One of the men turns round to say something to her — and as I see his face, I think I recognize him, too. He’s another one of the Brandon C lot, isn’t he? One of those young, eager, baby-faced types.
But what on earth are they all doing here? What’s going on? Surely it can’t be—
They can’t all be here because of—
No. Oh no. Suddenly I feel rather cold.
“Luke!” comes Zelda’s voice from the corridor, and I feel a swoop of dismay. “So glad you could make it. We always love having you on the show. You know, I had no idea you represented Flagstaff Life, until Sandy said. .”
This isn’t happening. Please tell me this isn’t happening.
“The journalist who wrote the piece is already here,” Zelda’s saying, “and I’ve primed her on what’s happening. I think it’s going to make really great television, the two of you arguing away!”
She starts moving down the corridor, and in the mirror I see Alicia and the eager young man begin to follow her. Then the third overcoated man starts to come into view. And although my stomach’s churning painfully, I can’t stop myself. I slowly turn my head as he passes the door.
I meet Luke Brandon’s grave, dark eyes and he meets mine, and for a few still seconds, we just stare at each other. Then abruptly he looks away and strides off down the corridor. And I’m left, gazing helplessly at my painted reflection, feeling sick with panic.
POINTS FOR TELEVISION INTERVIEW SIMPLE AND BASIC FINANCIAL ADVICE
1. Prefer clock/twenty grand? Obvious.
2. Flagstaff Life ripped off innocent customers. Beware.
Ermm. .
3. Always be very careful with your money.4. Don’t put it all in one investment but diversify.5. Don’t lose it by mistake6. Don’tTHINGS YOU CAN BUY WITH £20,0001. Nice car; e.g., small BMW2. Pearl and diamond necklace from Aspreys plus big diamond ring3. 3 couture evening dresses; e.g., from John Galliano4. Steinway grand piano5. 5 gorgeous leather sofas from the Conran shop6. 40 Gucci watches, plus bag7. Flowers delivered every month for 42 years8. 55 pedigree Labrador puppies9. 80 cashmere jumpers10. 666 Wonderbras11. 454 pots Helena Rubinstein moisturizer12. 800 bottles of champagne13. 2,860 Fiorentina pizzas14. 15,384 tubes of Pringles15. 90,909 packets of Polo mints16.
Twenty
BY ELEVEN TWENTY-FIVE, I’M sitting on a brown upholstered chair in the green room. I’m dressed in a midnight-blue Jasper Conran suit, sheer tights, and a pair of suede high heels. What with my makeup and blown-dry hair, I’ve never looked smarter in my life. But I can’t enjoy any of it. All I can think of is the fact that in fifteen minutes, I’ve got to sit on a sofa and discuss high-powered finance with Luke Brandon on live television.
The very thought of it makes me feel like whimpering. Or laughing wildly. I mean, it’s like some kind of sick joke. Luke Brandon against me. Luke Brandon, with his genius IQ and bloody photographic memory — against me. He’ll walk all over me. He’ll massacre me.
“Darling, have a croissant,” says Elisabeth Plover, who’s sitting opposite me, munching a pain au chocolat. “They’re simply sublime. Every bite like a ray of golden Provençal sun.”
“No thanks,” I say. “I. . I’m not really hungry.”
I don’t understand how she can eat. I honestly feel as though I’m about to throw up at any moment. How on earth do people appear on television every day? How does Fiona Phillips do it? No wonder they’re all so thin.
“Coming up!” comes Rory’s voice from the television monitor in the corner of the room, and both our heads automatically swivel round to see the screen filled with a picture of the beach at sunset. “What is it like, to live with a gangster and then, risking everything, betray him? Our next guest has written an explosive novel based on her dark and dangerous background. .”
“. . And we introduce a new series of in-depth discussions,” chimes in Emma. The picture changes to one of pound coins raining onto the floor, and my stomach gives a nasty flip. “Morning Coffee turns the spotlight on the issue of financial scandal, with two leading industry experts coming head-to-head in debate.”
Is that me? Oh God, I don’t want to be a leading industry expert. I want to go home and watch reruns of The Simpsons.
“But first!” says Rory cheerily. “Scott Robertson’s getting all fired up in the kitchen.”
