ADVANCE PRAISE FOR WHEN DEATH DRAWS NEAR
“I’ve always known Carrie as someone devoted to mastering her craft, be it forensics, fine art, public speaking, kick-butt dinners (but please, no more zucchini!), or writing suspenseful mystery novels with just the right touch of her characteristic wit. When Death Draws Near reflects Carrie’s way with all things creative: it’s engaging, tightly woven, painstakingly researched, and a just plain fun read. Dive in!”
—FRANK PERETTI, NEW YORK TIMES BESTSELLING AUTHOR
“Carrie Stuart Parks is a riveting storyteller, and every book about forensic artist Gwen Marcey shines with authenticity from this real-life forensic artist. Her books are an automatic buy for me and stay on my keeper shelf. When Death Draws Near and every other Parks novel is highly recommended!”
—COLLEEN COBLE, USA TODAY BESTSELLING AUTHOR OF MERMAID MOON AND THE ROCK HARBOR NOVELS
“Thank you so very much, Carrie Stuart Parks, for giving me a reading hangover! Carrie injected this story with so much tension, suspense, and superb characterization that I lost hours of sleep and ignored my own work because I simply HAD to finish the book. I highly recommend [When Death Draws Near], but only when you have several hours of uninterrupted time to read because you will NOT want to put it down. Fabulous job! Eagerly waiting the next Gwen Marcey story!”
—LYNETTE EASON, AWARD-WINNING, BESTSELLING AUTHOR OF THE HIDDEN IDENTITY SERIES
A race from the first chapter to the end, When Death Draws Near is a delight for suspense lovers of all types.”
—CARA PUTMAN, AWARD-WINNING AUTHOR OF SHADOWED BY GRACE AND WHERE TREETOPS GLISTEN
“Christian fiction lovers will devour this new work by Carrie Stuart Parks because it delivers on so many fronts. It’s not only a page-turning murder mystery, but a gripping and compassionate story about personal trial.”
—CRESTON MAPES, BESTSELLING AUTHOR OF THE CRITTENDON FILES
PRAISE FOR THE GWEN MARCEY NOVELS
“Once again, Parks has written a top-notch forensic thriller . . . The details are rich but not overpowering, and Parks writes with an excellent balance of science, forensics, action, and comfort. This second Gwen Marcey novel will create a following for Parks, with readers anxiously awaiting the next installment.”
—RT BOOK REVIEWS, 4½ STARS, ON THE BONES WILL SPEAK
“This book holds the reader’s attention from the first page with a riveting mystery that will keep them guessing until the final chapter.”
—CBA RETAILER + RESOURCES, ON THE BONES WILL SPEAK
“Parks, in her debut novel, has clearly done her research and never disappoints when it comes to crisp dialogue, characterization, or surprising twists and turns.”
—PUBLISHERS WEEKLY, ON A CRY FROM THE DUST
“Besides having a resourceful and likable heroine, the book also features that rarest of characters: a villain you don’t see coming, but whom you hate with relish . . . A Cry from the Dust will keep you hoping, praying and guessing till the end.”
—BOOKPAGE
“Renowned forensic and fine artist Parks’s action-packed and compelling tale of suspense is haunting in its intensity. Well researched and written in an almost journalistic style, this emotionally charged story is recommended for fans of Ted Dekker, Mary Higgins Clark, and historical suspense.”
—LIBRARY JOURNAL, ON A CRY FROM THE DUST
“Parks’s fast-paced and suspenseful debut novel is an entertaining addition to the inspirational genre. Her writing is polished, and the research behind the novel brings credibility to the story . . . an excellent book that is sure to put Carrie Stuart Parks on readers’ radars.”
—RT BOOK REVIEWS, 4 STARS, ON A CRY FROM THE DUST
“A unique novel of forensics and fanaticism. A good story on timely subjects well told. For me, these are the ingredients of a successful novel today and Carrie Stuart Parks has done just that.”
—CARTER CORNICK, FBI COUNTERTERRORISM AND FORENSIC SCIENCE RESEARCH (RET.), ON A CRY FROM THE DUST
Copyright © 2016 by Carrie Stuart Parks
All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, scanning, or other—except for brief quotations in critical reviews or articles, without the prior written permission of the publisher.
