Salahuddin Chamchawala had understood by his thirteenth year that he was destined for that cool Vilayet full of the crisp promises of pounds sterling at which the magic billfold had hinted, and he grew increasingly impatient of that Bombay of dust, vulgarity, policemen in shorts, transvestites, movie fanzines, pavement sleepers and the rumoured singing whores of Grant Road who had begun as devotees of the Yellamma cult in Karnataka but ended up here as dancers in the more prosaic temples of the flesh. He was fed up of textile factories and local trains and all the confusion and superabundance of the place, and longed for that dream-Vilayet of poise and moderation that had come to obsess him by night and day. His favourite playground rhymes were those that yearned for foreign cities: kitchy-con kitchy-ki kitchy-con stanty-eye kitchy-ople kitchy-cople kitchy-Con-stanti-nople. And his favourite game was the version of grandmother’s footsteps in which, when he was it, he would turn his back on upcreeping playmates to gabble out, like a mantra, like a spell, the six letters of his dream-city, ellowen deeowen. In his secret heart, he crept silently up on London, letter by letter, just as his friends crept up to him. Ellowen deeowen London.
The mutation of Salahuddin Chamchawala into Saladin Chamcha began, it will be seen, in old Bombay, long before he got close enough to hear the lions of Trafalgar roar. When the England cricket team played India at the Brabourne Stadium, he prayed for an England victory, for the game’s creators to defeat the local upstarts, for the proper order of things to be maintained. (But the games were invariably drawn, owing to the featherbed somnolence of the Brabourne Stadium wicket; the great issue, creator versus imitator, colonizer against colonized, had perforce to remain unresolved.)
In his thirteenth year he was old enough to play on the rocks at Scandal Point without having to be watched over by his ayah, Kasturba. And one day (it was so, it was not so), he strolled out of the house, that ample, crumbling, salt-caked building in the Parsi style, all columns and shutters and little balconies, and through the garden that was his father’s pride and joy and which in a certain evening light could give the impression of being infinite (and which was also enigmatic, an unsolved riddle, because nobody, not his father, not the gardener, could tell him the names of most of the plants and trees), and out through the main gateway, a grandiose folly, a reproduction of the Roman triumphal arch of Septimius Severus, and across the wild insanity of the street, and over the sea wall, and so at last on to the broad expanse of shiny black rocks with their little shrimpy pools. Christian girls giggled in frocks, men with furled umbrellas stood silent and fixed upon the blue horizon. In a hollow of black stone Salahuddin saw a man in a dhoti bending over a pool. Their eyes met, and the man beckoned him with a single finger which he then laid across his lips. Shh, and the mystery of rock-pools drew the boy towards the stranger. He was a creature of bone. Spectacles framed in what might have been ivory. His finger curling, curling, like a baited hook, come. When Salahuddin came down the other grasped him, put a hand around his mouth and forced his young hand between old and fleshless legs, to feel the fleshbone there. The dhoti open to the winds. Salahuddin had never known how to fight; he did what he was forced to do, and then the other simply turned away from him and let him go.
After that Salahuddin never went to the rocks at Scandal Point; nor did he tell anyone what had happened, knowing the neurasthenic crises it would unleash in his mother and suspecting that his father would say it was his own fault. It seemed to him that everything loathsome, everything he had come to revile about his home town, had come together in the stranger’s bony embrace, and now that he had escaped that evil skeleton he must also escape Bombay, or die. He began to concentrate fiercely upon this idea, to fix his will upon it at all times, eating shitting sleeping, convincing himself that he could make the miracle happen even without his father’s lamp to help him out. He dreamed of flying out of his bedroom window to discover that there, below him, was – not Bombay – but Proper London itself, Bigben Nelsons-column Lordstavern Bloodytower Queen. But as he floated out over the great metropolis he felt himself beginning to lose height, and no matter how hard he struggled kicked swam-in-air he continued to spiral slowly downwards to earth, then faster, then faster still, until he was screaming headfirst down towards the city, Saintpauls, Puddinglane, Threadneedlestreet, zeroing in on London like a bomb.
