The Scrivener's Tale
Fiona McIntosh
Voyager (2012)
* * *
Rating: ★★★★☆
Tags: Fantasy, General, Fiction
Fantasyttt Generalttt Fictionttt
In the bookshops and cafes of present-day Paris, ex-psychologist Gabe Figaret is trying to put his shattered life back together. When another doctor, Reynard, asks him to help with a delusional female patient, Gabe is reluctant... until he meets her. At first Gabe thinks the woman, Angelina, is merely terrified of Reynard, but he quickly discovers she is not quite what she seems.
As his relationship with Angelina deepens, Gabe′s life in Paris becomes increasingly unstable. He senses a presence watching and following every move he makes, and yet he finds Angelina increasingly irresistible.
When Angelina tells Gabe he must kill her and flee to a place she calls Morgravia, he is horrified. But then Angelina shows him that the cathedral he has dreamt about since childhood is real and exists in Morgravia.
Soon, Gabe′s world will be turned upside down, and he will learn shocking truths about who he is . . . and who he can - or cannot - trust.
A fantastic, action-packed adventure starting in Paris and returning to Morgravia - this wonderful epic adventure grabs the reader from the first paragraph and doesn′t let go.
About the Author
Born in 1960 and raised in southern England, Fiona McIntosh spent an early childhood in the gold-mining camp of Bibiani in Ghana, where her father was working. She studied in Brighton before starting a career in PR and marketing in London. She made Australia her home in 1980, continuing in a travel-marketing career with an ad agency, a tourism authority, and an international airline. Fiona married her magazine-publisher husband, Ian, and they now live in Adelaide with their teenage twin sons, Will and Jack.
For Stephanie Smith
… the fairy godmother of Australia’s
speculative fiction scene
Table of Contents
Title Page
Dedication
Map
Prologue
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Epilogue
Acknowledgments
Also by Fiona McIntosh
About the Author
Praise
Copyright
About the Publisher
Prologue
He stirred, his consciousness fully engaged although he was unable to recall the last occasion anything had captivated his interest. How long had he waited in this numb acceptance that a shapeless, pointless eternity stretched ahead, with boredom his only companion? He was inconsequential, a nothingness. Existing, but not in a way that had worth or even acknowledgement … suspended between now and infinity. That was his punishment. Cyricus laughed without mirth or sound.
He was in this limbo because the goddess Lyana and her minions had been victorious several centuries previous, crushing the god Zarab. It had been the most intense confrontation that he could recall of all their cyclical battles, and Zarab’s followers, himself included, had been banished from the spiritual plane to wander aimlessly. He was a demon; not as powerful as his god, Zarab, but not as weak as most of the disciples and certainly more cunning, which is probably why he’d evaded being hunted down and destroyed. He and one other — a mere disciple — had survived Lyana’s wrath.
Cyricus remained an outlaw: a life, but not a life — no longer able to move in the plane of gods and never able to return to it, but he’d never given up hope. One day, he promised himself, he would learn a way to harness the power he needed, but not yet. He was not nearly strong enough and must content himself to exist without substance on the edge of worlds, and only his fury to keep him company.
But it was ill fate that he had recognised a fantastically powerful force emanating from the mortal plane; that force, he learned, was called the Wild. It sprawled to the northeast of an unfamiliar land called Morgravia. He’d been drifting in his insubstantial form for what might have been centuries, finally unwittingly veering into northern Briavel toward the natural phenomenon known as the Wild. It had sensed his evil and his interest long before he’d fully recognised its power: with the help of its keeper, Elysius, the Wild had driven the spirit of Cyricus and his minion into the universal Void. He could do nothing now but watch, bored, over more centuries, while mortals lived and died their short, trivial existences.
And then a young woman in Morgravia had done something extraordinary, fashioning a powerful magic so sly and sinister, so patient and cunning, that if he could he would have applauded her. It dragged him from disinterested slumber to full alertness, amusement even. This village woman, still languishing in her second decade, had crafted an incantation so powerful that she gave it an existence of its own: it had no master but it appeared to obey a set of rules that propelled it toward a single objective. Most curious of all, rather than cursing the man she loathed, Myrren had instead gifted her dark spell to his enemy, a boy.
Cyricus set aside his own situation and yearnings and gleefully focused his attention on the boy — plain, red-headed, forgettable if not for his name and title. He was Wyl Thirsk, the new hereditary general of the Morgravian Legion — forced to accept the role at his father’s untimely death — and he had no idea that his life had just taken a deviant path. Even Cyricus had no idea what the magic could do, but he could see it, shifting as a dark shadow within Thirsk. What would it do? What could it do? And when? Cyricus was centuries old; he was patient and had learned through Lyana’s punishment how to remain that way. Whatever magic it was that the young woman Myrren had cast, he was sure it would, one day, show itself.
