White Trash Zombie Apocalypse
( White Trash Zombie - 3 )
Diana Rowland
Our favorite white trash zombie, Angel Crawford, has enough problems of her own, what with dealing with her alcoholic, deadbeat dad, issues with her not-quite boyfriend, the zombie mafia, industrial espionage and evil corporations. Oh, and it’s raining, and won’t let up.
But things get even crazier when a zombie movie starts filming in town, and Angel begins to suspect that it’s not just the plot of the movie that's rotten. Soon she's fighting her way through mud, blood, bullets and intrigue, even as zombies, both real and fake, prowl the streets.
Angel’s been through more than her share of crap, but this time she’s in way over her head. She’ll need plenty of brainpower to fit all the pieces—and body parts—together in order to save herself, her town, and quite possibly the human race.
White Trash Zombie Apocalypse
White Trash Zombie 3
by
Diana Rowland
For Jack and Anna
ACKNOWLEDGMENTS
This book would not be possible without a great deal of help and support.
Therefore, enormous thanks go out to Sherry Rowland, Kat Johnson, Dr. Kristi Charish, Robert J. Durand, Myke Cole, Mary Robinette Kowal, Dr. Michael Defatta, Catherine Rathbun, Tara Sullivan Palmer, Tricia Borne, Deborah Jack, Lindsay Ribar, Matt Bialer, Dan Dos Santos, Marylou Capes-Platt, Joshua Starr, Betsy Wollheim, everyone at DAW, the internet hivemind, and all of my wonderful readers.
Chapter 1
Rain. Lots of it. Not yet, but soon. I hadn’t heard a forecast, and I sure as hell wasn’t psychic, but I’d lived in southeastern Louisiana all my life and felt the coming downpour in my bones. Of course, the really dark, ominous clouds helped a bit too.
But that was nothing. Not with zombies roaming the streets of Tucker Point.
Several shuffled along the sidewalk, and a dozen or so huddled together, gruesome and shabby, in front of the Sundown Café, one taking a drag from a cigarette through cracked and bloody lips. Apart from the nearby movie crew, the cigarette was a sure sign these were zombie wannabes and not the real thing.
No self-respecting zombie would be caught dead smoking.
Caught dead. I snorted. But the truth was that zombies were some of the cleanest-living people I knew. Had to be since anything bad for you, like cigarette smoke, drugs, or alcohol, used up precious brains to detoxify the body. And if you didn’t get more brains quickly, you’d start to rot. Not fun. I’d been a pill-popping alcoholic smoker before I was turned. Now the most toxic substance I consumed was coffee.
Well, mostly. Every now and then I still took a quick drag for old times sake.
I drove slowly, watching with roll-my-eyes amusement as the crew filmed a couple of fake zombies shambling after a shotgun-wielding woman. No stereotypes here. No sirree.
The majority of the movie-related activity seemed to be taking place at the back of Tucker Point High School, where school had let out for the summer a week earlier. A couple of eighteen-wheelers were pulled up in the lot on the side, and I saw movie people and equipment all over the blocked-off street ahead as well as on the school grounds to the left.
The cop at the end of the street pulled the barricade aside without my having to flash my badge. My Coroner’s Office van was plain black with no markings, but he’d probably been on enough death scenes to know the routine well enough to expect me. His face registered recognition, and he gave me a friendly wave as I passed through. I gave a polite hand lift in response but had no clue if I’d ever seen him before. It was probably a lot easier for cops to remember the scrawny little blond chick who worked as a bodysnatcher for the Coroner’s Office than for me to remember one cop’s face in a sea of identical uniforms.
I proceeded slowly, trying to get a good look at the movie hoopla without obviously gawking or running into anything. Parked against the curb about a half block down was a white SUV with St. Edwards Parish Sheriff’s Office Crime Scene emblazoned across the side, and right behind it the black Dodge Durango that belonged to Derrel Cusimano, the death investigator I was partnered with.