When the impossible happened, and his father, out of the blue, offered him an English education, to get me out of the way, he thought, otherwise why, it’s obvious, but don’t look a gift horse andsoforth, his mother Nasreen Chamchawala refused to cry, and volunteered, instead, the benefit of her advice. ‘Don’t go dirty like those English,’ she warned him. ‘They wipe their bee tee ems with paper only. Also, they get into each other’s dirty bathwater.’ These vile slanders proved to Salahuddin that his mother was doing her damnedest to prevent him from leaving, and in spite of their mutual love he replied, ‘It is inconceivable, Ammi, what you say. England is a great civilization, what are you talking, bunk.’
She smiled her little nervy smile and did not argue. And, later, stood dry-eyed beneath the triumphal arch of a gateway and would not go to Santacruz airport to see him off. Her only child. She heaped garlands around his neck until he grew dizzy with the cloying perfumes of mother-love.
Nasreen Chamchawala was the slightest, most fragile of women, her bones like tinkas, like minute slivers of wood. To make up for her physical insignificance she took at an early age to dressing with a certain outrageous, excessive verve. Her sari-patterns were dazzling, even garish: lemon silk adorned with huge brocade diamonds, dizzy black-and-white Op Art swirls, gigantic lipstick kisses on a bright white ground. People forgave her her lurid taste because she wore the blinding garments with such innocence; because the voice emanating from that textile cacophony was so tiny and hesitant and proper. And because of her soirées.
Each Friday of her married life, Nasreen would fill the halls of the Chamchawala residence, those usually tenebrous chambers like great hollow burial vaults, with bright light and brittle friends. When Salahuddin was a little boy he had insisted on playing doorman, and would greet the jewelled and lacquered guests with great gravity, permitting them to pat him on the head and call him cuteso and chweetie-pie. On Fridays the house was full of noise; there were musicians, singers, dancers, the latest Western hits as heard on Radio Ceylon, raucous puppet-shows in which painted clay rajahs rode puppet-stallions, decapitating enemy marionettes with imprecations and wooden swords. During the rest of the week, however, Nasreen would stalk the house warily, a pigeon of a woman walking on tiptoed feet through the gloom, as if she were afraid to disturb the shadowed silence; and her son, walking in her footsteps, also learned to lighten his footfall lest he rouse whatever goblin or afreet might be lying in wait.
But: Nasreen Chamchawala’s caution failed to save her life. The horror seized and murdered her when she believed herself most safe, clad in a sari covered in cheap newspaper photos and headlines, bathed in chandelier-light, surrounded by her friends.
By then five and a half years had passed since young Salahuddin, garlanded and warned, boarded a Douglas DC-8 and journeyed into the west. Ahead of him, England; beside him, his father, Changez Chamchawala; below him, home and beauty. Like Nasreen, the future Saladin had never found it easy to cry.
On that first aeroplane he read science fiction tales of interplanetary migration: Asimov’s Foundation, Ray Bradbury’s Martian Chronicles. He imagined the DC-8 was the mother ship, bearing the Chosen, the Elect of God and man, across unthinkable distances, travelling for generations, breeding eugenically, that their seed might one day take root somewhere in a brave new world beneath a yellow sun. He corrected himself: not the mother but the father ship, because there he was, after all, the great man, Abbu, Dad. Thirteen-year-old Salahuddin, setting aside recent doubts and grievances, entered once again his childish adoration of his father, because he had, had, had worshipped him, he was a great father until you started growing a mind of your own, and then to
argue with him was called a betrayal of his love, but never mind that now, I accuse him of becoming my supreme being, so that what happened was like a loss of faith … yes, the father ship, an aircraft: was not a flying womb but a metal phallus, and the passengers were spermatozoa waiting to be spilt.
Five and a half hours of time zones; turn your watch upside down in Bombay and you see the time in London. My father, Chamcha would think, years later, in the midst of his bitterness. I accuse him of inverting Time.
How far did they fly? Five and a half thousand as the crow. Or: from Indianness to Englishness, an immeasurable distance. Or, not very far at all, because they rose from one great city, fell to another. The distance between cities is always small; a villager, travelling a hundred miles to town, traverses emptier, darker, more terrifying space.
What Changez Chamchawala did when the aeroplane took off: trying not to let his son see him doing it, he crossed two pairs of fingers on each hand, and rotated both his thumbs.
And when they were installed in a hotel within a few feet of the ancient location of the Tyburn tree, Changez said to his son: ‘Take. This belongs to you.’ And held out, at arm’s length, a black billfold about whose identity there could be no mistake. ‘You are a man now. Take.’
