Mr. Wilson, though a man of much talent, was willing to accept the probability, which proved a correct augury.
The new state of things was soon felt. Daily Services and monthly Eucharists, began; and the school teaching and cottage visiting were full of new life. Otterbourne had, even before Mr. Keble's coming, begun to feel the need of a new church. The population was 700, greatly overflowing the old church, so that the children really had to be excluded when the men were there. It was also at an inconvenient distance from the main body of the inhabitants, who chiefly lived along the high road. Moreover, the South Western Railway was being made, and passed so near, that to those whose ears were unaccustomed to the sound of trains, it seemed as if the noise would be a serious interruption to the service.
Mr. Yonge had begun to take measures for improving and enlarging the old church, but was recommended to wait for the appointment of the new incumbent. Mr. Keble threw himself heartily into the scheme, and it was decided that it would be far better to change the site of the church at once. The venerable Dr. Routh, who was then President of St. Mary Magdalen College, and used yearly to come on progress to the old manor house, the Moat House, to hold his court, took great interest in the project, and the college gave an excellent site on the western slope of the hill, with the common crossed by the high road in front, and backed by the woods of Cranbury Park. Also a subscription of large amount was given. Sir William Heathcote as patron, as well as Mr. Keble, contributed largely, and Mr. Bigg Wither gave up his horse, and presented £25 out of each payment he received as Fellow of New College. Other friends also gave, and, first and last, about £3000 was raised.
Church building was much more difficult in those days than in these. Ecclesiastical architecture had scarcely begun to revive, and experts were few, if any indeed deserved the title. An architect at Winchester, Mr. Owen Carter, was employed, but almost all the ideas, and many of the drawings of the details came from Mr. Yonge, who started with merely the power of military drawing (acquired before he was sixteen years old) and a great admiration for York Cathedral.
The cruciform plan was at once decided on (traced out at first with a stick on Cranbury grand drive), but the slope of the ground hindered it from being built duly east and west; the material is brick, so burnt as to be glazed grey on one side. Hearing of a church (Corstan, Wiltshire) with a bell-turret likely to suit the means and the two bells, Mr. Yonge and Mr. Wither rode to see it, and it was imitated in the design. The chancel was, as in most of the new churches built at this time, only deep enough for the sanctuary, as surpliced choirs had not been thought possible in villages, and so many old chancels had been invaded by the laity that it was an object to keep them out.
Mr. Yonge sought diligently for old patterns and for ancient carving in oak, and in Wardour Street he succeeded in obtaining five panels, representing the Blessed Virgin and the four Latin Fathers, which are worked into the pulpit; also an exceedingly handsome piece of carving, which was then adapted as altar-rail-evidently Flemish-with scrolls containing corn and grapes, presided over by angels, and with two groups of kneeling figures; on one side, apparently an Emperor with his crown laid down, and the collar of the Golden Fleece around his neck, followed by a group of male figures, one with a beautiful face. On the other side kneels a lady, not an empress, with a following of others bringing flowers. At the divisions stand Religious of the four Orders, one a man. The idea is that it probably represents either the coronation of Maximilian or the abdication of Charles V. In either case there was no wife, but the crown is not imperial, and that is in favour of Maximilian. On the other hand the four monastic Orders are in favour of Charles V.'s embracing the religious life.
For the stone-work, Mr. Yonge discovered that the material chiefly used in the cathedral was Caen stone, though the importation had long ceased. He entered into communication with the quarrymen there, sent out a stone mason (Newman) from Winchester, and procured stone for the windows, reredos, and font, thus opening a traffic that has gone on ever since.
