One Lonely Night mh-4

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One Lonely Night mh-4 Page 20

by Mickey Spillane

Of all the fates who were out for my skin, only one backed me up. It was a lovely fate that turned over a heap and spilled the pair of studious-looking boys out, the ones who had the FBI cards and that gorgeous black tommy gun that was still in the trunk of my car. I held the lid open and yanked it out, shucking the case on the pavement. It nestled in my hands like a woman, loaded and cocked, with two spare clips that made a pleasant weight in my pocket.

  I got in close to the buildings and took off at a half-trot. A drunk watched me go by, then scurried back into his doorway. The dot up front disappeared, turned into two headlights on dim and came back and past me.

  I ran faster. I ran like a guy with three feet and reached the corner in time to see the guy angling up the rutted street that paralleled the river.

  How nice it is when it gets dark. It's all around you, a black coat that hides the good and the bad, and lets you stay shouting distance behind somebody else and never gives you away. My little man stepped right along as if he knew where he was going.

  There weren't any houses now. There was a smell of decay, noises that didn't belong to a city. Far away the lights of cars snaked along a bridge happily unaware of this other part of New York.

  Then the rain began again. The glorious rain of purity was nothing but light tears . . . the sky protesting because I was walking and thinking when I should be dead. Long dead. I spit on the ground to show what I thought of it.

  My little man was gone. The constant, even grinding of his shoes in the gravel had stopped and now there was a silence that shut out all other noises, even the rain.

  I was alone in the darkness and my time had come. It had to come, there was only an hour left and never time to undo it if it had all been a mistake! For about ten seconds I stood still, watching those cars in the distance. They wormed ahead, they disappeared as if going into a tunnel, emerging again many seconds later. I knew where my little man was now.

  Not far off was a building. That was what stopped those lights. There was a building and I saw it when I took a dozen more steps. It was the remains of a building, anyway. Three floors staggered up from the ground in uneven rows of bricks. Only the windows on the top floors showed a few panes whole and unbroken, most likely because they were beyond a stone's throw. The rest were plastered with boards that seemed to be there to keep things in rather than out.

  I was back in the jungle again. I had that feeling. There was a guy at my shoulder in deeper, black than the night and he carried a scythe and a map to point out the long road. I didn't walk, I stalked and the guy stalked with me, waiting patiently for that one fatal misstep.

  He was death and I knew him well. I had seen him plenty of times before and I laughed in his face because I was me, see? I was Mike Hammer and I could laugh because what did I give a damn about death? He could laugh back at me with his grisly, bony laugh, and even if we didn't make any sound at all my laugh was louder than his. Stick with me, man in black. Stick close because some customers are going to be made that should have been made a long time ago. You thought I was bad when there was a jungle around me for cover and I learned how to kill and kill and kill and walk away and remind myself that killing was nice. Yeah, you thought I was a wise guy. Stick around, old man, maybe you'll see me for the first time doing something I really enjoy. Maybe some day I'll pick on you and we'll have it out, a hot .45 against that blade of yours.

  All the instincts came back. The chatter gun was slung just right for easy carrying and quick action. Without me telling it to, my hand had scooped up gobs of mud and daubed my face and hands, even blanking out the luminous dial of my watch.

  The pleasure of the hunt, the wonderful knowledge that you're hot and right! The timing was there, that sense of alertness that gets bred into you when there's blood in the air. I liked it!

  I stood in the shadow of the building, melting into the wall with the rain, watching the two men. One was there at the doorway, an invisible figure I sensed rather than saw. The other was coming toward me just as I planned it. It had taken a long while just to get this far. I knew without looking that the hands of my watch would be overlapping. Somewhere back in Manhattan a guy would be looking for me to call me friend. Somewhere inside Velda would be sitting, a hostage who would never talk.

  The guy came nearer and I knew he had a gun in his hand. I let him come.

  Now I could see him plainly. He stopped three feet away and looked back uncertainly. I had the tommy gun in one hand and the nose of the .45 in the other. I let him look back again and this time I let him see me.

