by Brad Meltzer
“The lack of sutural closing indicates a young teenager. The second molar is only just erupted. That would put him or her at around thirteen, give or take a few years. I would guess female, by the gracile brow ridges. Very bad teeth, by the way, with no orthodontry. That suggests neglect, at least. And these two rings in the enamel indicate arrested growth, probably caused by two episodes of starvation or serious illness. The skull is clearly old, although the condition of the teeth suggests a historic, as opposed to prehistoric, dating. You wouldn’t see this kind of tooth decay in a prehistoric specimen, and anyway it looks Caucasoid, not Native American. I would say it’s at least seventy-five to a hundred years old. Of course, this is all speculation. Everything depends on where it was found, and under what conditions. A carbon-14 date might be worth considering.” At this unpleasant reminder of her recent meeting, she paused involuntarily.
Pendergast waited. Nora had the distinct feeling that he expected more. Feeling her annoyance returning, she moved toward the window to examine the skull in the bright morning light. And then, as she stared, she felt a sudden sick feeling wash over her.
“What is it?” Pendergast asked sharply, instantly aware of the change, his wiry frame rising from the chair with the intensity of a spring.
“These faint scratches at the very base of the occipital bone…” She reached for the loup that always hung around her neck and fitted it to her eye. Turning the skull upside down, she examined it more closely.
“Go on.”
“They were made by a knife. It’s as if someone were removing tissue.”
“What kind of tissue?”
She felt a flood of relief as she realized what it was.
“These are the kind of marks you would expect to see caused by a scalpel, during a postmortem. This child was autopsied. The marks were made while exposing the upper part of the spinal cord, or perhaps the medulla oblongata.”
She placed the skull on the table. “But I’m an archaeologist, Mr. Pendergast. You’d do better to use the expertise of someone else. We have a physical anthropologist on staff, Dr. Weidenreich.”
Pendergast picked the skull up, sealing it in a Ziploc bag. It disappeared into the folds of his suit without a trace, like a magician’s trick. “It is precisely your archaeological expertise I need. And now,” he continued briskly, replacing the telephone and unlocking the door in swift economical movements, “I need you to accompany me downtown.”
“Downtown? You mean, like headquarters?”
Pendergast shook his head.
Nora hesitated. “I can’t just leave the Museum. I’ve got work to do.”
“We won’t be long, Dr. Kelly. Time is of the essence.”
“What’s this all about?”
But he was already out of her office, striding on swift silent feet down the long corridor. She followed, unable to think of what else to do, as the agent led the tortuous back way down a series of staircases, through Birds of the World, Africa, and Pleistocene Mammals, arriving at last in the echoing Great Rotunda.
“You know the Museum pretty well,” she said as she struggled to keep up.
“Yes.”
Then they were out the bronze doors and descending the vast sweep of marble stairs to Museum Drive. Agent Pendergast stopped at the base and turned in the bright fall light. His eyes were now white, with only a hint of color. As he moved, she suddenly had the impression of great physical power beneath the narrow suit. “Are you familiar with the New York Archaeological and Historic Preservation Act?” he asked.
“Of course.” It was the law that stopped digging or construction in the city if anything of archaeological value was uncovered, until it could be excavated and documented.
“A rather interesting site was uncovered in lower Manhattan. You’ll be the supervising archaeologist.”
“Me? I don’t have the experience or authority—”
“Fear not, Dr. Kelly. I’m afraid we’ll find your tenure all too brief.”
She shook her head. “But why me?”
“You’ve had some experience in this, ah, particular kind of site.”
“And just what kind of site is that?”
“A charnel.”
She stared.
“And now,” he said, gesturing toward a ’59 Silver Wraith idling at the curb, “we must be on our way. After you, please.”
FOUR
NORA STEPPED OUT OF THE ROLLS-ROYCE, FEELING uncomfortably conspicuous. Pendergast closed the door behind her, looking serenely indifferent to the incongruity of the elegant vehicle parked amid the dust and noise of a large construction site.
