survivor reports that the chaos of a full-blown outbreak could actually work to one’s advantage. With so many other frightened, disorganized humans to distract the siafu, why would they even notice me? As long as I watched my step, kept up a brisk pace, and didn’t have the misfortune to be hit by a fleeing motorist or stray bullet, I figured I had a pretty good chance of navigating my way through the chaos on the streets below. The real problem was getting there.
It took me three days to make it all the way down to the ground floor. This was partially due to my disgraceful physical stamina. A trained athlete would have found my makeshift rope antics a challenge so you can imagine what they were for me. In retrospect it’s a miracle I didn’t plunge to my death or succumb to infection with all the scrapes and scratches I endured. My body was held together with adrenaline and pain medication. I was exhausted, nervous, horribly sleep deprived. I couldn’t rest in the conventional sense. Once it got dark I would move everything I could against the door, then sit in a corner, crying, nursing my wounds, and cursing my frailty until the sky began to lighten. I did manage to close my eyes one night, even drift off to sleep for a few minutes, but then the banging of a siafu against the front door sent me scurrying out the window. I spent the remainder of that night huddled on the balcony of the next apartment. Its sliding glass door was locked and I just didn’t have the strength to kick it in.
My second delay was mental, not physical, specifically my otaku’s obsessive-compulsive drive to find just the right survival gear, no matter how long it took. My online searches had taught me all about the right weapons, clothing, food, and medicine. The problem was finding them in an apartment complex of urban salarymen.
[Laughs.]
I made quite a sight, shimmying down that sheet-rope in a businessman’s raincoat and Reiko’s bright, pink, vintage “Hello Kitty” schoolbag. It had taken a long time, but by the third day I had almost everything I needed, everything except a reliable weapon.
There wasn’t anything?
[Smiles.] This was not America, where there used to be more firearms than people. True fact—an otaku in Kobe hacked this information directly from your National Rifle Association.
I meant a hand tool, a hammer, a crowbar…
What salaryman does his own home maintenance? I thought of a golf club—there were many of those—but I saw what the man across the way had tried to do. I did find an aluminum baseball bat, but it had seen so much action that it was too bent out of shape to be effective. I looked everywhere, believe me, but there was nothing hard or strong or sharp enough I could use to defend myself. I also reasoned that once I made it to the street, I might have better luck—a truncheon from a dead policeman or even a soldier’s firearm.
Those were the thoughts that almost got me killed. I was four floors from the ground, almost, literally, at the end of my rope. Each section I made extended for several floors, just enough length to allow me to gather more sheets. This time I knew would be the last. By now I had my entire escape plan worked out: land on the fourth-floor balcony, break into the apartment for a new set of sheets (I’d given up looking for a weapon by then), slide down to the sidewalk, steal the most convenient motorcycle (even though I had no idea how to ride one), streaking off like some old-timey bosozoku,48 and maybe even grab a girl or two along the way. [Laughs.] My mind was barely functional by that point. If even the first part of the plan had worked and I did manage to make it to the ground in that state…well, what matters is that I didn’t.
I landed on the fourth-floor balcony, reached for the sl
iding door, and looked up right into the face of a siafu. It was a young man, midtwenties, wearing a torn suit. His nose had been bitten off, and he dragged his bloody face across the glass. I jumped back, grabbed on to my rope, and tried to climb back up. My arms wouldn’t respond, no pain, no burning—I mean they had just reached their limit. The siafu began howling and beating his fists against the glass. In desperation, I tried to swing myself from side to side, hoping to maybe rappel against the side of the building and land on the balcony next to me. The glass shattered and the siafu charged for my legs. I pushed off from the building, letting go of the rope and launching myself with all my might…and I missed.
