"So," Sangredo continued, "you really think it was the Kennedy people did this?"
"It's our working assumption," answered Karp. "The question is, what do we do about it. You ever run into a Cuban named Angelo Guel?" He pulled out the photograph of Guel. "He'll be older, of course."
Sangredo studied the picture and slowly shook his head. "It's not a face that sticks in my mind. You think he knows something?"
"I don't know, but I'd like to speak to any Cuban mercenary who was standing on a street corner in New Orleans with Lee Oswald in the fall of sixty-three. Of course, there's no way of telling if he's in Miami or not. We should've asked Mosca if he knew where Guel was. Shit, now there's a million things I wish I'd've asked him, but I thought I'd have plenty of time to pump his brains."
"So, what do we do?" mused Sangredo. "I could try to find that girlfriend of his. She wasn't in the house, but she'd been there. She must've taken off as soon as she found the corpse."
Karp shrugged. He wasn't interested in girlfriends. "No, it's Guel we need. And this other Cuban, Carrera. And the mysterious Mr. Turm, whatever his real name is. I'm thinking this is the Sylvia Odio team, the three guys who stopped by her house in Dallas right before the assassination and told her they were going after Kennedy. Two Cubans, one named Angelo, one named Leopoldo, and an American named Leon. If Angelo was Guel-God, he even used his real name! — and Leopoldo was Carrera, then we know who Leon was, for sure. Odio IDed that Leon was Oswald to the FBI after the shooting. Mosca must've seen them in New Orleans just before they left for Dallas."
"Wait a second," said Fulton. "The problem with the Odio story was that at the time she got that visit, Oswald was on his way to Mexico-" He stopped. "Oh, shit!"
"Right," said Karp grimly. "It wasn't Oswald in Mexico at all. It was our lookalike-Caballo. He was on the bus, and he made sure that people on the bus remembered him. He's the voice on the tape the CIA sent to the FBI and then conveniently erased. He's the reason why the cameras outside the Soviet and Cuban embassies happened to go down on the day he was there, because even if he's a close match to Oswald, an actual photograph could've been analyzed to show that it really wasn't Oswald. And that, of course, explains how Oswald was identified leaving a rifle at a gun shop, cashing a big check at a little grocery store, going to a rifle range, and driving a car, even though he was other places at those times and even though he didn't know how to drive. Yeah, that was a slipup! Who would've believed that a macho American man couldn't drive a car? No, guys, this is it. This is the case. V.T. told me early on that Oswald was the key, whether he did it or not, and he was right."
Fulton had been nodding enthusiastically as Karp spoke, and his bloodhound instincts were aroused. "Okay, then the first thing we got to do is find this Odio woman and flash the pictures we got of Guel and the other people on that film, see if any of them ring a bell."
"I wouldn't do that," said Sangredo. They stared at him.
"Why the hell not?" asked Fulton.
"Because the woman's burned out. She's been telling the same story for twelve years and all it's got her is grief. She's had threats from the nutso Cubanos. Every assassination buff in the country wants to show her a picture."
"You know her?" asked Karp, amazed.
"Not exactly. But I know people who know her. She lives here in Miami, in what they call seclusion. My advice is, get your ducks in a row before you go see her. Find Guel and get a decent picture of him, him and this Carrera, instead of the fuzzy shit you showed me, then go see her. Because you're only going to get one shot at her and it better be right."
They all thought about this for a while. Then Karp said, "Okay, let's go for Guel. What'll it take to find him?"
Sangredo considered this in his cautious way. "Um, well, I'm one guy. I have some contacts with the sheriff and Miami PD. I could run checks."
"And we have guys in New Orleans and Dallas could do the same thing," said Fulton. "But it's going to take some time."
"Which we don't have," said Karp. "Mosca was aced right under our noses. It could happen to Guel too, if we start getting close."
Sangredo looked at him sharply. "It sounds like you're saying you guys got a leak up there."