As I parked behind the Durango, a tall woman with brunette hair bound up in a severe bun and wearing a sheriff’s office t-shirt walked up to the SUV. Maria, a crime scene tech. As I climbed out of the van, she gave me a smile and a thumbs up to let me know she was finished with her work. I returned the smile and gave an acknowledging wave. With rare exceptions, a crime scene tech had to take photos and process any death scene in case there was a need later on to review the specifics. The actual removal of the body came last, after the techs did their stuff and the detectives had a good look at everything. I’d been collecting bodies from all sorts of death scenes for a while now, so I was pretty used to the routine. The techs appreciated that I stayed out of their way while they worked, and in return they let me know the instant I could get on with my own business.
I moved to the back of the van, pulled the stretcher out, and lumped a body bag and a couple of sheets on top, then looked around for my hard-to-miss partner, a big, bald, black guy with muscle to spare. He’d been an LSU linebacker ten or so years back and still looked every bit the part.
I spied him striding across the street toward me with a notepad in his hand. He’d probably been here a while already, gathering information, taking notes, and speaking to detectives and witnesses.
“Perfect timing,” he said after he reached me. “Maria finished processing the scene only a couple of minutes ago.”
“Yep, she gave me the go-ahead,” I replied, then swept my gaze around the area with its bustling activity. Crew members carted fancy equipment here and there, men and women scrambled over set pieces, painting, nailing, clamping, and cutting. A man with deep lines of stress around his eyes consulted the stack of papers on his clipboard and gave instructions—accompanied by a lot of arm waving—to the crew. Apart from the one scene with the shotgun, there wasn’t any actual filming going on in the blocked-off street, but the behind-the-scenes stuff made up for it. And there were fake zombies everywhere. Only about ten or so wore full makeup, but the rest sported the equivalent of spray-on tan, except instead of Sun Kissed Bronze it was Decay Grey.
“This is too cool,” I said.
Derrel’s mouth twitched. He knew perfectly well I wasn’t talking about the body I’d come to pick up.
“So whatcha got?” I asked.
A grimace flashed over his face. “Freak accident. Support pole on some scaffolding fell as our Mr. Brent Stewart was walking by, and he got beaned right in the skull.” He gestured with his head toward a cluster of trailers and headed that way. I followed, towing the stretcher in my wake as we passed through the trailer area, then toward a sidewalk that ran in front of a stucco building at the back of the school grounds.
Near the corner of the building, the body of a white, middle-aged man lay sprawled face down on the ground beside a structure of pipes and plywood about twenty feet long and at least that tall. Part of a set, I realized, upon seeing the painted façade—a cleverly rendered perspective of one side of the school but looking far nicer than the school appeared in reality. A two-inch diameter pipe lay beside the man, along the length of his body and with a few feet to spare. Blood and hair clung to it in a pattern that perfectly and morbidly matched the large dent in the back of his skull.
“Well, hell.” I wrinkled my nose at the mess the pole had made of his head, then peered back up at the set piece. Now I saw the twisted clamp near the top.
“Yeah,” Derrel said with a shake of his head. “Looks like he was in the totally wrong place. The clamp broke, the pole fell, and
smack. Probably never felt a thing. Not even time for an oh shit.”
I made an appropriately sympathetic wince. A part of me thought that was probably a good way to go—never feeling a thing and never knowing. Yet at the same time, he never had a chance to say goodbye to his family and friends, even in his head. Death was really goddamn unfair sometimes.
I crouched by the body, taking it all in, then looked around. We were behind a half dozen trailers, probably for makeup and such, and away from the general activity I’d encountered near the street. A few crew members carrying fake body parts passed us as though nothing had happened and headed toward the high school, and several extras in fresh-from-the-grave clothing but no makeup clustered at the back of the furthest trailer, casting anxious glances our way.
“A zombie movie,” I muttered. “That’s too weird.”
Derrel nodded. “Shambling, braaains, the whole thing,” he replied, holding back a chuckle. Laughing and joking weren’t considered cool on a death scene. “Saw a segment on the news about it last night. High School Zombie Apocalypse!!” he said, showing as much smile as he dared. “With two exclamations points!”
