25.
Aria, “Bist du bei mir” (see B.G. XXIX. sec. 4 no. 2).
26.
Aria in G major (the Aria of the Goldberg Variations. See B.G. III.).
27 (P).
Solo per il Cembalo in E flat major.
28 (P).
Polonaise in G major.
29.
Prelude in C major (Prelude i. of the first Part of the “Well-tempered Clavier.” See B.G. XIV.).
30.
Suite in D minor (the first of the French Suites. See B.G. XIII (2)).
31.
Suite in C minor (the first three movements of the second French Suite. See B.G. XIII (2)).
32.
Choral (wordless) in F. major.
33.
Aria, “Warum betrübst du dich” (see B.G. XXXIX. sec. 3 no. 72).
34.
Recitativo and Aria, “Ich habe genug,” and “Schlummert ein,” for Basso (from Cantata 82, nos. 2 and 3), transposed.
35.
Aria, “Schaff’s mit mir, Gott, nach deinem Willen” (see B.G. xxxrx. sec. 3 no. 61).
36 (P).
Minuet in D minor.
37.
Aria, “Willst du dein Herz mir schenken” (di Giovannini) (see B.G. XXXIX. sec. 4 no. 5).
38.
Aria, No. 34 supra.
39.
Choral, “Dir, dir Jehovah, will ich singen” (see B.G. XXXIX. sec. 2 no. 46).
40.
Aria, “Wie wohl ist mir, 0 Freund der Seelen” (see B.G. XXXIX. sec. 3 no. 74).
41.
Aria, “Gedenke doch, mein Geist, zurticke” (see B.G. XXXIX. sec. 4 no. 3).
42.
Choral, “O Ewigkeit, du Donnerwort” (see B.G. XXXIX. sec. 2 no. 144).
XLIV.
1894 (1895). Handschrift in zeitlich geordneten Nachbildungen. Ed. Hermann Kretzschmar. Contains facsimiles of Bach’s handwriting and autograph MSS.
XLV(1).
1895 (1897). Clavierwerke. Zweiter Band (neue berichtigte Ausgabe). Ed. Alfred Döffel.543
The Six English Suites (see B.G. XIII. (2)). (P. bks. 2794, 2795.)
The Six French Suites (see B.G. XIII. (2)). (P. bk. 2793.)
Five Canons in 4, 6, 7, 8 parts.
Prelude and Fugue in E flat major (P. bk. 214 p. 40).
Suite in E minor (P. bk. 214 p. 68).
Suite in C minor (not in P.).
Sonata (first movement) in A minor (not in P.).544
Four Inventions, in B minor, B flat major, C minor, D major, for Violin and Clavier (P. bk. 2957).
Overture in G minor for Strings and Clavier (not in P.).
The “Clavier-Büchlein” of Wilhelm Friedemann Bach contains:
1.
Applicatio in C major (see B.G. XXXVI. no. 48).
2.
Prelude in C major (the first of the Twelve Little Preludes) (see B.G. XXXVI. no. 19).
3.
Choral Prelude, “Wer nur den lieben Gott lässt walten” (see B.G. XL., Kirnberger’s Collection, no. 2).
4.
Prelude in D minor (the fifth of the Little Preludes) (see B.G. XXXVI. no. 19).
5.
Choral Prelude, “Jesu meine Freude” (fragment) (see B.G. XL. sec 4 no. 12).
6.
Allemande in G minor (not in P.).
7.
Allemande (fragment) in G minor (not in P.).
8.
Prelude in F major (the eighth of the Little Preludes) (see B.G. XXXVI. no. 19).
9.
Prelude in G minor (the eleventh of the Little Preludes) (see B.G. XXXVI. no. 19).
10.
Prelude in F major (the ninth of the Little Preludes) (see B.G. XXXVI. no. 19).
11.
Minuet in G major (the first of the three Minuets) (see B.G. XXXVI. no. 43).
12.
Minuet in G minor (the second of the three Minuets) (see B.G. XXXVI. no. 43).
