by Clive Barker
Eventually one of them saw Kaufman.
Its eyes stopped flickering for a moment, and fixed on him. A look of enquiry came over the face, making a parody of puzzlement.
"You," it said. The voice was as wasted as the lips it came from.
Kaufman raised the cleaver a little, calculating his chances. There were perhaps thirty of them in the car and many more outside. But they looked so weak, and they had no weapons, but their skin and bones.
The monster spoke again, its voice quite well modulated, when it found itself, the piping of a once-cultured, once charming man.
"You came after the other, yes?"
It glanced down at the body of Mahogany. It had clearly taken in the situation very quickly. "Old anyway," it said, its watery eyes back on Kaufman, studying him with care.
"Fuck you," said Kaufman.
The creature attempted a wry smile, but it had almost forgotten the technique and the result was a grimace which exposed a mouthful of teeth that had been systematically filed into points.
"You must now do this for us," it said through the bestial grin.
"We cannot survive without food."
The hand patted the rump of human flesh. Kaufman had no reply to the idea. He just stared in disgust as the fingernails slid between the cleft in the buttocks, feeling the swell of tender muscle.
"It disgusts us no less than you," said the creature. "But we're bound to eat this meat, or we die. God knows, I have no appetite for it."
The thing was drooling nevertheless.
Kaufman found his voice. It was small, more with a confusion of feelings than with fear.
"What are you?" He remembered the bearded man in the Deli.
"Are you accidents of some kind?"
"We are the City fathers," the thing said. "And mothers, and daughters and sons. The builders, the law-makers. We made this city."
"New York?" said Kaufman. The Palace of Delights? "Before you were born, before anyone living was born." As it spoke the creature's fingernails were running up under the skin of the split body, and were peeling the thin elastic layer off the luscious brawn. Behind Kaufman, the other creatures had begun to unhook the bodies from the straps, their hands laid in that same delighting manner on the smooth breasts and flanks of flesh. These too had begun skinning the meat.
"You will bring us more," the father said. "More meat for us. The other one was weak."
Kaufman stared in disbelief.
"Me?" he said. "Feed you? What do you think I am?"
"You must do it for us, and for those older than us. For those born before the city was thought of, when America was a timberland and desert."
The fragile hand gestured out of the train.
Kaufman's gaze followed the pointing finger into the gloom. There was something else outside the train which he'd failed to see before; much bigger than anything human.
The pack of creatures parted to let Kaufman through so that he could inspect more closely whatever it was that stood outside, but his feet would not move.
"Go on," said the father.
Kaufman thought of the city he'd loved. Were these really its ancients, its philosophers, its creators? He had to believe it. Perhaps there were people on the surface -bureaucrats, politicians, authorities of every kind – who knew this horrible secret and whose lives were dedicated to preserving these abominations, feeding them, as savages feed lambs to their gods. There was a horrible familiarity about this ritual. It rang a bell – not in Kaufman's conscious mind, but in his deeper, older self.
His feet, no longer obeying his mind, but his instinct to worship, moved. He walked through the corridor of bodies and stepped out of the train.
The light of the torches scarcely began to illuminate the limitless darkness outside. The air seemed solid, it was so thick with the smell of ancient earth. But Kaufman smelt nothing. His head bowed, it was all he could do to prevent himself from fainting again.
It was there; the precursor of man. The original American, whose homeland this was before Passamaquoddy or Cheyenne. Its eyes, if it had eyes, were on him.
His body shook. His teeth chattered.
He could hear the noise of its anatomy: ticking, crackling, sobbing.
It shifted a little in the dark.
The sound of its movement was awesome. Like a mountain sitting up.
Kaufman's face was raised to it, and without thinking about what he was doing or why, he fell to his knees in the shit in front of the Father of Fathers.
Every day of his life had been leading to this day, every moment quickening to this incalculable moment of holy terror.