  No, it wasn't me he saw, it was the other guy, the one with the cowl and the scythe. I swung that gun butt so hard it made a wet smack and almost twisted out of my hand. The guy didn't have any forehead left. There was nothing but a black hole from his eyes to his hair and I was grinning. I eased him down without a sound and picked up the tommy gun. Then I started around the building.

  It goes that way. One guy makes one lousy error and everybody falls into the trap. The guy at the door thought it was the other one when I walked out of the murk. He grunted the last sound he ever made because I wrapped my arm under his neck and started bending him over backwards. I had my knee in his spine, pulling him into a living bow that clawed at my hands to release the scream that sudden fear had driven into his throat.

  The goddamn grin wouldn't come off my face even when I heard his spine snap and felt that sickening lurch that comes when the bow is bent too far. Two of them. A pair of bastards who had wanted to play in the Big Game. Slimy, squirmy worms who had visions of being on top where they could rule with the whip.

  I went into the building with death at my shoulder and he was mad because I was giving the orders. He was waiting for the mistake he knew I'd have to make sooner or later.

  My breath wasn't coming easy now. It was hot and coarse in my throat, rasping into my lungs. I stood inside the door, listening, waiting, letting my eyes use precious seconds to orient themselves to this new gloom. My watch made a mad ticking to remind me that now it had to be quick. Time, it had gone. There was nothing left!

  I saw the empty packing boxes that had been smashed and left to rot. I saw the welter of machinery, glazed with rust, lying in heaps under the high, vaulted roof. Long ago it had been a factory of some sort. I wondered incongruously what had been made here. Then the smell of turpentine gave it to me. Paint. There was three hundred feet of length to it, almost that in width. I could make out the partitions of wood and brick separating it into compartments.

  But I didn't have time to look through it all, not all three floors of it!

  The sons-of-bitches had picked the best spot on earth, not a sound would penetrate these walls! In that maze of partitions and cubicles even the brightest beam of light that could escape would be dulled and unseen. I wanted to pull the trigger of the gun and blast the whole dump to bits and wade into the wreckage with my bare hands. I wanted to scream just like the guys outside wanted to scream and I couldn't.

  Another minute to make myself cool off. Another minute to let instinct and training take over.

  Another minute for my eyes to see and they picked out the path that led through the rubbish, a path I should have seen sooner because it had been deliberately made and often used. Old paint cans had been pushed aside and spilled their thick, gooey mess on the floor. The larger drums had been slop pails for left-over stuff and marked the turns in the trail.

  My eyes saw it, my feet followed it. They took me around the bend and through a hall then up the stairs.

  And the path that was cleared through the dirt on the floor led to the middle, then the top story. It led to rooms that reeked of turpentine so strong it almost took my breath away. It led to a corridor and another man who stepped out of the shadows to die. It led to a door that swung open easily and into a room that faced on other rooms where I was able to stand in my invisible cloak of blackness with barely the strength to hold the gun.

  I stood there and looked at what I was, hearing myself say, "Good
God, no, please . . . no!" I had to stand there for a moment of time that turned into eternity while I was helpless to intervene and see things my mind wanted to shut out . . . hear things my ears didn't want to hear.

  For an eternal moment I had to look at them all, every one. General Osilov in a business suit leaning on his cane almost casually, an unholy leer lighting his face. My boy of the subway slobbering all over his chin, puking a little without noticing it, his hands pressed against his belly while his face was a study in obscene fascination.

  And the guy in the pork-pie hat!

  Velda.

  She was stark naked.

  She hung from the rafters overhead by a rope that chewed into her wrists, while her body twisted slowly in the single light of the electric lantern! The guy in the pork-pie hat waited until she turned to face him then brought the knotted rope around with all the strength of his arm and I heard it bite into her flesh with a sickening sound that brought her head up long enough for me to see that even the pain was dulling under the evil of this thing.