13.
Minuet in G major (the third of the three Minuets) (see B.G. XXXVI. no. 43).
14.
Prelude in C major (the first Prelude of the first Part of the “Well-tempered Clavier.” See B.G. XIV.).
15.
Do. C minor (the second Prelude of the first Part of the same. See B.G. XIV.).
16.
Do. D minor (the sixth Prelude of the first Part of the same. See B.G. XIV.).
17.
Do. D major (the fifth Prelude of the first Part of the same. See B.G. XIV.).
18.
Prelude in E minor (the tenth Prelude of the first Part of the same. See B.G. XIV.).
19.
Prelude in E major (the ninth Prelude of the first Part of the same. See B.G. XIV.).
20.
Prelude in F major (the eleventh Prelude of the first Part of the same. See B.G. XIV.).
21.
Prelude in C sharp major (the third Prelude of the first Part of the same. See B.G. XIV.).
22.
Prelude in C sharp minor (the fourth Prelude of the first Part of the same. See B.G. XIV.).
23.
Prelude in E flat minor (the eighth Prelude of the first Part of the same. See B.G. XIV.).
24.
Prelude in F minor (the twelfth Prelude of the first Part of the same. See B.G. XIV.)
25.
Allemande and Courante in C major, by J. C. Richter.
26.
Prelude in C major (first of the Little Preludes. See B.G. XXXVI. no. 19).
27.
Prelude in D major (fourth of the Little Preludes. See B.G. XXXVI. no. 19).
28.
Prelude in E minor (see B.G. xxxvi. no. 50).
29.
Prelude in A minor (B.G. xxxvi. no. 49).
30.
Prelude in G minor (not in P.).
31.
Fugue in C major (see B.G. xxxvi. no. 38).
32.
Prelude in C major (Invention i. See B.G. m.).
33.
Prelude in D minor (Invention iv. See B.G. m.).
34.
Prelude in E minor (Invention vii. See B.G. m.).
35.
Prelude in F major (Invention viii. See B.G. m.).
36.
Prelude in G major (Invention x. See B.G. in.).
37.
Prelude in A minor (Invention xiii. See B.G. m.).
38.
Prelude in B minor (Invention xv. See B.G. m.).
39.
Prelude in B flat major (Invention xiv. See B.G. III.).
40.
Prelude in A major (Invention xii. See B.G. III.).
41.
Prelude in G minor (Invention xi. See B.G. III.).
42.
Prelude in F minor (Invention ix. See B.G. III.).
43.
Prelude in E major (Invention vi. See B.G. III.).
44.
Prelude in E flat major (Invention v. See B.G. III.).
45.
Prelude in D major (Invention iii. See B.G. III.).
46.
Prelude in C minor (Invention ii. See B.G. III.).
47.
Suite in A major (fragment) (see B.G. XXXVI. no. 45).
48.
Partita in G minor by Steltzel, including a Minuet Trio by J. S. B. (Minuet in P. bk. 1959 p. 8).
49.
Fantasia in C major (Sinfonia i. See B.G. III.).
50.
Fantasia inD minor (Sinfonia iv. See B.G. III.).
51.
Fantasia in E minor (Sinfonia vii. See B.G. III.).
52.
Fantasia in F major (Sinfonia viii. See B.G. III.).
53.
Fantasia in G major (Sinfonia x. See B.G. III.).
54.
Fantasia in A minor (Sinfonia xiii. See B.G. III.).
55.
Fantasia in B minor (Sinfonia xv. See B.G. III.).
56.
Fantasia in B flat major (Sinfonia xiv. See B.G. III.).
57.
Fantasia in A major (Sinfonia xii. See B.G. III.).
58.
Fantasia in G minor (Sinfonia xi. See B.G. III.).
59.
Fantasia in F minor (Sinfonia ix. See B.G. III.).
60.
Fantasia in E major (Sinfonia vi. See B.G. III.).
61.
Fantasia in E flat major (Sinfonia v. See B.G. III.).