The return of the confiscated wallet, complete with all its currency, proved to be one of Changez Chamchawala’s little traps. Salahuddin had been deceived by these all his life. Whenever his father wanted to punish him, he would offer him a present, a bar of imported chocolate or a tin of Kraft cheese, and would then grab him when he came to get it. ‘Donkey,’ Changez scorned his infant son. ‘Always, always, the carrot leads you to my stick.’
Salahuddin in London took the proffered wallet, accepting the gift of manhood; whereupon his father said: ‘Now that you are a man, it is for you to look after your old father while we are in London town. You pay all the bills.’
January, 1961. A year you could turn upside down and it would still, unlike your watch, tell the same time. It was winter; but when Salahuddin Chamchawala began to shiver in his hotel room, it was because he was scared halfway out of his wits; his crock of gold had turned, suddenly, into a sorcerer’s curse.
Those two weeks in London before he went to his boarding school turned into a nightmare of cash-tills and calculations, because Changez had meant exactly what he said and never put his hand into his own pocket once. Salahuddin had to buy his own clothes, such as a double-breasted blue serge mackintosh and seven blue-and-white striped Van Heusen shirts with detachable semi-stiff collars which Changez made him wear every day, to get used to the studs, and Salahuddin felt as if a blunt knife were being pushed in just beneath his newly broken Adam’s-apple; and he had to make sure there would be enough for the hotel room, and everything, so that he was too nervous to ask his father if they could go to a movie, not even one, not even The Pure Hell of St Trinians, or to eat out, not a single Chinese meal, and in later years he would remember nothing of his first fortnight in his beloved Ellowen Deeowen except pounds shillings pence, like the disciple of the philosopher-king Chanakya who asked the great man what he meant by saying one could live in the world and also not live in it, and who was told to carry a brim-full pitcher of water through a holiday crowd without spilling a drop, on pain of death, so that when he returned he was unable to describe the day’s festivities, having been like a blind man, seeing only the jug on his head.
Changez Chamchawala became very still in those days, seeming not to care if he ate or drank or did any damn thing, he was happy sitting in the hotel room watching television, especially when the Flintstones were on, because, he told his son, that Wilma bibi reminded him of Nasreen. Salahuddin tried to prove he was a man by fasting right along with his father, trying to outlast him, but he never managed it, and when the pangs got too strong he went out of the hotel to the cheap joint nearby where you could buy takeaway roast chickens that hung greasily in the window, turning slowly on their spits. When he brought the chicken into the hotel lobby he became embarrassed, not wanting the staff to see, so he stuffed it inside double-breasted serge and went up in the lift reeking of spit-roast, his mackintosh bulging, his face turning red. Chicken-breasted beneath the gaze of dowagers and liftwallahs he felt the birth of that implacable rage which would burn within him, undiminished, for over a quarter of a century; which would boil away his childhood father-worship and make him a secular man, who would do his best, thereafter, to live without a god of any type; which would fuel, perhaps, his determination to become the thing his father was-not-could-never-be, that is, a goodand-proper Englishman. Yes, an English, even if his mother had been right all along, even if there was only paper in the toilets and tepid, used water full of mud and soap to step into after taking exercise, even if it meant a lifetime spent amongst winter-naked trees whose fingers clutched despairingly at the few, pale hours of watery, filtered light. On winter nights he, who had never slept beneath more than a sheet, lay beneath mountains of wool and felt like a figure in an ancient myth, condemned by the gods to have a boulder pressing down upon his chest; but never mind, he would be English, even if his classmates giggled at his voice and excluded him from their secrets, because these exclusions only increased his determination, and that was when he began to act, to find masks that these fellows would recognize, paleface masks, clown-masks, until he fooled them into thinking he was okay, he was people-like-us. He fooled them the way a sensitive human being can persuade gorillas to accept him into their family, to fondle and caress and stuff bananas in his mouth.
(After he had settled up the last bill, and the wallet he had once found at a rainbow’s end was empty, his father said to him: ‘See now. You pay your way. I’ve made a man of you.’ But what man? That’s what fathers never know. Not in advance; not until it’s too late.)