  He said, "Where is it? You'll die if you don't tell me!"

  She never opened her mouth. Her eyes came open, but she never opened her mouth!

  Then there was only beauty to the nakedness of her body. A beauty of the flesh that was more than the sensuous curve of her hips, more than the sharp curve of breasts drawn high under the weight of her body, more than those long, full legs, more than the ebony of her hair. There was the beauty of the flesh that was the beauty of the soul and the guy in the pork-pie hat grimaced with hate and raised the rope to smash it down while the rest slobbered with the lust and pleasure of this example of what was yet to come, even drooled with the passion that was death made slow in the fulfillment of the philosophy that lived under a red flag!

  And in that moment of eternity I heard the problem asked and knew the answer! I knew why I was allowed to live while others died! I knew why my rottenness was tolerated and kept alive and why the guy with the reaper couldn't catch me and I smashed through the door of the room with the tommy gun in my hands spitting out the answer at the same time my voice screamed it to the heavens!

  I lived only to kill the scum and the lice that wanted to kill themselves. I lived to kill so that others could live. I lived to kill because my soul was a hardened thing that reveled in the thought of taking the blood of the bastards who made murder their business. I lived because I could laugh it off and others couldn't. I was the evil that opposed other evil, leaving the good and the meek in the middle to live and inherit the earth!

  They heard my scream and the awful roar of the gun and the slugs tearing into bone and guts and it was the last they heard. They went down as they tried to run and felt their insides tear out and spray against the walls.

  I saw the general's head splinter into shiny wet fragments and splatter over the floor. The guy from the subway tried to stop the bullets with his hands and dissolved into a nightmare of blue holes.

  There was only the guy in the pork-pie hat who made a crazy try for a gun in his pocket. I aimed the tommy gun for the first time and took his arm off at the shoulder. It dropped on the floor next to him and I let him have a good look at it. He couldn't believe it happened. I proved it by shooting him in the belly. They were all so damned clever!

  They were all so damned dead!

  I laughed and laughed while I put the second clip in the gun. I knew the music in my head was going wild this time, but I was laughing too hard to enjoy it. I went around the room and kicked them over on their backs and if they had faces left I made sure they didn't. I saved the last burst for the bastard who was MVD in a pork-pie hat and who looked like a kid. A college boy. He was still alive when he stared into the flame that spit out of the muzzle only an inch away from his nose.

  I cut her down carefully, dressed her, cradled her in my arms like a baby and knew that I was crying. Me. I could still do that. I felt her fingers come up and touch one of the wet spots on my cheek, heard her say the three words that blessed everything I did, then I went back to the path that led out into the night that was still cold and rainy, but still free to be enjoyed. There was a soft spot on the ground where I laid her with my coat under her head while I went back to do what I had to do. I went back to the room where death had visited and walked under the rafters until I reached the pork-pie hat that lay next to the remains of the thing that wore it. I lifted his wallet out of his back pocket and flipped his coat open so I could rip the inside lining pocket out along with some shreds of the coat fabric. That was all. Except for one thing. When I went down the stairs once more I found a drum of paint whose spilled contents made a sticky flow into some empty cans. When I built up a mound of old papers around the stuff I touched a match to it, stood there until I was satisfied with its flame, then went back to Velda. Her eyes were closed and her breathing heavy. She came up in my arms and I fixed my coat around her.

  I carried her that way to my car and drove her home, and stayed while a doctor hovered above her. I prayed. It was answered when the doctor came out of the room and smiled. I said another prayer of thankfulness and did the things that had to be done to make her comfortable. When the nurse came to sit by her side I picked up my hat and went downstairs.

  The rain came down steadily. It was clear and pure. It swept by the curb carrying the filth into the sewer.

  We know now, don't we, Judge? We know the answer.

  There were only a few hours left of the night. I drove to the office and opened the lamp. I took out the two envelopes in there and spread them out on my desk. The beginning and the end. The complexities and the simplicities. It was all so clever and so rotten.

  And to think that they might have gotten away with it!