Had there been sufficient light in that pit to see the whole, perhaps his tepid heart would have burst. As it was he felt it flutter in his chest as he saw what he saw.
It was a giant. Without head or limb. Without a feature that was analogous to human, without an organ that made sense, or senses. If it was like anything, it was like a shoal of fish. A thousand snouts all moving in unison, budding, blossoming and withering rhythmically. It was iridescent, like mother of pearl, but it was sometimes deeper than any colour Kaufman knew, or could put a name to.
That was all Kaufman could see, and it was more than he wanted to see. There was much more in the darkness, flickering and flapping.
But he could look no longer. He turned away, and as he did so a football was pitched out of the train and rolled to a halt in front of the Father.
At least he thought it was a football, until he peered more attentively at it, and recognized it as a human head, the head of the Butcher. The skin of the face had been peeled off in strips. It glistened with blood as it lay in front of its Lord.
Kaufman looked away, and walked back to the train. Every part of his body seemed to be weeping but his eyes. They were too hot with the sight behind him, they boiled his tears away.
Inside, the creatures had already set about their supper. One, he saw, was plucking the blue sweet morsel of a woman's eye out of the socket. Another had a hand in its mouth. At Kaufman's feet lay the Butcher's headless corpse, still bleeding profusely from where its neck had been bitten through.
The little father who had spoken earlier stood in front of Kaufman.
"Serve us?" it asked, gently, as you might ask a cow to follow you.
Kaufman was staring at the cleaver, the Butcher's symbol of office. The creatures were leaving the car now, dragging the half-eaten bodies after them. As the torches were taken out of the car, darkness was returning. But before the lights had completely disappeared the father reached out and took hold of Kaufman's face, thrusting him round to look at himself in the filthy glass of the car window.
It was a thin reflection, but Kaufman could see quite well enough how changed he was. Whiter than any living man should be, covered in grime and blood.
The father's hand still gripped Kaufman's face, and its forefinger hooked into his mouth and down his gullet, the nail scoring the back of his throat. Kaufman gagged on the intruder, but had no will left to repel the attack. "Serve," said the creature. "In silence."
Too late, Kaufman realized the intention of the fingers.
Suddenly his tongue was seized tight and twisted on the root. Kaufman, in shock, dropped the cleaver. He tried to scream, but no sound came. Blood was in his throat, he heard his flesh tearing, and agonies convulsed him. Then the hand was out of his mouth and the scarlet, spittle-covered fingers were in front of his face, with his tongue, held between thumb and forefinger.
Kaufman was speechless.
"Serve," said the father, and stuffed the tongue into his own mouth, chewing on it with evident satisfaction. Kaufman fell to his knees, spewing up his sandwich.
The father was already shuffling away into the dark; the rest of the ancients had disappeared into their warren for another night.
The tannoy crackled.
"Home," said the driver.
The doors hissed closed and the sound of power surged through the train. The lights flickered on,
then off again, then on.
The train began to move.
Kaufman lay on the floor, tears pouring down his face, tears of discomfiture and of resignation. He would bleed to death, he decided, where he lay. It wouldn't matter if he died. It was a foul world anyway.
The driver woke him. He opened his eyes. The face that was looking down at him was black, and not unfriendly. It grinned. Kaufman tried to say something, but his mouth was sealed up with dried blood. He jerked his head around like a driveller trying to spit out a word. Nothing came but grunts.
He wasn't dead. He hadn't bled to death.
The driver pulled him to his knees, talking to him as though he were a three-year-old.
"You got a job to do, my man: they're very pleased with you."
The driver had licked his fingers, and was rubbing Kaufman's swollen lips, trying to part them. "Lots to learn before tomorrow night…"
Lots to learn. Lots to learn.
He led Kaufman out of the train. They were in no station he had ever seen before. It was white-tiled and absolutely pristine; a station-keeper's Nirvana. No graffiti disfigured the walls. There were no token-booths, but then there were no gates and no passengers either. This was a line that provided only one service: The Meat Train. A morning shift of cleaners were already busy hosing the blood off the seats and the floor of the train. Somebody was stripping the Butcher's body, in preparation for dispatch to New Jersey. All around Kaufman people were at work.