One day soon after he started at the school he came down to breakfast to find a kipper on his plate. He sat there staring at it, not knowing where to begin. Then he cut into it, and got a mouthful of tiny bones. And after extracting them all, another mouthful, more bones. His fellow-pupils watched him suffer in silence; not one of them said, here, let me show you, you eat it in this way. It took him ninety minutes to eat the fish and he was not permitted to rise from the table until it was done. By that time he was shaking, and if he had been able to cry he would have done so. Then the thought occurred to him that he had been taught an important lesson. England was a peculiar-tasting smoked fish full of spikes and bones, and nobody would ever tell him how to eat it. He discovered that he was a bloody-minded person. ‘I’ll show them all,’ he swore. ‘You see if I don’t.’ The eaten kipper was his first victory, the first step in his conquest of England.
William the Conqueror, it is said, began by eating a mouthful of English sand.
Five years later he was back home after leaving school, waiting until the English university term began, and his transmutation into a Vilayeti was well advanced. ‘See how well he complains,’ Nasreen teased him in front of his father. ‘About everything he has such big-big criticisms, the fans are fixed too loosely to the roof and will fall to slice our heads off in our sleep, he says, and the food is too fattening, why we don’t cook some things without frying, he wants to know, the top-floor balconies are unsafe and the paint is peeled, why can’t we take pride in our surroundings, isn’t it, and the garden is overgrown, we are just junglee people, he thinks so, and look how coarse our movies are, now he doesn’t enjoy, and so much disease you can’t even drink water from the tap, my god, he really got an education, husband, our little Sallu, England-returned, and talking so fine and all.’
They were walking on the lawn in the evening, watching the sun dive into the sea, wandering in the shade of those great spreading trees, some snaky some bearded, which Salahuddin (who now called himself Saladin after the fashion of the English school, but would remain Chamchawala for a while yet, until a theatrical agent shortened his name for commercial reasons) had begun to be able to name, jackfruit, banyan, jacaranda,
flame of the forest, plane. Small chhooi-mooi touch-me-not plants grew at the foot of the tree of his own life, the walnut-tree that Changez had planted with his own hands on the day of the coming of the son. Father and son at the birth-tree were both awkward, unable to respond properly to Nasreen’s gentle fun. Saladin had been seized by the melancholy notion that the garden had been a better place before he knew its names, that something had been lost which he would never be able to regain. And Changez Chamchawala found that he could no longer look his son in the eye, because the bitterness he saw came close to freezing his heart. When he spoke, turning roughly away from the eighteen-year-old walnut in which, at times during their long separations, he had imagined his only son’s soul to reside, the words came out incorrectly and made him sound like the rigid, cold figure he had hoped he would never become, and feared he could not avoid.
‘Tell your son,’ Changez boomed at Nasreen, ‘that if he went abroad to learn contempt for his own kind, then his own kind can feel nothing but scorn for him. What is he? A fauntleroy, a grand panjandrum? Is this my fate: to lose a son and find a freak?’
‘Whatever I am, father dear,’ Saladin told the older man, ‘I owe it all to you.’
It was their last family chat. All that summer feelings continued to run high, for all Nasreen’s attempts at mediation, you must apologize to your father, darling, poor man is suffering like the devil but his pride won’t let him hug you. Even the ayah Kasturba and the old bearer Vallabh, her husband, attempted to mediate but neither father nor son would bend. ‘Same material is the problem,’ Kasturba told Nasreen. ‘Daddy and sonny, same material, same to same.’
When the war with Pakistan began that September Nasreen decided, with a kind of defiance, that she would not cancel her Friday parties, ‘to show that Hindus-Muslims can love as well as hate,’ she pointed out. Changez saw a look in her eyes and did not attempt to argue, but set the servants to putting blackout curtains over all the windows instead. That night, for the last time, Saladin Chamchawala played his old role of doorman, dressed up in an English dinner-jacket, and when the guests came – the same old guests, dusted with the grey powders of age but otherwise the same – they bestowed upon him the same old pats and kisses, the nostalgic benedictions of his youth. ‘Look how grown,’ they were saying. ‘Just a darling, what to say.’ They were all trying to hide their fear of the war, danger of air-raids, the radio said, and when they ruffled Saladin’s hair their hands were a little too shaky, or alternatively a little too rough.
The Satanic Verses: A Novel Page 5
