by Nigel Bird
DRAWN IN
a novella by Nigel Bird
Published by Sea Minor 2016
copyright © 2016 Nigel Bird
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All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without permission of the author. Nigel Bird has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.
Digital art by Nguyễn Minh Trí
Photography by Cathleen Tarawhiti
Models - Shondalah Pinny and Tim Foley
All characters in this book are fictitious and any resemblance to actual persons, living or dead, is purely coincidental.
Table of Contents
Copyright Page
About This Book
Episode One
Episode Two
Episode Three
Episode Four
Episode Five
Episode Six
Episode Seven
Episode Eight
Episode Nine
Episode Ten
About The Author
Acknowledgements | I’d like to thank all my friends in the writing community for their continued support and all the readers who buy my stories. Particular thanks, as always, to Allan Guthrie for all his hard work on this particular project – one day I’ll pay you back Al, I’m just not sure how.
About This Book
Things haven’t been going well for Natalie Swift. Ever since she witnessed the murder of her boyfriend she’s been struggling to keep her world together. Her vacation in Florence should allow her to soak up the culture she loves and get some rest, but her plans go awry as soon as she arrives in town.
Rory‘s also in Florence. He’s Natalie’s dead boyfriend and he can’t seem to leave her alone.
His plan is to coax her to join him on the other side. The worrying thing for Natalie is that he has always been very persuasive.
Arturo is a street artist. His pictures are of the highest quality. They’re also the portals through which he collects souls. He’s dishy, romantic and immortal and he’s turning Natalie’s head in a way that Rory doesn’t appreciate one bit.
And Barabbas? He’s an imp with a heart of darkness sent to sort things out when Natalie interferes in the soul collection of a young child.
Drawn In is an engaging tale that follows what happens when mere mortals start meddling with the natural order of the universe. For all of the characters involved, this story really is a matter of life and death.
Episode One
Dee. I should have listened to the doctors. It’s way too early to be alone. Send me something to cheer me up. Love you lots, Nat xxx
I press send and pick up my fork. Spear a spinach leaf and a slice of tomato and put them into my mouth. The dressing’s lush, all fresh herbs and virgin oil, but I still have to force myself to chew and swallow. The food sinks to my stomach like a ball of wet cement. I push the plate away and take a sip of wine. The drink, I have no problem getting down.
The boys at the table next to mine are talking about me again. Words pour from their mouths like they’re in competition, their voices as lyrical as the water in the nearby fountain. It’s a shame that the things they say are more suited to the sewer.
“Course I wouldn’t kick her out of bed, but check out those calves. If my dad shaved his legs they’d look better than that.”
“And those shoulders. Perhaps she works in the fields.”
“Or milking cows.”
“Still, she’s not bad for an English woman.”
“We’ll see. If nothing better comes along...”
The phone vibrates on my table. New message. A selfie taken from Dee’s hospital bed. She’s got a pair of pants on her head and a carrot balanced on her top lip. You have to worry about the future of the country when someone that crazy can get into medical school.
I laugh out loud. It’s nice to be reminded that I can.
I sip more wine, root through my handbag and find a postcard. Lots of pictures of the city with Firenze typed across the top. Cheesy as hell. Mum will love it. I find my pen and write.
You were right about Italian men. All the charm’s on the surface, like frogs turned into princes. There are some nice American girls at the hotel. Tomorrow they’re taking me to the Galleria dell’Accademia. Eating all my vitamins and taking the pills. N xxx
I’m looking forward to seeing my new friends in the morning. It’ll do me good to have some company. Which reminds me, I must text Lucy. Tell her I’ll meet her at breakfast so we can finalise the plans.
The waiter saunters by. Leans against the post box and lights up a cigarette. His eyes are deep-set and his nose bent to one side. It doesn’t make him ugly, but he most definitely isn’t attractive.
He checks me out, top to bottom, and his gaze locks with mine. It’s intense. My body blushes underneath my cotton dress. I look away first.
When he finishes his smoke, he flicks the butt into the gutter. Returns to work and disappears inside.
I open my sketch book and select a light pencil. Close my eyes and try to remember the lines of his face. Sketch the outline as quickly as I can and add detail while it’s fresh in my mind.
I jump when he appears at my shoulder. He smiles and puts a full glass of Chianti in front of me.
“On the house,” he says, his words making me tingle. I’ve not had that feeling for ages. Not since Rory. “And now,” the waiter winks at someone inside, “it’s time to add a sprinkling of romance to the evening.”
Above us strings of bulbs light up, bright against the dusk. They warm me on the inside and make me feel safe.
“Thanks,” I say and watch him collect plates from another table. I take a picture of the lights and send it to Dee. She’s missing out on the holiday, and needs cheering up as much as I do.
I stand up. Bend over in front of the sewer-mouthed boys. They shut up for the first time in an hour. Maybe I should have put my bra on after my shower. Then again, maybe not.
I smile at the waiter and head inside to the bathroom.