They crossed the street, pausing at a high chain-link fence. Beyond, the rich afternoon light illuminated the skeletal foundations of a row of old buildings. Several large Dumpsters full of bricks lined the perimeter. Two police cars were parked along the curb and Nora could see uniformed cops standing before a hole in a brick retaining wall. Nearby stood a knot of businessmen in suits. The construction site was framed by forlorn tenements that winked back at them through empty windows.
“The Moegen-Fairhaven Group are building a sixty-five-story residential tower on this site,” said Pendergast. “Yesterday, about four o’clock, they broke through that brick wall, there. A worker found the skull I showed you in a barrow inside. Along with many, many more bones.”
Nora glanced in the indicated direction. “What was on the site before?”
“A block of tenements built in the late 1890s. The tunnel, however, appears to predate them.”
Nora could see that the excavator had exposed a clear profile. The old retaining wall lay beneath the nineteenth-century footings, and the hole near its base was clearly part of an earlier structure. Some ancient timbers, burned and rotten, had been piled to one side.
As they walked along the fence, Pendergast leaned toward her. “I’m afraid our visit may be problematic, and we have very little time. The site has changed alarmingly in just the last few hours. Moegen-Fairhaven is one of the most energetic developers in the city. And they have a remarkable amount of, ah, pull. Notice there are no members of the press on hand? The police were called very quietly to the scene.” He steered her toward a chained gate in the fence, manned by a cop from whose belt dangled cuffs, radio, nightstick, gun, and ammunition. The combined weight of the accoutrements pulled the belt down, allowing a blue-shirted belly to hang comfortably out.
Pendergast stopped at the gate.
“Move on,” said the cop. “Nothing to see here, pal.”
“On the contrary.” Pendergast smiled and displayed his identification. The cop leaned over, scowling. He looked back up into the agent’s face, then back down, several times.
“FBI?” He hiked up his belt with a metallic jangle.
“Those are the three letters, yes.” And Pendergast placed the wallet back in his suit.
“And who’s your companion?”
“An archaeologist. She’s been assigned to investigate the site.”
“Archaeologist? Hold on.”
The cop ambled across the lot, stopping at the knot of policemen. A few words were exchanged, then one of the cops broke away from the group. A brown-suited man followed at a trot. He was short and heavyset, and his pulpy neck bulged over a tight collar. He took steps that were too big for his stubby legs, giving his walk an exaggerated bounce.
“What the hell’s this?” he panted as he approached the gate, turning to the newly arrived cop. “You didn’t say anything about the FBI.”
Nora noticed that the new cop had gold captain’s bars on his shoulders. He had thinning hair, a sallow complexion, and narrow black eyes. He was almost as fat as the man in the brown suit.
The captain looked at Pendergast. “May I see your identification?” His voice was small and tight and high.
Pendergast once again removed his wallet. The captain took it, examined it, and handed it back through the gate.
“I’m sorry, Mr. Pendergast, the FBI has no jurisdiction he
re, particularly the New Orleans office. You know the procedure.”
“Captain—?”
“Custer.”
“Captain Custer, I am here with Dr. Nora Kelly, of the New York Museum of Natural History, who has been placed in charge of the archaeological survey. Now, if you’ll let us in—”
“This is a construction site,” broke in the brown-suited man. “We’re trying to build a building here, in case you hadn’t noticed. They’ve already got a man looking at the bones. Christ Almighty, we’re losing forty thousand dollars a day here, and now the FBI?”
“And who might you be?” Pendergast asked the man, in a pleasant voice.
His eyes flickered from side to side. “Ed Shenk.”
“Ah, Mr. Shenk.” In Pendergast’s mouth, the name sounded like some kind of crude implement. “And your position with Moegen-Fairhaven?”
“Construction manager.”
Pendergast nodded. “Of course you are. Pleased to meet you, Mr. Shenk.” Immediately, he turned back to the captain, ignoring Shenk completely.
“Now, Captain Custer,” he continued in the same mild voice, “am I to understand that you will not open the gate and allow us to proceed with our work?”
