Fun and Games ch-1

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Fun and Games ch-1 Page 3

by Duane Swierczynski


  The latter, of course, seemed to be the only option.

  Hardie sighed. Was he really going to do this? Who knows what kind of trouble he might get into up there. One slip and he could end up with a broken leg down in the ravine, bobcats circling him.

  Hardie slid the phone into his pocket, climbed behind the wheel, pulled the Honda Whatever up closer to the garage door, then parked. He stepped onto the hood of the car and scrambled up the slanted tile roof. The tiles were warm from the sun. Hardie had a vision of the damned things breaking loose, sliding down the roof, and shattering on the pavement, one after the other after the other. Hardie was a large man; he didn’t know if the makers of Spanish tile took his size and weight into consideration.

  But he made it to the peak of the roof without incident. There he paused. The lush bowl of the hills was laid out beneath him, and off in the distance were the hazy glass-and-metal skyscrapers of downtown L.A. Hardie instantly understood the appeal of living here. Even though the sides of the mountain were littered with homes, there was the illusion that yours was the only one that mattered, that the rest of these properties had been assembled here for your benefit. No one else had a view like yours, not the homes above nor the ones below. You had a front-row seat to the big show. You could enjoy it anytime you liked… when you weren’t slaving away on a sound track, that is. Hardie wondered how much Lowenbruck enjoyed his view. He doubted the man ever climbed up onto his own roof to catch this particular vista.

  Okay, enough. Sooner or later somebody was going to look up and see Hardie standing here, looking like an idiot.

  Hardie spied the deck and began to make his way over to it, arms out for balance. Still, he couldn’t help but glance down at the houses below. The different-colored roofs, the pools, the terracotta patios.

  And through a clearing in the trees, on the back deck of the house closest to Lowenbruck’s, a nude woman sunbathing.

  It almost looked like a mirage. The branches and trees made a perfect frame around her body, blocking out everything but her astounding and abundant nakedness. She was full-chested, with pink nipples that looked too delicate to be out in the bright California sun. Her body was muscled, perfectly shaved, and oiled—as far as Hardie could tell—from her nose down. Her skin practically glistened. Hardie wondered why Lowenbruck hadn’t left the keys with her.

  The woman’s eyes were hidden behind sunglasses. She held a cell phone to her ear. And while her mouth moved, the words didn’t travel the distance uphill.

  Hardie froze in place, pitched precariously on the downward slope of the roof. He stared for a few moments before he realized that, fuck, she could probably see him, too.

  Probably telling a friend on the phone: You’re never going to believe this, but some idiot is standing up on the roof of my neighbor’s place, staring at my tits.

  Hardie continued his descent, placed a hand on the hot tile for balance, then jumped down onto the back deck. Something squished underfoot. Hardie was almost afraid to look… then did. Some kind of animal had been up here recently and had left a large deposit on Lowenbruck’s sundeck. Not a bird; this beast appeared to enjoy a heartier diet than seeds and grass.

  Shit.

  Fortunately, Hardie had packed another pair of shoes.

  Unfortunately, they were in his missing suitcase.

  Hardie tiptoed over and tried the sliding glass doors. Miraculously, they were unlocked. Either Lowenbruck forgot or he wasn’t in the habit of locking it.

  The moment the contacts separated, however, the alarm was triggered—a shrill repeating bee-BEEP bee-BEEP. Thirty seconds and counting. Hardie knew there was a keypad by the front door. He needed to reach it fast or he’d have company soon, and that would no doubt push back his drinking by a few hours more.

  bee-BEEP

  bee-BEEP

  bee-BEEP

  Just as he was about to step inside he remembered the unidentified animal crap on his shoes. Hardie worked off one shoe hurriedly with the back of the other, reached down, yanked off its companion, then darted through the open doors looking for anything, anything at all, resembling a security keypad.

  bee-BEEP

  bee-BEEP

  bee-BEEP

  There were too many things hanging on the walls near the front door, too much clutter. Fuck. Fuck. Fuck…

  Hardie found it and jabbed the code in with two seconds to spare.

