Stephen looked surprised. "What's wrong with the boy? He had to think it over. No one had asked him to do such a thing before. Next time he'd let us have the trap quick enough."
"Not if he had driven in for a cabbage instead of wire-netting."
"He never would drive in for a cabbage."
Rickie shuffled his feet. But his irritation passed. He saw that the little incident had been a quiet challenge to the civilization that he had known. "Organize." "Systematize." "Fill up every moment," "Induce esprit de corps." He reviewed the watchwords of the last two years, and found that they ignored personal contest, personal truces, personal love. By following them Sawston School had lost its quiet usefulness and become a frothy sea, wherein plunged Dunwood House, that unnecessary ship. Humbled, he turned to Stephen and said, "No, you're right. Nothing is wrong with the boy. He was honestly thinking it out." But Stephen had forgotten the incident, or else he was not inclined to talk about it. His assertive fit was over.
The direct road from Salisbury to Cadover is extremely dull. The city—which God intended to keep by the river; did she not move there, being thirsty, in the reign of William Rufus?—the city had strayed out of her own plain, climbed up her slopes, and tumbled over them in ugly cataracts of brick. The cataracts are still short, and doubtless they meet or create some commercial need. But instead of looking towards the cathedral, as all the city should, they look outwards at a pagan entrenchment, as the city should not. They neglect the poise of the earth, and the sentiments she has decreed. They are the modern spirit.
Through them the road descends into an unobtrusive country where, nevertheless, the power of the earth grows stronger. Streams do divide. Distances do still exist. It is easier to know the men in your valley than those who live in the next, across a waste of down. It is easier to know men well. The country is not paradise, and can show the vices that grieve a good man everywhere. But there is room in it, and leisure.
"I suppose," said Rickie as the twilight fell, "this kind of thing is going on all over England." Perhaps he meant that towns are after all excrescences, grey fluxions, where men, hurrying to find one another, have lost themselves. But he got no response, and expected none. Turning round in his seat, he watched the winter sun slide out of a quiet sky. The horizon was primrose, and the earth against it gave momentary hints of purple. All faded: no pageant would conclude the gracious day, and when he turned eastward the night was already established.
"Those verlands—" said Stephen, scarcely above his breath.
"What are verlands?"
He pointed at the dusk, and said, "Our name for a kind of field." Then he drove his whip into its socket, and seemed to swallow something. Rickie, straining his eyes for verlands, could only see a tumbling wilderness of brown.
"Are there many local words?"
"There have been."
"I suppose they die out."
The conversation turned curiously. In the tone of one who replies, he said, "I expect that some time or other I shall marry."
"I expect you will," said Rickie, and wondered a little why the reply seemed not abrupt. "Would we see the Rings in the daytime from here?"
"(We do see them.) But Mrs. Failing once said no decent woman would have me."
"Did you agree to that?"
"Drive a little, will you?"
The horse went slowly forward into the wilderness, that turned from brown to black. Then a luminous glimmer surrounded them, and the air grew cooler: the road was descending between parapets of chalk.
"But, Rickie, mightn't I find a girl—naturally not refined—and be happy with her in my own way? I would tell her straight I was nothing much—faithful, of course, but that she should never have all my thoughts. Out of no disrespect to her, but because all one's thoughts can't belong to any single person."
While he spoke even the road vanished, and invisible water came gurgling through the wheel-spokes. The horse had chosen the ford. "You can't own people. At least a fellow can't. It may be different for a poet. (Let the horse drink.) And I want to marry some one, and don't yet know who she is, which a poet again will tell you is disgusting. Does it disgust you? Being nothing much, surely I'd better go gently. For it's something rather outside that makes one marry, if you follow me: not exactly oneself. (Don't hurry the horse.) We want to marry, and yet—I can't explain. I fancy I'll go wading: this is our stream."