“This is a very important project for the Moegen-Fairhaven Group, and for this community. Progress has been slower than it should be, and there’s concern at the very highest levels. Mr. Fairhaven visited the site himself yesterday evening. The last thing they want is more delays. I’ve had no word about FBI involvement, and I don’t know anything about any archaeological business—” He stopped. Pendergast had taken out his cell phone.
“Who’re you calling?” Custer demanded.
Pendergast said nothing, the smile still on his face. His fingers flew over the tiny buttons with amazing speed.
The captain’s eyes darted toward Shenk, then away again.
“Sally?” Pendergast spoke into the phone. “Agent Pendergast here. May I speak with Commissioner Rocker?”
“Now, look—” began the captain.
“Yes, please, Sally. You’re a treasure.”
“Perhaps we could discuss this inside.” There was a rattling of keys. Captain Custer began to unlock the gate.
“If you could kindly interrupt him for me, I’d be so grateful.”
“Mr. Pendergast, there’s no need for this,” said Custer. The gate swung open.
“Sally? I’ll call back,” said Pendergast, snapping the phone shut.
He stepped past the gate, Nora at his side. Without pausing or speaking, the FBI agent took off across the rubbled ground, trotting directly toward the hole in the brick wall. The others, taken by surprise, began to follow. “Mr. Pendergast, you have to understand—” the captain said as he struggled to keep up. Shenk followed angrily, like a bull. He stumbled, cursed, kept coming.
As they approached the hole, Nora could see a faint glow within, and a flash of light. A pause, another flash. Someone was taking pictures.
“Mr. Pendergast—” Captain Custer called.
But the lithe FBI agent was bounding up the pile of rubble. The others halted at the base, breathing heavily. Nora followed Pendergast, who had already vanished into the dark hole. She paused on the broken wall and peered down.
“Do come in,” said Pendergast, in his most inviting southern voice.
She scrambled down the fallen bricks, coming to a stop on the damp floor. There was another flash of light. A man in a white labcoat was bent over, examining something in a small arched niche. A photographer stood at another niche with a four-by-five camera, bracketed by two slave flash units.
The man in the white coat straightened up, peering at them through the dust. He had a thick shock of gray hair that, combined with his round black-framed glasses, made him look faintly like an old Bolshevik revolutionary.
“Who the devil are you, barging in like this?” he cried, his voice echoing down the barrow. “I was not to be disturbed!”
“FBI,” rapped out Pendergast. His voice was now totally different: sharp, stern, officious. With a snap of leather, he shoved his badge toward the man’s face.
“Oh,” the man said, faltering. “I see.”
Nora looked from one to the other, surprised at Pendergast’s apparent ability to read people instantly, then manipulate them accordingly.
“May I ask you to please vacate the site while my colleague, Dr. Kelly, and I make an examination?”
“Look here, I’m in the middle of my work.”
“Have you touched anything?” It came out as a threat.
“No… not really. Of course, I’ve handled some of the bones—”
“You handled some of the bones?”
“Consistent with my responsibility to determine cause of death—”
“You handled some of the bones?” Pendergast pulled a thin pad and a gold pen from his jacket pocket and made a note, shaking his head in disgust. “Your name, Doctor?”
“Van Bronck.”
“I’ll make a note of it for the hearing. And now, Dr. Van Bronck, if you’ll kindly let us proceed.”
“Yes, sir.”
Pendergast watched as the ME and the photographer climbed laboriously out of the tunnel. Then he turned to Nora and spoke in a low, rapid voice. “It’s your site now. I’ve bought us an hour, maybe less, so make the best of it.”
“The best of what?” Nora asked in a panic. “Just what am I supposed to be doing? I’ve never—”
“You’re trained in ways that I’m not. Survey the site. I want to know what happened here. Help me understand it.”
“In an hour? I don’t have any tools, anything to store samples—”
“We’re almost too late as it is. Did you notice they had the precinct captain on the site? As I said, Moegen-Fairhaven pulls an enormous amount of weight. This will be our only chance. I need the maximum amount of information in the minimum amount of time. It’s extremely important.” He handed her the pen and pad, then withdrew two slender penlights from his coat and passed one to her.