“Too weird,” I repeated with a roll of my eyes as I pulled on gloves. This certainly wasn’t the first time a movie had been filmed in the area, but as far as I knew it was the first one with zombies, and my first time anywhere near the action. In the past few years Louisiana had been dubbed “Hollywood South” because of the growing film industry in the state. Movies and TV shows filmed here benefited from generous tax credits and were great for the local economy. And it was always a kick to see local sights show up on the big screen. It somehow made the people here feel as if they were really part of something bigger.
I retrieved a sheet from the stretcher and wrapped up the poor guy’s sadly smushed head. Though I’d eaten brains only a few hours earlier, I still had to use a good dose of willpower to keep from giving in to the delicious scent and digging a glob of brain out of the cracks in the skull to stuff into my mouth. That would probably go over even worse than laughing.
Close to ten months as a morgue tech/van driver for the St. Edwards Parish Coroner’s Office, and I actually felt like I knew what I was doing. That was also the same length of time that I’d been a zombie, but I had a feeling it would take me a lot longer to really get a handle on that lifestyle.
I’d been an unemployed, pill head loser—with “felon” and “high school dropout” to pad out my resume—when I woke up in the ER after a night of drinking and drugs. Even though I had a fairly clear memory of being horribly injured in a car accident, I didn’t have a mark on me—or a stitch of clothing, for that matter. Waiting for me had been a six-pack of weird brown, sludgy drinks, and an anonymous note about a job waiting for me at the Coroner’s Office, along with the threat of jail time if I didn’t take the job. Took me a few weeks to figure out the truth: that not only would I rot and fall apart if I didn’t eat brains, but also that if I hadn’t been turned into a zombie the night of the accident, I would’ve died on the spot from the combination of drug overdose and injuries.
Though I’d only taken the job with the Coroner’s Office because it was better than going to jail, I quickly grew to enjoy it, and not simply because it gave me easy access to the brains I needed. It was interesting, challenging without being a pain in the ass, and paid better than any job I’d ever had. Ever. Plus, I had some pretty awesome coworkers.
With Derrel’s help I got the dead guy wrestled into the body bag and onto the stretcher. Once I had him in the van and the doors closed, I decided to take a few minutes to gawk some more at the movie stuff. What the hell. It wasn’t every day I had the chance to see something like this.
I locked the van, then crossed the street to get a better view as a stunt zombie practiced a fall from a third story window to the airbag cushion below. Further down the street several zombie extras mauled an actor in a cop uniform, then backed up and started over, repeatedly. Gotta get those shambling horde subtleties down for the camera. I smiled and shook my head. Though I’d watched several zombie movies and TV episodes after I was turned, I couldn’t manage much love for most of them since the majority were about escaping from or killing mindless zombies. Needless to say, I had a hard time getting into that sort of thing.
A white van marked “Midnight Productions” pulled up to the curb, and a too-perky red-haired guy wearing an electric blue track suit climbed out of the passenger side carrying a clipboard and plastic grocery bag. He tooted a whistle then proceeded to call names and pass out white-wrappered snack bars to the extras who came out of the woodwork. Roll call and check marks on the clipboard. I figured some fine print contract clause said the movie people had to provide mid-morning protein or granola or some crap like that.
Hell, maybe I can go hungry a few days and get cast as an extra, I thought with amusement. It was beside the point that if I was falling apart enough to look like a zombie, I’d be so hungry I’d crack open the head of the first person who walked by in order to get my fill of braaaaiiiiins. Now that would be a realistic movie.
Only a few months ago I’d learned that it was a parasite that made a real zombie a zombie, and that parasite depended on brains to survive. Along with survival, it used brains to keep its host, like me, alive and in top physical condition in order to be a strong, ideal home. Without enough of the food it needed—human brains and the prions within them—the primary need took over, breaking down and using host tissue in a way that closely resembled corpse rot. A hungry zombie looked and behaved a helluva lot like the stereotype and would do anything to get brains.
Hungry Zombie: instant movie extra with a Really Bad Attitude.