It took five annums — a mere blink to him — before Cyricus could see the effect of Myrren’s gift. When it finally quickened within the young man and demonstrated its capacity, Cyricus mentally closed his eyes in awe.
It was a beautiful magic answerable to no-one.
And it was simple, elegant, brutal.
Wyl Thirsk moved haplessly, and savagely, through different lives while the magic of Myrren raged, always seeking that one person its creator hunted. Cyricus watched, fascinated, as the magic wreaked its havoc: changing lives, rearranging the course of Morgravia’s, Briavel’s and even the Razor Kingdom’s history.
And then at the height of his amusement it stopped. The spell laid itself to rest as abruptly as it had begun, although the land in which it had raged was an entirely changed place. Four kings had died in its time — two of those directly because of it — and a new empire had emerged. And the target of Myrren’s gift — and her cur
se — was finally destroyed.
In spite of the disappointment at his entertainment being cut short Cyricus had developed a respect for the magic. It was not random, it was extremely focused and its goal had been reached … revenge on King Celimus of Morgravia had been exacted in the most fantastic of manners.
The magic eased away from its carrier, Wyl Thirsk. However, it could never die once cast, of course, and Cyricus watched it finally pull itself into a small kernel until it was barely there, drifting around as he once had, attached to no-one and nothing — or so he thought — until his tireless observation refuted that presumption.
The magic did belong somewhere and it wanted to return there — to its spiritual home. But it was not permitted. And almost like an orphaned creature he could sense its longing, he could feel a kinship — they were both seemingly evil, both lost and unwanted, each unable to have substance, and yet both unable to disappear entirely into death.
He felt empathy! A unique moment of awakening for Cyricus.
In following Myrren’s gift, his gaze fell upon the Wild once again, and what he now discovered brought new fury, a rage like he had not felt since he was first defeated alongside Zarab. He learned that Myrren had been the child of Elysius! Her magic was born of him! The Wild protected them! But it repelled her savage, killing magic that she’d designed with only darkness in her intent.
Suddenly Cyricus had a purpose and it was Myrren’s cursed gift that gave him an idea: he would escape this prison of eternal suspended existence. The magic was there — homeless, idle, useless, ignored. He would lure it — make it notice him, welcome it even and then harness it. But he needed help.
He would need Aphra, his willing slave and undeniably adoring minion. He had longed for her carnal ways if not her vaguely irritating company. She had always worshipped him. He had toyed with her when it suited, had controlled her utterly. She would still do anything for him — torch, maim, pillage and kill for him. He liked her pliable emotions, her cunning — which, though no match for his, was admirable — and now he finally had good use for her. She’d been calling to him for decades — so many years he’d lost count and hadn’t cared to know. He’d had no reason to communicate.
But now he could see that dear love-blinded Aphra was his way back into some sort of life. She would provide him with what he lacked once he had captured the magic, understood it and moulded it to suit his needs. Myrren’s magic was his priority; the rest would fall into place.
And so Cyricus remained close to the three realms and began to plot while they became one; he watched the empire rise and flourish, and then begin to wane as factions within its trio of realms erupted to start dismantling what Emperor Cailech and his Empress Valentyna had given so much to achieve. Cyricus couldn’t care less. They could all go to war and he would enjoy watching the carnage … they could limp on, remaining allied but hating one another and it would make not a jot of difference to Cyricus.
All that mattered to him was being able to return to substantial form again — he wanted to be seen again, for his voice to be heard again. And he wanted to make this land — and the Wild that protected it, that had flicked him into the Void — pay for his suffering. His patience knew no bounds and while he tirelessly worked toward his aim he watched as heir upon heir sat on the Morgravian throne, unaware that theirs might be the reign that felt the full impact of his hungry revenge.
ONE
In the stillness that came in the hour before dawn, when Paris was at its quietest, a dark shape moved silently through the frigid winter air.
It landed soundlessly on a balcony railing that was crusted with December frost and stared through the window, where the softest glow of a bedside lamp illuminated the face of a sleeping man. The man was not at rest though.
Gabe was dreaming, his eyes moving rapidly behind his lids as the tension within the world of his dream escalated. It was not his favourite dream of being in the cathedral but it was familiar all the same and it frightened him. He’d taught himself to recognise the nightmare whenever and without any warning he slipped into the scene; only rarely did its memory linger. Most times the details of the dream fell like water through his fingers. Gone in the blink of surfacing to an alertness of his reality.
Here it was again: You’re in the nightmare, Gabe, his protective subconscious prodded. Start counting back from ten and open your eyes.