Mistakes were made from ignorance and lack of authoritative precedent, before ecclesiology had become a study; but whatever could be done by toil, intelligence, and self-devotion was done by Mr. Yonge in those two years; and the sixty years that have since elapsed have seen many rectifications of the various errors. Even as the church stood when completed, it was regarded as an effort in the right direction, and a good example to church builders. The first stone was laid in Whitsun-week 1837 by Julian Bargus, Mr. Yonge's five-year-old son. A school for the boys was built on a corner of the ground intended as churchyard, and a larger room added to the girls', the expense being partly defrayed by a bazaar held at Winchester, and in part by Charlotte Yonge's first book, The Château de Melville, which people were good enough to buy, though it only consisted of French exercises and translations. The consecration took place on the 30th of July 1838, and immediately after daily matins were commenced. So that the Church of St. Matthew has never in sixty years been devoid of the voice of praise, except during casual absences. Most of the trees in the churchyard were planted by Mr. Bigg Wither, especially the great Sequoia, and the holly hedge around was grown by him from the berries of the first Christmas decoration, which he sowed in a row under the wall of the boys' school, and transplanted when large enough.
It was in 1839 that Mr. Keble published his Oxford Psalter, a work he had been engaged on for years, paying strict and reverent attention to the Hebrew original, and not thinking it right to interweave expressions of his own as guidance to meaning. His belief was that Holy Scripture is so many-sided, and so fathomless in signification, that to dwell on one point more than another might be a wrong to the full impression, and an irreverence in the translation. Thus, as a poet, he sacrificed a good deal to the duty of being literal, but his translation is a real assistance to students, and it is on the whole often somewhat like to Sternhold's, whom he held in much respect for his adherence to the originals.
Perhaps it may be mentioned here that the parishes of Hursley and Otterbourne were in such good order under the management of Sir William Heathcote and Mr. Yonge, that under the new Poor Law they were permitted to form a small Union of four, afterwards five, and now six parishes.
Ampfield was a hamlet lying on the western side of Hursley Park and wood, a very beautiful wood in parts, of oak and beech trees, which formed lovely vaulted arcades, one of which Mr. Keble used to call Hursley Cathedral. The place was increasing in population, and nearly two miles of woodland and park lay between it and the parish church.
Sir William Heathcote, therefore, resolved to build a church for the people, and Mr. Yonge was again the architect and clerk of the works, profiting by the experience gained at Otterbourne, so as to aim at Early English rather than Decorated style. A bell turret, discovered later at Leigh Delamere in Wiltshire, was a more graceful model than that of Corston. The situation was very beautiful, cut out, as it were, of the pine plantation on a rising ground above the road to Romsey, so that when the first stone was laid by Gilbert Vyvyan, Sir William's third son, the Psalm, "Lo, we heard of the same at Ephrata, and found it in the wood," sounded most applicable. St. Mark was the saint of the dedication, which fell opportunely on 21st April 1841, very near Mr. Keble's birthday, St. Mark's day, and to many it was a specially memorable day, as the Rev. J. H. Newman was present with his sister, Mrs. Thomas Mozley, and her husband, then vicar of Cholderton; and the Rev. Isaac Williams, a sacred poet, whose writings ought to be better known than they are, was also present. The endowment was provided by the chapter of Winchester giving up the great tithes, and a subscription of which T. White, Esq. of Ampfield gave £500.
The Rev. Robert Francis Wilson was the first curate, being succeeded in the curacy of Hursley by the Rev. Peter Young, then a deacon, who inhabited the old vicarage. The present one, which had been built by Sir Thomas Freeman Heathcote, was made over to the living by Sir William some years later.
Immediately after the consecration, Sir Willia
m was married to Selina, daughter of Evelyn John Shirley, Esq., of Eatington, Warwickshire, a marriage occasioning great happiness and benefit to all the parish and neighbourhood.
CHAPTER X-HURSLEY CHURCH
In one of his prose writings Mr. Keble speaks of the faithful shepherd going on his way though storms may be raging in the atmosphere; and such might be a description of his own course as regarded his flock, though there were several of these storms that affected him deeply. One gust came very near home.
