by Fergus Hume
‘Do you see these?’ he asked, touching the white blossoms with the cigarette he held between his fingers.
Pierre intimated that he did.
‘From the plant of these, my friend,’ said Vandeloup, looking at them critically, ‘I can prepare a vegetable poison as deadly as any of Caesar Borgia’s. It is a powerful narcotic, and leaves hardly any trace. Having been a medical student, you know,’ he went on, conversationally, ‘I made quite a study of toxicology, and the juice of this plant,’ touching the white flower, ‘has done me good service, although it was the cause of my exile to New Caledonia. Well,’ with a shrug of the shoulders as he put the flowers back in his coat, ‘it is always something to have in reserve; I did not know that I could get this plant here, my friend. But now that I have I will prepare a little of this poison,—it will always be useful in emergencies.’
Pierre looked steadily at the young man, and then slipping his hand behind his back he drew forth from the waistband of his trousers a long, sharp, cruel-looking knife, which for safety had a leather sheath. Drawing this off, the dumb man ran his thumb along the keen edge, and held the knife out towards Vandeloup, who refused it with a cynical smile.
‘You don’t believe in this, I can see,’ he said, touching the dainty bunch of flowers as Pierre put the knife in its sheath again and returned it to its hiding-place. ‘I’m afraid your ideas are still crude—you believe in the good old-fashioned style of blood-letting. Quite a mistake, I assure you; poison is much more artistic and neat in its work, and to my mind involves less risk. You see, my Pierre,’ he continued, lazily watching the blue wreaths of smoke from his cigarette curl round his head, ‘crime must improve with civilization; and since the Cain and Abel epoch we have refined the art of murder in a most wonderful manner—decidedly we are becoming more civilized; and now, my friend,’ in a kind tone, laying his slender white hand on the shoulder of the dumb man, ‘you must really take a little rest, for I have no doubt but what you will need all your strength tonight should M. Villiers prove obstinate. Of course,’ with a shrug, ‘if he does not succeed in getting the nugget, our time will be simply wasted, and then,’ with a gay smile, touching the flowers, ‘I will see what I can do in the artistic line.’
Pierre lay down again on the bed, and turning his face to the wall fell fast asleep, while M. Vandeloup, humming a merry tune, walked gaily out of the room to the bar, and asked Miss Twexby for another drink.
‘Brandy and soda this time, please,’ he said, lazily lighting another cigarette; ‘this heat is so enervating, and I’m going to walk up to Black Hill. By the way, Mademoiselle,’ he went on, as she opened the soda water, ‘as I see there are two beds in my friend’s room I will stay here all night.’
‘You shall have the best room,’ said Martha, decisively, as she handed him the brandy and soda.
‘You are too kind,’ replied M. Vandeloup, coolly, as he took the drink from her, ‘but I prefer to stay with my silent friend. He was one of the sailors in the ship when I was wrecked, as you have no doubt heard, and looks upon me as a sort of fetish.’
Miss Twexby knew all about the wreck, and thought it was beautiful that he should condescend to be so friendly with a common sailor. Vandeloup received all her speeches with a polite smile, then set down his empty glass and prepared to leave.
‘Mademoiselle,’ he said, touching the flowers, ‘you see I still have them—they will remind me of you,’ and raising his hat he strolled idly out of the hotel, and went off in the direction of the Black Hill.
Miss Twexby ran to the door, and shading her eyes with her hands from the blinding glare of the sun, she watched him lounging along the street, tall, slender, and handsome.
‘He’s just lovely,’ she said to herself, as she returned to the bar ‘but his eyes are so wicked; I don’t think he’s a good young man.’
What would she have said if she had heard the conversation in the bedroom?
CHAPTER XI. THEODORE WOPPLES, ACTOR
Mr Villiers walked in a leisurely manner along the lower part of the town, with the intent of going up to his destination through the old mining gully. He took this route for two reasons—first, because the afternoon was hot, and it was easier climbing up that way than going by the ordinary road; and, second, on his journey through the chasm he would be able to mark some place where he could hide the nugget. With his stick under his arm, Mr Villiers trudged merrily along in a happy humour, as if he was bent on pleasure instead of robbery. And after all, as he said to himself, it could not be called a genuine robbery, as everything belonging to his wife was his by right of the marriage service, and he was only going to have his own again. With this comfortable thought he climbed slowly up the broken tortuous path which led to the Black Hill, and every now and then would pause to rest, and admire the view.