Published in Nashville, Tennessee, by Thomas Nelson. Thomas Nelson is a registered trademark of HarperCollins Christian Publishing, Inc.
Thomas Nelson titles may be purchased in bulk for educational, business, fund-raising, or sales promotional use. For information, please e-mail [email protected].
Scripture quotations are from the King James Version of the Bible and the New King James Version®. © 1982 by Thomas Nelson. Used by permission. All rights reserved.
Publisher’s Note: This novel is a work of fiction. Names, characters, places, and incidents are either products of the author’s imagination or used fictitiously. All characters are fictional, and any similarity to people living or dead is purely coincidental.
ISBN 978-1-4016-9048-9 (eBook)
Library of Congress Cataloging-in-Publication Data
Names: Parks, Carrie Stuart, author.
Title: When death draws near: a Gwen Marcey novel / Carrie Stuart Parks.
Description: Nashville: Thomas Nelson, [2016] | Series: Gwen Marcey; 3
Identifiers: LCCN 2016006263 | ISBN 9781401690472 (softcover)
Subjects: LCSH: Facial reconstruction (Anthropology)--Fiction. | Forensic pathologists--Fiction. | Cold cases (Criminal investigation)--Fiction. | GSAFD: Suspense fiction. | Mystery fiction. | Christian fiction.
Classification: LCC PS3616.A75535 W48 2016 | DDC 813/.6--dc23 LC record available at http://lccn.loc.gov/2016006263
16 17 18 19 20 21 RRD 6 5 4 3 2 1
To Frank,
the master storyteller.
Once again, thank you.
—Grasshopper
CONTENTS
PROLOGUE
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
CHAPTER NINETEEN
CHAPTER TWENTY
CHAPTER TWENTY-ONE
CHAPTER TWENTY-TWO
CHAPTER TWENTY-THREE
CHAPTER TWENTY-FOUR
CHAPTER TWENTY-FIVE
CHAPTER TWENTY-SIX
CHAPTER TWENTY-SEVEN
CHAPTER TWENTY-EIGHT
CHAPTER TWENTY-NINE
CHAPTER THIRTY
CHAPTER THIRTY-ONE
CHAPTER THIRTY-TWO
CHAPTER THIRTY-THREE
CHAPTER THIRTY-FOUR
CHAPTER THIRTY-FIVE
CHAPTER THIRTY-SIX
CHAPTER THIRTY-SEVEN
CHAPTER THIRTY-EIGHT
CHAPTER THIRTY-NINE
CHAPTER FORTY
CHAPTER FORTY-ONE
CHAPTER FORTY-TWO
CHAPTER FORTY-THREE
CHAPTER FORTY-FOUR
DISCUSSION QUESTIONS
ACKNOWLEDGMENTS
ABOUT THE AUTHOR
PROLOGUE
MIRIAM KNEW, SHE KNEW TONIGHT WOULD BE the night the Holy Spirit would anoint her. The tingling filled her chest and ran down her arms. “Sh
ananamamascaca,” she whispered in prayer language, spinning to the pounding, driving music.
The Spirit was powerful in the church tonight. Around her, the congregation, led by Pastor Grady Maynard, danced, twirled, and praised the Lord in tongues. The bare lightbulbs hanging from the ceiling cast a harsh yellow light on the worshipers. The odor of candles, sweat, and musty carpet rose like incense. Arms were raised, voices lifted, eyes closed.
The burning power of the Holy Spirit rushed through Miriam’s body. An indescribable sense of joy and peace filled her to overflowing. Time was meaningless. The music faded, singing muffled, shouts muted. Her lips moved in a prayer she could barely hear. “Shaaaanaamaascaca.” Tears slid down her face, pooling on her chin.
Pastor Maynard placed his microphone on the pulpit and reached under the pew in the front of the church. Sweat soaked his green dress shirt and streamed down his face.
Several men moved closer, arms raised and waving or hands clapping.
