My hair stood up and my flesh crawled. I tore from my body the Norse armor, and fought a wild panic that prompted me to run blind and screaming with terror across the plain. Nauseated with fear, I gathered boulders and heaped them for a rude couch, and on it, shaking with horror, I lifted the body of the Norse god. And as the sun set and the stars came silently out, I was working with fierce energy, piling huge rocks above the corpse. Other tribesmen came up and I told them of what I was sealing up–I hoped forever. And they, shivering with horror, fell to aiding me. No sprig of magic holly should be laid on Odin’s terrible bosom. Beneath these rude stones the Northern demon should slumber until the thunder of Judgment Day, forgotten by the world which had once cried out beneath his iron heel. Yet not wholly forgot, for, as we labored, one of my comrades said: “This shall be no longer Drumna’s Headland, but the Headland of the Gray Man.”
That phrase established a connection between my dream-self and my sleeping self. I started up from sleep exclaiming: “Gray Man’s Headland!”
I looked about dazedly, the furnishings of the room, faintly lighted by the starlight in the windows, seeming strange and unfamiliar until I slowly oriented myself with time and space.
“Gray Man’s Headland,” I repeated. “Gray Man–Graymin–Grimmin– Grimmin’s Headland! Great God, the thing under the cairn!”
Shaken, I sprang up, and realized that I still gripped the piece of stone from the cairn. It is well known that inanimate objects retain psychic associations. A round stone from the plain of Jericho has been placed in the hand of a hypnotized medium, and she has at once reconstructed in her mind the battle and siege of the city, and the shattering fall of the walls. I did not doubt that this bit of stone had acted as a magnet to drag my modern mind through the mists of the centuries into a life I had known before.
I was more shaken than I can describe, for the whole fantastic affair fitted in too well with certain formless vague sensations concerning the cairn which had already lingered at the back of my mind, to be dismissed as an unusually vivid dream. I felt the need of a glass of wine, and remembered that Ortali always had wine in his room. I hurriedly donned my clothes, opened my door, crossed the corridor and was about to knock at Ortali’s door, when I noticed that it was partly open, as if some one had neglected to close it carefully. I entered, switching on a light. The room was empty.
I realized what had occurred. Ortali mistrusted me; he feared to risk himself alone with me in a lonely spot at midnight. He had postponed the visit to the cairn merely to trick me, to give him a chance to slip away alone.
My hatred for Ortali was for the moment completely submerged by a wild panic of horror at the thought of what the opening of the cairn might result in. For I did not doubt the authenticity of my dream. It was no dream; it was a fragmentary bit of memory, in which I had relived that other life of mine. Gray Man’s Headland–Grimmin’s Headland, and under those rough stones that grisly corpse in its semblance of humanity–I could not hope that, imbued with the imperishable essence of an elemental spirit, that corpse had crumbled to dust in the ages.
Of my race out of the city and across those semi-desolate reaches, I remember little. The night was a cloak of horror through which peered red stars like the gloating eyes of uncanny beasts, and my footfalls echoed hollowly so that repeatedly I thought some monster loped at my heels.
The straggling lights fell away behind me and I entered the region of mystery and horror. No wonder that progress had passed to the right and to the left of this spot, leaving it untouched, a blind back-eddy given over to goblin-dreams and nightmare memories. Well that so few suspected its very existence.
Dimly I saw the headland, but fear gripped me and held me aloof. I had a vague, incoherent idea of finding the ancient woman, Meve MacDonnal. She was grown old in the mysteries and traditions of the mysterious land. She could aid me, if indeed the blind fool Ortali loosed on the world the forgotten demon men once worshiped in the North.
A figure loomed suddenly in the starlight and I caromed against him, almost upsetting him. A stammering voice in a thick brogue protested with the petulancy of intoxication. It was a burly longshoreman returning to his cottage, no doubt, from some late revel in a tavern. I seized him and shook him, my eyes glaring wildly in the starlight.
“I am looking for Meve MacDonnal! Do you know her? Tell me, you fool! Do you know old Meve MacDonnal?”
It was as if my words sobered him as suddenly as a dash of icy water in his face. In the starlight I saw his face glimmer whitely and a catch of fear was at his throat. He sought to cross himself with an uncertain hand.
