‘Not since Everest,’ said George, his smile broadening.
As a put-down, it was pretty good. He had climbed Everest. He had also won the amateur tennis singles and sailed the Atlantic in a one man canoe, or a raft, or some stupid thing. Sports Illustrated loved to feature his activities. Certain less naïve publications had described other aspects of his expeditions – the Sherpa who didn’t get back down Everest, the animals whose pelts and heads decorated Nolan’s walls in defiance of protective laws.
I wondered at first how such disparate personalities as George and Jake Myers had become acquainted. As the conversation proceeded, I realized that it was not business or social interests that made them friends, but a common passion. They were both art collectors, and the rivalry between them added to the appeal of beauty for its own sake. Jake was brutally frank about the rivalry. No sooner had we been served with drinks than he burst out in a childish explosion of spleen. George had beaten him out in acquiring a van der Weyden painting, and the loss rankled.
‘How much did you bribe that dealer?’ he inquired. ‘He promised it to me, you know. That was the dirtiest piece of crummy underhanded swindling – ’
‘Since you stole the Sienese triptych out from under my nose,’ George interrupted. ‘This makes us even. Keep cool, Jake; I told you I’d let you have the van der Weyden.’
‘At a neat profit to yourself.’
‘Naturally.’
Looking back, I can see that what transpired that evening was as inevitable as a chemical formula. If you mix the right amounts of the right chemicals (chemistry was never my forte), you always get nitroglycerine. You don’t sometimes get Caesar salad and sometimes Chanel Number Five. Here we had two men, each massively arrogant in his own fashion, who enjoyed their rivalry with the blind passion of nasty little boys; a third man, who was viewed by the other two with varying degrees of good-natured contempt, and little me. Poor Tony had obviously taken a lot from George Nolan; I could tell by the way they looked at each other, and by the barbed comments. Now I am not being a female chauvinist when I maintain that some men get awfully silly in the presence of a woman. They start showing off. Roosters and little boys fight; human males try to put the other guy down in more subtle ways.
George started moving in on me. He did it very well, but I knew his heart wasn’t in it; he was only trying to aggravate Tony. Jake saw what was going on, and sat back to watch. He liked Tony and he didn’t much care for George; but he loved dissension.
I never said he was a nice guy.
I don’t know when I saw the gleam in Tony’s eye and realized what he was going to do. It must have been before dinner, because apprehension ruined the meal for me. I was so annoyed with all three men that I munched my way grimly through a magnificent spread, wishing I could get my teeth into somebody’s hand. I couldn’t figure out any way of stopping Tony, short of falling on the floor in a fit, and that seemed a trifle drastic. George kept needling Tony; there were frequent references to ivory towers and effete scholars and muscles that had grown flabby from too much study. Yet in a way, what happened was my fault. If Tony and I hadn’t been feuding . . .
Sure enough, with the dessert, the inevitable name was introduced, by Tony, with all the subtlety of a bulldozer.
‘Speaking of sculpture’ – which nobody was – ‘how much would you give for a Riemenschneider?’
George had the face of an actor or a con man, beautifully schooled; but I saw him blink before he readjusted his mask. Then I knew. The guy was a fake. He’d never heard of Riemenschneider, and I felt sure his passion for art was not genuine. For him it was a device to outdo lesser men. As a kid he had probably collected rocks or bottles with the same single-minded fury, chiselling and outbidding other kids in order to get the biggest collection in town.
I would have tripped him up, then and there – and I had thought of a couple of ways in which to do it – but Jake outmanoeuvered me.
‘Riemenschneider,’ he rumbled, in his bass bullfrog voice. ‘Yes – the German woodcarver. Saint Stephen in the Cleveland Museum. God that’s a masterpiece. That’s really great. Yeah, yeah; there was a theft, couple years ago. The Madonna from Volkach. German government ransomed it.’
‘Not the government; the editor of Der Stern.’
‘Shut up,’ Myers said, glaring at Tony. ‘Twenty-five thousand ransom. That’s a lot of money. Yeah, sure, I remember the case. Nothing wrong with my memory. You just stop interrupting me, Tony.’
