Critical acclaim for Peter Robinson
and the Inspector Banks series
GALLOWS VIEW
‘Peter Robinson is an expert plotter with an eye for telling detail’ – New York Times
‘An impressive debut’ – Publishers Weekly
‘Fans of P. D. James and Ruth Rendell who crave more contemporary themes should look no further than Peter Robinson’ – Washington Post
A DEDICATED MAN
‘Robinson’s profound sense of place and reflective study of human nature give fine depth to his mystery’ – New York Times
‘A deftly constructed plot . . . Robinson’s skill with the British police procedural has been burnished to a high gloss’ – Chicago Tribune
WEDNESDAY’S CHILD
A dark, unsettling story . . . Impressive’ – New York Times
DRY BONES THAT DREAM
‘Highly entertaining’ – Scotland on Sunday
‘High-quality crime from one of Canada’s top crime-writers’ – Toronto Star
INNOCENT GRAVES
‘Atmospheric’ – Time Out
DEAD RIGHT
‘Every page here is readable and compelling’ – Washington Times
‘This book has everything that makes a Peter Robinson book good . . . He writes absolutely perfect dialogue. And the plot keeps the reader guessing until the end’ – Mystery Scene
IN A DRY SEASON
A powerfully moving work’ – IAN RANKIN
A wonderful novel. From Robinson’s deft hand comes a multi-layered mystery woven around the carefully detailed portraits of characters all held tightly in the grip of the past’ – MICHAEL CONNELLY
‘This unsettling story, haunting and subtle in its blending of past and present, is the most powerful novel by the star of the middle-generation of British crime writers’ – ROBERT BARNARD
COLD IS THE GRAVE
Absorbing’ – Scotsman
‘Full of twists and surprises’ – Chicago Tribune
‘Exhilarating’ – Toronto Star
A DEDICATED MAN
Peter Robinson grew up in Yorkshire, but now lives in Canada.
His Inspector Banks series has won numerous awards in Britain, Europe, the United States and Canada. There are now fifteen novels published by Pan Macmillam in the series, of which A Dedicated Man is the second. Aftermath, the twelfth, was a Sunday Times bestseller.
The Inspector Banks Series
GALLOWS VIEW
A DEDICATED MAN
A NECESSARY END
THE HANGING VALLEY
PAST REASON HATED
WEDNESDAY’S CHILD
DRY BONES THAT DREAM
INNOCENT GRAVES
DEAD RIGHT
IN A DRY SEASON
COLD IS THE GRAVE
AFTERMATH
THE SUMMER THAT NEVER WAS
PLAYING WITH FIRE
STRANGE AFFAIR
Also by Peter Robinson
CAEDMON’S SONG
NOT SAFE AFTER DARK AND OTHER WORKS
PETER
ROBINSON
A DEDICATED MAN
AN INSPECTOR BANKS MYSTERY
PAN BOOKS
First published 1988 by Viking (Canada), Toronto
This edition published 2002 by Pan Books
This electronic edition published 2008 by Pan Books
an imprint of Pan Macmillan Ltd
Pan Macmillan, 20 New Wharf Rd, London N1 9RR
Basingstoke and Oxford
Associated companies throughout the world
www.panmacmillan.com
ISBN 978-0-330-46929-6 in Adobe Reader format
ISBN 978-0-330-46928-9 in Adobe Digital Editions format
ISBN 978-0-330-46931-9 in Microsoft Reader format
ISBN 978-0-330-46930-2 in Mobipocket format
Copyright © Peter Robinson 1988
The right of Peter Robinson to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
A CIP catalogue record for this book is available from the British Library.
Visit www. panmacmillan.com to read more about all our books and to buy them. You will also find features, author interviews and news of any author events, and you can sign up for e-newsletters so that you’re always first to hear about our new releases.
For Jan
They were right, my dear, all those voices were right And still are; this land is not the sweet home that it looks,
Nor its peace the historical calm of a site Where something was settled once and for all . . .
W. H. AUDEN
‘In Praise of Limestone’
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
1
ONE
When the sun rose high enough to clear the slate roofs on the other side of the street, it crept through a chink in Sally Lumb’s curtain and lit on a strand of gold blonde hair that curled over her cheek. She was dreaming. Minotaurs, bank clerks, gazelles and trolls cavorted through the barns, maisonettes and Gothic palaces of her sleep. But when she awoke a few hours later, all she was left with was the disturbing image of a cat picking its way along a high wall topped with broken glass. Dreams. Most of them she ignored. They had nothing to do with the other kind of dreams, the most important ones that she didn’t have to fall asleep to find. In these dreams, she passed her exams and was accepted into the Marion Boyars Academy of Theatre Arts. There she studied acting, modelling and cosmetic technique, for Sally was realistic enough to know that if she lacked the dramatic talent of a Kate Winslet or a Gwyneth Paltrow, she could at least belong to the fringes of the world of glamour.
