Peter returned, first sniffing and then licking her nose.
“Christ, don’t do that, your breath stinks!”
Peter wagged his tail. Anderson sat up. She rubbed her left cheek and saw blood on her palm and fingers. She grunted.
“Nice going,” she said, and looked to see what she had tripped over—a fallen piece of tree, most likely, or a rock poking out of the ground. Lots of rock in Maine.
What she saw was a gleam of metal.
She touched it, running her finger along it and then blowing off black forest dirt.
“What’s this?” she asked Peter.
Peter approached, sniffed at it, and then did a peculiar thing. The beagle backed off two dog-paces, sat down, and uttered a single low howl.
“Who got on your case?” Anderson asked, but Peter only sat there. Anderson hooked herself closer, still sitting down, sliding on the seat of her jeans. She examined the metal in the ground.
Roughly three inches stuck out of the mulchy earth—just enough to trip over. There was a slight rise here, and perhaps the runoff from the heavy spring rains had freed it. Anderson’s first thought was that the skidders who had logged this land in the twenties and thirties must have buried a bunch of their leavings here—the cast-off swill of a three-day cutting, which in those days had been called a “loggers’ weekend.”
A tin can, she thought—B&M beans or Campbell’s soup. She wiggled it the way you’d wiggle a tin can out of the earth. Then it occurred to her that no one except a toddler would be apt to trip over the leading edge of a can. The metal in the earth didn’t wiggle. It was as solid as mother-rock. A piece of old logging equipment, maybe?
Intrigued, Anderson examined it more closely, not seeing that Peter had gotten to his feet, backed away another four paces, and sat down again.
The metal was a dull gray—not the bright color of tin or iron at all. And it was thicker than a can, maybe a quarter-inch at its top. Anderson placed the pad of her right index finger on this edge and felt a momentary odd tingling, like a vibration.
She took her finger away and looked at it quizzically.
Put it back.
Nothing. No buzz.
Now she pinched it between her thumb and finger and tried to draw it from the earth like a loose tooth from a gum. It didn’t come. She was gripping the protrusion in the rough center. It sank back into the earth—or that was the impression she had then—on either side at a width of less than two inches. She would later tell Jim Gardener that she could have walked past it three times a day for forty years and never stumbled over it.
She brushed away loose soil, exposing a little more of it. She dug a channel along it about two inches deep with her fingers—the soil gave easily enough, as forest soil does ... at least until you hit the webwork of roots. It continued smoothly down into the ground. Anderson got up on her knees and dug down along either side. She tried wiggling it again. Still no go.
She scraped away more soil with her fingers and quickly exposed more—now she saw six inches of gray metal, now nine, now a foot.
It’s a car or a truck or a skidder, she thought suddenly. Buried out here in the middle of nowhere. Or maybe a Hooverville kind of stove. But why here?
No reason that she could think of; no reason at all. She found things in the woods from time to time—shell casings, beer cans (the oldest not with pop-tops but with triangle-shaped holes made by what they had called a “churchkey” back in those dim dead days of the 1960s), candy wrappers, other stuff. Haven was not on either of Maine’s two major tourist tracks, one of which runs through the lake and mountain region to the extreme west of the state and the other of which runs up the coast to the extreme east, but it had not been the forest primeval for a long, long time. Once (she had been over the decayed stone wall at the back of her land and actually trespassing on New England Paper Company’s land at the time) she had found the rusted hulk of a late-forties Hudson Hornet standing in what had once been a woods road and what was now, over twenty years after the cutting had stopped, a tangle of second growth—what the locals called shit-wood. No reason that hulk of a car should have been there, either ... but it was easier to explain than a stove or a refrigerator or any other damn thing actually buried in the ground.
She had dug twin trenches a foot long on either side of the object without finding its end. She got down almost a foot before scraping her fingers on rock. She might have been able to pull the rock out—that at least had some wiggle—but there was no reason to do it. The object in the earth continued down past it.
Peter whined.