The picture switches abruptly to a man in a chef’s hat grinning and brandishing a blowtorch. I stare at him for a few moments, then look down again, clenching my hands tightly in my lap. I can’t quite believe that in fifteen minutes it’ll be me up on that screen. Sitting on the sofa. Trying to think of something to say.
To distract myself, I unscrew my crappy piece of paper for the thousandth time and read through my paltry notes. Maybe it won’t be so bad, I find myself thinking hopefully, as my eyes circle the same few sentences again and again. Maybe I’m worrying about nothing. We’ll probably keep the whole thing at the level of a casual chat. Keep it simple and friendly. After all. .
“Good morning, Rebecca,” comes a voice from the door. Slowly I look up — and as I do so, my heart sinks. Luke Brandon is standing in the doorway. He’s wearing an immaculate dark suit, his hair is shining, and his face is bronze with makeup. There isn’t an ounce of friendliness in his face. His jaw is tight; his eyes are hard and businesslike. As they meet mine, they don’t even flicker.
For a few moments we gaze at each other without speaking. I can hear my pulse beating loudly in my ears; my face feels hot beneath all the makeup. Then, summoning all my inner resources, I force myself to say calmly, “Hello, Luke.”
There’s an interested silence as he walks into the room. Even Elisabeth Plover seems intrigued by him.
“I know that face,” she says, leaning forward. “I know it. You’re an actor, aren’t you? Shakespearean, of course. I believe I saw you in Lear three years ago.”
“I don’t think so,” says Luke curtly.
“You’re right!” says Elisabeth, slapping the table. “It was Hamlet. I remember it well. The desperate pain, the guilt, the final tragedy. .” She shakes her head solemnly. “I’ll never forget that voice of yours. Every word was like a stab wound.”
“I’m sorry to hear it,” says Luke, and looks at me. “Rebecca—”
“Luke, here are the final figures,” interrupts Alicia, hurrying into the room and handing him a piece of paper. “Hello, Rebecca,” she adds, giving me a snide look. “All prepared?”
“Yes, I am, actually,” I say, crumpling my paper into a ball in my lap. “Very well prepared.”
“Glad to hear it,” says Alicia, raising her eyebrows. “It should be an interesting debate.”
“Yes,” I say defiantly. “Very.”
God, she’s a cow.
“I’ve just had John from Flagstaff on the phone,” adds Alicia to Luke in a lowered voice. “He was very keen that you should mention the new Foresight Savings Series. Obviously, I told him—”
“This is a damage limitation exercise,” says Luke curtly. “Not a bloody plug-fest. He’ll be bloody lucky if he. .” He glances at me and I look away as though I’m not remotely interested in what he’s talking about. Casually I glance at my watch and feel a leap of fright as I see the time. Ten minutes. Ten minutes to go.
“OK,” says Zelda, coming into the room. “Elisabeth, we’re ready for you.”
“Marvelous,” says Elisabeth, taking a last mouthful of pain au chocolat. “Now, I do look all right, don’t I?” She stands up and a shower of crumbs falls off her skirt.
“You’ve got a piece of croissant in your hair,” says Zelda, reaching up and removing it. “Other than that — what can I say?” She catches my eye and I have a hysterical desire to giggle.
“Luke!” says the baby-faced guy, rushing in with a mobile phone. “John Bateson on the line for you. And a couple of packages have arrived. .”
“Thanks, Tim,” says Alicia, taking the packages and ripping them open. She pulls out a bunch of papers and begins scanni
ng them quickly, marking things every so often in pencil. Meanwhile, Tim sits down, opens a laptop computer, and starts typing.
“Yes, John, I do see your bloody point,” Luke’s saying in a low, tight voice. “But if you had just kept me better informed—”
“Tim,” says Alicia, looking up. “Can you quickly check the return on the Flagstaff Premium Pension over the last three, five, and ten?”
“Absolutely,” says Tim, and starts tapping at his computer.
“Tim,” says Luke, looking up from the phone. “Can you print out the Flagstaff Foresight press release draft for me ASAP? Thanks.”
I can’t quite believe what I’m seeing. They’ve practically set up an office, here in the Morning Coffee green room. An entire office of Brandon Communications staff complete with computers and modems and phones. . pitted against me and my crumpled piece of notebook paper.
