Narrative Poems

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Narrative Poems Page 12

by C. S. Lewis


  Dinned in darkness. Down thence they hauled

  Many an ancient oak. The orb’d splendour

  Shone on their shoulders as they sweat naked

  Under moon’s mildness. Magic helped them,

  The boat was built in the blink of an eye,

  Long and limber, of line stately,

  Fair in fashion. Out of the forest came

  Spiders for spinning, speedily they footed,700

  Shooting like shuttles on the shadowy grass,

  Backward and forward, brisk upon their spindle shanks,

  And made for the mast a marvellous sail

  Of shimmering web. That ship full soon

  Over grass gliding, glorious stallions

  With Heave! and Ho! hauled to the sea’s rim,

  A throng, dancing. They thrust her out

  Into deep water. There was din of hoofs

  In salt shallows and the spray cast up

  Under moon, glancing. The maiden soon,710

  The elf also, I then, the third,

  Were on board in the boat. Breathing mildly

  Off the island,—it arched our sail—

  The breeze blew then, blest the fragrance16

  Of flower and fruit, floating seaward,

  Land-laden air. I long even now

  To remember more of that mixed sweetness.

  But fast and fair into the foamless bay

  Onward and outward, under the orb’d splendour,

  Our boat was borne. Back oft I gazed17720720

  As the land lessened, lo!, all that folk

  Burned on the beaches as they were bright angels,

  Light and lovely, and the long ridges

  With their folds fleecy under the flame of moon

  Swam in silver of swathing mist,

  Elf-fair that isle. But on apace

  We went on the wave. That winged boy

  Held firm the helm. Ahead, far on,

  Like floor unflawed, the flood, moon-bright,

  Stretched forth the twinkling streets of ocean730

  To the rim of the world. No ripple at all

  Nor foam was found, save the furrow we made,

  The stir at our stern, and the strong cleaving

  Of the throbbing prow. We thrust so swift,

  Moved with magic, that a mighty curve

  Upward arching from either bow

  Rose, all rainbowed; as a rampart stood

  Bright about us. As the book tells us,

  Walls of water, and a way between,

  Were reared and rose at the Red Sea ford,740

  On either hand, when Israel came

  Out of Egypt to their own country.

  THE QUEEN OF DRUM

  A Story in Five Cantos

  CANTO I

  1

  (Quick! The last chance! The dawn will find us.

  Look back! How luminous that place

  —We have come from there. The doors behind us

  Swing close and closer, the last trace

  Vanishes. Quick! Let no awaking

  Wash out this memory. Mark my face,

  Know me again—join hands—it’s breaking—

  Remember—wait!—know me . . . )

  Remember whom?

  Who is there? Who answered? Empty, the cold gloom10

  Before the daybreak, when the moon has set.

  It’s over. It was a dream. They will forget.

  2

  To the King of Drum,1 at last, beyond pretence

  Of sleep, the day returned, the inevitable sense

  Of well-known things around him: on the ceiling

  The plaster-gilt rosettes crumbling, the lilies peeling.

  Gentlemen, pages, lords, and flunkey things

  In lace who act the nurse to lonely kings,

  Tumbled his poor old bones somehow from bed.

  Swallowing their yawns, whispering with louted head,20

  Passed him from hand to hand, tousled and grey

  And blinking like an owl surprised by day,

  Rubbing his bleary eyes, muttering between dry gums

  ‘Gi’ me my teeth . . . dead tired . . . my lords—’t all comes

  From living in the valley. Too much wood.

  Sleep the clock round in Drum and get no good.’

  3

  Now half they had dressed the King, half made him dress.

  And day’s long steeplechase one jump the less

  Unrolled ahead (night’s pillows and the star

  Of night no more immeasurably far).30

  Now the long passage2 where the walls are thick

  As in the Egyptian tombs, echoes his stick

  Tapping the cold, grey floor. There, at his side,

  With sharp, unlooked for sound, a door flung wide

  As from impatient hands, and tall, between

  The swing of the flung curtains, stepped the Queen.

  —‘So fast, Madam? Young limbs are supple, eh?

  And easily get their rest. I’ll dare to say

  You have been abroad by night—not known your bed

  More than an hour. Is it true?’40

  And when she said

  Nothing at all, he tapped the ground, and nearing,

  Knowingly, his big grey face to hers, and peering,

  Screwed home the question, snarling. And she stood

  And never spoke. She too was tired, the blood

  Drained from her quiet cheek. Wind-broken skies

  Had havocked in her hair, and in her eyes

  Printed their reckless image. Coldest grey

  Those eyes, and sharp3 of sight from far away:

  More bright a little, something steadier than50

  Man cares to meet with in the face of man

  Or woman; alien eyes. For one unbroken

  Big moment’s silence, swift as rain, unspoken

  Questions went to and fro, and edged replies

  Flitting like motes from their embattled eyes

  —(Out of the neighbouring past, an unlaid fear

  Signals its fellows, calls ‘I am here. I am here.’

  Whispers the King, ‘Touch not, lest it should wake

  The enormous tooth that once has ceased to ache.’)