Pulling out a wooden box with a Plexiglas lid, Maynard reached inside. Louder shouts of praise erupted around him. Tambourines and cymbals joined the cacophony of sound.
Miriam took her place in the circle surrounding Maynard.
From the box came a slow chchch speeding to a continuous cheeeeeheeeee.
The pastor drew the giant timber rattler from the serpent box. The snake twisted and coiled in his hand, its flat, gray-black head darting from side to side. He draped the serpent around his neck and reached for more from the box.
Miriam moved closer.
Pastor Maynard raised several serpents overhead before handing them to the next man. Keeping the timber rattler around his neck, he lifted his voice in jubilant tongues.
The snakes passed around the circle. Worshipers would drape the snakes on their heads or cuddle them in their arms while spinning or dancing.
Miriam moved out of the circle and slipped next to Maynard. This would be the serpent she would handle. She reached for the rattler.
Pastor Maynard slipped the snake from his neck and into her hands. She lifted it over her head and closed her eyes. The Spirit’s power over the serpent charged up her arm. She stomped her feet and whirled, the serpent held high. The Holy Spirit claimed overwhelming victory.
She lowered the serpent.
The snake whipped around and struck her wrist, sinking its fangs deep into her flesh.
Pain like a million bee stings coursed up her arm. Someone snatched the serpent from her hands as she doubled over in agony and dropped to her knees.
The drumming music stopped. A chorus of voices rose, then faded.
Miriam gasped. Blackness lapped around her mind. The world retreated into velvet nothingness.
CHAPTER ONE
“MA’AM. SHERIFF REED TOLD ME TO COME AND get you. He said he was sorry you had to wait so long. The body’s here. I mean, it was here before . . . downstairs. In the morgue.”
I craned my head backward to see the young, lean-faced deputy standing over me. He had to be six foot four or taller, very slender, with wispy brown hair. His eyes were blue with heavy lids and his mouth red, probably from chewing his lips. Sure enough, his cheeks flushed at my studying him and he started gnawing his lower lip.
Sitting outside the Pikeville Community Hospital, I’d been enjoying the late-October sunshine and waiting for someone to remember I was here. I picked up my forensic art kit and followed the officer through a set of doors to an elevator next to the nurses’ station. “I’m sorry. I didn’t catch your name.”
“Junior Reed.” He nodded at his answer. “Sheriff Reed is my father.”
I did a double take. He didn’t look anything like Clayton Reed, the sheriff of Pike County, Kentucky, who’d picked me up from the Lexington airport yesterday. “Nice to meet you, Junior.” I stuck out my hand. “I’m Gwen Marcey.”
He hesitated for a moment, staring at my hand, then awkwardly shook it. His hand was wet.
The elevator door opened. As we entered, I surreptitiously wiped my hand on my slacks. The elevator seemed to think about moving, then quietly closed and slipped to the floor below, taking much longer than simply running down the stairs. The elevator finally opened. The smell hit me immediately.
I swallowed hard and took a firmer grip on my kit.
Several deputies had gathered in the middle of the hall, talking softly. They turned and stared at us. I couldn’t quite decipher the expressions on their faces. They parted as we approached, revealing a closed door inscribed with the word Morgue.
Junior entered the room and moved to the body bag resting on a stainless steel table. Sheriff Clayton Reed—a large man with a thick chest, buzz-cut hair, and gray-blond mustache, stood next to a man in navy blue scrubs. I nodded at the man. “Hello. I’m Gwen Marcey, the forensic artist.”
“Ma’am. I’m Dr. Billy Graham.” He noted my raised eyebrows and grinned. “My parents had high hopes for a particular career direction.”
I grinned back, then slowed as I approached the table. I’d seen bodies before. Too many times before, but I still had a moment of hesitation when I knew what was coming. This was once someone’s son or daughter, parent or friend. And no one knew of the death. Then the analytical part of my brain would take over, and I could concentrate on drawing the face of the unknown remains.
I just had to get past the ick moment.
“Here you go,” Sheriff Clay Reed said in a deep Appalachian accent. My brain was still trying to translate his comments for my western Montana ears. “So far, no one has recognized . . . what was left.” He unzipped the body bag. Several flies made an angry exit. The odor was like a solid wall.
