“That’s the problem. . . I can’t think of a way to do it and still be safe. And I have to be safe. Otherwise, I’m just going to keep the merchandise. I was told you’d know a way.”
Who told him? The Russians? Someone else? Or was this just his way of saying he was putting all the weight on me? I spun it through my mind quickly, but nothing came up on my screen.
“You know East New York? The flatlands south of Atlantic?” I asked him.
“Sure. Not a chance.”
“Maspeth, then? By where the water tanks used to be?”
“Nope. I’m not going anywhere near tunnels, chief.”
“Hunts Point?” I offered, letting just a trace of annoyance show through.
“Where in Hunts Point?”
“You know what I’m driving?” I asked him, ignoring his question, trying to feel my way through to him. He talked like a pro, flat-voiced, detached. But what pro snatches a kid, keeps him ten years, and then turns him loose? The cash wouldn’t be worth the risk. He kept saying “I,” as if it were just him, as if I were dealing with the kidnapper himself. But that didn’t ring true. He had to be a middleman, same as me.
“No,” he answered.
“Listen close: 1970 Plymouth, four-door sedan. Painted a dull gray primer with a bunch of rust blotches on the sides. Outside mirror’s held on with duct tape.”
“Sounds like an old yellow cab.”
“That’s exactly what it is. You won’t see many like it still alive. But the next time you see it, it’s going to have a broad stripe of day-glo reflecting tape, orange, front-to-back. No way to miss that in your headlights, right?”
“So?”
“So I drive to Hunts Point. Triborough to Bruckner Boulevard to the Avenue, make a right, okay? Then I go out into the prairie, moving nice and slow, make a few circuits. There’s a thousand places for you to stash a car in there, and I don’t know what you’ll be driving, see? You watch me pass by, you check for tags and wait. Or you pull right out behind me; do it however you want. Soon as you’re happy, you ring me on my cellular. . . I’ll give you a number for that night.”
“How’ll I know it’s—?”
“Let me finish. You’ll like it. I find a good spot. I park. You watch me from a safe distance. You sound like a man who knows where to get some night-vision optics. Make your own decision when to come in. Or not. Soon as you’re ready, you tell me what you’re driving so I don’t spook when I see you pull up. We make the exchange, takes about fifteen seconds—me to check for a pulse, you to count the cash, okay?”
“I’ll get back to you,” he said.
He’d done that. And tonight, he was somewhere behind my rear bumper, watching and waiting.
I pulled into a strip of concrete that dead-ended at the river. Some kind of garbage dump or recycling plant to my right, wasteland to my left. I did a slow U-turn until I was facing out the way I’d come.
I saw a pair of headlights blink on and off once, about a hundred yards away. Had to be him. I thumbed the cellular into life.
“Yeah?”
“How’s this?” I asked him.
“I don’t like that abandoned car on your right.”
“If you were closer, you could see it’s wide open. Nothing left but a skeleton.”
“You got a flash?”
“Yes.”
“Get out. Shine it on the car. Light it the fuck up, understand?”
I didn’t bother to answer him. Just pocketed the phone, climbed out of the Plymouth, walked carefully over to the stripped-to-the-bone car and sprayed it with a mega-watt halogen beam. In the ghost-white light, the car looked like an Oklahoma double-wide after a tornado.
“I still don’t like it,” the phone said. “Find another spot.”
I didn’t say a word. Got back in the Plymouth and pulled out. . . slowly.
He passed on my next choice too. And the one after that. I went on auto-pilot, hardly speaking at all, mechanically searching for spots. I left the cellular on, the lifeline between us.
“Change of plan,” his voice cut into my thoughts.
“What?”
“I found a spot. Just past the meat market. Drive back over there.”
“Right.”
It was only a couple of minutes away. But when I drove by, slowly, I couldn’t see anything but a couple of burnt-out hookers waiting on a semi. Or a serial killer. Car-trick roulette, with all their blood money on the double-zero.
“Keep going,” the voice said.
He must have me on visual now, I remember thinking. I didn’t answer him, just let the Plymouth motor along, a touch past idle.
“See the train?”
Train? I saw what was left of an abandoned railway car sitting on rust-clogged tracks. “Yeah,” I told him.
“Kill your lights and pull in there.”
The ground was all ruts. I drove real slow, like I was worried I’d snag an axle, but the Plymouth’s independent rear suspension handled it fine. I’d told the trader the truth about what the car had started out as, but all it had in common with the original was the body.
I figured he was somewhere in the shadows, and in a four-by, too. He didn’t know what the Plymouth could do, so he thought he’d given himself an edge.
But it was me who had the edge—my Neapolitan mastiff, Pansy. One hundred and fifty-five pounds of war dog, resting comfortably in the Plymouth’s padded trunk. Pansy’s about eighteen years old. I’d raised her from a tiny pup, weaned her myself. She’s lost a step or two. But you couldn’t have a better partner at your back. More than a partner. . . part of me. And like everything that was part of me, we’d chosen each other.