George, for one, had no intention of interrupting. He sat tapping his fingers gently on the table, a faint, knowing smile on his face. But the smile didn’t fool me. I couldn’t expose his ignorance now; foxy Grandpa had already told him what he needed to know. Myers really did have a fabulous memory. His enthusiasm was genuine, even if it was amplified by the old acquisitive instinct.
‘Tony,’ I said gently, ‘do you think you ought – ’
Jake leaned forwards, elbows planted squarely on the table, and squinted at me.
‘So you’re in on this.’ His voice was unexpectedly genial. It made a chill run up my spine. ‘Well, well. That makes it even more interesting. Now don’t you interrupt me again, young woman! Let me talk. Let me think. Sure, I know Riemenschneider. I also know it would be virtually impossible to get hold of a major piece. Most of his stuff is in churches or museums. And you wouldn’t dangle a minor work in front of my nose . . .’
He wasn’t talking to us. He was thinking aloud. His squinty little black eyes shone like jet. Another chill explored my backbone. The old devil was smart, smart and hard as nails. With one half-hearted question Tony had set a bloodhound on the trail.
Tony, who knew him better than I did, was thinking the same thing. His mouth had dropped open, and there were two parallel lines between his eyebrows. He caught my eye, and his mouth tightened. He looked away.
‘You’re not a dealer,’ Myers went on. ‘Private collectors wouldn’t approach you. Which one are you planning to steal, and how do you propose to go about it?’
George laughed. My jaw dropped, in its turn. I shouldn’t have been taken aback. I know enough about rabid collectors to realize they will stop at nothing, including homicide, to get what they want. A little matter of robbery doesn’t bother them a bit. It’s common knowledge that dozens of ‘lost’ art treasures, stolen from the world’s great museums, now repose cosily in locked and hidden vaults, where the millionaire owners can gloat over them in secret.
‘Damn it, Tony,’ I burst out. ‘Why can’t you keep your big mouth shut?’
George laughed again, and Jake grinned at me. He looked more like a shark than ever.
‘Don’t blame him, honey. If you hadn’t stuck your two cents in, I wouldn’t have paid any attention to Tony. I know he goes off half-cocked all the time. But if there are two of you in this deal – and one of them is a girl like you – ’
‘Oh – ’ I began; but before I could get the dear old Anglo-Saxon word out, George interrupted. His face was purple with amusement.
‘You’re the one who’s going off half-cocked, Jake. You know our moral laddy here; he isn’t going to steal anything. He’s a good boy. No; if I were to hazard a guess – and I always do hazard – I would say that our two experts have stumbled on an unknown work. Or,’ he added; watching my face, ‘on a clue to such a work. Isn’t there a story . . . ?’
He let the word trail off suggestively.
I was torn between self-reproach and admiration at the guy’s technique. He didn’t know a bloody thing about the legend of the shrine. He was guessing; but it was inspired guessing, the method of a skilled fortune-teller who uses his victim’s facial expressions as a guide to the accuracy of his surmises. And heaven knows my big, round, candid face was as readable as print.
I tried to freeze the face, and I watched Jake, who had responded to the hint as a fish to the lure. His brow wrinkled as he searched his capacious memory. My heart sank. I didn’t realize until then how deeply my emotions were invo
lved. It was my discovery, damn it, and nobody was going to take it away from me.
‘Nope,’ Jake said finally. ‘Seems to me I did read something, once . . . But I’ve forgotten. Can’t remember everything. Is that it, Tony? Found yourself a clue, boy?’
I felt like sagging with relief. Jake had accepted George’s reasoning, and, as a result, he was less excited. A robbery made sense to him. A vague, unspecified clue to an unknown work was not in his line.
His tone maddened Tony, as did George’s superior smile. He sat up straight in his chair and looked directly at Jake. His hair was hanging down over one eyebrow, but I must admit he had a kind of dignity.
‘Are you interested?’ he said. ‘Yes or no.’
‘Sure I’m interested.’
‘That doesn’t mean you’re going to get it,’ George said gently. He smiled at me. ‘It’s a matter of pride not to let Jake get things away from me.’
‘Now wait a minute,’ I said indignantly. ‘Who’s offering what to whom? It’s just as much my idea as Tony’s, more so, because I saw the book first, and furthermore – ’
Tony let out a yelp, but I didn’t need that to know what I had done. I shut up, thankful I hadn’t said more. Jake, who was shaking all over, let out a loud ‘haw-haw.’