At Trattoria Sapori, men and women share the sinks and the mirrors. Italians are chilled about these things. I put on lipstick. Brush my hair and check my teeth for stray food.
My reflection looks back at me like it wants to speak. I stop and wait for the words. The lips don’t move but the words appear in my head.
“Be careful with the waiter.” It’s not my voice, but Rory’s. “You’re giving the wrong impression. Better you finish up now and go back to the hotel. Get an early night.”
I hate the way he does that. It’s like he doesn’t want me to get over him. I splash cold water over my face and think about what he said. I guess he’s probably right. I should go home.
I return to my table and the fresh air, ready to bring the evening to an end.
On the other side of the road, a young man is drawing on the ground.
He’s so handsome it’s as if he’s been plucked from my imagination and thrown into the scene
There’s no way I can resist checking him out. I have to see what he’s drawing. I take the wine, grab my bag and head over.
“Funny time to start,” I say in Italian when I’m standing next to him. I’m much more confident about speaking the language now than when I arrived. My teachers would be proud.
He shrugs. His beard is a work of art, sculpted pencil thin and lining the edge of his angular chin. A pendant dangles from a chain that falls from his unbuttoned shirt and his ponytail is kept in place by a black velvet bow. He wears rectangular shades even though the night is closing in. That kind of thing normally irritates the hell out of me. I think I can forgive him.
“There aren’t many people around this time of night,”
I explain as I glance over his shoulder.
The outline he’s drawn on the pavement is of a man lying sprawled face down between the fountain and the road.
The artist’s hands work quickly, selecting pastels from his box and rubbing and shading with paper-towels.
It’s not long before he’s finished the trousers, creases and folds immaculately placed at the bend of the knee.
“So do you come here often?”
He ignores me. Maybe the joke doesn’t translate.
“Forgive me,” he finally says. “Time is short.” He stands to check his work and kneels again. “I must finish by 10:47. Then I can talk.”
10:47? Typical of me to start a conversation with a nut job, but I guess it takes one to know one.
He sets to work on the left foot, shading the pink of a sock between the turn-up of the trousers and a brown leather shoe.
On the right he makes it all sock. He adds a hole over the big toe.
“Tell me something about yourself,” I urge. “Anything. You’ll still finish on time.”
He looks at his watch and opens his mouth. “I’m from a long line of collectors.” He sketches a shoe in the middle of the road, steps back to let a scooter go by. “Pickers, I mean. Rag and bone men.”
What on earth is he talking about?
As if he’s read my mind, he explains: “Two centuries ago, my ancestors raked through the garbage every night. What they found, they sold at the city walls.” He draws a few coins here and there, then gets back to the main body of work.
“But you’re not sorting through rubbish.” I look back at the restaurant. The waiter’s staring at me, so I give him a little wave. He opens his hand, gestures at the lights and goes over to take an order from those loud-mouthed boys. I feel sorry for him, but there’ll be others for him to charm before too long.
“Things change,” the artist says. “We evolve. Your children’s jobs are yet to be invented.”
“I don’t have children.”
“You will.”
If it’s a chat-up line, it’s not the best I’ve heard.
He wipes his hands and starts work on the shirt.
The picture reminds me of someone. And it’s odd. Like an outline from a murder scene.
“The time please?”
I check my watch. “Ten forty-four.”
He stops talking and I stop asking him things.
The shirt he draws is white. Clean and crisp like it’s fresh on. Hands jut from the cuffs as if they’re clawing the ground.
The artist lights a cigarette. Fills the air with exotic curls of smoke.
“Hold this, please.” He passes the cigarette over for me to hold.
The silence is unsettling. I need to break it.
“Your art. It’s...” How can I put it? “Unusual.”
He looks up at me, eyes hidden behind his shades. Instead of answering he puts his fingers to his mouth and blows me a kiss.
I think about the waiter and check to see if he’s watching. He’s waving my cardigan above his head and running my way.
“You left this,” he calls. “And it’s getting chilly.”
The lights of a car and the hum of its engine seem to come from nowhere. I want to shout at the waiter. Warn him. Get him to stop. Only the brakes screech before I can utter a word. The collision snaps the summer evening to a halt.
Something shoots from his mouth. Teeth or candy, I can’t be sure.
He flies through the air like Dee when she was thrown from her pony.
He lands close by and rolls toward me.
One of his shoes cartwheels along the gutter. It comes to rest in the middle of the road.
Tinkling coins race along the cobblestones. The waiter stares at the floor like a fish at a market stall. He still has hold of my cardigan. I tiptoe over to take it back. Give it a gentle pull. His fingers clutch it tight and refuse to let go. I’m about to try again when I notice tiny dots of blood splattered along the sleeve. Decide that if he wants it that much, he can keep it.
Cracks have spread like spider-webs through the windscreen of the car. The engine revs. It reverses and the gears crunch. It jumps forward and stalls. Starts up again and speeds off along the road, a fog of exhaust clouding its exit from the scene.
I turn back to the waiter. He’s lying right on top of the picture, exactly the way it was drawn. I look to the artist so that he can explain. But he’s gone.