A rain of dawn light was pouring through a grating in the roof of the station. Motes of dust hung in the beams, turning over and over. Kaufman watched them, entranced. He hadn't seen such a beautiful thing since he was a child. Lovely dust. Over and over, and over and over.
The driver had managed to separate Kaufman's lips. His mouth was too wounded for him to move it, but at least he could breathe easily. And the pain was already beginning to subside.
The driver smiled at him, then turned to the rest of the workers in the station.
"I'd like to introduce Mahogany's replacement. Our new butcher," he announced.
The workers looked at Kaufman. There was a certain deference in their faces, which he found appealing. Kaufman looked up at the sunlight, now falling all around him. He jerked his head, signifying that he wanted to go up, into the open air. The driver nodded, and led him up a steep flight of steps and through an alley-way and so out on to the sidewalk.
It was a beautiful day. The bright sky over New York was streaked with filaments of pale pink cloud, and the air smelt of morning.
The Streets and Avenues were practically empty. At a distance an occasional cab crossed an intersection, its engine a whisper; a runner sweated past on the other side of the street.
Very soon these same deserted sidewalks would be thronged with people. The city would go about its business in ignorance: never knowing what it was built upon, or what it owed its life to. Without hesitation, Kaufman fell to his knees and kissed the dirty concrete with his bloody lips, silently swearing his eternal loyalty to its continuance.
The Palace of Delights received the adoration without comment.
III: THE YATTERING AND JACK
Why the powers (long may they hold court; long may they shit light on the heads of the damned) had sent it out from Hell to stalk Jack Polo, the Yattering couldn't discover. Whenever he passed a tentative enquiry along the system to his master, just asking the simple question, "What am I doing here?" it was answered with a swift rebuke for its curiosity. None of its business, came the reply, its business was to do. Or die trying. And after six months of pursuing Polo, the Yattering was beginning to see extinction as an easy option. This endless game of hide and seek was to nobody's benefit, and to the Yattering's immense frustration. It feared ulcers, it feared psychosomatic leprosy (a condition lower demons like itself were susceptible to), worst of all it feared losing its temper completely and killing the man outright in an uncontrollable fit of pique.
What was Jack Polo anyway?
A gherkin importer; by the balls of Leviticus, he was simply a gherkin importer. His life was worn out, his family was dull, his politics were simple-minded and his theology non-existent. The man was a no-account, one of nature's blankest little numbers – why bother with the likes of him? This wasn't a Faust: a pact-maker, a soul-seller. This one wouldn't look twice at the chance of divine inspiration: he'd sniff, shrug and get on with his gherkin importing. Yet the Yattering was bound to that house, long night and longer day, until he had the man a lunatic, or as good as. It was going to be a lengthy job, if not interminable. Yes, there were times when even psychosomatic leprosy would be bearable if it meant being invalided off this impossible mission.
For his part, Jack J. Polo continued to be the most unknowing of men. He had always been that way; indeed his history was littered with the victims of his naпvetй. When his late, lamented wife had cheated on him (he'd been in the house on at least two of the occasions, watching the television) he was the last one to find out. And the clues they'd left behind them! A blind, deaf and dumb man would have become suspicious. Not Jack. He pottered about his dull business and never noticed the tang of the adulterer's cologne, nor the abnormal regularity with which his wife changed the bed-linen.
He was no less disinterested in events when his younger daughter Amanda confessed her lesbianism to him. His response was a sigh and a puzzled look.
"Well, as long as you don't get pregnant, darling," he replied, and sauntered off into the garden, blithe as ever. What chance did a fury have with a man like that?
To a creature trained to put its meddling fingers into the wounds of the human psyche, Polo offered a surface so glacial, so utterly without distinguishing marks, as to deny malice any hold whatsoever.