  Till with a shrug, turning, he first withdrew60

  His gaze, yet softly breathed, ‘You . . . Maenad, you!’

  4

  That heavy day the servants had been late

  Setting to rights the carven room of state

  Where council met. Bucket and mop were there

  Still, and the smell of soot was in the air,

  And half-awakened, chilly footmen cursed

  And justled yet, as, one by one, the first

  And youngest of the Notables of Drum

  Came straggling in;4 spiritless all, all dumb,

  As men who with their first awakening yawn70

  Had sipped an added loathing for the dawn,

  Thinking ‘The Council sits to-day.’

  And then,

  —Long intervals between—the older men,

  With more important frowns that seemed to claim

  Business of state for pretext, drifting came

  Down the long floor like arctic bergs afloat,

  With rustling gowns, with clearing of the throat,

  Bark of defiant cough, official sound

  Of papers spread, and testy glance around.80

  5

  Now at the long green board they are seated all

  In the very old carved room, so thick of wall,

  So narrow-windowed, here, an hour from noon,

  Men work by lamplight in the month of June.

  The oldest of them all play noughts and crosses,

  A gambler reckons up his evening losses.

  One trims his nails, one spreads his hands and lays

  A bright, bald head between them on the baize.

  The General, his big lips distanced wide,

  Fumbles with half a hand concealed inside,90 />
  Picking a tooth. The Chancellor, with head

  Close to the paper and quick-moving lead,

  Sketches and strokes all out and draws again

  Angular pigs, straight trees, and armless men.

  More peaceful far beside him in his place

  The Lord Archbishop nods: a rosy face

  Cherubically dimpled, settling down

  Each moment further into beard and gown

  —Into foamed, silvery beard and snowy bands;

  Folded, on quiet breast, his baby hands100

  —Smooth, never-laboured hands, calm, happy heart,

  Like sculptures monumentally at rest

  On some cathedral tomb.

  Then suddenly a5 stir runs down the room,

  —The crumbling of scrawled paper, and the shake

  Hurriedly given to jog a friend awake,

  Scraping of chairs, quick gabbled finishing

  Of whispered tales. Men rise to meet the King.

  6

  Heavily the hours, like laden barges passed

  —Motion, amendment, order, motion. Now at last110

  The trickling current of the slow debate

  Sets towards that ocean sea, where soon or late

  Time out of mind their consultations come,

  —The everlasting theme ‘What’s wrong with Drum?’

  When, marvellous to dull’d ears, elf-bright between

  Two droning wastes of talk, one name—‘The Queen’

  Broke startling. And the scribbler dropped the pen

  And sleepers rubbed their eyes and whispering men

  Drew heads apart watching.

  Yes. Sure enough.120

  The Chancellor’s on his feet and taking snuff

  And writhing and grimacing with a bow

  In the article of deprecation. . . . Now,

  Listen!

  . . . ‘and also seen by vulgar eyes

  In her most virtuous, yet, perhaps, unwise

  Occasions’ . . . ‘a King’s house contains the weal

  Of all. He is the axle of the wheel,

  The root of the politic tree, the fountain’s spring.’ . . .

  ‘Nothing is wholly private in a King.130

  For what more private to each man alone

  Than health, my lords? Yet, if the monarch groan,

  The duteous subject.’ . . . 6

  . . . ‘dutifully rude,

  Without offence, offending, must intrude’

  And ‘Kings to their own majesty resign

  The privacy, my lords, that yours and mine’ . . .

  (Hist! Now it’s coming)

  . . . ‘in a private woman

  ’Twere not convenient: for a queen, inhuman.140

  Thus to expose a teeming nation’s care

  And princes yet unborn, to the damp air

  Of middle night, and fogs—the common curse

  Of our low land—besides, my lords, what worse

  May haunt such place and time. As well, you have heard,

  All of you, how injuriously the word

  Of these things runs abroad. The people know!

  Always some chattering dame has seen her go

  Past midnight, and on foot, beyond the gates

  Out hill-wards, when the frost upon the slates150

  Winked to the moon . . . then, the same week, another

  Has gossipped with a country girl, whose brother,

  —Some forester—by night, in wind and rain,

  Past three o’clock of the morn, time and again,

  Plodding his homeward journey in the jaws

  Of darkness, where the gust in dripping shaws

  Blows out his lantern, swears he has often seen

  Straight in his path, and like a ghost, the Queen,

  —Scaring him: as he kneeled to kiss her hand

  Brushing him by, so soft.160

  Cloud in the land

  Nature has given enough: but this is cloud

  Deeper than darkness, cold as death’s own shroud,

  Poisoning the people’s thought. You must command

  Where counsel fails. You, Sire, with sceptred hand,

  With royal brow—stamp out the infected thing

  . . . And merge, at least, the husband in the King.’