“Meve MacDonnal? Are ye mad? What would ye be doin’ with her?”
“Tell me!” I shrieked, shaking him savagely. “Where is Meve MacDonnal?”
“There!” he gasped, pointing with a shaking hand where dimly in the night something loomed against the shadows. “In the name of the holy saints, begone, be ye madman or devil, and l’ave an honest man alone! There–there ye’ll find Meve MacDonnal–where they laid her, full three hundred years ago!”
Half-heeding his words I flung him aside with a fierce exclamation, and, as I raced across the weed-grown plain, I heard the sounds of his lumbering flight. Half blind with panic, I came to the low structures the man had pointed out. And floundering deep in weeds, my feet sinking into musty mold, I realized with a shock that I was in the ancient graveyard on the inland side of Grimmin’s Headland, into which I had seen Meve MacDonnal disappear the evening before. I was close by the door of the largest tomb, and with an eerie premonition I leaned close, seeking to make out the deeply-carven inscription.
And partly by the dim light of the stars and partly by the touch of my tracing fingers, I made out the words and figures, in the half-forgotten Gaelic of three centuries ago: “Meve MacDonnal–1565–1640.”
With a cry of horror I recoiled and, snatching out the crucifix she had given me, made to hurl it into the darkness–but it was as if an invisible hand caught my wrist. Madness and insanity–but I could not doubt: Meve MacDonnal had come to me from the tomb wherein she had rested for three hundred years to give me the ancient, ancient relic entrusted to her so long ago by her priestly kin. The memory of her words came to me, and the memory of Ortali and the Gray Man. From a lesser horror I turned squarely to a greater, and ran swiftly toward the headland which loomed dimly against the stars toward the sea.
As I crossed the ridge I saw, in the starlight, the cairn, and the figure that toiled gnomelike above it.
Ortali, with his accustomed, almost superhuman energy, had dislodged many of the boulders; and as I approached, shaking with horrified anticipation, I saw him tear aside the last layer, and I heard his savage cry of triumph, that froze me in my tracks some yards behind him, looking down from the slope. An unholy radiance rose from the cairn, and I saw, in the north, the aurora flame up suddenly with terrible beauty, paling the starlight. All about the cairn pulsed a weird light, turning the rough stones to a cold shimmering silver, and in this glow I saw Ortali, all heedless, cast aside his pick and lean gloatingly over the aperture he had made–and I saw there the helmeted head, reposing on the couch of stones where I, Red Cumal, placed it so long ago. I saw the inhuman terror and beauty of that awesome carven face, in which was neither human weakness, pity nor mercy. I saw the soul-freezing glitter of the one eye, which stared wide open in a fearful semblance of life. All up and down the tall mailed figure shimmered and sparkled cold darts and gleams of icy light, like the northern lights that blazed in the shuddering skies.
Aye, the Gray Man lay as I had left him more than nine hundred years before, without a trace of rust or rot or decay.
And now as Ortali leaned forward to examine his find, a gasping cry broke from my lips–for the sprig of holly worn in his lapel in defiance of “Nordic superstition” slipped from its place, and in the weird glow I plainly saw it fall upon the mighty mailed breast of the figure, where it blazed suddenly with a brightness too dazzling for human
eyes. My cry was echoed by Ortali. The figure moved; the mighty limbs flexed, tumbling the shining stones aside. A new gleam lighted the terrible eye and a tide of life flooded and animated the carven features.
Out of the cairn he rose, and the northern lights played terribly about him. And the Gray Man changed and altered in horrific transmutation. The human features faded like a fading mask; the armor fell from his body and crumbled to dust as it fell; and the fiendish spirit of ice and frost and darkness that the sons of the North deified as Odin, stood up nakedly and terribly in the stars. About his grisly head played lightnings and the shuddering gleams of the aurora. His towering anthropomorphic form was dark as shadow and gleaming as ice; his horrible crest reared colossally against the vaulting arch of the sky.