62.
Fantasia in D major (Sinfonia iii. See B.G. III.).545
XLV (2).
1895 (1898). Passionsmusik nach dem Evangelisten Lucas. Ed. Alfred Döffel.
Though the Score is in Bach’s autograph, the work is generally held not to be his.
XLVI.
1896 (1899).546 Schlussband. Bericht und Verzeichnisse. Ed. Hermann Kretzschmar.
The volume contains: —
Historical retrospect of the Society and its activities.
Thematic Index to Cantatas 121-191 (see B.G. XXVII (2)), unfinished Cantatas, Cantatas of doubtful authenticity, Christmas Oratorio, Easter Oratorio, St. Matthew Passion, St. John Passion, St. Luke Passion, Mass in B minor, the four Masses in F major, A major, G minor, G major, the four Sanctus in C major, D major, D minor, G major, Magnificat in D major, the “Trauer-Ode” Wedding Cantatas and Chorals, Motets, Secular Cantatas (P. bk. 270b).
Alphabetical Index of the movements throughout the vocal works.
Thematic Index to the Clavier music.
Thematic Index to the Chamber music.
Thematic Index to the Orchestral music.
Thematic Index to the Organ music.
Thematic Index to the “Musikalisches Opfer”.
Thematic Index to the “Kunst der Fuge”
Index to the several movements throughout the instrumental works.
Index of names and places occurring in the Prefaces of the B.G. volumes.
Bach’s vocal and instrumental works arranged (1) in the order of the yearly volumes, (2) in groups.
(B) PUBLICATIONS OF THE NEW BACHGESELLSCHAFT
1(1).
1901. Lieder und Arien. Fur eine Singstimme mit Pianoforte (Orgel oder Harmonium). Ed. Ernst Naumann
The seventy-eight Songs are those contained in B.G. XXXIX. secs. 3 and 4 (first three only) supra.
I (2).
1901. Lieder und Arien. Furvierstimmigen gemischten Chor. Ed. Franz Wüllner.
The seventy-five Songs are those contained in I (1), omitting those in sec. 4 of B.G. XXXIX. supra.
1(3).
1901. Erstes deutsches Bach-Fest in Berlin 21 bis 23 Marz 1901. Festschrift.
The frontispiece is Carl Seffner’s bust of Bach.
II (1).
1902. Orgelbüchlein. 46 kürzere Choralbearbeitungen für Klavier zu vier Handen. Ed. Bernhard Fr. Richter.
The original forty-six Organ Preludes, here arranged for two pianofortes (see B.G. XXV (2), sec. 1).
II(2).
1902. Kirchen-Kantaten. Klavierauszug. Erstes Heft. Ed. Gustav Schreck and Ernst Naumann.
Contains Breitkopf and Haertel’s vocal scores of —
Cantata 61: Nun komm, der Heiden Heiland.
Cantata 64: Sehet, welch’ eine Liebe.
Cantata 28: Gottlob! nun geht das Jahr zu Ende.
Cantata 65: Sie werden aus Saba Alle kommen.
Cantata 4: Christ lag in Todesbanden.
III (1).
1903. Kirchen-Kantaten. Klavierauszug. Zweites Heft. Ed. Ernst Naumann.
Contains Breitkopf and Haertel’s vocal scores of —
Cantata 104: Du Hirte Israel, höre.
Cantata 11: Lobet Gott in seinen Reichen.
Cantata 34: O ewiges Feuer.
Cantata 45: Es ist dir gesagt.
Cantata 80: Bin’ feste Burg.
III(2).
1903. Drei Sonaten für Klavier und Violine. Ed. Ernst Naumann.
Sonata I. in B minor.
Sonata II. in A major. (See B.G. IX.)
Sonata III. in E major.)
IV (1).
1904. Drei Sonaten für Klavier und Violine. Ed. Ernst Naumann.
Sonata IV. in C minor.
Sonata V. in F minor (See BG. IX)
Sonata VI. in G major.
