The tiger seemed to consider it. “Not a bad thought,” she said, “but maps and boundaries and nationalism are for humans, not for tigers.”
“If you change your mind,” I said, “I’m sure you can find me, in nine years’ time or otherwise.”
“Indeed,” the tiger said. “Farewell, little not-a-fox.”
“Thank you,” I said, but she was gone already.
I secured Jong’s ruined body in the copilot’s seat I had vacated, so it wouldn’t flop about during maneuvers, and strapped myself in. The cataphract was damaged, but not so badly damaged that I still couldn’t make a run for it. It was time to finish Jong’s mission.
~ ~ ~ ~ ~
Yoon Ha Lee’s short fiction has appeared in The Magazine of Fantasy and Science Fiction, Clarkesworld, and multiple times previously in Beneath Ceaseless Skies, most recently “Shadow's Weave” in BCS #200. His first novel, Ninefox Gambit, was a finalist for the Nebula and Hugo Awards. He lives in Louisiana with his family and an extremely lazy cat, and has not yet been eaten by gators. He lives in Louisiana with his family and an extremely lazy cat, and has not yet been eaten by gators. Visit him online at www.yoonhalee.com.
A SALVAGING OF GHOSTS
Aliette de Bodard
THUY’S HANDS have just closed on the gem—she can’t feel its warmth with her gloves, but her daughter’s ghost is just by her side, at the hole in the side of the ship’s hull, blurred and indistinct—when the currents of unreality catch her. Her tether to The Azure Serpent, her only lifeline to the ship, stretches; snaps.
And then she’s gone, carried forward into the depths.
~ ~ ~
On the night before the dive, Thuy goes below decks with Xuan and Le Hoa. It’s traditional; just as it is traditional that, when she comes back from a dive, she’ll claim her salvage and they’ll have another rousing party in which they’ll drink far too many gems dissolved in rice wine and shout poetry until The Azure Serpent’s Mind kindly dampens their incoherent ravings to give others their sleep—but not too much, as it’s good to remember life; to know that others onship celebrate surviving one more dive, like notches on a belt or vermillion beads slid on an abacus.
One more. Always one more.
Until, like Thuy’s daughter Kim Anh, that one last dive kills you and strands your body out there, in the dark. It’s a diver’s fate, utterly expected; but she was Thuy’s child—an adult when she died, yet forever Thuy’s little girl—and Thuy’s world contracts and blurs whenever she thinks of Kim Anh’s corpse, drifting for months in the cold alien loneliness of deep spaces.
Not for much longer; because this dive has brought them back where Kim Anh died. One last evening, one last fateful set of drinks with her friends, before Thuy sees her daughter again.
Her friends. . . Xuan is in a bad mood. No gem-drinking on a pre-dive party, so she nurses her rice wine as if she wishes it contains other things, and contributes only monosyllables to the conversation. Le Hoa, as usual, is elated; talking too much and without focus—dealing with her fears through drink, and food, and being uncharacteristically expansive.
“Nervous, lil’ sis?” she asks Thuy.
Thuy stares into the depth of her cup. “I don’t know.” It’s all she’s hoped for; the only chance she’ll ever get that will take her close enough to her daughter’s remains to retrieve them. But it’s also a dangerous dive into deep spaces, well into layers of unreality that could kill them all. “We’ll see. What about you?”
Le Hoa sips at her cup, her round face flushed with drink. She calls up, with a gesture, the wreck of the mindship they’re going to dive into; highlights, one after the other, the strings of gems that the scanners have thrown up. “Lots of easy pickings, if you don’t get too close to the wreck. And that’s just the biggest ones. Smallest ones won’t show up on sensors.”
Which is why they send divers. Or perhaps merely because it’s cheaper and less of an investment to send human beings, instead of small and lithe mindships that would effortlessly survive deep spaces, but each cost several lifetimes to build and properly train.
Thuy traces, gently, the contours of the wreck on the hologram—there’s a big hole in the side of the hull, something that blew up in transit, killing everyone onboard. Passengers’ corpses have spilled out like innards—all unrecognisable of course, flesh and muscles disintegrated, bones slowly torn and broken and compressed until only a string of gems remains to mark their presence.