  The key situation would have to be figured out sooner rather than later—Hardie didn’t want to leave the premises unlocked for any period of time, nor did he want to climb the tiled roof again to make a grocery run. Maybe he could have some booze delivered? No. Because that would require a working cell phone, and Virgil had told him that Lowenbruck didn’t have a landline.

  Anyway, first things first: house check.

  The sliding doors from the back deck opened up into a media room—and immediately Hardie knew he’d lucked out. Wall-mounted plasma TV, stereo components whose brand name Hardie only recognized from other houses he’d watched. Over-stuffed black leather couch, which Hardie immediately decided would be his home base for most of the next month. The wall shelves contained row upon row of DVDs, many of them classics—which was fantastic. Old movies gave him something to fill the long days. He remembered the special Hell of a Myrtle Beach condo that lacked not just cable or satellite TV but a TV as well. Longest two weeks of his life.

  The rest of the top floor seemed to be little more than a life-support system for the media room. The locked front door led to the vestibule and beyond that a winding staircase with wrought-iron rail, leading down to the lower floors.

  The stairwell was lined with cardboard standees of 1980s white tough-guy actors, arranged Sgt. Pepper–style. Clint. McQueen. Bruce. Sly. Arnie. Van Damme. Segal. And, strangely, Gene Hackman. This was seventies Hackman. Crazy-man Hackman. Night Moves and Conversation and French Connection Hackman. The collage of 2-D tough guys looked like it had been stuck up there for a while. The edges of the cardboard were frayed, cracked, and torn in places, and the material itself was yellowing. The surfaces featured a film of dust, and various body parts—an elbow, a foot—had come unstuck from the wall. Either Lowenbruck really loved his action heroes, or some previous owner had, and Lowenbruck thought it easier to leave the whole thing up.

  The next room was a smallish dining area, though clearly nobody ever ate in here. The table was covered in scripts, DVDs, CDs, old newspapers, staff paper, pencils. A peek inside a cupboard door revealed more battered scripts, yellowing newspapers, and about forty copies of a sound track called Two-Way Split on CD.

  The galley kitchen was clean but spare. Seemed like not much cooking happened in here. No booze in the cabinets, no food in the fridge, except for a box of baking soda and a glass jar of martini olives shoved in the back.

  Half bathroom off to one side. Handy. Probably thirty paces between the leather couches and the porcelain throne here. That would make life easy.

  On the other side of the kitchen, a door led to a tiny two-person deck with a hard-plastic Adirondack chair and a Weber Baby grill, overlooking another part of the hills. Hardie looked through the window and thought he could make out part of the Griffith Observatory. No other nude sunbathers in sight, however. Which was a little disappointing. Would have been nice to have the ladies in stereo.

  Okay.

  So, three entrances so far:

  Front door;

  Back patio doors (if you felt like walking on the roof );

  Side patio door (if you were to somehow climb up the side of the house and vault over the railing).

  All locks in working order as far as Hardie could tell.

  Hardie retraced his steps, passed the gang of action heroes, gave Hackman a respectful nod—

  Gene

  —then continued down the wide stairs as they spun him around to face… a closed set of double doors. Which seemed weird, until Hardie opened them up and walked into a large music studio, soundproofing everywhere.
/>   Ah, so this was the padded treasure in the heart of the Lowenbruck castle: the recording studio. The space was tricked out with enough gear to make the upstairs media room look like a kids’ Fisher-Price set. Huge, wide-screen plasma TV, a mixing console the size of a back porch, multiple keyboards, amplifiers, heaps of spaghetti cable.

  Virgil had told him:

  “Lowenbruck’s insanely anal about his studio. Don’t even go in there if you can avoid it. Just make sure nothing happens to it.”

  “I won’t.”

  “I’ve got explicit instructions here. Like, don’t even turn a knob.”

  “What am I, in high school?”

  “Just telling you what’s here on the form.”

  “Okay, Virge. It won’t be easy, but somehow I’ll resist the urge to record my Pet Sounds tribute.”

  Nothing else down here—was there room for anything else?—except two other padded doors. One was open a few inches, and obviously led to a bathroom. Hardie could see a white-tile floor and the edge of a silver mirror. He supposed that when Lowenbruck was in full-on work mode, this was all he needed. His keyboards and a place to take a leak or splash water on his face from time to time. The other door probably led downstairs to the third-floor bedroom.