It was now nearly six o’clock, and the sun was sinking amid a blaze of splendour. The whole of the western sky was a sea of shimmering gold, and this, intensified near the horizon to almost blinding brightness, faded off towards the zenith of the sky into a delicate green, and thence melted imperceptibly into a cold blue.
Villiers, however, being of the earth, earthy, could not be troubled looking very long at such a common-place sight as a sunset; the same thing occurred every evening, and he had more important things to do than to waste his time gratifying his artistic eye. Arriving on the plateau of earth just in front of the gully, he was soon entering the narrow gorge, and tramped steadily along in deep thought, with bent head and wrinkled brows. The way being narrow, and Villiers being preoccupied, it was not surprising that as a man was coming down in the opposite direction, also preoccupied, they should run against one another. When this took place it gave Mr Villiers rather a start, as it suggested a possible witness to the deed he contemplated, a thing for which he was by no means anxious.
‘Really, sir,’ said the stranger, in a rich, rolling voice, and in a dignified tone, ‘I think you might look where you are going. From what I saw of you, your eyes were not fixed on the stars, and thus to cause your unwatched feet to stumble; in fact,’ said the speaker, looking up to the sky, ‘I see no stars whereon you could fix your gaze.’
This somewhat strange mode of remonstrance was delivered in a solemn manner, with appropriate gestures, and tickled Mr Villiers so much that he leaned up against a great rock abutting on the path, and laughed long and loudly.
‘That is right, sir,’ said the stranger, approvingly; ‘laughter is to the soul what food is to the body. I think, sir,’ in a Johnsonian manner, ‘the thought is a happy one.’
Villiers assented with a nod, and examined the speaker attentively. He was a man of medium height, rather portly than otherwise, with a clean-shaved face, clearly-cut features, and two merry grey eyes, which twinkled like stars as they rested on Villiers. His hair was greyish, and inclined to curl, but could not follow its natural inclination owing to the unsparing use of the barber’s shears. He wore a coat and trousers of white flannel, but no waistcoat; canvas shoes were on his feet, and a juvenile straw hat was perched on his iron-grey hair, the rim of which encircled his head like a halo of glory. He had small, well-shaped hands, one of which grasped a light cane, and the other a white silk pocket handkerchief, with which he frequently wiped his brow. He seemed very hot, and, leaning on the opposite side of the path against a rock, fanned himself first with his handkerchief and then with his hat, all the time looking at Mr Villiers with a beaming smile. At last he took a silver-mounted flask from his pocket and offered it to Villiers, with a pleasant bow.
‘It’s very hot, you know,’ he said, in his rich voice, as Villiers accepted the flask.
‘What, this?’ asked Villiers, indicating the flask, as he slowly unscrewed the top.
‘No; the day, my boy, the day. Ha! ha! ha!’ said the lively stranger, going off into fits of laughter, which vibrated like small thunder amid the high rocks surrounding them. ‘Good line for a comedy, I think. Ha! ha!—gad, I’ll make a note of it,’ and diving
into one of the pockets of his coat, he produced therefrom an old letter, on the back of which he inscribed the witticism with the stump of a pencil.
Meanwhile Villiers, thinking the flask contained brandy, or at least whisky, took a long drink of it, but found to his horror it was merely a weak solution of sherry and water.
‘Oh, my poor stomach,’ he gasped, taking the flask from his lips.
‘Colic?’ inquired the stranger with a pleasant smile, as he put back the letter and pencil, ‘hot water fomentations are what you need. Wonderful cure. Will bring you to life again though you were at your last gasp. Ha!’ struck with a sudden idea, ‘“His Last Gasp”, good title for a melodrama—mustn’t forget that,’ and out came the letter and the pencil again.
Mr Villiers explained in a somewhat gruff tone that it was not colic, but that his medical attendant allowed him to drink nothing but whisky.
‘To be taken twenty times a day, I presume,’ observed the stranger, with a wink; ‘no offence meant, sir,’ as Villiers showed a disposition to resent this, ‘merely a repartee. Good for a comedy, I fancy; what do you think?’