Ortali cowered, screaming wordlessly, as the taloned malformed hands reached for him. In the shadowy indescribable features of the Thing there was no tinge of gratitude toward the man who had released it–only a demoniac gloating and a demoniac hate for all the sons of men. I saw the shadowy arms shoot out and strike. I heard Ortali scream once–a single unbearable screech that broke short at the shrillest pitch. A single instant a blinding blue glare burst about him, lighting his convulsed features and his upward-rolling eyes; then his body was dashed earthward as by an electric shock, so savagely that I distinctly heard the splintering of his bones. But Ortali was dead before he touched the ground–dead, shriveled and blackened, exactly like a man blasted by a thunderbolt, to which cause, indeed, men later ascribed his death.
The slavering monster that had slain him lumbered now toward me, shadowy tentacle-like arms outspread, the pale starlight making a luminous pool of his great inhuman eye, his frightful talons dripping with I know not what elemental forces to blast the bodies and souls of men.
But I flinched not, and in that instant I feared him not, neither the horror of his countenance nor the threat of his thunderbolt dooms. For in a blinding white flame had come to me the realization of why Meve MacDonnal had come from her tomb to bring me the ancient cross which had lain in her bosom for three hundred years, gathering unto itself unseen forces of good and light, which war forever against the shapes of lunacy and shadow.
As I plucked from my garments the ancient cross, I felt the play of gigantic unseen forces in the air about me. I was but a pawn in the game–merely the hand that held the relic of holiness, that was the symbol of the powers opposed forever against the fiends of darkness. As I held it high, from it shot a single shaft of white light, unbearably pure, unbearably white, as if all the awesome forces of Light were combined in the symbol and loosed in one concentrated arrow of wrath against the monster of darkness. And with a hideous shriek the demon reeled back, shriveling before my eyes. Then with a great rush of vulturelike wings, he soared into the stars, dwindling, dwindling among the play of the flaming fires and the lights of the haunted skies, fleeing back into the dark limbo which gave him birth, God only knows how many grisly eons ago.
Worms of the Earth
“Strike in the nails, soldiers, and let our guest see the reality of our good Roman justice!”
The speaker wrapped his purple cloak closer about his powerful frame and settled back into his official chair, much as he might have settled back in his seat at the Circus Maximus to enjoy the clash of gladiatorial swords. Realization of power colored his every move. Whetted pride was necessary to Roman satisfaction, and Titus Sulla was justly proud; for he was military governor of Eboracum and answerable only to the emperor of Rome. He was a strongly built man of medium height, with the hawk-like features of the pure-bred Roman. Now a mocking smile curved his full lips, increasing the arrogance of his haughty aspect. Distinctly military in appearance, he wore the golden-scaled corselet and chased breastplate of his rank, with the short stabbing sword at his belt, and he held on his knee the silvered helmet with its plumed crest. Behind him stood a clump of impassive soldiers with shield and spear–blond titans from the Rhineland.
Before him was taking place the scene which apparently gave him so much real gratification–a scene common enough wherever stretched the far-flung boundaries of Rome. A rude cross lay flat upon the barren earth and on it was bound a man–half naked, wild of aspect with his corded limbs, glaring eyes and shock of tangled hair. His executioners were Roman soldiers, and with heavy hammers they prepared to pin the victim’s hands and feet to the wood with iron spikes.
Only a small group of men watched this ghastly scene, in the dread place of execution beyond the city walls: the governor and his watchful guards; a few young Roman officers; the man to whom Sulla had referred as “guest” and who stood like a bronze image, unspeaking. Beside the gleaming splendor of the Roman, the quiet garb of this man seemed drab, almost somber.
He was dark, but he did not resemble the Latins around him. There was about him none of the warm, almost Oriental sensuality of the Mediterranean which colored their features. The blond barbarians behind Sulla’s chair were less unlike the man in facial outline than were the Romans. Not his were the full curving red lips, nor the rich waving locks suggestive of the Greek. Nor was his dark complexion the rich olive of the south; rather it was the bleak darkness of the north. The whole aspect of the man vaguely suggested the shadowed mists, the gloom, the cold and the icy winds of the naked northern lands. Even his black eyes were savagely cold, like black fires burning through fathoms of ice.