Kim Anh, too, is gone: nothing left of Thuy’s precocious, foolhardy daughter who struggled every morning with braiding her hair—just a scattering of gems they will collect and sell offworld, or claim as salvage and drink away for a rush of short-lived euphoria.
There isn’t much to a gem—just that familiar spike of bliss, no connection to the dead it was salvaged from. Deep spaces strip corpses, and compress them into. . . these. Into an impersonal, addictive drug.
Still. . . still, divers cannibalise the dead; and they all know that the dead might be them, one day. It’s the way it’s always been done, on The Azure Serpent and all the other diver-ships: the unsaid, unbreakable traditions that bind them all.
It didn’t use to bother Thuy so much, before Kim Anh died.
“Do you know where she is?” Xuan asks.
“I’m not sure. Here, perhaps.” Thuy points, carefully, to somewhere very near the wreck of the ship. “It’s where she was when—”
When her suit failed her. When the comms finally fell silent.
Xuan sucks in a sharp breath. “Tricky.” She doesn’t try to dissuade Thuy, though. They all know that’s the way it goes, too.
Le Hoa attempts, forcefully, to change the subject. “Two more dives and Tran and I might have enough to get married. A real couple’s compartment, can you imagine?”
Thuy forces a smile. She hasn’t drunk enough; but she just doesn’t feel like rice wine: it’ll go to her head, and if there’s any point in her life when she needs to be there; to be clear-headed and prescient. . . “We’ll all get together and give you a proper send-off.”
All their brocade clothes retrieved from storage, and the rice wine they’ve been saving in long-term compartments onboard the ship taken out, sipped at until everything seems to glow; and the small, round gem-dreams dumplings—there’s no actual gems in them, but they’re deliberately shaped and positioned like a string of gems, to call for good fortune and riches to fall into the newlyweds’ hands, for enough that they can leave the ship, leave this life of dives and slow death. . .
Kim Anh never had a chance for any of this. When she died, she’d barely begun a relationship with one of the older divers—a fling, the kind that’s not meant to last onboard The Azure Serpent. Except, of course, that it was cut short, became frozen in grief and regrets and recriminations.
Thuy and Kim Anh’s ex seldom speak; though they do get drunk together, sometimes. And Cong Hoan, her eldest son, has been posted to another diver-ship. They talk on comms, and see each other for festivals and death anniversaries: he’s more distant than she’d like, but still alive—all that matters.
“You’re morbid again,” Xuan says. “I can see it in your face.”
Thuy makes a grimace. “I don’t feel like drinking.”
“Quite obviously,” Le Hoa says. “Shall we go straight to the poetry?”
“She’s not drunk enough,” Xuan says before Thuy can open her mouth.
Thuy flushes. “I’m not good at poetry, in any case.”
Le Hoa snorts. “I know. The point isn’t that you’re good. We’re all terrible at it, else we would be officials on a numbered planet with scores of servants at our beck and call. The point is forgetting.” She stops, then, looks at Thuy. “I’m sorry.”
Thuy forces a shrug she doesn’t feel. “Doesn’t matter.”
Le Hoa opens her mouth, and then closes it again. “Look. . .” she says. She reaches inside her robes and withdraws something—Thuy knows, even before she opens her hand, what it will b
e.
The gem is small, and misshapen: the supervisors won’t let them keep the big, pretty ones as salvage; those go to offworld customers, the kind rich enough to pay good money for them. It glistens like spilled oil in the light of the teahouse; and in that light, the dumplings on the table and the tea seem to fade into the background; to recede into tasteless, odourless insignificance. “Try this.”
“I—” Thuy shakes her head. “It’s yours. And before a dive. . .”
Le Hoa shrugs. “Screw tradition, Thuy. You know it’s not going to change anything. Besides, I have some stash. Don’t need this one.”
Thuy stares at it—thinking of dropping it in the cup and watching it dissolve; of the warmth that will slide down into her stomach when she drinks; of the rising euphoria seizing all her limbs until everything seems to shake with the bliss of desire—of how to step away, for a time; away from tomorrow and the dive, and Kim Anh’s remains.