As I watch Tim’s laptop efficiently spewing out pages, and Alicia handing sheets of paper to Luke, a resigned feeling starts to creep over me. I mean, let’s face it. I’ll never beat this lot, will I? I haven’t got a chance. I should just give up now. Tell them I’m ill or something. Run home and hide under my duvet.
“OK, everyone?” says Zelda, poking her head round the door. “On in seven minutes.”
“Fine,” says Luke.
“Fine,” I echo in a wobbly voice.
“Oh, and Rebecca, there’s a package for you,” says Zelda. She comes into the room and hands me a large, square box. “I’ll be back in a minute.”
“Thanks, Zelda,” I say in surprise, and, with a sudden lift of spirits, begin to rip the box open. I’ve no idea what it is or who it’s from — but it’s got to be something helpful, hasn’t it? Special last-minute information from Eric Foreman, maybe. A graph, or a series of figures that I can produce at the crucial moment. Or some secret document that Luke doesn’t know about.
Out of the corner of my eye I can see that all the Brandonites have stopped what they’re doing and are watching, too. Well, that’ll show them. They’re not the only ones to get packages delivered to the green room. They’re not the only ones to have resources. Finally I get the sticky tape undone and open the flaps of the box.
And as everyone watches, a big red helium balloon, with “good luck” emblazoned across it, floats up to the ceiling. There’s a card attached to the string, and, without looking anyone in the eye, I rip it open.
Immediately I wish I hadn’t.
“Good luck to you, good luck to you, whatever you’re about to do,” sings a tinny electronic voice.
I slam the card shut and feel a surge of embarrassment. From the other side of the room I can hear little sniggers going on, and I look up to see Alicia smirking. She whispers something into Luke’s ear, and an amused expression spreads across his face.
He’s laughing at me. They’re all laughing at Rebecca Bloomwood and her singing balloon. For a few moments I can’t move for mortification. My chest is rising and falling swiftly; I’ve never felt less like a leading industry expert in my life.
Then, on the other side of the room, I hear Alicia murmur some malicious little comment and give a snort of laughter. Deep inside me, something snaps. Sod them, I think suddenly. Sod them all. They’re probably only jealous, anyway. They wish they had balloons, too.
Defiantly I open the card again to read the message.
“No matter if it’s rain or shine, we all know that you’ll be fine,” sings the card’s tinny voice at once. “Hold your head up, keep it high — all that matters is you try.”
To Becky, I read. With love and thanks for all your wonderful help. We’re so proud to know you. From your friends Janice and Martin.
I stare down at the card, reading the words over and over, and feel my eyes grow hot with tears. Janice and Martin have been good friends over the years. They’ve always been kind to me, even when I gave them such disastrous advice. I owe this to them. And I’m bloody well not going to let them down.
I blink a few times, take a deep breath, and look up to see Luke Brandon gazing at me, his eyes dark and expressionless.
“Friends,” I say coolly. “Sending me their good wishes.”
Carefully I place the card on the coffee table, making sure it stays open so it’ll keep singing, then pull my balloon down from the ceiling and tie it to the back of my chair.
“OK,” comes Zelda’s voice from the door. “Luke and Rebecca. Are you ready?”
“Couldn’t be readier,” I say calmly, and walk past Luke to the door.
Twenty-one
AS WE STRIDE ALONG the corridors to the set, neither Luke nor I says a word. I dart a glance at him as we turn a corner — and his face is even steelier than it was before.
Well, that’s fine. I can do hard and businesslike, too. Firmly I lift my chin and begin to take longer strides, pretending to be Alexis Carrington in Dynasty.
“So, do you two already know each other?” says Zelda, who’s walking along between us.
“We do, as it happens,” says Luke shortly.
“In a business context,” I say, equally shortly. “Luke’s always trying to promote some financial product or other. And I’m always trying to avoid his calls.”
Zelda gives an appreciative laugh and I see Luke’s eyes flash angrily. But I really don’t care. I don’t care how angry he gets. In fact, the angrier he gets, the better I feel.
“So — Luke, you must have been quite pissed off at Rebecca’s article in The Daily World,” says Zelda.
“I wasn’t pleased,” says Luke. “By any of it,” he adds in a lower voice.