Romantic love is greater than this. There are men and women—we know it from history—who have been born into the world for each other, and for no one else, who have accomplished the longest journey locked in each other's arms. But romantic love is also the code of modern morals, and, for this reason, popular. Eternal union, eternal ownership—these are tempting baits for the average man. He swallows them, will not confess his mistake, and—perhaps to cover it—cries "dirty cynic" at such a man as Stephen.
Rickie watched the black earth unite to the black sky. But the sky overhead grew clearer, and in it twinkled the Plough and the central stars. He thought of his brother's future and of his own past, and of how much truth might lie in that antithesis of Ansell's: "A man wants to love mankind, a woman wants to love one man." At all events, he and his wife had illustrated it, and perhaps the conflict, so tragic in their own case, was elsewhere the salt of the world. Meanwhile Stephen called from the water for matches: there was some trick with paper which Mr. Failing had showed him, and which he would show Rickie now, instead of talking nonsense. Bending down, he illuminated the dimpled surface of the ford. "Quite a current." he said, and his face flickered out in the darkness. "Yes, give me the loose paper, quick! Crumple it into a ball."
Rickie obeyed, though intent on the transfigured face. He believed that a new spirit dwelt there, expelling the crudities of youth. He saw steadier eyes, and the sign of manhood set like a bar of gold upon steadier lips. Some faces are knit by beauty, or by intellect, or by a great passion: had Stephen's waited for the touch of the years?
But they played as boys who continued the nonsense of the railway carriage. The paper caught fire from the match, and spread into a rose of flame. "Now gently with me," said Stephen, and they laid it flowerlike on the stream. Gravel and tremulous weeds leapt into sight, and then the flower sailed into deep water, and up leapt the two arches of a bridge. "It'll strike!" they cried; "no, it won't; it's chosen the left," and one arch became a fairy tunnel, dropping diamonds. Then it vanished for Rickie; but Stephen, who knelt in the water, declared that it was still afloat, far through the arch, burning as if it would burn forever.
XXXIV
The carriage that Mrs. Failing had sent to meet her nephew returned from Cadchurch station empty. She was preparing for a solitary dinner when he somehow arrived, full of apologies, but more sedate than she had expected. She cut his explanations short. "Never mind how you got here. You are here, and I am quite pleased to see you." He changed his clothes and they proceeded to the dining-room.
There was a bright fire, but the curtains were not drawn. Mr. Failing had believed that windows with the night behind are more beautiful than any pictures, and his widow had kept to the custom. It was brave of her to persevere, lumps of chalk having come out of the night last June. For some obscure reason—not so obscure to Rickie—she had preserved them as mementoes of an episode. Seeing them in a row on the mantelpiece, he expected that their first topic would be Stephen. But they never mentioned him, though he was latent in all that they said.
It was of Mr. Failing that they spoke. The Essays had been a success. She was really pleased. The book was brought in at her request, and between the courses she read it aloud to her nephew, in her soft yet unsympathetic voice. Then she sent for the press notices—after all no one despises them—and read their comments on her introduction. She wielded a graceful pen, was apt, adequate, suggestive, indispensable, unnecessary. So the meal passed pleasantly away, for no one could so well combine the formal with the unconventional, and it only seemed charming when papers littered her stately table.
"My man wrote very nicely," she observed. "Now, you read me something out of him that you like. Read 'The True Patriot.'"
He took the book and found: "Let us love one another. Let our children, physical and spiritual, love one another. It is all that we can do. Perhaps the earth will neglect our love. Perhaps she will confirm it, and suffer some rallying-point, spire, mound, for the new generations to cherish."
"He wrote that when he was young. Later on he doubted whether we had better love one another, or whether the earth will confirm anything. He died a most unhappy man."
He could not help saying, "Not knowing that the earth had confirmed him."
"Has she? It is quite possible. We meet so seldom in these days, she and I. Do you see much of the earth?"
"A little."
"Do you expect that she will confirm you?"
"It is quite possible."
"Beware of her, Rickie, I think."