Events seemed to make no dent in his perfect indifference. His life's disasters seemed not to scar his mind at all. When, eventually, he was confronted with the truth about his wife's infidelity (he found them screwing in the bath) he couldn't bring himself to be hurt or humiliated.
"These things happen," he said to himself, backing out of the bathroom to let them finish what they'd started. "Che sera, sera."
Che sera, sera. The man muttered that damn phrase with monotonous regularity. He seemed to live by that philosophy of fatalism, letting attacks on his manhood, ambition and dignity slide off his ego like rain-water from his bald head.
The Yattering had heard Polo's wife confess all to her husband (it was hanging upside down from the light-fitting, invisible as ever) and the scene had made it wince. There was the distraught sinner, begging to be accused, bawled at, struck even, and instead of giving her the satisfaction of his hatred, Polo had just shrugged and let her say her piece without a word of interruption, until she had no more to embosom. She'd left, at length, more out of frustration and sorrow than guilt; the Yattering had heard her tell the bathroom mirror how insulted she was at her husband's lack of righteous anger. A little while after she'd flung herself off the balcony of the Roxy Cinema. Her suicide was in some ways convenient for the fury. With the wife gone, and the daughters away from home, it could plan for more elaborate tricks to unnerve its victim, without ever having to concern itself with revealing its presence to creatures the powers had not marked for attack.
But the absence of the wife left the house empty during the days, and that soon became a burden of boredom the Yattering found scarcely supportable. The hours from nine to five, alone in the house, often seemed endless. It would mope and wander, planning bizarre and impractical revenges upon the Polo-man, pacing the rooms, heartsick, companioned only by the clicks and whirrs of the house as the radiators cooled, or the refrigerator switched itself on and off. The situation rapidly became so desperate that the arrival of the midday post became the high-point of the day, and an unshakeable melancholy would settle on the Yattering if the postman had nothing to deliver and passed by to the next house.
When Jack returned the games would begin in earnest. The usual warm-up routine: it would meet J
ack at the door and prevent his key from turning in the lock. The contest would go on for a minute or two until Jack accidentally found the measure of the Yattering's resistance, and won the day. Once inside, it would start all the lampshades swinging. The man would usually ignore this performance, however violent the motion. Perhaps he might shrug and murmur: "Subsidence," under his breath, then, inevitably, "Che sera, sera."
In the bathroom, the Yattering would have squeezed toothpaste around the toilet-seat and have plugged up the shower-head with soggy toilet-paper. It would even share the shower with Jack, hanging unseen from the rail that held up the shower curtain and murmuring obscene suggestions in his ear. That was always successful, the demons were taught at the Academy. The obscenities in the ear routine never failed to distress clients, making them think they were conceiving of these pernicious acts themselves, and driving them to self-disgust, then to self-rejection and finally to madness. Of course, in a few cases the victims would be so inflamed by these whispered suggestions they'd go out on the streets and act upon them. Under such circumstances the victim would often be arrested and incarcerated. Prison would lead to further crimes, and a slow dwindling of moral reserves – and the victory was won by that route. One way or another insanity would out.
Except that for some reason this rule did not apply to Polo; he was imperturbable: a tower of propriety.
Indeed, the way things were going the Yattering would be the one to break. It was tired; so very tired. Endless days of tormenting the cat, reading the funnies in yesterday's newspaper, watching the game shows: they drained the fury. Lately, it had developed a passion for the woman who lived across the street from Polo. She was a young widow; and seemed to spend most of her life parading around the house stark naked. It was almost unbearable sometimes, in the middle of a day when the postman failed to call, watching the woman and knowing it could never cross the threshold of Polo's house.
This was the Law. The Yattering was a minor demon, and his soul-catching was strictly confined to the perimeters of his victim's house. To step outside was to relinquish all powers over the victim: to put itself at the mercy of humanity.