“Come on, lil’ sis.”
Thuy shakes her head. She reaches for the cup of rice wine, drains it in one gulp; leaving the gem still on the table.
“Time for poetry,” she says, aloud. The Azure Serpent doesn’t say anything—he so seldom speaks, not to the divers, those doomed to die—but he dims the lights and the sound as Thuy stands up, waiting for words to well up from the empty pit in her chest.
Xuan was right: you need to be much drunker than this, for decent verses.
~ ~ ~
Thuy knows where her parents died. The wreck they were scavenging from is on her ancestral altar, at the end of the cycling of holos that shows First and Second Mother go from newlyweds flushed with drink and happiness, to older, greyer women holding their grandchild in their arms, their smile cautious; tentative; as if they already know they will have to relinquish her.
Aboard The Azure Serpent, they’re legends, spoken of in hushed tones. They went deeper, farther into unreality than anyone else ever has. Divers call them The Long Breathers, and they have their own temple, spreading over three compartments and always smelling of incense. On the temple walls, they are depicted in their diving suits, with the bodhisattva Quan Am showing them the way into an empty cabin; where divers leave offerings praying for good fortune and prosperity.
They left nothing behind. Their suits crumbled with them, and their bodies are deep within the wreck of that mindship: two scatterings of gems in a cabin or a corridor somewhere, forever irretrievable; too deep for anyone to survive retrieval, even if they could be located anymore, in the twenty-one years since they died.
On the altar is Bao Thach: her husband, not smiling but stern and unyielding, as utterly serious in death as he was mischievous and whimsical in life.
She has nothing left of him, either.
Kim Anh. . . Kim Anh is by her father’s side; because she died childless and unmarried; because there is no one else who will mourn her or say the prayers to ease her passage. Thuy isn’t the first, or the last, to do this onboard the ship.
There’s a box, with enough space for a single gem. For what Thuy has earned the right to salvage from her daughter’s body: something tangible, palpable that she can hold onto, not the holos or her own hazy-coloured and shrivelled memories—holding a small, wrinkled baby nursing at her breast and feeling contentment well up in her, stronger than any gem-induced euphoria—Kim Anh at age ten, trying to walk in a suit two sizes too big for her—and a few days before her death, the last meal she and Thuy had in the teahouse: translucent dumplings served with tea the colour of jade, with a smell like cut grass on a planet neither of them will ever live to see.
Kim Anh isn’t like Thuy’s mothers: she died outside a different mindship, far enough from the wreck that it’s possible to retrieve her. Tricky, as Xuan said; but what price wouldn’t Thuy pay, to have something of her daughter back?
~ ~ ~
In the darkness at the hole in the ship’s hull, Thuy isn’t blind. Her suit lights up with warnings—temperature, pressure, distortions. That last is what will kill her: the layers of unreality utterly unsuited to human existence, getting stronger and stronger as the current carries her closer to the wreck of the mindship, crushing her lungs and vital organs like crumpled paper when her suit finally fails.
It’s what killed Kim Anh on her last dive; what eventually kills most divers. Almost everyone on The Azure Serpent—minus the supervisors, of course—lives with that knowledge, that suspended death sentence.
Thuy would pray to her ancestors—to her mothers the Long Breathers—if only she knew what to ask for.
Thuy closes her hand over the gem. She deactivates the suits’ propulsion units and watches her daughter’s remains, floating beside her.
Gems and more gems—ranging from the small one she has in her hand to the larger, spherical ones that have replaced the organs in the torso. It’s a recent death compared to that of the mindship: the gems still form something vaguely like a human shape, if humans could be drawn in small, round items like droplets of water; or like tears.
And, as the unreality readings spike, the ghost by her side becomes sharper and sharper, until she sees, once more, Kim Anh as she was in life. Her hair is braided—always with the messy ends, the ribbon tied haphazardly; they used to joke that she didn’t need a tether, because the ribbon would get caught in the ship’s airlock in strands thick and solid enough to bring her back. Her eyes are glinting—with tears, or perhaps with the same oily light as that of a gem.
Hello, Mother.
“Child”, Thuy whispers, and the currents take her voice and scatter it—and the ghost nods, but it might as well be at something Thuy can’t see.