When I got almost parallel to the boxcar, I could see I’d been right on both counts. His ride was a black Lincoln Navigator, crouched in the boxcar’s shadow.
“Get out,” his voice came over the cellular. “And keep your hands where I can see them.”
I did that, moving like I had major arthritis, slitting my eyes against the expected blast of light.
He didn’t disappoint me. It was so white I felt the heat. Then it blinked off. I kept my eyes on the ground, waiting for the ocular fireworks display to fade.
The driver’s-side door to the Lincoln opened. A man got out. At least I thought it was a man. I’d never be able to pick him out of a lineup.
“Where’s the money?” he called over to me.
“In the backseat.”
“Get it. . . slow.”
I walked stiffly back to the Plymouth, opened the back door, reached for the satchel on the floor. At the same time, I pushed the button to pop the trunk. Not all the way, just to the first detent. Maybe six inches of space. But Pansy was free now.
I stiff-walked back to where I’d stood before. Dropped the satchel to the ground at my feet.
“Step away,” the man said.
“No. This is as far as I go without the kid.”
“You’ll get the fucking kid, friend. Just move off a few feet, that’s all.”
I did that.
“Get out here!” he snarled over at the Lincoln.
The passenger door opened and a kid got out. I couldn’t see him real well. . . only knew he was a boy because that’s what the Russians had told me. Real skinny. Wearing a dark jacket and jeans. His pale hair was shaved on the sides and spiked in front. The kid seemed to know what he was doing—walked to my left until he was out of the shadow and I could see him better.
“We trade steps, now,” the man said. “One for one. You get closer to him; I get closer to the money. Got it?”
“Yeah.”
“Now.”
We each started walking, me slower than him. I still had the edge—the kid could move on his own, but the money couldn’t. As soon as I got close enough for the kid to hear me, I said: “Come over here to me. Everything’s going to be all right now.”
The kid started toward me. I stood my ground, turning my head slightly to watch the guy pick up the satchel. The kid
made some kind of grunting sound. I looked back and saw him holding a pistol, aimed right at the center of my chest. I tried to dive and roll, but I was too slow—the first couple of shots hit me in the rib cage. I staggered back, groping the darkness like it was a handrail, felt another shot slam into me somewhere.
Then I heard Pansy’s war cry as she launched over the rutted ground, heading for where I’d fallen. The kid saw her coming, the hellhound on his trail. He turned and ran but Pansy hit the back of his thigh and pulled him down like a lioness dropping an antelope.
The guy near the money started shooting at me. It felt like a sledgehammer to my kidneys. He ran past where I was lying in the dirt, yelling something. I was fading, going dim.
ABOUT THE TITLE
When his girlfriend, Crystal Beth, is gunned down at a gay rights rally in Central Park, Burke, the underground man-for-hire and expert hunter of predators, vows vengeance. But someone beats him to the task: a shadowy killer who calls himself Homo Erectus and who seems determined to wipe gay bashers from the face of the earth. As the killer’s body count rises, most citizens are horrified, but a few see him as a hero, and they hire Burke to track him down . . . and help him escape.
In Choice of Evil, Burke is forced to confront his most harrowing challenge: the mind of an obsessive serial killer. And soon the emotionally void method behind the killer’s madness becomes terrifyingly familiar, reminding Burke of his childhood partner, Wesley, the ice-man assassin who never missed, even when the target was himself. Has Wesley come back from the dead? The whisper-stream says so. And the truth may just challenge Burke’s very sense of reality. Expertly plotted, addictively enthralling, Choice of Evil is Andrew Vachss’s most haunting tale to date.
ANDREW VACHSS
Andrew Vachss has been a federal investigator in sexually transmitted diseases, a social caseworker, a labor organizer, and has directed a maximum-security prison for youthful offenders. Now a lawyer in private practice, he represents children and youths exclusively. He is the author of numerous novels, including the Burke series, two collections of short stories, and a wide variety of other material including song lyrics, poetry, graphic novels, and a “children’s book for adults.” His books have been translated into twenty different languages and his work has appeared in Parade, Antaeus, Esquire, The New York Times, and numerous other forums. He lives and works in New York City and the Pacific Northwest.
The dedicated Web site for Vachss and his work is www.vachss.com
BOOKS BY
ANDREW VACHSS
Flood
Strega
Blue Belle
Hard Candy
Blossom
Sacrifice
Shella
Down in the Zero
Born Bad
Footsteps of the Hawk
False Allegations
Safe House
Choice of Evil
Everybody Pays
Dead and Gone
Pain Management
Choice of Evil
Copyright © 1999 by Andrew H. Vachss
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