The diocesan, Bishop Charles Sumner, was an excellent and conscientious man, with a much deeper sense of his duties as a bishop than his immediate predecessors, and of great kindness and beneficence; but he had been much alarmed and disturbed by the alleged tendencies of the Tracts for the Times, and shared in the desire of most of the authorities to discourage their doctrines and practice. When, therefore, the curate of Hursley came to Farnham to be admitted to the priesthood, he was required, contrary to the usual custom with candidates, to state categorically his views upon the Holy Eucharist. He used the expressions of the Catechism, also those of Bishop Ridley, but was desired to use his own individual words; and when these were sent in, he was rejected, though they did not outrun the doctrine that had always been taught by the close followers of the doctrine of the Catechism. Nevertheless, in spite of this disapproval, there was no withdrawal of his licence, and he remained at Hursley, not thinking it loyal to seek Ordination from another bishop, as would readily have been granted. He married Mrs. Keble's cousin, Miss Caroline Coxwell, and their young family was an infinite source of delight to the childless vicarage.
Their baby ways, to one who held that "where christened infants sport, the floor is holy," and who read a mystical meaning into many of their gestures and words, were a constant joy and inspiration; and there grew up a store of poems upon them and other little ones, especially the children of Dr. George Moberly, then headmaster of Winchester College (later bishop of Salisbury). These Mr. Keble thought of putting together for publication, being chiefly impelled to do so by the desire to improve Hursley Church, the eighteenth century arrangement of which really prevented the general inculcation of the more reverent observances which teach and imply doctrine.
In consideration of the feelings of certain old parishioners, and the other more pressing needs, as well as of the patience with which so great an enterprise needed in his mind to be contemplated, nine years had elapsed since his incumbency had begun before he wrote: "We are stirring about our Church, and next spring I hope really to go to work; you must come and see the plans first, or else hereafter for ever hold your peace in respect of alleging impediments. One feels that one's advanced age has not rendered one fitted to set about such works; but really the irreverence and other mischiefs caused by the present state of Hursley Church seem to leave one no choice."
The step that had first been taken was one for which many generations far and wide have reason to be grateful, the arrangement and publication of the Lyra Innocentium, to a certain degree on the lines of the Christian Year, so as to have one poem appropriated to each Sunday and holy day (though these were only fully marked off in a later edition).
The book is perhaps less universally read than the Christian Year , and is more unequal, some poems rising higher and into greater beauty, some deeper and showing that the soul had made further progress in these twenty years, some very simple in structure, fit for little children, yet with a grave and solemn thought in the last verse.
Those that are specially full of Hursley atmosphere, on events connected with the author, may be touched on here.
"Christmas Eve Vespers" was suggested by the schoolmaster's little daughter going into church before the decoration had been put up, and exclaiming, disappointed, "No Christmas!" "The Second Sunday in Lent" recalls, in the line on "the mimic rain on poplar leaves," the sounds made by a trembling aspen, whose leaves quivered all through the summer evenings, growing close to the house of Mr. Keble's life-long friend and biographer, Sir John Taylor Coleridge, at Ottery St. Mary. An engraving of Raffaelle's last picture "The Transfiguration" hung in the Vicarage drawing-room.
"The Fourth Sunday in Lent," on the offering of the lad with the five loaves, was suggested by the stained window on that subject given by the young Marquess of Lothian-a pupil for some years of Mr. Wilson at Ampfield-to the church at Jedburgh, built by his mother. Now that he has passed away, it may be remarked that he, as well as all the children commemorated in these poems, grew up so as to leave no painful impression connected with them. "Keep thou, dear boy, thine early vow," was fulfilled in him, as it was with George Herbert Moberly, the eldest son of Dr. Moberly, who, when a young child staying at the vicarage, was unconsciously the cause of the poems "Loneliness" and "Repeating the Creed," for Easter Sunday and Low Sunday. Frightened by unwonted solitude at bedtime, he asked to hear "something true," and was happy when Mrs. Keble produced the Bible. He was a boy of beautiful countenance, and his reverent, thoughtful look, as he repeated the Creed, delighted Mr. Keble. It was little expected then that he was doomed to a life-long struggle with invalidism, though he was able to effect much as a thinker and a priest before he, too, was taken to see in Paradise "the glorious dream around him burst."