Anderson glanced at the dog, then stood up. Both knees popped. Her left foot tingled with pins and needles. She fished her pocket watch out of her pants—old and tarnished, the Simon watch was another part of her legacy from Uncle Frank—and was astonished to see that she had been here a long time: an hour and a quarter at least. It was past four.
“Come on, Pete,” she said. “Let’s bug out.”
Peter whined again but still wouldn’t move. And now, with real concern, Anderson saw that her old beagle was shivering all over, as if with ague. She had no idea if dogs could catch ague, but thought old ones might. She did recollect that the only time she had ever seen Peter shiver like that was in the fall of 1977 (or maybe it had been ’78). There had been a catamount on the place. Over a series of perhaps nine nights it had screamed and squalled, very likely in unrequited heat. Each night Peter would go to the living-room window and jump up on the old church pew Anderson kept there by her bookcase. He never barked. He only looked out into the dark toward that unearthly, womanish squealing, nostrils flaring, ears up. And he shivered.
Anderson stepped over her little excavation and went to Peter. She knelt down and ran her hands along the sides of Peter’s face, feeling the shiver in her palms.
“What’s wrong, boy?” she murmured, but she knew what was wrong. Peter’s good eye shifted past her, toward the thing in the earth, and then back to Anderson. The plea in the eye not veiled by the hateful, milky cataract was as clear as speech: Let’s get out of here, Bobbi, I like that thing almost as much as I like your sister.
“Okay,” Anderson said uneasily. It suddenly occurred to her that she could not remember ever having lost track of time as she had today, out here.
Peter doesn’t like it. I don’t either.
“Come on.” She started up the slope to the path. Peter followed with alacrity.
They were almost to the path when Anderson, like Lot’s wife, looked back. If not for that last glance, she might actually have let the whole thing go. Since leaving college before finals—in spite of her mother’s tearful pleas and her sister’s furious diatribes and baleful ultimatums—Andersen had gotten good at letting things go.
The look back from this middle distance showed her two things. First, the thing did not sink back into the earth as she had at first thought. The tongue of metal was sticking up in the middle of a fairly fresh declivity, not wide but fairly deep, and surely the result of late-winter runoff and the heavy spring rains that had followed it. So the ground to either side of the protruding metal was higher, and the metal simply disappeared back into it. Her first impression, that the thing in the ground was the corner of something, wasn’t true after all—or not necessarily true. Second, it looked like a plate—not a plate you’d eat from, but a dull metal plate, like metal siding or—
Peter barked.
“Okay,” Anderson said. “I hear you talking. Let’s go. ”
Let’s go ... and let’s let it go.
She walked up the center of the path, letting Peter lead them back toward the woods road at his own bumbling pace, enjoying the lush green of high summer ... and this was the first day of summer, wasn’t it? The solstice. Longest day of the year. She slapped a mosquito and grinned. Summer was a good time in Haven. The best of times. And if Haven wasn’t the best of places, parked as it was well above Augusta in that central part of the state most tourists passed by, it was still
a good place to come to rest. There had been a time when Anderson had honestly believed she would only be here a few years, long enough to recover from the traumas of adolescence, her sister, and her abrupt, confused withdrawal (surrender, Anne called it) from college, but a few years had become five, five had become ten, ten had become thirteen, and looky ’yere, Huck, Peter’s old and you got a pretty good crop of gray coming up in what used to be hair as black as the River Styx (she’d tried cropping it close two years ago, almost a punk do, had been horrified to find it made the gray even more noticeable, and had let it grow ever since).
She now thought she might spend the rest of her life in Haven, with the sole exception of the duty trip she took to visit her publisher in New York every year or two. The town got you. The place got you. The land got you. And that wasn’t so bad. It was as good as anything else, maybe.
Like a plate. A metal plate.
She broke off a short limber branch well plumed with fresh green leaves and waved it around her head. The mosquitoes had found her and seemed determined to have their high tea off her. Mosquitoes whirling around her head ... and thoughts like mosquitoes inside her head. Those she couldn’t wave off.