What does that mean? I turn my head, and to my astonishment, he’s looking at me with a sober expression. Almost apologetic. Hmm. This must be an old PR trick. Soften up your opponent and then go in for the kill. But I’m not going to fall for it.
“He phoned me up to complain,” I say airily to Zelda. “Can’t cope with the truth, eh, Luke? Can’t cope with seeing what’s under the PR gloss?”
There’s silence and I dart another look at him. Now he looks so furious, I think for a terrifying moment that he’s going to hit me. Then his face changes and, in an icily calm voice, he says, “Let’s just get on the fucking set and get this over with, shall we?”
Zelda raises her eyebrows at me and I grin back. This is more like it.
“OK,” says Zelda as we approach a set of double swing doors. “Here we are. Keep your voices down when we go in.”
She pushes open the doors and ushers us in, and for a moment my cool act falters. I feel all shaky and awed, like Laura Dern in Jurassic Park when she sees the dinosaurs for the first time. Because there it is, in real life. The real live Morning Coffee set. With the sofa and all the plants and everything, all lit up by the brightest, most dazzling lights I’ve ever seen in my life.
This is just unreal. How many zillion times have I sat at home, watching this on the telly? And now I’m actually going to be part of it.
“We’ve got a couple of minutes till the commercial break,” says Zelda, leading us across the floor, across a load of trailing cables. “Rory and Emma are still with Elisabeth in the library set.”
She gestures to us to sit down on opposite sides of the coffee table, and, gingerly, I do so. The sofa’s harder than I was expecting, and kind of. . different. Everything’s different. The plants seem bigger than they do on the screen, and the coffee table is smaller. God, this is weird. The lights are so bright on my face, I can hardly see anything, and I’m not quite sure how to sit. A girl comes and threads a microphone cable under my shirt and clips it to my lapel. Awkwardly, I lift my hand to push my hair back, and immediately Zelda comes hurrying over.
“Try not to move too much, OK, Rebecca?” she says. “We don’t want to hear a load of rustling.”
“Right,” I say. “Sorry.”
Suddenly my voice doesn’t seem to be working properly. I feel as though a wad of cotton’s been stuffed into my throat. I glance up at a nearby camera and, to my h
orror, see it zooming toward me.
“OK, Rebecca,” says Zelda, hurrying over again, “one more golden rule — don’t look at the camera, all right? Just behave naturally!”
“Fine,” I say huskily.
Behave naturally. Easy-peasy.
“Thirty seconds till the news bulletin,” she says, looking at her watch. “Everything OK, Luke?”
“Fine,” says Luke calmly. He’s sitting on his sofa as though he’s been there all his life. Typical.
I shift on my seat, tug nervously at my skirt, and smooth my jacket down. They always say that television puts ten pounds on you, which means my legs will look really fat. Maybe I should cross them the other way. Or not cross them at all? But then maybe they’ll look even fatter.
“Hello!” comes a high-pitched voice from across the set before I can make up my mind. My head jerks up, and I feel an excited twinge in my stomach. It’s Emma March in the flesh! She’s wearing a pink suit and hurrying toward the sofa, closely followed by Rory, who looks even more square-jawed than usual. God, it’s weird seeing celebrities up close. They don’t look quite real, somehow.
“Hello!” Emma says cheerfully, and sits down on the sofa. “So you’re the finance people, are you? Gosh, I’m dying for a wee.” She frowns into the lights. “How long is this slot, Zelda?”
“Hi there!” says Rory, and shakes my hand. “Roberta.”
“It’s Rebecca!” says Emma, and rolls her eyes at me sympathetically. “Honestly, he’s hopeless.” She wriggles on the sofa. “Gosh, I really need to go.”
“Too late now,” says Rory.
“But isn’t it really unhealthy not to go when you need to?” Emma wrinkles her brow anxiously. “Didn’t we have a phone-in on it once? That weird girl phoned up who only went once a day. And Dr. James said. . what did he say?”
“Search me,” says Rory cheerfully. “These phone-ins always go over my head. Now I’m warning you, Rebecca,” he adds, turning to me, “I can never follow any of this finance stuff. Far too brainy for me.” He gives me a wide grin and I smile weakly back.
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