It was a baby sister of his who drew herself up in her nurse's arms with a pretty gesture, like a pheasant's neck in a sort of reproof, as she said "Thank you" to her little self, when she had held out a flower to Mr. Keble, which, for once in his life, he did not notice; and his self-reproach produced the thoughts of thankfulness. One of the gems of the Lyra, "Bereavement," was the thought that came to the mind of the Pastor as he buried the little sister, the only child except the elder girl, of the bailiff at Dr. Moberly's farm. "Fire" embodied his feeling about a burnt child at Ampfield-
We miss thee from thy place at school
And on thy homeward way,
Where violets, by the shady pool,
Peep out so shyly gay
The Lullaby, with the view of the burnished cross upon the spire, and the girl singing the baby to sleep with the old Psalm-
In Thee I put my stedfast trust,
Defend me, Lord, for Thou art just,
is another Ampfield scene, inspiring noble and gentle thoughts for Innocents' Day.
"Lifting up to the Cross" (St. James's Day) was the product of a drawing brought home from Germany of a sight beheld by Miss Maria Trench, on a journey with Sir William and Lady Heathcote. She afterwards became Mrs. Robert F. Wilson, and made her first wedded home at Ampfield; and there is another commemoration of that journey in the fountain under the bank in Ampfield churchyard, an imitation of one observed in Tyrol and with the motto-
While cooling waters here you drink
Rest not your thoughts below,
Look to the sacred sign and think
Whence living waters flow,
Then fearlessly advance by night or day,
The holy Cross stands guardian of your way.
"More Stars" (All Saints' Day) and "Wakefulness" (The Annunciation) are reminiscences of Charles Coleridge Pode, a little nephew of Mr. Yonge, and his ecstatic joy on the first night of being out of doors late enough to see the glory of the stars. A few months later, on a sister being born, he hoped that her name would be Mary "because he liked the Virgin Mary." And when, only a few days later, his own mother was taken from him, he lay awake and silent, night after night. He, too, was one who fulfilled his early promise, till, as a young physician, he was cut off after much patient suffering. "More Stars" is also attributed to an exclamation of one of Mr. Peter Young's children; but in point of fact, most little ones have broken out in a similar joyous shout on their first conscious sight of the starry heavens.
Mrs. Keble used to forbear telling of the subjects of these poems, lest, as she said, there might be a sort of blight on the children in breaking the reserve; but most of them are beyond the reach of that danger in publicity; and I can only further mention that the village children en masse, and
the curate's in detail, furnished many more of the subjects, while still they only regarded Mr. Keble as their best of playmates.
They cheered him when the great sorrow of his life befell him in the secession of John Henry Newman, hitherto his friend and fellow-worker. It came at a time when perhaps he was most fitted to bear it, when his brother in Gloucestershire and his wife at home had just begun to recover from a terrible typhoid fever caught at Bude.
Words spoken in the immediate prospect of death, by Mrs. Keble, strengthened her husband's faith and made him more than ever determined to hold fast by the Church of his fathers; and the thankfulness and exhilaration caused by the improvement in her health carried him the better over the first blow, though he went out alone to a quiet deserted chalk-pit to open the letter which he knew would bring the final news of the reception of his friend into the Roman Church.
Nor did his Hursley plans stand still. Under the management of Sir John Taylor Coleridge and other friends, the Christian Year had become much more profitable, and the Lyra also brought in a considerable quota, so that the entire work could be undertaken at Mr. Keble's expense.
It was decided, partly by Mr. Yonge himself, that the enterprise was on too large a scale for his partial knowledge, and moreover, much progress had been made during these nine years in ecclesiology, so that architects who had made it their study were to be found. The design was committed to William Harrison, Esq., a relation of Archdeacon Harrison, a very old friend and contemporary. It followed the lines of the existing church, which were found to be so solid and well built as for the most part only to need casing and not renewal, nor was the old tower taken down.
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