Nora switched it on. For its size, the penlight was very powerful. She looked around, taking note of her surroundings for the first time. It was cool and silent. Motes drifted in the single banner of light streaming through the broken hole. The air smelled corrupt, a mixture of fungus, old meat, and mold. She breathed it in deeply nevertheless, trying to focus. Archaeology was a slow, methodical business. Here, faced with a ticking clock, she barely knew where to begin.
She hesitated another moment. Then she began to sketch the tunnel. It was about eighty feet long, ten feet high at the arch, bricked up at the ends. The ceiling was filmed with cracks. The dust covering the floor had been recently disturbed, more so than could be explained by the presence of a single medical examiner: Nora wondered how many construction workers and policemen had already wandered through here.
Half a dozen niches ran along both walls. She walked along the wet floor of the tunnel, sketching, trying to get an overall sense of the space. The niches, too, had once been bricked up, but now the bricks had been removed and were stacked beside each alcove. As she turned the flashlight into each niche, she saw essentially the same thing: a jumble of skulls and bones, shreds of clothing, bits of old flesh, gristle, and hair.
She glanced over her shoulder. At the far end, Pendergast was making his own examination, profile sharp in the shaft of light, quick eyes darting everywhere. Suddenly he knelt, peering intently not at the bones, but at the floor, plucking something out of the dust.
Completing her circuit, Nora turned to examine the first niche more closely. She knelt in front of the alcove and scanned it quickly, trying to make sense of the charnel heap, doing her best to ignore the smell.
There were three skulls in this niche. The skulls were not connected to the backbones—they had been decapitated—but the rib cages were complete, and the leg bones, some flexed, were also articulated. Several vertebrae seemed to have been damaged in an unusual way, cut open as if to expose the spinal co
rd. A snarled clump of hair lay nearby. Short. A boy’s. Clearly, the corpses had been cut into pieces and piled in the niche, which made sense, considering the dimensions of the alcove. It would have been inconvenient to fit a whole body in the cramped space, but one severed into parts…
Swallowing hard, she glanced at the clothing. It appeared to have been thrown in separately from the body parts. She reached out a hand, paused with an archaeologist’s habitual restraint, then remembered what Pendergast had said. Carefully, she began lifting out the clothing and bones, making a mental list as she did so. Three skulls, three pairs of shoes, three articulated rib cages, numerous vertebrae, and assorted small bones. Only one of the skulls showed marks similar to the skull Pendergast had originally shown her. But many of the vertebrae had been cut open in the same way, from the first lumbar vertebra all the way to the sacrum. She kept sorting. Three pairs of pants; buttons, a comb, bits of gristle and desiccated flesh; six sets of leg bones, feet out of their shoes. The shoes had been tossed in separately. If only I had sample bags, she thought. She pulled some hair out of a clump—part of the scalp still attached—and shoved it in her pocket. This was crazy: she hated working without proper equipment. All her professional instincts rebelled against such hasty, careless work.
She turned her attention to the clothing itself. It was poor and rough, and very dirty. It had rotted, but, like the bones, showed no signs of rodent gnawing. She felt for her loup, fitted it to her eye, and looked more closely at a piece of clothing. Lots of lice; dead, of course. There were holes that seemed to be the result of excessive wear, and the clothing was heavily patched. The shoes were battered, some with hobnails worn completely off. She felt in the pockets of one pair of pants: a comb, a piece of string. She went through another set of pockets: nothing. A third set yielded a coin. She pulled it out, the fabric crumbling as she did so. It was an Indian head cent, dated 1877. She slipped everything hastily into her own pockets.
She moved to another alcove and again sorted and inventoried the remains as fast as she could. It was similar: three skulls and three dismembered bodies, along with three sets of clothing. She felt in the pockets of the pants: a bent pin and two more pennies, 1880 and 1872. Her eyes returned to the bones: once again, those strange marks on the vertebrae. She looked more closely. The lumbar vertebrae, always the lumbar, opened carefully—almost surgically—and pried apart. She slipped one of them into her pocket.
