I remember that my father paused at that point or, rather, only afterwards did I realise it was a pause. He had fallen silent, I wondered if he had forgotten what he wanted to talk to me about or tell me, although I doubted that he had, he, too, always used to pick up the thread, or it was enough for me to give the thread a short tug for him to return to the subject. He sat staring straight ahead of him at nothing, his clear, blue eyes gazed back at that time, a time he could doubtless see with absolute clarity, as if he were able to observe it through a pair of supernatural binoculars, it was very like the gaze I had noticed on occasions in Peter Wheeler, or, to be precise, on the occasion when I went up the first flight of his stairs to point out to him and to Mrs Berry where I had found the nocturnal bloodstain that I'd taken so much trouble to expunge and for which neither he nor she had any explanation. It is a gaze one often sees in the old even when they are in company and talking animatedly, the eyes become dull, the iris dilated, staring far, far off, back into the past, as if their owners really could physically see with them, could see their memories I mean. It isn't an absent or a crazed look, but intense and concentrated, focused on something a very long way off. I had noticed it, too, in the bi-coloured eyes of the brother who kept his surname, Toby Rylands. I mean that each of his eyes was of a different colour, his right eye the colour of olive oil and his left that of pale ashes. One keen and almost cruel, the eye of an eagle or a cat, the other the eye of a dog or a horse, meditative and honest. But when they adopted that gaze, his eyes became the same, as if they were, somehow, above mere colour.
'It fell to me to see what went on here in Madrid,' my father continued, 'and I heard more than I saw, much more. I don't know which is worse, hearing an account or actually witnessing what happened. Perhaps, at the time, the latter is less bearable and more horrifying, but it's also easier to erase it or blur it and then deceive yourself about it, convince yourself that you didn't see what you saw, to think that you anticipated with your eyes what you feared might happen and which, in the end, did not. A story, on the other hand, is closed and fixed, and if it has been written down, you can go back and check; and if it's spoken, it can be told to you again, but even if it isn't, words are always less equivocal than actions, at least as regards the words you hear compared with the actions you see. Sometimes actions are only glimpsed, like a flash that lasts no time at all, that dazzles the eyes, and which, afterwards, can be manipulated or cleaned up in your memory, which, however, does not allow such distortion with things heard or told. Of course, it's a bit of an exaggeration to describe as an account what, for example, I happened to overhear one morning on a tram, a few words spoken quite casually, in the weeks after war broke out, weeks of murderous intensity and utter chaos, many people simply gave in to it and were just seething with rage, and if they had any weapons, they did whatever they liked with them and took advantage of the political situation to settle personal scores and wreak the most terrible revenge. Well, you know what it was like, the same in both sectors: in ours, later on, they did at least try to put a stop to all that, but not hard enough; in the other sector, they made almost no attempt at all for the three years the War lasted, nor afterwards either, when the enemy had been defeated. But I was so shocked by the violence described to me – well, not to me, but to anyone within earshot, that's the awful thing- that I can remember precisely where the tram was at that particular moment, the moment when those words reached my ears. We were coming down Alcala and turning into Calle de Velazquez, and a woman sitting in the seat in front of me pointed at a house, at an apartment on one of the top floors, and she said to the woman she was travelling with: "See that house. Some rich people used to live there. We took them out one day and finished off the lot of them. And the little baby they had, I took it out of its cot, grabbed it by its legs, swung it around a few times and smashed its head against the wall. Killed it straight off. We didn't leave a single one of them alive, wiped out the whole damn crew." She was a rather brutish-looking woman, but no more so than many others I'd seen hundreds of times in the market, at church, or in someone's living room, poor and wealthy, shabby and smart, dirty and clean, you get brutes like that everywhere and in every class, I've seen equally brutish women taking communion at midday mass in San Fermin de los Navarros, wearing fur coats and expensive jewellery. The woman talked about the atrocity she'd committed in the same tone as she might have said: "See that house. I worked there for a while, but after a few months I couldn't stand it any longer, so I left, just like that. I walked out on them. That showed them." Perfectly naturally. Without giving it any importance. With the complete sense of impunity that people felt in those days; she didn't care a bit who heard her. She was even rather proud of it, and certainly boastful. And she had nothing but scorn for her victims, of course. And obviously it would have been naive to have expected any remorse from her, even a hint.