‘I think,’ said Mr Villiers, handing him back the flask, ‘that you’re very eccentric.’
‘Eccentric?’ replied the other, in an airy tone, ‘not at all, sir. I’m merely a civilized being with the veneer off. I am not hidden under an artificial coat of manner. No, I laugh—ha! ha! I skip, ha! ha!’ with a light trip on one foot. ‘I cry,’ in a dismal tone. ‘In fact, I am a man in his natural state—civilized sufficiently, but not over civilized.’
‘What’s your name?’ asked Mr Villiers, wondering whether the portly gentleman was mad.
For reply the stranger dived into another pocket, and, bringing to light a long bill-poster, held it up before Mr Villiers.
‘Read! mark! and inwardly digest!’ he said in a muffled tone behind the bill.
This document set forth in red, black, and blue letters, that the celebrated Wopples Family, consisting of twelve star artistes, were now in Ballarat, and would that night appear at the Academy of Music in their new and original farcical comedy, called ‘The Cruet-Stand’. Act I: Pepper! Act II: Mustard! Act III: Vinegar.
‘You, then,’ said Villiers, after he had perused this document, ‘are Mr Wopples?’
‘Theodore Wopples, at your service,’ said that gentleman, rolling up the bill, then putting it into his pocket, he produced therefrom a batch of tickets. ‘One of these,’ handing a ticket to Villiers, ‘will admit you to the stalls tonight, where you will see myself and the children in “The Cruet-Stand”.’
‘Rather a peculiar title, isn’t it?’ said Villiers, taking the ticket.
‘The play is still more peculiar, sir,’ replied Mr Wopples, restoring the bulky packet of tickets to his pocket, ‘dealing as it does with the adventures of a youth who hides his father’s will in a cruet stand, which is afterwards annexed by a comic bailiff.’
‘But isn’t it rather a curious thing to hide a will in a cruet stand?’ asked Villiers, smiling at the oddity of the idea.
‘Therein, sir, lies the peculiarity of the play,’ said Mr Wopples, grandly. ‘Of course the characters find out in Act I that the will is in the cruet stand; in Act II, while pursuing it, they get mixed up with the bailiff’s mother-in-law; and in Act III,’ finished Mr Wopples, exultingly, ‘they run it to earth in a pawnshop. Oh, I assure you it is a most original play.’
‘Very,’ assented the other, dryly; ‘the author must be a man of genius—who wrote it?’
‘Its a translation from the German, sir,’ said Mr Wopples, taking a drink of sherry and water, ‘and was originally produced in London as “The Pickle Bottle”, the will being hidden with the family onions. In Melbourne it was the success of the year under the same title. I,’ with an air of genius, ‘called it “The Cruet Stand”.’
‘Then how did you get a hold of it,’ asked Villiers.
‘My wife, sir,’ said the actor, rolling out the words in his deep voice. ‘A wonderful woman, sir; paid a visit to Melbourne, and there, sir, seated at the back of the pit between a coal-heaver and an apple-woman, she copied the whole thing down.’
‘But isn’t that rather mean?’
‘Certainly not,’ retorted Wopples, haughtily; ‘the opulent Melbourne managers refuse to let me have their new pieces, so I have to take the law into my own hands. I’ll get all the latest London successes in the same way. We play “Ours” under the title of “The Hero’s Return, or the Soldier’s Bride”: we have done the “Silver King” as “The Living Dead”, which was an immense success.’
Villiers thought that under such a contradictory title it would rather pique the curiosity of the public.
‘To-morrow night,’ pursued Mr Wopples, ‘we act “Called Back”, but it is billed as “The Blind Detective”; thus,’ said the actor, with virtuous scorn, ‘do we evade the grasping avarice of the Melbourne managers, who would make us pay fees for them.’
‘By the way,’ said Mr Wopples, breaking off suddenly in a light and airy manner, ‘as I came down here I saw a lovely girl—a veritable fairy, sir—with golden hair, and a bright smile that haunts me still. I exchanged a few remarks with her regarding the beauty of the day, and thus allegorically referred to the beauty of herself—a charming flight of fancy, I think, sir.’
‘It must have been Kitty Marchurst,’ said Villiers, not attending to the latter portion of Mr Wopples’ remarks.