It vibrated under my finger for a second. I felt it. Like a tuning fork. But when I touched it, it stopped. Is it possible for something to vibrate in the earth like that? Surely not. Maybe ...
Maybe it had been a psychic vibration. She did not absolutely disbelieve in such things. Maybe her mind had sensed something about that buried object and had told her about it in the only way it could, by giving her a tactile impression: one of vibration. Peter had certainly sensed something about it; the old beagle hadn’t wanted to go near it.
Forget it. She did.
For a little while.
4
That night a high, mild wind arose and Anderson went out on her front porch to smoke and listen to the wind walk and talk. At one time—even a year earlier—Peter would have come out with her, but now he remained in the parlor, curled up on his small hooked rug by the stove, nose to tail.
Anderson found her mind replaying that last look back at the plate sticking out of the earth, and she later came to believe that there was a moment—perhaps when she flicked the cigarette into the gravel drive—when she decided she would have to dig it up and see what it was ... although she didn’t consciously recognize the decision then.
Her mind worried restlessly at what it might be, and this time she allowed it to run—she had learned that if your mind insisted on returning to a topic no matter how you tried to divert it, it was best to let it return. Only obsessives worried about obsession.
Part of some building, her mind hazarded, a prefab. But no one built Quonset huts out in the woods—why drag all that metal in when three men could throw up a cutter’s lean-to with saws, axes, and a two-handed bucksaw in six hours? Not a car, either, or the protruding metal would have been flaked with rust. An engine-block seemed slightly more likely, but why?
And now, with dark drawing down, that memory of vibration returned with inarguable certainty. It must have been a psychic vibration, if she had felt it at all. It—
Suddenly a cold and terrible certainty rose in her: someone was buried there. Maybe she had uncovered the leading edge of a car or an old refrigerator or even some sort of steel trunk, but whatever it had been in its aboveground life, it was now a coffin. A murder victim? Who else would be buried in such a way, in such a box? Guys who happened to wander into the woods during hunting season and got lost there and died there didn’t carry along metal caskets to pop themselves into when they died ... and even given such an idiotic idea, who would shovel the dirt back in? Cut me a break, folks, as we used to say back in the glorious days of our youth.
The vibration. It had been the call of human bones.
Come on, Bobbi—don’t be so fucking stupid.
A shudder worked through her nevertheless. The idea had a certain weird persuasiveness, like a Victorian ghost story that had no business working as the world hurtled down Microchip Alley toward the unknown wonders and horrors of the twenty-first century—but somehow produced the gooseflesh just the same. She could hear Anne laughing and saying You’re getting as funny in the head as Uncle Frank, Bobbi, and it’s just what you deserve, living out there alone with your smelly dog. Sure. Cabin fever. The hermit complex. Call the doctor, call the nurse, Bobbi’s bad ... and getting worse.
All the same, she suddenly wanted to talk to Jim Gardener—needed to talk to him. She went in to call his place up the road in Unity. She had dialed four numbers when she remembered he was off doing readings—those and the poetry workshops were the way he supported himself. For itinerant artists, summer was prime time. All those menopausal matrons have to do something with their summers, she could hear Jim saying ironically, and I have to eat in the winter. One hand washes the other. You ought to thank God you’re saved the reading circuit, anyway, Bobbi.
Yes, she was saved that—although she thought Jim liked it more than he let on. Certainly did get laid enough.
Anderson put the phone back in the cradle and looked at the bookcase to the left of the stove. It wasn’t a handsome bookcase—she was no one’s carpenter, nor ever would be—but it served the purpose. The bottom two shelves were taken up by the Time-Life series of volumes on the old west. The two shelves above were filled with a mixture of fiction and fact on that same subject; Brian Garfield’s early westerns jostled for place with Hubert Hampton’s massive Western Territories Examined, Louis L’Amour’s Sackett saga lay cheek by jowl with Richard Marius’ wonderful two novels, The Coming of Rain and Bound for the Promised Land. Jay R. Nash’s Bloodletters and Badmen and Richard F. K. Mudgett’s Westward Expansion bracketed a riot of paperback westerns by Ray Hogan, Archie Joceylen, Max Brand, Ernest Haycox, and, of course, Zane Grey—Anderson’s copy of Riders of the Purple Sage had been read nearly to tatters.