His height was only medium but there was something about him which transcended mere physical bulk–a certain fierce innate vitality, comparable only to that of a wolf or a panther. In every line of his supple, compact body, as well as in his coarse straight hair and thin lips, this was evident–in the hawk-like set of the head on the corded neck, in the broad square shoulders, in the deep chest, the lean loins, the narrow feet. Built with the savage economy of a panther, he was an image of dynamic potentialities, pent in with iron self-control.
At his feet crouched one like him in complexion–but there the resemblance ended. This other was a stunted giant, with gnarly limbs, thick body, a low sloping brow and an expression of dull ferocity, now clearly mixed with fear. If the man on the cross resembled, in a tribal way, the man Titus Sulla called guest, he far more resembled the stunted crouching giant.
“Well, Partha Mac Othna,” said the governor with studied effrontery, “when you return to your tribe, you will have a tale to tell of the justice of Rome, who rules the south.”
“I will have a tale,” answered the other in a voice which betrayed no emotion, just as his dark face, schooled to immobility, showed no evidence of the maelstrom in his soul.
“Justice to all under the rule of Rome,” said Sulla. “Pax Romana! Reward for virtue, punishment for wrong!” He laughed inwardly at his own black hypocrisy, then continued: “You see, emissary of Pictland, how swiftly Rome punishes the transgressor.”
“I see,” answered the Pict in a voice which strongly-curbed anger made deep with menace, “that the subject of a foreign king is dealt with as though he were a Roman slave.”
“He has been tried and condemned in an unbiased court,” retorted Sulla.
“Aye! and the accuser was a Roman, the witnesses Roman, the judge Roman! He committed murder? In a moment of fury he struck down a Roman merchant who cheated, tricked and robbed him, and to injury added insult–aye, and a blow! Is his king but a dog, that Rome crucifies his subjects at will, condemned by Roman courts? Is his king too weak or foolish to do justice, were he informed and formal charges brought against the offender?”
“Well,” said Sulla cynically, “you may inform Bran Mak Morn yourself. Rome, my friend, makes no account of her actions to barbarian kings. When savages come among us, let them act with discretion or suffer the consequences.”
The Pict shut his iron jaws with a snap that told Sulla further badgering would elicit no reply. The Roman made a gesture to the executioners. One of them seized a spike and placing it against the thick wrist of the victim, smote heavily. The iron point sank deep through the
flesh, crunching against the bones. The lips of the man on the cross writhed, though no moan escaped him. As a trapped wolf fights against his cage, the bound victim instinctively wrenched and struggled. The veins swelled in his temples, sweat beaded his low forehead, the muscles in arms and legs writhed and knotted. The hammers fell in inexorable strokes, driving the cruel points deeper and deeper, through wrists and ankles; blood flowed in a black river over the hands that held the spikes, staining the wood of the cross, and the splintering of bones was distinctly heard. Yet the sufferer made no outcry, though his blackened lips writhed back until the gums were visible, and his shaggy head jerked involuntarily from side to side.
The man called Partha Mac Othna stood like an iron image, eyes burning from an inscrutable face, his whole body hard as iron from the tension of his control. At his feet crouched his misshapen servant, hiding his face from the grim sight, his arms locked about his master’s knees. Those arms gripped like steel and under his breath the fellow mumbled ceaselessly as if in invocation.
The last stroke fell; the cords were cut from arm and leg, so that the man would hang supported by the nails alone. He had ceased his struggling that only twisted the spikes in his agonizing wounds. His bright black eyes, unglazed, had not left the face of the man called Partha Mac Othna; in them lingered a desperate shadow of hope. Now the soldiers lifted the cross and set the end of it in the hole prepared, stamped the dirt about it to hold it erect. The Pict hung in midair, suspended by the nails in his flesh, but still no sound escaped his lips. His eyes still hung on the somber face of the emissary, but the shadow of hope was fading.
“He’ll live for days!” said Sulla cheerfully. “These Picts are harder than cats to kill! I’ll keep a guard of ten soldiers watching night and day to see that no one takes him down before he dies. Ho, there, Valerius, in honor of our esteemed neighbor, King Bran Mak Morn, give him a cup of wine!”
The Horror Stories of Robert E. Howard Page 31