Junior spun and made it to a bucket near the door before losing his lunch.
I fought the urge to join him.
The sheriff frowned at Junior, then caught my gaze. “He never had much of a stomach for smells.”
I could relate to that. “What . . . um . . . what can you tell me about the body?”
“According to the doc here”—Clay nodded at the man—“he’s been dead for at least a month, but hard to say exactly at this time . . . critters and all . . . in his late teens or early twenties. Slender. Teeth in pretty good shape, but obviously never been to a dentist. No help there.”
Pulling out a small sketchbook and pencil, I jotted down the sheriff’s information. “No one reported him missing?”
The sheriff shook his head. “But that’s not surprising. A lot of folks around here steer clear of the law.”
“Cause of death?”
“Can’t be sure just yet,” the doctor said. “But I’d guess . . . snakebite.”
I stopped writing and looked up. “I thought, I mean, didn’t you say he was murdered?”
“In a sense, he was.” Clay nodded toward a counter beside him. “We found those with the body.”
A white cotton bag, badly stained; a golf club with a bend at the end; a long clamping tool; a revolver; and a moldy Bible all lay spread out.
“Okay. What does that tell you?” I asked.
“I’d say he was snake hunting,” the sheriff said.
“I still don’t understand.”
“The golf club with the metal hook on the end is a homemade snake hook. They cut the club off the end, then bend a piece of metal to form a U.”
“Can’t you just buy one?”
“That can cost a bit. But folks are always throwing away golf clubs.” Clay chuckled. “I’ve tossed more than my fair share after a bad round of golf.”
He stopped chuckling at my expression. “Well then, those are snake tongs, and the bag is to put the snake into. The revolver is loaded with snake-shot ammunition.”
“But that doesn’t mean—”
He unzipped the body bag farther. Lying across the man’s stomach was what was left of a very dead snake.
I dropped my pencil and paper. “Ohmigosh!”
“That’s a big ’un.” Junior had stopped throwing up and had moved next to me. He wiped his mouth with
the back of his hand, then started twiddling his fingers as if playing a trumpet.
Resisting the urge to bolt from the room, I bent down and snatched up my materials, then reached into my forensic kit and tugged out my digital camera. I stayed bent over until I felt some blood returning to my face. “What kind of snake is that?”
“I put in a call to Jason Morrow with animal control to identify—”
“Rattler,” Junior said. “Crotalus horridus, also known as a canebrake or timber rattler—”
“That’s enough, Junior,” Clay said.
When I heard the zipper close on the body bag, I stood. Only the man’s ravaged face was now exposed.
“Now, Sheriff,” Dr. Graham said, “we don’t know for sure yet that he died of snakebite. I only said he may have—”
“Come on, Billy,” Clay said. “The snake’s head was full of bird shot from that pistol. Obviously he got bit while trying to catch a snake. He didn’t even try to go for help.”
I felt at a loss as to what the men were talking about. Snakes in general gave me the creeps, and a stinky body with a snake on top really was pushing my heebie-jeebies meter. “Gentlemen, my knowledge and experience with snakes is very limited.” I resisted the urge to add, Thank the Lord. “I still don’t get why you consider this a murder.”
“Oh, not an out-and-out murder,” the sheriff said. “I mentioned he didn’t even try to go for help. He shot the snake, then sat down, read his Bible, and prayed.”
Before I could say anything, the sheriff held up a finger. “I’m not done. That Bible falls open to Mark 16. I think he was catching snakes to handle in church.”
“Church?” My creeped-out meter ratcheted up a notch. “Uh, regardless of how he died, you did still want me to draw him for identification, right? Or are you just planning to go to his church and ask around?”
All the men exchanged glances. “Not that simple,” the sheriff finally said. “We’ll need that drawing.”
I took a deep breath, instantly regretting it as the stench of the body filled my lungs. “Here’s how this works. I’m going to photograph him from all angles with this evidence scale.” I held up what looked like a small ruler. “I’ll be ready to work on this drawing when I return to my hotel. You said the rape victim is upstairs, so I’ll interview her—”
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