  But as he ended, from the lowest place

  At the board’s end, a screeching raw-boned boy

  Jumps up, with hair like flax, and freckled face,170

  And knuckley fingers working with the joy

  Of having found his tongue—‘My lords, they say

  Far more than this . . . and worse . . . they say . . . the sounds

  And lights along the mountains far away

  At night . . . and then she’s on her hunting grounds

  With all of those . . . they . . . you—you have fobbed them off

  And lied to them . . .’

  —but babble and loud cough,

  Laughter and plucking hands and stare and frown

  Had covered the boy’s speech and pulled him down,180

  While lowly boomed the General, ‘Odds my life.

  Damn nonsense. Have a wife and rule a wife.

  Woman—they say—and dog—and walnut tree—

  More you beat’m—better they be—’

  When, gradually, a stir about the door,

  A sense of things amiss, then more and more

  A patch of silence, dimly felt,7 that spread

  In widening circles from the table’s head,

  Turned thither all their eyes, all ears to wait

  The word of the King: who from his chair of state190

  Half rising (in his hand a paper shook)

  Laboured, faltering, to speech, with shifty look

  Settling towards blank dismay. ‘My lords—she’s here—

  My lords, the Queen—has something for your ear—

  Craves entry.’

  And across those champions all

  Change passed, as when the sunlight leaves the wall.

  7

  And all at once the Queen was there,

  A flash of eyes, a flash of hair,

  Nostril widened, teeth laid bare,200

  Omens of her breathing, and

  Robe caught breastward in one hand,

  Tall mid their seated shapes: a hush

  Of moments:8 then the torrent rush

  Of her speaking.

  ‘What? All dumb

  Conspirators? Now is your time. Now come,

  You searchers of the truth, you diggers up

  Of secrets, now come all of you, the cup9

  Is full and brimming over and shall be poured210

  —You shall drink now. What? You—or you, my lord,

  Forbid my wandering nights? Are you content

  To lose your own? Will you, my lord, be pent

  A prisoner every night within the wall,

  You, General? Does one fetter bind us all?’

  ‘Content?’ he growled, ‘Why, Madam, who that’s sane

  And ’s slept in starlight many a long campaign,

  Would leave his bed by nights? What should I seek

  Beyond my pillow, then?’—‘Aye, Thus you speak,

  Thus now you speak,’ she said, ‘When woods put on220

  Their daytime stillness, when the voice is gone

  From rivers, and the cats of night lie curled

  In sleep, and the moon moves beneath the world.

  Fie! As if all that hear you did not know

  The password, as yourself. Five hours ago

  Where were you?—and with whom?—how far away?

  Borrowing what wings of speed when break of day

  Recalled you, to be ready, here, to rise

  In the nick of time, and with your formal eyes

  And grave talk, to belie that other face230

  And voice you’ve shown us in a different place?

  What, mum as ever? Does the waking voice

  So scare you on that t
heme? It is your choice

  Not mine, to grub and drag the secret thence,

  Where I’ve played fair . . . tho’, faith, your long pretence

  Has been my wonder: how you could return

  Each morning to the mask and take concern,

  Or seem to take concern, with toys—who’s dead,

  Who’s suit is gone awry and whose is sped,

  Who’s beautiful, and who grows past her prime—240

  As if it were there your heart lay! All the time

  That flame to which your waking hours are ash,

  Shining so near . . . one syllable too rash,

  One glance unveiled, had let the secret out;

  But always you slipped past and went about,

  Skilfully—like conspirators who meet

  Out of their lodge, and pass, and do not greet.

  Oh fools! . . . if all the plotting brethren turn

  Informers against one, shall that one burn

  Or hang defenceless? All to keep his vow250

  Of silence? I have a tongue, and freedom now

  To use it. The pact’s off. I’ll force you yet

  To throw down all the cards: and where we met,

  By night, and what we were, you shall recall.

  Tho’ limp as a dead man’s your tongues should crawl

  Unwilling to the word,—I’ll make them speak,

  Up, from your graves! You’re shamming. You shall shriek

  To split the clouds with truth, you shall proclaim

  On housetops what your muttering dared not name

  In corners. Or, as Lazarus’ ghost, beneath260

  The cloths, back to its shrunk and emptied sheath

  Wormed its way home, I’ll force again to grow,

  Under these masks you wear for daylight show,

  The selves you are at night . . .

  What? Nothing yet?

  No answer? . . . can it be you do forget?

  Did the gates shut so quickly? Could you not bear

  One small grain back to light and upper air?

  Must I go down like Orpheus and retrace

  The interdicted ford—out of that place,270

  Step by step, hand in hand, hale up what lies

  Buried in you, and teach your waking eyes

  To acknowledge it? I thought we had all known

  What spends us in the dark, and why we groan

  To feel the light return and the limbs ache,

  Even in our slumber fighting not to wake . . .

  I thought that you, being but the husks of men

  All the drab day, remembered where and when

  The ripe ear grows—where are the golden hills

  It waves on, and the granaries it fills.280

  Call it again. Dive for it. Strain your sight,

  Crack all your sinews, heaving up to light

  What’s under you. Thou sunken wreck, arise!,

  Sea-gold, sea-gems that fill the hollow eyes

 

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