  Hardie was about to head down when the bathroom door flew open all the way and someone screamed and rushed at him and hit him on the head with something really, really hard.

  4

  I don’t make things difficult.

  That’s the way they get, all by themselves.

  —Mel Gibson, Lethal Weapon

  THE FIRST blow dazed Hardie, made his vision go fuzzy, sent him stumbling one step to the side. The second blow struck him on the upper arm. The entire limb went numb. Some muscle memory kicked in just in time for the third blow. Hardie was able to block the hard, shiny object with a forearm.

  With his other hand he snatched out and grabbed a wrist, then twisted it hard. His attacker—a young girl, he could see now—cried out. Hardie yanked her out of the bathroom doorway and spun her into the room proper. Her back hit a mixing board, and her head banged into a monitor that was hanging from the ceiling.

  Hardie held up his hands. Tried to, anyway. His left arm was still numb. At least the right one still worked.

  “Hey!”

  His voice sounded strange to him. Hardie couldn’t remember the last time he’d spoken out loud.

  The girl was wearing only panties and a T-shirt, and her ankle was bandaged. Her legs were lean and muscled. Her whole body trembled.

  “Get the fuck away from me or I’ll cut you, I swear to God I’ll jam this straight up your ass!”

  Hardie looked at the this in her hands. He couldn’t place it. Long, silver, metal. A tube of some kind. About two feet long, with the circumference of a nickel. Uncapped on the end. Then he looked behind her, into the music studio, and saw others just like it.

  A microphone stand.

  She had been beating the shit out of him with a mic stand.

  Hardie said, in a slow and steady and reasonable voice:

  “Give me that.”

  “I said, stay the fuck away! You people are making a big mistake.”

  “You people? Only one of me here, honey.”

  There was something vaguely familiar about the girl’s face, like he should know her from somewhere. Had Lowenbruck sent Virgil anything about her, maybe attached a photo to an e-mail? No, Hardie would have remembered that. Nobody was supposed to be here in the house. No girlfriends, no relatives, no friends—nobody. Hardie wouldn’t have taken the job otherwise. That was the whole point. Avoiding people.

  Hardie steadied himself, took a step closer. The girl responded by swinging at the air with the mic stand, then inching her way back into the studio.

  “Come on, now. Enough’s enough.”

  “Stay the fuck away from me!”

  “I’m not going to hurt you.”

  The girl’s hands fell to her sides. Her head hung low. Her entire body went limp, and she started breathing strangely. It took Hardie a second or two to realize she was launching into a full-on crying jag. He took a step toward her, said:

  “Look, why don’t we start with—”

  Without warning she lunged. Another hard, mean swing. Hardie was ready this time. He snatched the pole in his hand and refused to let go. She tugged. He held firm. She tugged again. He held on tighter. Uh-uh. Bitch was not getting her mic stand back. Bitch was definitely not hitting him with the mic stand again.

  Then she did something Hardie did not anticipate. She lunged forward, pushing the mic stand toward Hardie. His grip was not prepared for this. The mic stand slid through his fist and went into his chest.

  Both Hardie and the girl looked down at the pole for a moment before Hardie took a confused step backward. What had just happened?

  “Ugh,” he said.

  “Oh God,” she said.

  Hardie forced himself to look down. Yep. He’d been impaled. Under his gray T-shirt he could feel blood trickling down across his right nipple, along his belly, past the waistband of his jeans. None of this seemed real. He took a breath, wondering if one of his lungs was going to collapse. Maybe pass out. Any second now.

  But nothing yet. Somehow, he was still standing.

  “Oh God,” the girl repeated, and immediately yanked the mic stand out.

  “No, don’t do—”

  Too late. The metal slid out of his flesh with a soft, wet shucking sound—like the meat of an oyster being pried from its shell. Hardie took an involuntary step backward, as if he could remove himself from the damage. The girl, too, edged backward, looked alternatively angry, shocked, and confused.

  “I told you… I told you I’d hurt you!”