Long time no see.
They’re drifting apart now: hurtling down some dark, silent corridor into the wreck that dilates open like an eye—no no no, not after all of this, not after the certainty she’ll lose her own life to the dive—and Thuy shifts, making the propulsion units in the suit strain against the currents, trying to reach Kim Anh; to hold her, to hold something of her, down there in the dark. . .
And then something rushes at her from behind, and she feels a sharp, pressing pain through the nape of the suit—before everything fades away.
~ ~ ~
When Thuy wakes up—nauseous, disoriented—the comms are speaking to her.
“Thuy? Where are you?” It’s Xuan’s voice, breathless and panicking. “I can help you get back, if you didn’t drift too far.”
“I’m here,” she tries to say; and has to speak three times before her voice stops shaking; becomes audible enough. There is no answer. Wherever she is—and, judging by the readings, it’s deep—comms don’t emit anymore.
She can’t see Kim Anh’s body—she remembers scrabbling, struggling to remain close to it as the currents separated them, but now there is nothing. The ghost, though, is still there, in the same room, wavering in the layers of unreality; defined in traceries of light that seem to encompass her daughter’s very essence in a few sharp lines.
Thuy still has the gem in her hand, tucked under the guard of her wrist. The rest of her daughter’s gems—they’ve fallen in and are now floating somewhere in the wreck, somewhere far away and inaccessible, and. . .
Her gaze, roaming, focuses on where she is; and she has to stop herself from gasping.
It’s a huge, vaulted room like a mausoleum—five ribs spreading from a central point, and racks of electronics and organics, most of them scuffed and knocked over; pulsing cables converging on each other in tight knots, merging and parting like an alchemist’s twisted idea of a nervous system. In the centre is something like a chair, or a throne, all ridges and protrusions, looking grown rather than manufactured. Swarms of repair bots lie quiescent; they must have given up, unable to raise the dead.
The heartroom. The centre of the ship, where the Mind once rested—the small, wilted thing in the throne is all that’s left of its corpse. Of course. Minds aren’t quite human; and they were made to better withstand deep spaces.
“Thuy? Please co
me in. Please. . .” Xuan is pleading now, her voice, growing fainter and fainter. Thuy knows about this too: the loss of hope.
“Thuy? Is that your name?”
The voice is not Xuan’s. It’s deeper and more resonant; and its sound make the walls shake—equipment shivers and sweats dust; and the cables writhe and twist like maddened snakes.
“I have waited so long.”
“You—” Thuy licks dry lips. Her suit is telling her—reassuringly, or not, she’s not certain—that unreality has stabilised; and that she has about ten minutes left before her suit fails. Before she dies, holding onto her daughter’s gem, with her daughter’s ghost by her side. “Who are you?”
It’s been years, and unreality has washed over the ship, in eroding tide after eroding tide. No one can have survived. No one, not even the Long Breathers.
Ancestors, watch over me.
“The Boat Sent by the Bell,” the voice says. The walls of the room light up, bright and red and unbearable—characters start scrolling across walls on all sides of Thuy, poems and novels and fragments of words bleeding from the oily metal, all going too fast for her to catch anything but bits and pieces, with that touch of bare, disquieting familiarity. “I—am—was—the ship.”
“You’re alive.” He. . . he should be dead. Ships don’t survive. They die, just like their passengers. They—
“Of course. We are built to withstand the farthest, more distorted areas of deep spaces.”
“Of course.” The words taste like ashes on her mouth. “What have you been waiting for?”
The ship’s answer is low, and brutally simple. “To die.”
Still alive. Still waiting. Oh, ancestors. When did the ship explode? Thirty, forty years ago? How long has the Mind been down here, in the depths—crippled and unable to move, unable to call out for help; like a human locked in their own body after a stroke?
Seven minutes, Thuy’s suit says. Her hands are already tingling, as if too much blood were flooding to them. By her side, Kim Anh’s ghost is silent, unmoving, its shape almost too sharp; too real; too alien. “Waiting to die? Then that makes two of us.”
The Best of Beneath Ceaseless Skies Online Magazine, Year Eight Page 34