“I missed breakfast and now I’ve lost my appetite for lunch.”
I looked over at the speaker to see Detective Ben Roth sweep a gaze over the faux-zombie action, a grimace of distaste twisting his features. He’d shaved off his scraggly mustache a couple of weeks ago, and I still wasn’t used to it, though I definitely thought it had been the right decision. Ben was a homicide detective with the St. Edwards Parish Sheriff’s office, and even though Mr. Brent Stewart’s death was most likely the accident it appeared to be, procedure stated that a detective still had to investigate.
I liked working with Ben on scenes—he was friendly, easy-going, and took his job seriously without being uptight. Working with his partner, Mike Abadie, wasn’t nearly as enjoyable. Abadie and I had pretty much agreed to disagree on, well, just about everything.
“What, rotting flesh doesn’t get your appetite going?” I teased.
Ben gave a mock shudder. “I can’t get into the zombie thing. Freaks me out.”
That surprised me. Tall and stocky, he didn’t look like someone who’d be easy to freak out. “But I’ve seen you on gory and disgusting crime scenes, and you never even bat an eyelash.”
“I never said it made sense,” he replied with a laugh. “It’s like those horrible lifelike dolls. I know they’re fake, but they still give me the heebie-jeebies.”
“Well, lifelike dolls are creepy as hell,” I agreed.
“My niece has one of those,” he said, shuddering again. “I’ll take a fake zombie over that plastic monstrosity.” Then he shook his head. “Hell, I’ll take a real zombie over that thing.”
I laughed, though I knew he had no idea why I found it so funny. He opened his mouth to speak then frowned as a breeze brought a scattering of rain drops.
“I think that was a warning shot from the coming weather,” he said. “Or maybe a sign I need to get started on my paperwork.” With a parting smile, he turned and headed back to his unmarked car.
The drizzle stopped as quickly as it had begun, but I knew Ben was right. The black clouds to the west rolled steadily closer. Heading back across the street, I pulled out my phone and started texting, Did you know a zombie movie was being filmed here? to my cop not-quite boyfriend and fellow zombie, Marcus.
At least that’s what I tried to do. I barely ha
d “Did you know” thumbed in when I caught movement out of the corner of my eye—a helluva lot of very fast movement headed straight for me in the form of a dark silver pickup. The useless thought flashed through my head that nobody should be driving over five miles an hour beyond the barricade, and a glimpse of the driver’s pissed, distracted face told me he didn’t give a shit. I wasn’t tanked up enough with brains to have zombie super speed, and spent a precious split second coming to that conclusion.
This is really gonna hurt, I thought as my body finally shifted into get-the-hell-out-of-the-way mode far too late.
I reflexively braced for the impact of the truck, but something else slammed into me from the side, tackling me out of the path of the oncoming vehicle and to the pavement. My right shoulder popped with a sharp pain as I landed hard with about two hundred pounds of someone on top of me. Distantly, I heard a screech of tires and the crunch of metal as Mr. Scowly’s joyride abruptly ended.
For an instant, I assumed Derrel had been the one to save my butt from becoming a temporary speed bump, except that he was closer to three hundred pounds and would have squished little old me like a bug on a windshield.
I shifted to see who my savior was and froze. Blue eyes set in a rugged face framed with short blond hair. I’d never forget those eyes, that face. Ever.
It was Philip, the soldier I’d been forced to turn into a zombie six months ago when creepy Dr. Kristi Charish held me captive in her secret lab. Part of her super-zombie-soldier “Zoldiers” project. The last time I’d seen him was when I attempted to escape through duct work, the day after I turned him. He’d hauled me out and thrown me about a dozen feet. He’d been strong even for a zombie. And he had looked like a movie zombie then, one eye clouded over, his ear hanging off, and lips cracked away from his teeth, coupled with the unmistakable rotting zombie stench. That had been really Bad News since he’d eaten plenty of brains the day before and shouldn’t have rotted that quickly. I’d spent the last half year wondering what the hell had gone wrong with him. More of Dr. Charish’s messed up experiments, no doubt.
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