  It was over and done with now. Miles away an abandoned paint factory would be a purgatory of flame and explosions that would leave only the faintest trace of what had been there. It was a hell that wiped away all sins leaving only the good and the pure. The faintest trace that it left would be looked into and expounded upon. There would be nothing left but wonder and the two big words, WHY and HOW. There were no cars at the scene. They wouldn't have been foolish enough to get there that way. The flames would char and blacken. They would leave remains that would take months to straighten out, and in that straightening they would come across melted leaden slugs and a twisted gun that was the property of the investigating bureau in Washington. There would be cover-up and more wonder and more speculation, then, eventually, someone would stumble on part of the truth. Yet even then, it was a truth only half-known and too big to be told.

  Only I knew the whole thing and it was too big for me. I was going to tell it to the only person who would understand what it meant.

  I picked up the phone.

  Chapter Eleven

  The sixth time it rang I heard it come off the cradle. A sharp click was the light coming on then Lee Deamer's voice gave me a sleepy hello.

  I said, "This is Mike Hammer, Lee." My voice had a tired drag too. "Hate to call you at this hour, but I have to speak to you."

  "Well, that's all right, Mike. I was expecting you to call. My secretary told me you had called earlier."

  "Can you get dressed?"

  "Yes. Are you coming over here?"

  "I'd rather not, Lee. I don't want to be cooped up right now. I need the smell of air. A hell of a lot has happened. It isn't anything I can broadcast and I can't keep it to myself. You're the only one I can talk to. I want to show you where it started and how it happened. I want you to see the works. I have something very special to show you."

  "What Oscar left behind?"

  "No, what somebody else did. Lee, you know those government documents that were copied?"

  "Mike! It can't be!"

  "It is."

  "This is . . . why, it's . . ."

  "I know what you mean. I'll pick you up in a few minutes. Hurry up."

  "I'll be ready by the time you get here. Really, Mike, I don't know what to say."

  "
Neither do I; that's why I want you to tell me what to do. I'll be right over."

  I put the phone back slowly, then gathered the envelopes into a neat pack and stuck them in my pocket. I went downstairs and stood on the sidewalk with my face turned toward the sky.

  It was still raining.

  It was a night just like that first one.

  The rain had a hint of snow in it.

  Before I reached Lee's house I made a stop. The place was a rooming house that had a NO VACANCY sign in front and a row of rooms with private entrances. I went in and knocked on the second door. I knocked again and a bed squeaked. I knocked the third time and a muffled voice swore and feet shuffled across the floor.

  The door went open an inch and I saw one eye and part of a crooked nose. "Hello, Archie," I said.

  Archie threw the door open and I stepped in. Archie owed me a lot of favors and now I was collecting one. I told him to get dressed and it took him about two minutes to climb into his clothes.

  He waited until we were in the car before he opened his yap. "Trouble?" That was all he said.

  "Nope. All you're going to do is drive a car. No trouble."

  We went over to Lee's place and I rang the bell. They have one of those speaking-tube gadgets there and Lee said he'd be right down. I saw him hurry through the lobby and open the door.

  He grinned when we shook hands. I was too tired to grin back. "Is it pretty bad, Mike? You look like you're out on your feet."

  "I am. I'm bushed but I can't go to bed with this on my mind. My car is out front."

  The two of us went down the walk and I opened the door for him. We got in the back together and I told Archie to head for the bridge. Lee sat back and let his eyes ask me if we could talk with Archie in the car. I shook my head no so we just sat there watching the rain streak across the windows.

  At the entrance to the bridge I passed Archie a half a buck and he handed it to the cop on duty at the toll booth. We started up the incline when I tapped him on the shoulder.

  "Stop here, Archie. We're going to walk the rest of the way. Go on over to Jersey and sop up some beer. Come back in a half-hour. We'll be at the top of the hump on the other side waiting for you." I dropped a fin on the seat beside him to pay for the beer and climbed out with Lee behind me.

 

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