I went cold with disgust and got off as soon as I could, one or two stops earlier than I needed to, so as not to have to look at her any more or risk hearing her recount more such exploits. I didn't say anything, you simply couldn't in those days if you wanted to survive, you could be arrested for the slightest thing and bumped off, even if you were a Republican; or like your uncle, Alfonso, who was nothing, just a boy, and the girl who was with him when they picked him up, who was even less than nothing. I glanced at the woman's face as I got off, an ordinary woman, with coarse but not ugly features, quite young, although not young enough to put it all down to the frequent callousness of youth, she might have had children of her own or had them later on. If she survived the War and suffered no reprisals (and she certainly wouldn't have been punished for the thing I heard her describe; although she might have been had she gone on to play a significant part in activities that could be more easily traced and reconstructed at the end of the War or if someone high up took against her and denounced her just like that, or on some intuitive whim; because all those early atrocities were just left in limbo), she probably led a normal existence and never gave much thought to what she had done. She'll be like a lot of women, possibly even cheerful and friendly and nice, with grandchildren she's devoted to, she might even have been a fervent Francoist throughout the dictatorship, and yet none of that will have caused her a flicker of doubt. Many people who were responsible for barbarous acts and crimes against humanity have lived like that quite happily for years; here, and in Germany, in Italy, in France, all of a sudden no one had been a Nazi or a Fascist or a collaborator, everyone had convinced themselves that they hadn't been and would even explain themselves by saying: "No, it wasn't like that for me," that's usually the key phrase. Or else: "Times were different then, you would have to have been there to understand." It is rarely difficult to save yourself from your own conscience if that is what you really want or need to do, still less if that conscience is a shared one, if it's part of a large, collective or even mass conscience, which makes it easier to say: "I wasn't the only one, I wasn't a monster, I was just like everyone else, I wasn't unusual; it was a matter of survival and almost everyone did the same thing, or would have if they'd been born." And people who are religious have it even easier, especially Catholics who have priests to wash clean their sublime regions, their innermost selves, and believe me, the priests here were readier than ever to absolve, to rationalise and to justify whatever vile or cruel deeds their protectors or comrades had committed, bear in mind that they were equally belligerent and egged them on. All that may help, of course, but it isn't even really necessary. People have an incredible capacity willingly to forget the pain they inflicted, to erase their bloody past not just in the eyes of others – their capacity then is infinite, unlimited – but in their own eyes too. To persuade themselves that things were different from the way they actually were, that they did not do what they clearly did do, or that what took place did not take place, and all with their indispensable co-operation. Most of us are past masters at the art of dressing up our own biographies, * or of toning them down, and it'
s astonishing how easy it is to exile thoughts and bury memories, and to see our sordid or criminal past as a mere dream from whose intense reality we escape as the day progresses, that is, as our life progresses. And yet, on the other hand, after all these years, every time I pass the corner of Alcala and Velazquez, I can't help glancing up at the fourth floor of the building which that woman on the tram, pointed out one morning in 1936, and thinking about that; small, dead child, even though for me the child has no face and no name and even though all I know about him or her are a couple of sinister sentences that chance brought to my ear.’
21
My father fell silent again, and this time I had something to say during the pause. The blue of his eyes seemed to have intensified. I said, in fact, what I had been thinking just before: 'From now on, I might also look at those buildings when I pass that corner, even though I don't know precisely which building it is. Now that I've heard you tell that story, I mean.' He made a gesture with his hand in the air, or, rather, with three fingers, index, middle finger and thumb – the latter accompanying the other two with a slight delay and purely imitatively – as if I had touched on some very ancient matter, long since debated and resolved. Almost as if he were pushing it away or rejecting it as beyond further comment.
'Yes, I know. Perhaps one should never tell anyone anything,' he said. 'I mean, nothing bad. When you children started to arrive, your mother and I asked ourselves the question: how were we going to tell you about what had happened right here, in the country where you lived, only fifteen or twenty years before you came into the world, or even more than that in the case of your sister? It seemed to us that it wasn't something we could tell our children, still less explain, it wasn't explicable even to ourselves who had witnessed it from start to finish. There hadn't been enough time for us to begin to forget, and besides, it was still all too fresh in our minds, the regime made sure of that. There was never any process of psychological healing, no attempt at assuagement, the regime showed a consistent and thoroughly totalitarian lack of generosity, which was evident in every order and in every sphere of life, even the most intangible. I left the decision to her, to your mother, who spent more time with you than I did; you were always more her children than mine, which is why it seems so dreadfully sad that she ended up knowing you far less than I have, for fewer years and only when you were young and, how can I put it, less finished than you are now, although you're all still fairly unfinished, especially you, but don't take that the wrong way. And then there are your children, your siblings' children and yours, whom she never even knew. Anyway, I always felt her decision was the right one. She believed that you should never feel threatened, personally anxious, fearful for yourselves, afraid that something terrible might happen to you, insecure about your daily lives and your actions. That you should all feel protected and safe. But she didn't think it prudent or right that you should know nothing about how the world works, about the kind of thing that can happen or has happened. She thought that if you found out gradually, without going into gruesome, ugly, unnecessary detail, you would be forewarned and better prepared and have more resources with which to deal with life. It also depended, of course, on the questions you asked. She always hated lies. I mean she really did, she couldn't bring herself to tell you that something that was true wasn't. She could tone down or disguise the truth a little, but not deny it. The tendency today is to enclose children in a bubble of