"It's a possibility," replied Karp. "That, or we're being followed. Which is one reason why I don't want you to do what you just suggested. I don't want the cops involved." He held up a hand against the expostulations of the other two men. "No, listen! This isn't business as usual. The assassination nuts have made a lot of hay about all the people connected to the Kennedy thing who've died under mysterious circumstances over the years; I'm not saying I'm buying that whole line, but I'll go with some of it, especially after what happened this morning. So the fewer people who know we're after Guel and Carrera, the better."
"But, hell, Butch," Sangredo complained, "if I got to work alone it's going to take years to find the bastards."
"I didn't say alone," answered Karp. "My thought is we should have a talk with Tony Buonafacci."
They stared at him, stupefied. Fulton stuck a finger in his ear and screwed it around vigorously. "Hey, sorry," he said, "I must be getting deaf. I thought you just said we should bring the fucking Mafia in to look for this potential key witness."
"I did. No, wait! It makes sense. Tony's going to be pissed somebody whacked a made guy on his turf, one, and two, Tony doesn't particularly like Cubans and he'd be glad to finger one of them. A couple of years ago, when a bunch of Cuban gunslingers were taking potshots at me, Ray Guma sent a material witness in the case down here to Tony and she was fine. So…"
"Damn it, Butch," said Fulton, "that's not the same thing. We still haven't cleared up the possibility that the Mob is involved in this thing. We set them loose on this and even if they do find our guys they're just as likely to end up like Johnny Roselli did last summer. They cut his legs off and stuffed him into an oil drum and threw his legs in there too. He was still alive when they dumped the can in the water. You want to work with these assholes?"
"No, but there's Mob and Mob. Look, Tony told Mosca to spill the beans. Mosca did. Did you think he was shitting us? No, me neither. There's a possibility that Marcello in New Orleans was involved in it. Some Cubans who might've worked for Trafficante may have been involved in it. And I bet if we had the old man, Santos, on a hot grill he could tell us a lot about what really went down. But Tony's not connected to that end. He's out of the Bollano outfit in Brooklyn. Marcello's New Orleans, which is part of the Chicago outfit. There's not much love lost between New York and Chicago, especially since Chicago's got the gold mine in Vegas tied up tight. No, if Tony can slip it to Chicago in some minor, undetectable way, he's not going to lose sleep over it."
"This is incredible," said Fulton. "In all the years I worked with you, you always made it a rule not to get in bed with the Mob, and now here you're diving in and pulling up the covers."
"Oh, that," said Karp airily. "That's for a regular investigation, where you're eventually going to do some serious law. What we're doing now is some kind of political horseshit. At this stage I just want to find out who killed Kennedy and how they did it. As for rules-no rules."
After lunch, Karp called V.T. in Washington.
"Butch, am I glad you called!"
"Why, what's up?"
"I can't find the file. Tell me you took it with you!"
"What file, V.T.? All I have here are the stills from the Depuy film."
"Oh, God! We've been ripped off! The file with the original Depuy film and documents and the original CIA stuff is missing. The last time I used it was the day before yesterday, and I went to add some stuff to it, and I pulled the phony jacket in the health insurance drawer where we kept it, and it was gone."
"Who knew where we kept it?"
"Hell, I don't know, Butch," said V.T. irritably. "This isn't the KGB. People are in and out of here all day. It wouldn't take a master spy to notice that we always head for the admin files after we use that material."
"But we have copies."
"Yeah, sure," said V.T. "I had a copy of the film made, and Xeroxes of all the other stuff, one set. I've got it stashed in the-"
"No! Not over the phone. Just keep it safe, for God's sake. Without that film we've got zip."
"Mmm, I detect new levels of paranoia blossoming. Not that I blame you. Okay, ready for some good news? I think I found PXK."
"You did? Great, great! What is it?"
"It's a Baton Rouge trucking concern. Right area, convenient to New Orleans and its colorful fascists. It's owned by a gentleman named Patrick Xavier Kelly.
"I'm having Pete Melchior check him out, find out if he knew Depuy, and run his name by the local cops, see if there's any connection to Ferrie or that Camp Street crowd."