"I think not."
"Beware of her, surely. Going back to her really is going back—throwing away the artificiality which (though you young people won't confess it) is the only good thing in life. Don't pretend you are simple. Once I pretended. Don't pretend that you care for anything but for clever talk such as this, and for books."
"The talk," said Leighton afterwards, "certainly was clever. But it meant something, all the same." He heard no more, for his mistress told him to retire.
"And my nephew, this being so, make up your quarrel with your wife." She stretched out her hand to him with real feeling. "It is easier now than it will be later. Poor lady, she has written to me foolishly and often, but, on the whole, I side with her against you. She would grant you all that you fought for—all the people, all the theories. I have it, in her writing, that she will never interfere with your life again."
"She cannot help interfering," said Rickie, with his eyes on the black windows. "She despises me. Besides, I do not love her."
"I know, my dear. Nor she you. I am not being sentimental. I say once more, beware of the earth. We are conventional people, and conventions—if you will but see it—are majestic in their way, and will claim us in the end. We do not live for great passions or for great memories, or for anything great."
He threw up his head. "We do."
"Now listen to me. I am serious and friendly tonight, as you must have observed. I have asked you here partly to amuse myself—you belong to my March Past—but also to give you good advice. There has been a volcano—a phenomenon which I too once greatly admired. The eruption is over. Let the conventions do their work now, and clear the rubbish away. My age is fifty-nine, and I tell you solemnly that the important things in life are little things, and that people are not important at all. Go back to your wife."
He looked at her, and was filled with pity. He knew that he would never be frightened of her again. Only because she was serious and friendly did he trouble himself to reply. "There is one little fact I should like to tell you, as confuting your theory. The idea of a story—a long story—had been in my head for a year. As a dream to amuse myself—the kind of amusement you would recommend for the future. I should have had time to write it, but the people round me coloured my life, and so it never seemed worth while. For the story is not likely to pay. Then came the volcano. A few days after it was over I lay in bed looking out upon a world of rubbish. Two men I know—one intellectual, the other very much the reverse—burst into the room. They said, 'What happened to your short stories? They weren't good, but where are they? Why have you stopped writing? Why haven't you been to Italy? You must write. You must go. Because to write, to go, is you.' Well, I have written, and yesterday we sent the long story out on its rounds. The men do not like it, for different reasons. But it mattered very much to them that I should write it, and so it got written. As I told you, this is only one fact; other facts, I trust, have happened in the last five months. But I mention it to prove that people are important, and therefore, however much it inconveniences my wife, I will not go back to her."
"And Italy?" asked Mrs. Failing.
This question he avoided. Italy must wait. Now that he had the time, he had not the money.
"Or what is the long story about, then?"
"About a man and a woman who meet and are happy."
"Somewhat of a tour de force, I conclude."
He frowned. "In literature we needn't intrude our own limitations. I'm not so silly as to think that all marriages turn out like mine. My character is to blame for our catastrophe, not marriage."
"My dear, I too have married; marriage is to blame."
But here again he seemed to know better.
"Well," she said, leaving the table and moving with her dessert to the mantelpiece, "so you are abandoning marriage and taking to literature. And are happy."
"Yes."
"Because, as we used to say at Cambridge, the cow is there. The world is real again. This is a room, that a window, outside is the night."
"Go on."
He pointed to the floor. "The day is straight below, shining through other windows into other rooms."
"You are very odd," she said after a pause, "and I do not like you at all. There you sit, eating my biscuits, and all the time you know that the earth is round. Who taught you? I am going to bed now, and all the night, you tell me, you and I and the biscuits go plunging eastwards, until we reach the sun. But breakfast will be at nine as usual. Good-night."