The only reason we are speaking now is that my diagonal fall carried me onto the balcony below my target. I landed on my feet, stumbled forward, and almost went toppling off the other side. I stumbled into the apartment and immediately looked around for any siafu. The living room was empty, the only piece of furniture a small traditional table propped up against the door. The occupant must have committed suicide like the others. I didn’t smell anything foul so I guessed he must have thrown himself out of the window. I reasoned that I was alone, and just this small measure of relief was enough to cause my legs to give out from under me. I slumped against the living room wall, almost delirious with fatigue. I found myself looking at a collection of photographs decorating the opposite wall. The apartment’s owner had been an old man, and the photographs told of a very rich life. He’d had a large family, many friends, and had traveled to what seemed every exciting and exotic locale around the world. I’d never even imagined leaving my bedroom, let alone even leading that kind of life. I promised myself that if I ever made it out of this nightmare, I wouldn’t just survive, I would live!
My eyes fell on the only other item in the room, a Kami Dana, or traditional Shinto shrine. Something was on the floor beneath it, I guessed a suicide note. The wind must have blown it off when I entered. I didn’t feel right just leaving it there. I hobbled across the room and stooped to pick it up. Many Kami Dana have a small mirror in the center. My eye caught a reflection in that mirror of something shambling out of the bedroom.
The adrenaline kicked in just as I wheeled around. The old man was still there, the bandage on his face telling me that he must have reanimated not too long ago. He came at me; I ducked. My legs were still shaky and he managed to catch me by the hair. I twisted, trying to free myself. He pulled my face toward his. He was surprisingly fit for his age, muscle equal to, if not superior to, mine. His bones were brittle though, and I heard them crack as I grabbed the arm that caught me. I kicked him in the chest, he flew back, his broken arm was still clutching a tuft of my hair. He knocked against the wall, photographs falling and showering him with glass. He snarled and came at me again. I backed up, tensed, then grabbed him by his one good arm. I jammed it into his back, clamped my other hand around the back of his neck, and with a roaring sound I didn’t even know I could make, I shoved him, ran him, right onto the balcony and over the side. He landed face up on the pavement, his head still hissing up at me from his otherwise broken body.
Suddenly there was a pounding on the front door, more siafu that’d heard our scuffle. I was operating on full instinct now. I raced into the old man’s bedroom and began ripping the sheets off his bed. I figured it wouldn’t take too many, just three more stories and then…then I stopped, frozen, as motionless as a photograph. That’s what had caught my attention, one last photograph that was on the bare wall in his bedroom. It was black and white, grainy, and showed a traditional family. There was a mother, father, a little boy, and what I guessed had to be the old man as a teenager in uniform. Something was in his hand, something that almost stopped my heart. I bowed to the man in the photograph and said an almost tearful “Arigato.”
What was in his hand?
I found it at the bottom of a chest in his bedroom, underneath a collection of bound papers and the ragged remains of the uniform from the photo. The scabbard was green, chipped, army-issue aluminum and an improvised, leather grip had replaced the original sharkskin, but the steel…bright like silver, and folded, not machine stamped…a shallow, tori curvature with a long, straight point. Flat, wide ridge lines decorated with the kiku-sui, the Imperial chrysanthemum, and an authentic, not acid-stained, river bordering the tempered edge. Exquisite workmanship, and clearly forged for battle.
[I motioned to the sword at his side. Tatsumi smiles.]
KYOTO, JAPAN
[Sensei Tomonaga Ijiro knows exactly who I am seconds before I enter the room. Apparently I walk, smell, and even breathe like an American. The founder of Japan’s Tatenokai, or “Shield Society,” greets me with both a bow and handshake, then invites me to sit before him like a student. Kondo Tatsumi, Tomonaga’s second in command, serves us tea then sits beside the old master. Tomonaga begins our interview with an apology for any discomfort I might feel about his appearance. The sensei’s lifeless eyes have not functioned since his adolescence.]
I am “hibakusha.” I lost my sight at 11:02 A.M., August 9, 1945, by your calendar. I was standing on Mount Kompira, manning the air-raid warning station with several other boys from my class. It was overcast that day, so I heard, rather than saw, the B-29 passing close overhead. It was only a single B-san, probably a reconnaissance flight, and not even worth reporting. I almost laughed when my classmates jumped into our slit trench. I kept my eyes fixed above the Urakami Valley, hoping to maybe catch a glimpse of the American bomber. Instead, all I saw was the flash, the last thing I would ever see.