When Sally finally stirred, the bar of sunlight had shifted to the floor beside her bed, striping the untidy pile of clothes she had dropped there the night before. She could hear plates and cutlery in the kitchen downstairs, and the rich smell of roast beef wafted up to her room. She got up. It was good policy, she thought, to get downstairs as soon as possible and help with the vegetables before her mother’s call – ‘It’s on the table!’ – came grating up to her. At least by showing a willingness to help, she could probably avoid too probing an investigation into her lateness last night.
Sally stared at herself in the full-length mirror of her old oak wardrobe. Even if there was still a little puppy fat around her hips and thighs, it would soon go away. On the whole, she decided, she had a good body. Her breasts were perfect. Most people, of course, complimented her on her long silky hair, but they hadn’t seen her breasts. Kevin had. Just last night he had caressed them and told her they were perfect. Last night they had gone almost all the way, and Sally knew that the next time, soon, they would. She looked forward to it with a mixture of fear and desire that, according to what she had read in magazines and books, would soon fuse into ecstasy in the heat of passion and longing.
Sally touched her nipple with the tip of her forefinger and felt a tingle in her loins. The nipple hardened and she moved away from the mirror to get dressed, her face burning.
; Kevin was good. He knew how to excite her; ever since summer began he had played carefully with the boundaries of her desire. He had pushed them back a little further each time, and soon the whole country would be his. He was young, like Sally, but still he seemed to know instinctively how to please her, just as she imagined an experienced older man would know. She even thought she loved Kevin a bit. But if someone else came along – somebody more mature, more wealthy, more sophisticated, someone who was at home in the exciting, fast-paced cities of the world, well, after all, Kevin was only a farm boy at heart.
Dressed in designer jeans and a plain white T-shirt, Sally drew back the curtains. When her eyes had adjusted to the glare, she looked out on a perfect Swainsdale morning. A few fluffy little clouds – one like a teddy bear, another like a crab – scudded across the piercing blue sky on a light breeze. She looked north up the broad slope of the valley side, its rich greens interrupted here and there by dark patches of heather and outcrops of limestone, to the long sheer wall of Crow Scar, and noticed something very odd. At first she couldn’t make it out at all. Then she squinted, refocused and saw, spreading out along the slope just above the old road, five or six blue dots which seemed to be moving in some kind of pattern. She put her finger to her lips, thought for a moment, then frowned.
TWO
Fifteen miles away in Eastvale, the dale’s largest town, somebody else was anticipating a Sunday dinner of succulent roast beef and Yorkshire pudding. Detective Chief Inspector Alan Banks lay flat on his stomach in Brian’s room watching an electric train whizz around bends, over bridges, through signals and under papier mâché mountains. Brian himself was out riding his bike in the local park, but Banks had long since given up the pretence that he only played with the trains for his son’s sake and finally admitted that he found the pastime even more relaxing than a hot bath.
He heard the phone ring out in the hall, and a few seconds later his daughter, Tracy, shouted through, ‘It’s for you, Dad!’
As Banks rushed downstairs, the aroma from the kitchen made his mouth water. He thanked Tracy and picked up the receiver. It was Sergeant Rowe, desk officer at Eastvale Regional Headquarters.
‘Sorry to bother you, sir,’ Rowe began, ‘but we’ve just had a call from Constable Weaver over in Helmthorpe. Seems a local farmer’s found a body in one of his fields this morning.’
‘Go on,’ Banks urged, snapping into professional gear.
‘Chap said he was looking for a stray sheep, sir, when he found this body buried by a wall. Weaver says he shifted one or two stones and it’s a dead ’un all right. Looks like someone bashed ’is ’ead in.’
Banks felt the tightening in his stomach that always accompanied news of murder. He had transferred from London a year ago, sickened by the spiralling of senseless violence there, only to find in the Gallows View case that things could be just as bad, if not worse, up north. The business had left both him and Sandra emotionally exhausted, but since then things had settled down. There’d been nothing but a few burglaries and one case of fraud to occupy his attention, and he had really begun to believe that murders, peeping Toms and vicious teenagers were the exception rather than the rule in Eastvale.
‘Tell Constable Weaver to get back up there with as many local men as he can muster and rope off the area. I want them to start a systematic search, but I don’t want anyone else closer to the body than ten yards. Got that?’ The last thing he needed was half a dozen flatfoots trampling down the few square feet where clues were most likely to be found.
‘Tell them to put everything they find into marked envelopes,’ he went on. ‘They should know the procedure, but it won’t do any harm to remind them. And I mean everything. Used rubbers, the lot. Get in touch with Detective Sergeant Hatchley and Dr Glendenning. Tell them to get out there immediately. I’ll want the photographer and the forensic team too. Okay?’
‘Yes, sir,’ Sergeant Rowe replied. He knew that Jim Hatchley would be enjoying his usual Sunday lunchtime pint in the Oak and that it would give Banks a great deal of satisfaction to interrupt his pleasure.
‘I suppose the super’s been informed?’
‘Yes, sir. It was him as said to tell you.’
‘It would be,’ Banks complained. ‘I don’t suppose he wanted to miss his Sunday dinner.’ But he spoke with humour and affection. Superintendent Gristhorpe, of all his new colleagues, was the one who had given him the most support and encouragement during the difficult transition from city to country.