foolish happiness and false security, by not bringing them into contact even with the mildly disquieting, and by keeping them ignorant -of fear or even of its existence, indeed, I understand that nowadays you can buy – and that some people actually give or read these to their children – censored, doctored or saccharine' versions of classics like Grimm or Perrault or Andersen, stripped of all the darkness and cruelly, of anything that's threatening and sinister, and probably with all the upsets and deceptions removed. Rank stupidity in my view. Namby-pamby parenting and irresponsible teaching. I consider that a crime of neglect, really, and a dereliction of duty. Because being exposed to other people's fears provides children with a lot of protection; they can imagine it serenely from the background of their own security and can experience it vicariously, through others, especially through fictional characters, like a short-lived contagion which, while only borrowed, is nevertheless not pure fakery. By imagining something you are starting to resist it, and that applies to things that have already happened as well: you can withstand misfortunes more easily if, afterwards, after experiencing them, you can manage to imagine them. And, of course, the way most people do this is by talking about them. Not that I think everything could or should be told, far from it, but neither is it admissible to over-falsify the world and send idiots and dimwits out into it who have never known the slightest disappointment or anxiety. Throughout my life, before telling something, I have always tried to gauge what could be told. To whom, how and when. You have to stop and consider what stage or moment in their life the person listening to you has reached, and to bear in mind that what you tell that person will stay with them for ever. It will become incorporated into their knowledge, just as the murder I heard about on a tram became incorporated into mine, even though it was just one of many. And, as you see, I haven't managed to dislodge that story from my knowledge, nor another story from the War which, for example, it never occurred to me to tell your mother at the time, even though she was accustomed to horrors and even though I was in quite a state when I returned home after hearing it. But what is the point, I thought, what is the point of upsetting her with yet another story, now that the War has ended, I'll get over it, I'll forget about it in time without having to share or pass the burden on to her. And I did slowly get over it, because one does get over almost everything. But I've never forgotten it, that would be too much to hope for, how could I? This particular gift was given to me by a notorious Falangist writer who later ceased to be a Falangist, as most of them did, and, can you believe it, during Franco's latter years, never mind after his death, the man had the gall to pretend he was a veteran of the Left, and people swallowed it too. They weren't ignorant people either, but journalists and politicians. And so, with Spain 's characteristic ethical superficiality, he was always celebrated, under two different flags.’
He stopped for a moment, but this time he was not remembering with particular intensity or sharpness, he was thinking, or hesitating, or perhaps biting his tongue. He had reined himself in.
'I can't really say whether I believe it or not,' I put in, 'if I don't know who you're talking about and you haven't told me the story. What was the story? Who was this man?' 'You reproached me just now with having told you the story I heard on that tram,' he replied, and I thought he seemed just a touch offended. 'I don't know if I should go on.' And he sounded to me as if he were asking my permission. He sounded strange.
'I certainly didn't intend it as a reproach, that would be absurd. That would be like reproaching historians for writing down what they have found out or what they know at first hand. We spend our lives adding to the catalogue of horrors that have occurred, there are always more being uncovered, always more surfacing. My listening to you telling the story can't possibly have the same effect on me as it did on you hearing it from that woman. She was the one who had done the deed, and she was proud of it too. Plus it had only just taken place. It was still taking place, here and everywhere, that's very different. Don't worry, you can tell me anything, it can't be any worse than all the other things I've read about or that we see on television every day. I don't want you turning into one of those namby-pamby parents, not at this stage in my life. Really! Besides, I would have to denounce you then and accuse you of neglect and, what did you call it, dereliction of duty.’
He gave a short laugh, it amused him that I should dismantle his improvised objections with the very arguments and terminology he had just used. But before replying, he once more addressed me using the plural 'you': including all four: siblings was another way of softening a reprimand int
ended for only one of us.
'You're a silly lot sometimes,' he said. And then he went back to addressing me as 'you' singular. 'All right. I won't tell you who he was, his name. I can't be sure that if you knew it you would keep quiet about it, as I have always done. From your point of view, you would have no reason to. You wouldn't feel obliged to, not even if I asked you to say nothing, and I would rather not take the risk, Jacobo. It's not out of consideration for him, because ever since I heard him tell the story, I've felt nothing but contempt and resentment for him. No, something stronger than that, more like disgust and loathing. Not, I think, a desire for revenge, mainly because of the way unfulfilled desires eat away at you, besides, there was I a victim of reprisals and there was he on the winning side and wielding considerable influence. But, you know, for fifty years he kept publishing books and receiving prizes and being praised to the skies and appearing in the press and on television, and for about half or more of those fifty years I don't think I read a single line of his, and I would quickly turn the page of any newspaper that carried an interview with him or a review of one of his books, I simply couldn't bear to see his face or his name in print. Later on, though, I felt curious to see just what he was capable of, how far he would go in the biographical fiction he had shamelessly started to weave about himself in public. But above all, purely by chance, through my work, I met his wife and got to know her. She was a really nice, cheerful person, who clearly knew nothing of her husband's more repulsive side, or the more repulsive facts about his behaviour during the War. She was quite a bit younger than him, ten or twelve years, they must have got married in about 1950, when he was thirty-five or more, fairly old for the time. And not only was she an extremely nice, cheerful, capable woman, on one occasion she was very helpful to us, and to your mother in particular. That's all by the bye now, but I've always had a sense of enormous gratitude towards her, and any consideration I've felt has always been for her, not for him.’
Your Face Tomorrow 2: Dance and Dream Page 26