"That sounds good, V.T.," said Karp, his mood lifting slightly. "Here's the situation down here. By the way, this is for you, me, and Bert-nobody else." Then he related the gist of what Mosca had revealed, and what had happened afterward. V.T. was silent throughout this narration, and afterward he made no response but to ask when Karp would be returning; and, after having been told two or three days, he said good-bye and broke the connection, as Karp had expected. V.T. was smart enough to understand that Mosca's murder and Karp's warning meant that there was a leak at the Washington end. Then Karp called home.
Marlene was actually relieved when Karp informed her that he would be away for several days, maybe a week. She felt she needed the time to see if Sweetie was going to work out. Marlene expected a lot of her mate, but even she thought that adding a dog the size of a young bear to the household, that dog being uncontrollable, might be an excessive demand.
But Sweetie, as it turned out, proved more than controllable, and was, in fact, eager to please. Marlene got some dog-training books out of the library and bought a leash and a long line, and she and Lucy devoted an entire day to the first few chapters. We learned "no"; we learned to go on the leash without jerking Mommy off her feet; we almost learned "down"; we learned "come," which is easy, but we failed miserably at "stay," which is hard. We also learned our name is Sweetie. We got to eat a cubic foot of kibble, and rode to the store in the back of the VW hatchback, and did a good deal of face-licking and general running around. Heaven.
"Let's knock it off, honey," said Marlene to her daughter as the four o'clock sun began its descent into the trees.
"Is Sweetie trained now?" asked Lucy.
"Um, well, we made a start. We'll do some more tomorrow."
"Could we, could we train him to bite bad people, like on TV?"
"It's a possibility," said Marlene cautiously. "Do you have any bad people in mind?"
"Yes, Jeremy," said Lucy in a low and menacing voice.
"Jeremy Dobbs? But he's just a little boy. I thought you liked him."
"I hate him. He broke my pink crayon. On purpose!"
There followed a discussion of criminal intent and the nature of just punishment, which Marlene thought went pretty well, and they drove back from the park where they had been running the dog to their apartment. The mention of Jeremy Dobbs had raised in Marlene's mind the problem of what she was going to do with her new monster while she worked at Maggie's. Maggie had no dog, and Marlene suspected she was a cat sort of person, and one who would not appreciate Sweetie being given the run of her lovely gardens, winter or not. Even Marlene experienced a frisson of fear when she saw Sweetie standing next to Lucy, and realized that it could, if driven by some unknowable doggy impulse, take the child's head off with a snap of its jaws. No, let's wait awhile before we spring Sweetie on old Maggs, was Marlene's thought.
Marlene started dinner and Lucy and the dog went up to Lucy's room. The animal had been quickly integrated into Lucy's fantasy play, which was rich and weird. Marlene could hear her chatting to Sweetie, as to her various dolls and toys. The dog had decided to sleep in Lucy's room, or rather in the closet thereof, the twin of the one from which Marlene had rescued it in the identical apartment next door. Marlene suspected that it had been confined there when indoors for nearly its entire life; pathetic, but there it was. Home was prison was home. Marlene had seen it often enough with criminals. Another oddity: Sweetie didn't bark, a characteristic that Marlene also attributed to its deprived puppyhood. It made a variety of yipping and groaning noises instead. Marlene's training books said that excessive barking could be "corrected" by early discipline, which apparently Thug 'n' Dwarf (probably mostly Thug) had been excessively free with. So: the world's only wimpy hellhound, and perhaps it was for the best, all things considered. It gave her another excuse to keep Sweetie; the poor thing wouldn't last a minute in a pound pen. Dachshunds would cream it.
Marlene went into Lucy's room to announce dinner. Sweetie was lying on Lucy's bed wrapped in an old pink baby blankie, with a knitted pink doll's bonnet set absurdly on top of its massive head, and on its face there was an expression of forlorn and pathetic helplessness.
"We're playing baby," Lucy announced.
Marlene broke up.
The phone rang during dinner, and when Marlene answered it a familiar low voice said, "Tomorrow. I'm driving."
"Harry," said Marlene, "first you say, 'Hello, how are you,' then you do a little small talk, and then you say what you're going to do. Remember? We're supposed to work on our conversational skills."
"How's the kid?" said Harry Bello, refusing to be drawn.