She rang the bell twice, and her maid came with her candle and her walking-stick: it was her habit of late to go to her room as soon as dinner was over, for she had no one to sit up with. Rickie was impressed by her loneliness, and also by the mixture in her of insight and obtuseness. She was so quick, so clear-headed, so imaginative even. But all the same, she had forgotten what people were like. Finding life dull, she had dropped lies into it, as a chemist drops a new element into a solution, hoping that life would thereby sparkle or turn some beautiful colour. She loved to mislead others, and in the end her private view of false and true was obscured, and she misled herself. How she must have enjoyed their errors over Stephen! But her own error had been greater, inasmuch as it was spiritual entirely.
Leighton came in with some coffee. Feeling it unnecessary to light the drawing-room lamp for one small young man, he persuaded Rickie to say he preferred the dining-room. So Rickie sat down by the fire playing with one of the lumps of chalk. His thoughts went back to the ford, from which they had scarcely wandered. Still he heard the horse in the dark drinking, still he saw the mystic rose, and the tunnel dropping diamonds. He had driven away alone, believing the earth had confirmed him. He stood behind things at last, and knew that conventions are not majestic, and that they will not claim us in the end.
As he mused, the chalk slipped from his fingers, and fell on the coffee-cup, which broke. The china, said Leighton, was expensive. He believed it was impossible to match it now. Each cup was different. It was a harlequin set. The saucer, without the cup, was therefore useless. Would Mr. Elliot please explain to Mrs. Failing how it happened.
Rickie promised he would explain.
He had left Stephen preparing to bathe, and had heard him working up-stream like an animal, splashing in the shallows, breathing heavily as he swam the pools; at times reeds snapped, or clods of earth were pulled in. By the fire he remembered it was again November. "Should you like a walk?" he asked Leighton, and told him who stopped in the village tonight. Leighton was pleased. At nine o'clock the two young men left the house, under a sky that was still only bright in the zenith. "It will rain tomorrow," Leighton said.
"My brother says, fine tomorrow."
"Fine tomorrow," Leighton echoed.
"Now which do you mean?" asked Rickie, laughing.
Since the plumes of the fir-trees touched over the drive, only a very little light penetrated. It was clearer outside the lodge gate, and bubbles of air, which Wiltshire seemed to have travelled from an immense distance, broke gently and separately on his face. They paused on the
bridge. He asked whether the little fish and the bright green weeds were here now as well as in the summer. The footman had not noticed. Over the bridge they came to the cross-roads, of which one led to Salisbury and the other up through the string of villages to the railway station. The road in front was only the Roman road, the one that went on to the downs. Turning to the left, they were in Cadford.
"He will be with the Thompsons," said Rickie, looking up at dark eaves. "Perhaps he's in bed already."
"Perhaps he will be at The Antelope."
"No. Tonight he is with the Thompsons."
"With the Thompsons." After a dozen paces he said, "The Thompsons have gone away."
"Where? Why?"
"They were turned out by Mr. Wilbraham on account of our broken windows."
"Are you sure?"
"Five families were turned out."
"That's bad for Stephen," said Rickie, after a pause. "He was looking forward—oh, it's monstrous in any case!"
"But the Thompsons have gone to London," said Leighton. "Why, that family—they say it's been in the valley hundreds of years, and never got beyond shepherding. To various parts of London."
"Let us try The Antelope, then."
"Let us try The Antelope."
The inn lay up in the village. Rickie hastened his pace. This tyranny was monstrous. Some men of the age of undergraduates had broken windows, and therefore they and their families were to be ruined. The fools who govern us find it easier to be severe. It saves them trouble to say, "The innocent must suffer with the guilty." It even gives them a thrill of pride. Against all this wicked nonsense, against the Wilbrahams and Pembrokes who try to rule our world Stephen would fight till he died. Stephen was a hero. He was a law to himself, and rightly. He was great enough to despise our small moralities. He was attaining love. This evening Rickie caught Ansell's enthusiasm, and felt it worth while to sacrifice everything for such a man.
"The Antelope," said Leighton. "Those lights under the greatest elm."
The Longest Journey Page 27