‘Ah, indeed,’ said Mr Wopples, lightly, ‘how beautiful is the name of Kitty; it suggests poetry immediately—for instance:
Kitty, ah Kitty, You are so pretty, Charming and witty, That ‘twere a pity I sung not this ditty In praise of my Kitty.
On the spur of the moment, sir, I assure you; does it not remind you of Herrick?’
Mr Villiers bluntly said it did not.
‘Ah! perhaps it’s more like Shakespeare?’ observed the actor, quite unabashed. ‘You think so?’
Mr Villiers was doubtful, and displayed such anxiety to get away that Mr Wopples held out his hand to say goodbye.
‘You’ll excuse me, I know,’ said Mr Wopples, in an apologetic tone, ‘but the show commences at eight, and it is now half-past six. I trust I shall see you tonight.’
‘It’s very kind of you to give me this ticket,’ said Villiers, in whom the gentlemanly instinct still survived.
‘Not at all; not at all,’ retorted Mr Wopples, with a wink. ‘Business, my boy, business. Always have a good house first night, so must go into the highways and byways for an audience. Ha! Biblical illustration, you see;’ and with a gracious wave of his hand he skipped lightly down the path and disappeared from sight.
It was now getting dark; so Mr Villiers went on his own way, and having selected a mining shaft where he could hide the nugget, he climbed up to the top of the hill, and lying down under the shadow of a rock where he could get a good view of Marchurst’s house, he waited patiently till such time as his wife would start for home.
‘I’ll pay you out for all you’ve done,’ he muttered to himself, as he lay curled up in the black shadow like a noisome reptile. ‘Tit for tat, my lady!-tit for tat!’
CHAPTER XII. HIGHWAY ROBBERY
Dinner at Mr Marchurst’s house was not a particularly exhilarating affair. As a matter of fact, though dignified with the name of dinner, it was nothing more than one of those mixed meals known as high tea. Vandeloup knew this, and, having a strong aversion to the miscellaneous collection of victuals which appeared on Mr Marchurst’s table, he dined at Craig’s Hotel, where he had a nice little dinner, and drank a pint bottle of champagne in order to thoroughly enjoy himself. Madame Midas also had a dislike to tea- dinners, but, being a guest, of course had to take what was going; and she, Kitty, and Mr Marchurst, were the only people present at the festive board. At last Mr Marchurst finished and delivered a long address of thanks to Heaven for the good food they had enjoyed, which good food, being heavy and badly cooked, was warranted to give them all indigestio
n and turn their praying to cursing. In fact, what with strong tea, hurried meals, and no exercise, Mr Marchurst used to pass an awful time with the nightmare, and although he was accustomed to look upon nightmares as visions, they were due more to dyspepsia than inspiration.
After dinner Madame sat and talked with Marchurst, but Kitty went outside into the warm darkness of the summer night, and tried to pierce the gloom to see if her lover was coming. She was rewarded, for M. Vandeloup came up about half-past eight o’clock, having met Pierre as arranged. Pierre had found out Villiers in his hiding- place, and was watching him while Villiers watched the house. Being, therefore, quite easy in his mind that things were going smoothly, Vandeloup came up to the porch where Kitty was eagerly waiting for him, and taking her in his arms kissed her tenderly. Then, after assuring himself that Madame was safe with Marchurst, he put his arm round Kitty’s waist, and they walked up and down the path with the warm wind blowing in their faces, and the perfume of the wattle blossoms permeating the drowsy air. And yet while he was walking up and down, talking lover-like nonsense to the pretty girl by his side, Vandeloup knew that Villiers was watching the house far off, with evil eyes, and he also knew that Pierre was watching Villiers with all the insatiable desire of a wild beast for blood. The moon rose, a great shield of silver, and all the ground was strewn with the aerial shadows of the trees. The wind sighed through the branches of the wattles, and made their golden blossoms tremble in the moonlight, while hand in hand the lovers strolled down the path or over the short dry grass. Far away in the distance they heard a woman singing, and the high sweet voice floated softly towards them through the clear air.
Suddenly they heard the noise of a chair being pushed back inside the house, and knew that Madame was getting ready to go. They moved simultaneously towards the door, but in the porch Gaston paused for a moment, and caught Kitty by the arm.