"The kid's fine, Harry. Did you have any problem getting away on short notice?"
"I took a leave. Around four."
That concluded the conversation. Marlene had left a message at Harry's office the previous day. "Tell him I'd like to see him and that I have a situation here where I could use his help." This was the response. Harry knew "come" as well as Sweetie did. It still made Marlene sad, and a little guilty-her hold and Lucy's hold over Harry Bello-but not quite sad and guilty enough to make her not use it.
Maggie Dobbs was repotting a rare white frangipani she had grown from seed. Behind her in the conservatory she could hear Manuel working, mixing potting soil, mumbling to himself, singing snatches of tuneless song. She spent an hour or so out here most mornings, while Gloria was getting the children up and fed. Hank was long gone to the Hill, to start his usual twelve hours. It was the most peaceful and nearly the most satisfying part of her day. The plants, unlike most of the other organisms in her life, were content to merely be. Their demands were modest and easily satisfied with a slight displacement of position, a little more or less to drink, a few spoonfuls of this or that.
"There! Comfy now?" she said to the frangipani, and felt herself blush. Talking to plants, the first sign. She put the frangipani firmly back on its shelf. On the other hand they didn't talk back, didn't look at you as if you were not quite up to it, didn't roll their eyes to heaven at one of your remarks and make you feel like a dunce. She took her apron off and hung it up and as she walked down the aisle to the door a blood-red mass of begonia caught her eye and she shivered slightly, recalling the bloodied face of the monte man and the smear on the window and the waving knife. There was that too, the problem of Marlene.
She left the conservatory and went to the kitchen, poured a cup of coffee, and tried to relax into the reassuring chatter and clatter of breakfast time. It was all very well to complain about being bored and to joke about the wife-of blues, but joking and complaining were one thing; actually leaving the comfortable middle-class bubble in which she had spent her entire life, and entering a world in which men carried knives and waved them in your face, spraying blood, in the company of a… a-Maggie Dobbs did not exactly know what Marlene was, but what it was frightened her. And yes, she was admirable, but Maggie was starting to realize that admiration and participation were quite different things.
And, of course, she had involved Marlene in the book project. She recalled Hank's reaction when she had first told him about what Marlene was doing. His face had flushed and his eyes had opened wide and his mouth had dropped open, and she had braced herself fo
r a scolding, but somehow it hadn't happened. That was odd; as if Hank had wanted Marlene involved for some reason, and she thought she had seen in the moment, just before he would have started yelling at her, a calculation replace the anger in his eyes.
The phone rang. It was Marlene, calling to say she wouldn't be by today and maybe the next day too. Something had come up-a visitor from out of town. Maggie hung up the phone and felt a wave of relief. She was ashamed of it, but it was relief all the same.
Harry Bello stiffened when Lucy came into the living room, followed by Sweetie.
"A dog," he said flatly, meaning, "Unnatural mother, how can you let my precious goddaughter in the same house as this drooling monster?"
"Relax, Harry. He's a sweetheart," said Marlene, leaning over, grabbing the dog by its ears, and swinging the huge, jowly head from side to side. "Aren't you a sweetheart? Aren't you? Aren't you a lily-livered candy-ass?"
The dog licked her face ecstatically and thrashed its whiplike tail.
"See, he's harmless," said Marlene.
But Harry wasn't looking at the dog or at her; he was staring at Lucy, who was ignoring him.
"Aren't you going to say hello to Uncle Harry?" Marlene asked. "Come on, Lucy, give him a hug and a kiss."
Lucy endured an embrace and then scampered up the stairs to her own room, followed by Sweetie. Marlene took in the stricken expression on Harry's usually blank face and said, "Oh, Harry, they're like that at this age. She'll come around."
"She forgot me already," said Harry, a faint whiff of accusation in his tone.
"No, she hasn't, Harry. You'll spend some time, she'll see you, she'll get used to you again-don't worry about it." What Marlene did not voice was her understanding that Lucy didn't have to make nice to Harry because Harry was so obviously enslaved. She loved him in exactly the same way that she was coming to love Sweetie. Now she had two dogs.
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