On the top shelf were her own books, eleven of them. Ten were westerns, beginning with Hangtown, published in 1975, and ending with The Long Ride Back, published in ’86. Massacre Canyon, the new one, would be published in September, as all of her westerns had been since the beginning. It occurred to her now that she had been here, in Haven, when she had received her first copy of Hangtown, although she’d begun the novel in the room of a scuzzy Cleaves Mills apartment, on a thirties-vintage Underwood dying of old age. Still, she’d finished here, and it was here that she’d held the first actual copy of the book in her hands.
Here, in Haven. Her entire career as a publishing writer was here ... except for the first book.
She took that down now and looked at it curiously, realizing it had been perhaps five years since she had last held this slim volume in her hands. It was not only depressing to realize how fast time got by; it was depressing to think of how often she thought about that lately.
This volume was a total contrast to the others, with their jackets showing mesas and buttes, riders and cows and dusty trail-drive towns. This jacket was a nineteenth-century woodcut of a clipper ship quartering toward land. Its uncompromising blacks and whites were startling, almost shocking. Boxing the Compass was the title printed above the woodcut. And below it: Poems by Roberta Anderson.
She opened the book, paging past the title, musing for a moment over the copyright date, 1974, then pausing at the dedication page. It was as stark as the woodcut. This book is for James Gardener. The man she had been trying to call. The second of the only three men she had ever had sex with, and the only one who had ever been able to bring her to orgasm. Not that she attached any special importance to that. Or not much, anyway. Or so she thought. Or thought she thought. Or something. And it didn’t matter anyway; those days were also old days.
She sighed and put the book back on the shelf without looking at the poems. Only one of them was much good. That one had been written in March of 1972, a month after her grandfather died of cancer. The rest of them were crap—the casual reader might have been fooled, because she wa
s a talented writer ... but the heart of her talent had been somewhere else. When she had published Hangtown, the circle of writers she had known had all denied her. All except Jim, who had published Boxing the Compass in the first place.
She had dropped Sherry Fenderson a long chatty letter not long after coming to Haven, and had received a curt postcard in return: Please don’t write me anymore. I don’t know you. Signed with a single slashed S. as curt as the message. She had been sitting on the porch, crying over that card, when Jim showed up. Why are you crying over what that silly woman thinks? he had asked her. Do you really want to trust the judgment of a woman who goes around yelling “Power to the people” and smelling of Chanel Number Five?
She just happens to be a very good poet, she had sniffled.
Jim gestured impatiently. That doesn’t make her any older, he had said, or any more able to recant the cant she’s been taught and then taught herself. Get your mind right, Bobbi. If you want to go on doing what you like, get your fucking mind right and stop that fucking crying. That fucking crying makes me sick. That fucking crying makes me want to puke. You’re not weak. I know weak when I’m with it. Why do you want to be something you’re not? Your sister? Is that why? She’s not here, and she’s not you, and you don’t have to let her in if you don’t want to. Don’t whine to me about your sister anymore. Grow up. Stop bitching.
She’d looked at him, she remembered now, amazed.
There’s a big difference between being good at what you Do and being smart about what you KNOW, he said. Give Sherry some time to grow up. Give yourself some time to grow up. And stop being your own jury. It’s boring, I don’t want to listen to you snivel. Sniveling is for jerks. Quit being a jerk.
She had felt herself hating him, loving him, wanting all of him and none of him. Did he say he knew weak when he was with it? Boy, he ought to. He was bent. She knew it even then.
Now, he had said, you want to lay an ex-publisher or do you want to cry all over that stupid postcard?
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