Banks hung up and slipped on his worn brown jacket with the elbow patches. He was a small, dark man, in appearance rather like the old Celtic strain of Welshman, and his physique certainly didn’t give away his profession.
Sandra, Banks’s wife, emerged from the kitchen as he was preparing to leave. ‘What is it?’ she asked.
‘Looks like a murder.’
She wiped her hands on her blue checked pinafore. ‘So you won’t be in for dinner?’
‘Sorry, love. Doesn’t look like it.’
‘And I don’t suppose there’s any point in keeping it warm?’
‘Shouldn’t think so. I’ll grab a sandwich somewhere.’ He kissed her quickly on the lips. ‘Don’t worry. I’ll give you a call as soon as I know what’s happening.’
Banks drove his white Cortina west along the valley bottom by the riverside. He was entitled to a police car and driver, but he actually enjoyed driving and preferred his own company when travelling to and from a case. A generous mileage allowance more than compensated for the cost.
With one eye on the road and one hand on the wheel, he flipped through an untidy pile of cassette tapes on the passenger seat, selected one and slipped it into the deck.
Though he swore that his passion for opera had not waned over the winter, he had to admit that he had been sidetracked into the world of English vocal and choral music. It was a change Sandra heartily approved of; she had never liked opera much in the first place, and Wagner had been the last straw for her. After she had finally gone so far as to attack one of his tapes with a magnet – the one with ‘Siegfried’s Funeral March’ on it, Banks remembered sadly – he had got the message. With Ian Partridge singing Dowland’s ‘I Saw My Lady Weepe’, he drove on.
Like the larger and more famous Yorkshire Dales, Swainsdale runs more or less from west to east, with a slight list towards the south, until the humble river loses itself in the Ouse. At its source near Swainshead, high in the Pennine fells, the River Swain is nothing more than a trickle of sparkling clear water, but in carving its way down towards the North Sea it has formed, with the help of glaciers and geological faults, a long and beautiful dale which broadens out as it approaches the Vale of York. The main town, Eastvale, dominated by its Norman castle, sits at the extreme eastern edge of the dale and looks out over the rich, fertile plain. On a clear day, the Hambleton Hills and the North York Moors are visible in the distance.
He saw Lyndgarth on the valley side to the north, near the dark ruins of Devraulx Abbey, and passed through peaceful Fortford, where the remains of a Roman fort were still under excavation on a hillock opposite the village green. Ahead, he could see the bright limestone curve of Crow Scar high up on his right, and, as he drew closer, he noticed the local police searching a field marked off by irregular drystone walls. The limestone shone bright in the sun, and the walls stood out against the grass like pearl necklaces on an emerald velvet cushion.
To get to the scene, Banks had to drive through Helmthorpe, the dale’s central market village, turn right at the bridge on to Hill Road, and then turn right again on to a narrow road that meandered north-eastwards about halfway up the valley side. It was a miracle that the track had ever been tarmacked – probably a gesture towards increasing tourism, Banks guessed. No good for tyre tracks, though, he thought gloomily.
Being more used to getting around in the city than in the countryside, he scraped his knee climbing the low wall and stumbled over the lumpy sods of grass in the field. Finally, out of bre
ath, he got to where a uniformed man, presumably Constable Weaver, stood talking to a gnarled old farmer about fifty yards up the slope.
By the side of the north-south wall, loosely covered with earth and stones, lay the body. Enough of its covering had been removed to make it recognizable as a man. The head lay to one side, and, kneeling beside it, Banks could see that the hair at the back was matted with blood. A jolt of nausea shot through his stomach, but he quickly controlled it as he began to make mental notes about the scene. Standing up, he was struck by the contrast between the beautiful, serene day and the corpse at his feet.
‘Anything been disturbed?’ he asked Weaver, stepping carefully back over the rope.
‘Not much, sir,’ the young constable replied. His face was white and the sour smell on his breath indicated that he had probably been sick over the wall. Natural enough, Banks thought. Probably the lad’s first corpse.
‘Mr Tavistock here’ – he gestured towards the whiskered farmer – ‘says he just moved those stones around the head to see what his dog was scratting at.’
Banks looked at Tavistock, whose grim expression betrayed a man used to death. Ex-army, most likely, and old enough to have seen action in two world wars.
‘I were lookin’ fer one ’o my sheep,’ Tavistock began in a slow, thick Yorkshire accent, ‘and I saw that there damage to t’ wall. I thought there’d bin a c’lapse.’ He paused and rubbed his grizzly chin. ‘There shouldn’t a bin no c’lapse in a Bessthwaite wall. Bin there sin’ eighteen thirty, that ’as. Any road, old Ben started scratting. At first I thought nowt on it, then . . .’ He shrugged as if there was nothing more to be said.
‘What did you do when you realized what it was?’ Banks asked.
Tavistock scratched his turkey neck and spat on the grass. ‘Just ’ad a look, that’s all. I thought it might a bin a sheep somebody’d killed. That ’appens sometimes. Then I ran ’ome’ – he pointed to a farmhouse about half a mile away – ‘and I called young Weaver ’ere.’
A Dedicated Man Page 1