In Japan, hibakusha, “survivors of the bomb,” occupied a unique rung in our nation’s social ladder. We were treated with sympathy and sorrow: victims and heroes and symbols for every political agenda. And yet, as human beings, we were little more than social outcasts. No family would allow their child to marry us. Hibakusha were unclean, blood in Japan’s otherwise pristine genetic onsen.49 I felt this shame on a deeply personal level. Not only was I hibakusha, but my blindness also made me a burden.
Out the sanatorium’s windows I could hear the sounds of our nation struggling to rebuild itself. And what was my contribution to this effort, nothing!
So many times I tried inquiring about some manner of employment, some work no matter how small or demeaning. No one would have me. I was still hibakusha, and I learned so many polite ways to be rejected. My brother begged me to come and stay with him, insisting that he and his wife would take care of me and even find some “useful” task around the house. For me that was even worse than the sanatorium. He had just gotten back from the army and they were trying to have another baby. To impose on them at such a time was unthinkable. Of course, I considered ending my own life. I even attempted it on many occasions. Something prevented me, staying my hand each time I groped for the pills or broken glass. I reasoned it was weakness, what else could it be? A hibakusha, a parasite, and now a dishonorable coward. There was no end to my shame in those days. As the emperor had said in his surrender speech to our people, I was truly “enduring the unendurable.”
I left the sanatorium without informing my brother. I didn’t know where I was heading, only that I had to get as far from my life, my memories, myself, as possible. I traveled, begged mostly…I had no more honor to lose…until I settled in Sapporo on the island of Hokkaido. This cold, northern wilderness has always been Japan’s least populated prefecture, and with the loss of Sakhalin and the Kuriles, it became, as the Western saying goes, “the end of the line.”
In Sapporo, I met an Ainu gardener, Ota Hideki. The Ainu are Japan’s oldest indigenous group, and even lower on our social ladder than the Koreans.
Maybe that is why he took pity on me, another pariah cast out by the tribe of Yamato. Maybe it was because he had no one to pass his skills along to. His own son had never returned from Manchuria. Ota-san worked at the Akakaze, a former luxury hotel that now served as a repatriation center for Japanese settlers from China. At first the administration complained that they had no more fu
nds to hire another gardener. Ota-san paid me out of his own pocket. He was my teacher and only friend, and when he died, I considered following him. But, coward that I was, I could not bring myself to do it. Instead I simply continued to exist, working silently in the earth as the Akakaze went from a repatriation center to a luxury hotel and Japan went from conquered rubble to economic superpower.
I was still working at the Akakaze when I heard of the first domestic outbreak. I was trimming the Western-style hedges near the restaurant, when I overheard several of the guests discussing the Nagumo murders. According to their conversation, a man had slain his wife, then set upon the corpse like some kind of wild dog. This was the first time I had heard the term “African rabies.” I tried to ignore it and get on with my work, but the next day there were more conversations, more hushed voices across the lawn and beside the pool. Nagumo was old news compared to the much more serious outbreak at Sumitomo Hospital in Osaka. And the next day there was Nagoya, then Sendai, then Kyoto. I tried to push their conversations from my mind. I had come to Hokkaido to escape from the world, to live out my days in shame and ignominy.
The voice that finally convinced me of danger came from the hotel’s manager, a stiff, no-nonsense salaryman with a very formal manner of speech. After the outbreak in Hirosaki, he held a staff meeting to try to debunk, once and for all, these wild rumors about dead bodies coming back to life. I had only his voice to rely on, and you can tell everything about a person by what happens when he opens his mouth. Mister Sugawara was pronouncing his words far too carefully, particularly his hard, sharp consonants. He was overcompensating for a previously conquered speech impediment, a condition that only threatened to rise in the presence of great anxiety. I had listened to this verbal defense mechanism before from the seemingly unflappable Sugawara-san, first during the ’95 quake, and again in ’98 when North Korea had sent a long-range, nuclear-capable “test missile” streaking over our homeland. Sugawara-san’s articulation had been almost imperceptible then, now it shrieked louder than the air-raid sirens of my youth.