  And make no mistake. The wound in his chest really fucking hurt, pain ramping up with every breath, it seemed. But somehow he was still standing, fully conscious. Maybe it wasn’t so bad. Maybe it had missed everything vital—the heart, the aorta, the lungs, the liver. Then again, maybe she’d nailed his heart right smack-dab in the fucking center and he was going to bleed out in a matter of seconds.

  Hardie looked into the bathroom doorway for a towel, something to press against his chest. Maybe wrap around the wound. He took a step forward. Which freaked out the girl.

  “Stay the fuck away from me!”

  “I’m not going anywhere near you. Believe me.”

  The girl tried to focus on him. Every muscle in her body was tensed, but her eyelids were strangely droopy. The combination of anxiety and lethargy suggested the girl had been playing mix and match in a medicine cabinet. Maybe Lowenbruck kept a bunch of pharmaceuticals handy and this girl knew it.

  Whatever. Hardie took a few cautious steps into the bathroom, snatched the edges of a white terry-cloth towel and whipped it from the rack. He quickly folded it in half, held it under the entrance wound. Usually, the advice was simple: direct pressure, stop the bleeding. But what the fuck were you supposed to do when somebody impaled you?

  Hardie looked at the girl.

  “Why did you do that?”

  “You’re one of Them… admit it!”

  “I don’t know who you mean by Them, but I can assure you, I’m not.”

  “Then, what the fuck are you doing in here?”

  “I’m the house sitter.”

  “House what?”

  Her long dark hair hung down in her face, and her skin was dirty in places. Lots of scratches, too, along with a stray bruise or two. She’d bandaged up both of her hands—a sloppy, rushed job. Still, she was a pretty girl. Wide, full mouth, high cheekbones, and eyes that would be striking if she could manage to keep them open all the way—and somebody hosed her off in the backyard for a few minutes.

  “House sitter. I watch houses.”

  “Why would a fucking house sitter go sneaking around the house, checking every room? Don’t fucking deny it—I heard you!”

  Hardie had had enough standing. He carefully eased himself down to a s
itting position. If he was going to pass out, he’d rather do it closer to the floor.

  “Look, honey, I just got here. Question is, what are you doing here? Because I’m pretty sure my booking agent didn’t mention anything about a crackhead with a mic stand, hiding in the bathroom.”

  She rolled her eyes. “Crackhead. Don’t you know who I am?”

  “Sweetie, I have no idea.”

  The faintest trace of a smile appeared for a moment, then vanished. Then she started trembling.

  Hardie had no idea who she was, but a story started to form in his mind. Beneath all of the patches of dirt and scratches and attitude, she appeared to be a perfectly young and healthy girl—not your average skinny L.A. junkie with buggy eyes and cheekbones that could cut tin cans. This girl had been well fed and cared for until relatively recently. Like, maybe even just a few hours ago. Maybe her parents owned a place farther down Alta Brea, or somewhere else in Beachwood Canyon. Maybe she’d stayed up past her bedtime partying hard, an asshole friend suggesting a quick coke-and-H nightcap. Mellow out and party all night long!

  Yeah, maybe that was it. She shoots up, she freaks. Knows she can’t go home to Mom and Dad. Not in that condition. Sees the Lowenbruck house. Finds the keys in the mailbox. Still freaking, worried about Them—parents? cops? dealers?—coming for her. Grabs a mic stand—yeah, that still didn’t make sense to him either, but he supposed a weapon was a weapon—then hit the bathroom.

  Enter Charlie Hardie, Human Pincushion.

  He hoped she had parents. He’d love to send them his emergency-room bill.

  With every second that passed, Hardie came to believe that maybe the pole had missed all of the important bits. His sister-in-law-nurse back in Philly had told him a bunch of crazy ER stories—thugs rolling in with twenty, thirty stab wounds, yet still smoking cigarettes and annoyed to have to wait around so long even though they don’t have proper ID, let alone health insurance.

  But Hardie had also heard plenty of the opposite, too. Stupid bar fights where one sloppy stab with a greasy butter knife ends up with one man DOA and another facing a manslaughter beef.

 

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