‘I should let you two go on arguing,’ he said, when he had gotten his mirth under control. ‘It’s not only funny, it could be informative. But the information is apt to help Nolan more than it does me. So shut up, the pair of you. Tell you what I’ll do. I don’t know what you’ve got on your minds, or what your plans are, but if either of you turns up with a Riemenschneider, I’ll buy it. Fair price, no questions asked. I’ll even stake you, if you need money.’
‘No,’ Tony said.
‘No, thanks,’ I snapped.
We glared at each other.
The rest of the evening was not notable for the wit and intellectuality of the conversation. I had taken Jake’s warning to heart, and so had Tony; since neither of us could control our mouths, it was better not to discuss the subject at all. But it was impossible to think about anything else. By the time we got into the car to go home, I had been suppressing my thoughts long enough. Tony was fumbling with the key and the ignition when I exploded.
‘Of all the stupid, conceited, dumb . . . One indefinite comment in an old letter, and you promise him a Riemenschneider! The chances are a thousand to one that it’s been destroyed. And even if it hasn’t – ’
Tony dropped the key. Turning, he grabbed me by the shoulders. He shook me. Then he kissed me. Then he shook me again. Taking unfair advantage of my temporary lack of breath, he said, ‘It’s all your fault. You got me into this, and by God, I’ll get myself out with no help from you. I can read your sneaky underhanded female mind. I know what you’re planning. Go ahead. I’ll beat you to it. We’re starting out fair and square, with the same information.’
‘Ah,’ I said. ‘A challenge. Is that it?’
‘That’s it.’
‘It’s the dumbest thing I ever heard of. The chances of success for either of us are infinitesimal. Even if we found the thing, it doesn’t belong to us. You can’t promise Jake – ’
‘I don’t give a damn about Jake. I’m going to find the shrine just to prove to you that you aren’t as smart as you think you are.’
Tony and I continued to meet socially, but neither of us mentioned any subject that had the remotest bearing on late Gothic sculpture. This tacit restriction limited conversation considerably. It also cast a pall over our non-vocal activities. I finally figured out why Tony was behaving like a desert anchorite harassed by voluptuous female demons, and I didn’t know whether to laugh or sneer. He thought he might babble, under the softening influence of sex. And he might have, at that. I never got the chance to find out. We were both busy.
I wasn’t surprised when George started calling me, nor was I particularly worried. If he was more interested in picking my brains than pursuing my body, it made a restful change from my usual dates. He was a wonderful dancer, an epicure, a connoisseur of fine wines, and he spent money like water. He was also witty and amusing. Even his hints about sculpture were thrown out with a grin and a tongue in the cheek, and no expectation of success. But I knew that behind the grin and the charm lay a will of iron. He had announced his intentions of beating both of us to the treasure; and if he lacked Tony’s and my special knowledge, he had a lot of other things going for him. Money, for instance, and a high degree of ruthlessness. As a rival for the shrine he was much more dangerous than Tony, and I didn’t underestimate him for a second. But that didn’t keep me from enjoying the country club and the weekends in New York.
Don’t misunderstand those weekends. I spotted George right away; women were very low down on his list of temptations. He wasn’t gay, in the usual sense; he just wasn’t interested in people at all – people of either sex. Of course Tony, the goop, didn’t know that. Men are such suckers for externals; they think a bass voice and a broad chest make a male. We could tell them a few things; but why give away an advantage? Anyhow, George’s professed interest in me was just one more irritation for Tony, and George knew it. As the months went on, Tony withdrew altogether. I only saw him at faculty meetings, or in the halls. But I knew what he was doing. And, of course, vice versa. I was hooked, and I had been, from the beginning. The challenge was enough to arouse any red-blooded, six-foot American girl, but that wasn’t the only reason I was making plans to head for Germany in June. I was caught by the sheer romance of it. Hidden treasures – lost masterpieces – castles – jewels – and those beautiful melancholy faces only Riemenschneider could carve. To rescue something like that from the dust and darkness of centuries . . .
Furthermore, if that long, lanky male chauvinist thought he could outsmart me, he had another think coming.