IV (2).
1904. Joh. Seb. Bach, Bildnis in Heliogravure.
A print of the portrait discovered by Dr. Fritz Volbach reproduced at p. 92 of this present volume.
IV (3).
1904. Zweites deutsches Bach-Fest in Leipzig 1 bis 3 Oktober 1904. Festschrift.
V (1).
1905. Fest-Gottesdienst zum deutschen Bachfeste in der Thomaskirche zu Leipzig. Ed. Georg Rietschel.
Contains the order of service and music sung on the occasion.
V (2).
1905. Ausgewahlte Arien und Duette mit einem obligaten Instrument und Klavier- oder Orgelbegleitung.
I Abteilung: Arien für Sopran Ed. Eusebius Mandyczewski.
1.
Auch mit gedämpften schwachen Stimmen (Cantata 36: Violin).
2.
Die Armen will der Herr unarmen (Cantata 186: Violin).
3.
Es halt’ es mit der blinden Welt (Cantata 94: Oboe d’amore).
4.
Gerechter Gott, ach, rechnest du (Cantata 89 : Oboe).
5.
Gott versorget alles Leben (Cantata 187 : Oboe).
6.
Hochster, was ich habe, ist nur deine Gabe (Cantata 39: Flauto).
7.
Hört, ihr Augen, auf zu weinen (Cantata 98 : Oboe).
8.
Ich bin vergnügt in meinem Leiden (Cantata 58: Violin).
9.
Ich ende behende mein irdisches Leben (Cantata 57: Violin).
10.
Ich nehme mein Leiden mit Freuden auf mich (Cantata 75: Oboe d’amore).
11.
Ich will auf den Herren schau’n (Cantata 93: Oboe).
12.
Seufzer, Thranen, Kummer, Noth (Cantata 21 : Oboe).
V(3).
1905. Bach-Jahrbuch 1904. Herausgegeben von der Neuen Bachgesellschaft.
In addition to sermons and addresses on the occasion of the second Bach Festival at Leipzig in 1904, the volume contains the following articles:
1.
Bach und der evangelische Gottesdienst. By Karl Greulich.
2.
Praktische Bearbeitungen Bachscher Kompositionen. By Max Seiffert.
3.
Bachs Rezitativbehandlung mit besonderer Berück sichtigung der Passionen. By Alfred Heuss.
4.
Verschwundene Traditionen des Bachzeit alters. By Arnold Schering.
VI (1).
1906. Ausgewahlte Arien und Duette mit einem obligaten Instrument und Klavier- oder Orgelbegleitung. II Abteilung: Arien für Alt. Ed. Eusebius Mandyczewski.
1.
Ach, bleibe doch, mein liebstes Leben (Cantata 11: Violin).
2.
Ach, es bleibt in meiner Liebe (Cantata 77: Tromba).
3.
Ach Herr! was ist ein Menschenkind (Cantata 110: Oboe d’amore).
4.
Ach, unaussprechlich ist die Noth (Cantata 116: Oboe d’amore).
5.
Christen müssen auf der Erden (Cantata 44: Oboe).
6.
Christi Glieder, ach, bedenket (Cantata 132: Violin).
7.
Es kommt ein Tag (Cantata 136: Oboe d’amore).
8.
Gelobet sei der Herr, mein Gott (Cantata 129: Oboe d’amore).
9.
Ich will doch wohl Rosen brechen (Cantata 86: Violin).
10.
Jesus macht mich geistlich reich (Cantata 75: Violin).
11.
Kein Arzt ist ausser dir zu finden (Cantata 103: Flauto).
12.
Was Gott thut, das ist wohlgethan (Cantata 100: Oboe d’amore).
VI (2).
1906. Ausgewahlte Arien und Duette mit einem obligaten Instrument und Klavier- odor Orgelbegleitung. III Abtei
lung: Duette für Sopran und Alt. Ed. Eusebius Mandyczewski.
Delphi Masterworks of Johann Sebastian Bach Page 38