I take a drag on the cigarette he gave me. Cough my lungs up as the tobacco hits. Spit out the taste, throw the butt into the fountain. Spew a mouthful of green vomit onto the wall and watch the ripples play with the moon’s reflection. I sit down, rub my arms to heat them up and wish I’d taken the doctor’s advice and stayed at home. .
*
It feels like I’ve been cooped up inside the restaurant for an age. The foil sheet they’ve wrapped me in is doing nothing for me. I feel like the Christmas turkey about to be stuffed and put into the oven. I wish I was, too. The oven part, at least. I can’t get warm and my teeth chatter like crazy. I want my cardigan back. It just doesn’t seem like a good time to ask.
Someone puts a glass of brandy the size of a goldfish bowl into my hand.
“Drink up. It’ll settle your nerves.” The proprietor’s mouth is turned down so that he looks like a sad puppy. He wanders around and wipes tables as though he’s expecting a rush. His trousers are pulled up to the bottom of his ribs by a pair of black braces. His stomach gets everywhere half a second before the rest of him.
I lift the glass to my nose. Sniff it. The vapours make me shudder. I down the whole thing in one gulp. All I taste is alcohol and fire. My heart burns and it’s good to feel a part of me come to life again.
The door opens. In walk two men wearing long coats and shiny shoes. I can tell they’re detectives straight away, serious and sure of themselves like they own the city. And they’re identical. Sculpted from the same slab of weathered marble.
The proprietor stops what he’s doing. Throws the cloth over his shoulder and goes over to greet the men. His paws swallow the detectives’ hands as they shake.
“Marco.” Detective number one. “I’m sorry about your loss.”
Detective number two: “Your son was a good man.”
His son? The room darkens and seems to shrink.
“Have you told Lucia?”
“She’s out with friends. I’m expecting her any time now.” He slumps into a chair. Stretches his legs and stands one foot on top of the other. His shoes are old and worn, but the leather is well polished.
“And this is the girl who was there when the accident took place?”
Everyone looks at me. My cheeks flush. The alcohol’s hitting home.
The detectives unbutton their light jackets and reveal suits and neatly pressed shirts. At last there’s a difference between them. One’s tie is red, the other’s green. They’re the wrong colours for their brown eyes.
“Natalie Swift?” Red steps towards me and blocks out half the light. “The first officers on the scene say this is your first day in Italy.”
“That’s right.” Though it feels like a month already.
“I’m sorry your holiday had to start in such a terrible way.”
“Thank you.”
“Do you know anyone in town who I can call?”
There’s Lucy and the rest of her gang. Not that we know each other well enough for me to have the police disturb them at this time of night. Which reminds me. I still have to send that text about tomorrow. “No, but I’ll be fine.”
“That’s good. I hope you don’t mind, but I have a few questions for you. About the accident. You saw what happened to Sergio?” He pulls out a notebook. Still hasn’t bothered to introduce himself or shown a badge.
It’s funny hearing the waiter called by his name. Magnifies the tragedy of it all somehow. The man died trying to get my cardigan to me and we hadn’t even introduced ourselves. I nod my answer to Red’s question and hope there won�
��t be many more.
“Tell us everything.” Green.
Nothing comes to mind. I shake my head to unlock the information. And then the story floods out at a hundred miles an hour.
“You saw the vehicle?” Red is all logic. The practical kind.
“A Volkswagen. I don’t know what model. Blue. Possibly black. It was getting dark, and it came out of nowhere.”
“The boys outside agree.”
I look at them through the window, gathered around their table and fiddling with their phones as if nothing out of the ordinary has happened.
“Get a number?”
“It all happened so fast.”
“Maybe it’ll come to you later.”
“I’ll try.”
“Anything you tell me will help us find Sergio’s killer.”
“That’s all I know. Perhaps the artist can tell you more.”
Red and Green lean forward. Marco’s wild eyebrows curl high. He stares at me like I’ve lost the plot. “What artist?”
It’s difficult to believe he doesn’t remember. “The man drawing. I didn’t get his name.”
“Describe him.”
I do. In as much detail as I remember. The only bit I leave out is how handsome he is.
“This ringing any bells, Marco?”
“There was no artist outside tonight.”
“He was there.” The anger in my voice takes me by surprise. I need to calm down. “We talked for a while.” That’s more like it.
“None of the other customers mentioned anyone else.” He makes me feel like a suspect.
“Perhaps it was the booze.” Marco mimes having a drink.
Red looks down at my empty glass. Picks it up and sniffs at it like he’s acting out a part in a soap opera. “How much did you have?”
“Two glasses of wine.”
“And is that a lot for you?”
Is he kidding? I’m eighteen for goodness sake. I can polish off a bottle of vino in the bath before I get ready to go out. “Not really. No.”
“But it’s enough to have you seeing things that aren’t there.”
I don’t know why he’s being so abrupt. It’s not as if I was driving the car or anything. “He was there. I know he was.”