Chapter Two
THE VIEW FROM the bus window couldn’t have been more charming – an old town square with a fountain in the middle, a Gothic church on one side, and on the other a tall house whose Wedgwood-blue facade had curves and curlicues as dainty as those of a china shepherdess. As I looked, an airy cascade of soap bubbles floated by, iridescent in the sunlight. Like so many Bavarians, the bus driver was a frustrated comedian. Ever since we left Munich, he had been playing games. He wore funny hats, tooted on horns and whistles, and blew bubbles whenever the bus stopped. His nickname, according to the hostess, was Charlie Brown – a pleasing testimonial to the international appeal of the best of American Kultur.
I joined the other passengers in applauding the soap bubbles, and Charlie, wearing a tall black opera hat, acknowledged our appreciation with a burlesque bow as the hostess announced that we would have an hour to spend in Nördlingen before the bus continued on its way.
The passengers filed out and dispersed. Many of them were Americans, taking advantage of one of the cheapest and most convenient tours in Europe. The bus runs from Munich to Frankfurt, and its route takes in the greater part of what is called the Romantic Road. From Augsburg, founded by the Romans in 15 bc, up to Würzburg on the River Main, the road includes castles and ancient towns, imperial cities and beautiful scenery. Nördlingen, Dinkelsbühl, and Rothenburg on the Tauber are the most interesting towns; the bus stops in each.
For ordinary sightseers this is all very well, but one might reasonably inquire what the Hades I was doing on that bus, along with the starry-eyed barefoot American kids and the earnest tourists. I was on my way to Rothenburg; but this might seem a rather roundabout way of getting there.
It isn’t as roundabout as it seems. Rail connections are complicated, and being an underpaid serf of an educator I couldn’t afford to rent a car. As it was, the trip cleaned out my paltry savings account. I must admit, however, that I had other reasons for taking that bus. I was playing fox and hounds.
My departure from home had been a masterpiece of subterfuge, based on all the spy stories I had ever read. I had not made reservations through a travel bureau. I wrote directly to a
irlines and hotels, and burned every letter I got back. I left in the middle of the night, wearing a black stretch wig and a friend’s coat, and hid out in New York under a false name for two days.
All this was childish fun and games, and possibly pointless. Tony knew where I was going; I felt sure he was heading for the same place, if he wasn’t there already. But there was a slim chance that George hadn’t figured things out. Hence my cunning manoeuvers. I hoped Tony had managed to elude George, though I doubted it. Tony has a very open nature.
However, there was no reason for me to be naïve, just because Tony suffers from that weakness. I took a plane to Munich. There I confused my trail by going east instead of west. I went to Salzburg. Salzburg is a lovely town, and I had always wanted to see it again. Coincidentally, there was a good exhibit of late Gothic art in the city museum. Strolling through its halls, admiring illuminated manuscripts and the paintings of Rueland Freuauf the Elder, I pictured George Nolan skulking after me, completely baffled. There were no works by Riemenschneider in the exhibit. I got back to Munich just in time to catch my bus.
It was a glorious day, warm and sunny. The first part of the trip, via autobahn to Augsburg, was fairly dull, except for Charlie Brown’s antics. I spent most of the time peering out of the back window to see if any one car stayed constantly behind us. Naturally, none of them did. After we hit the Romantic Road I forgot this nonsense and enjoyed the scenery – the castles perched strategically on hilltops, the churches with their oriental domes, like shiny black radishes, the manicured green fields and little red-roofed villages.
After Nördlingen we stopped again in Dinkelsbühl, whose ancient moat is now a playground for white swans. Then the road began to climb, and as we swung around a curve I saw my goal ahead. It was only visible for a moment; crowning its own high hill, before the lower hills closed in and shut it off – a jumble of turrets and gables and mellow red-brown roofs, enclosed by the stone ramparts of the medieval city wall. Rothenburg is the quintessence of Romance – not the watered-down love stories that pass under that name today, but Romance in the old sense – masked desperadoes lurking in the shadow of a carved archway, to intercept the Duke before he can reach his lady love; conspirators gathered in a raftered tavern room, plotting to restore the Rightful Heir; Cyrano and D’Artagnan, striding out with clanking swords to defend the Honour of the Queen.
Borrower of the Night vbm-1 Page 3