Ten …
Gabe felt the knife enter flesh, which surrendered so willingly; blood erupted in terrible warmth over his fist as it gripped the hilt. He felt himself topple, begin to fall …
… six … five …
He awoke with a dramatic start.
His heart was pounding so hard in his chest he could feel the angry drum of it against his ribcage. This was one of those rare occasions when vague detail lingered. And it felt so real that he couldn’t help but look at his hands for tangible evidence, expecting to see them covered with blood.
He tried to slow his breathing, checking the clock and noticing it was only nearing six and the sky was still dark in parts. He was parched. Gabe sat up and reached for the jug and tumbler he kept at his bedside and drank two glasses of water greedily. The hand that had held the phantasmic knife still trembled slightly. He shook his head in disgust.
Who had been the victim?
Why had he killed?
He blinked, deep in thought: could it be symbolic of the deaths that had affected him so profoundly? But he also hazily recalled that in his nightmare death had been welcomed by the victim.
Gabe shivered, his body clammy, and allowed the time for his breathing to become deeper and his heartbeat to slow. Paris was on the edge of winter; dawn would break soon but it remained bitingly cold — he could see ice crystals in the corners of the windows outside.
He swung his legs over the side of the bed and deliberately didn’t reach for his hoodie or brushed cotton pyjama bottoms. Gingerly climbing down from the mezzanine bedroom he tiptoed naked in the dark to open the French doors. Something darker than night skittered away but he convinced himself he’d imagined it for there was no sign once he risked stepping out onto the penthouse balcony.
The cold tore at his skin, but at least, shivering uncontrollably, he knew he was fully awake in Paris, in the 6th arrondissement … and his family had been dead for six years now. Gabe had been living here for not quite four of those, after one year in a wilderness of pain and recrimination and another losing himself in restless journeying in a bid to escape the past and its torment.
He had been one of Britain’s top psychologists. His public success was mainly because of the lodge he’d set up in the countryside where emotionally troubled youngsters could stay and where, amidst tranquil surrounds, Gabe would work to bring a measure of peace to their minds. There was space for a menagerie of animals for the youngsters to interact with or care for, including dogs and cats, chickens, pigs, a donkey. Horse riding at the local stables, plus hiking, even simple cake- and pie-baking classes, were also part of the therapy, diverting a patient’s attention outward and into conversation, fun, group participation, bonding with others, finding safety nets for the wobbly times on the tightropes of anxiety.
It was far more complex than that, of course, with other innovative approaches being used as well — everything from psychodynamic music to transactional therapies. Worried parents and carers, teachers and government agencies had all marvelled at his success in strengthening and fortifying the ability of his young charges to deal with their ‘demons’.
Television reporters, journalists and the grapevine, however, liked to present him as a folk hero — a modern-day Pied Piper, using simple techniques like animal husbandry. It allowed his detractors to claim his brand of therapy and counsel was not rooted in academia. Even so, Gabe’s legend had grown. Big companies knocked on his door: why didn’t he join their company and show them how to market to teens, or perhaps they could sponsor the lodge? He refused both options but that didn’t stop his peers criticising
him or his status increasing to world acclaim. Or near enough.
Fate is a fickle mistress, they say, and she used his success to kill not only his stellar career but also his family, in a motorway pile-up while on their way to visit his wife’s family for Easter.
The real villain was not his fast, expensive German car but the semi-trailer driver whose eyelids fate had closed, just for a moment. The tired, middle-aged man pushed himself harder than he should have in order to sleep next to his wife and be home to kiss his son good morning; he set off the chain of destruction on Britain’s M1 motorway in the Midlands one terrible late-winter Thursday evening.
The pile-up had occurred on a frosty, foggy highway and had involved sixteen vehicles and claimed many lives, amongst them Lauren and Henry. For some inexplicable reason the gods had opted to throw Gabe four metres clear of the carnage, to crawl away damaged and bewildered. He might have seen the threat if only he hadn’t turned to smile at his son …
He faced the world for a year and then he no longer wanted to face it. Gabe had fled to France, the homeland of his father, and disappeared with little more than a rucksack for fifteen months, staying in tiny alpine villages or sipping aniseed liquor in small bars along the coastline. In the meantime, and on his instructions, his solicitor had sold the practice and its properties, as well as the sprawling but tasteful mansion in Hurstpierpoint with the smell of fresh paint still evident in the new nursery that within fourteen weeks was to welcome their second child.
He was certainly not left poor, plus there was solid income from his famous dead mother’s royalties and also from his father’s company. In his mid-thirties he found himself in Paris with a brimming bank account, a ragged beard, long hair and, while he couldn’t fully call it peace of mind, he’d certainly made his peace with himself regarding that traumatic night and its losses. He believed the knifing dream was symbolic of the death of Lauren and Henry — as though he had killed them with a moment’s inattention.
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