Julie Andrews
Home
A Memoir
of
My Early Years
For Emma,
with all my love
Silver tinsel on the ground.
River, streams. A round
water tower. Shining sun
flooding woods and meadows. Spun
gold and steel. Clouds punctuate
the hills and valleys and great
white cliffs of Dover.
Sea and ships. And, crossing over,
my heart soars like this aeroplane,
and I know I’m going home again.
JULIE ANDREWS
Contents
Epigraph
One
I AM TOLD THAT the first comprehensible word I uttered…
Two
OVERNIGHT, CHILDHOOD ENDED for the girls and the business of…
Three
WHEN I WAS two and a half, my brother John…
Four
ON MAY 10, 1940, the same day that Winston Churchill…
Five
SOON AFTER DONALD’S birth, we moved from Camden Town to…
Six
THE WAR ESCALATED yet again. Barrage balloons, defending against low-flying…
Seven
I TOOK LESSONS WITH Madame once a week at first.
Eight
ON MAY 8, 1945, peace was declared in Europe. My…
Nine
WIN HAD GIVEN birth to a baby girl in September…
Ten
“THE OLD MEUSE,” as the house was called, was at…
Eleven
JUST BEFORE MOVING to The Old Meuse, I did my…
Twelve
WE PLAYED TWO performances every night but Sunday, with no…
Thirteen
DURING THE RUN of Starlight Roof, Aunt Joan became pregnant.
Fourteen
A FEW WEEKS after I finished performing in Starlight Roof,…
Fifteen
MUM, POP, AND I spent the summer of 1949 working…
Sixteen
DAD AND WIN moved to a village on the Sussex/Surrey…
Seventeen
I CONTINUED TO work with Madame Stiles-Allen. Early in my…
Eighteen
SOMETIME THAT AUTUMN, my mother announced that she and I…
Nineteen
IN JUNE OF 1950, I began work as a resident…
Twenty
AFTER RED RIDING HOOD closed, I went out on the…
Twenty-One
IN LATE OCTOBER of that year, Pop managed to procure…
Twenty-Two
THAT CHRISTMAS OF 1951, I was invited to play the…
Twenty-Three
TONY WALTON AND I continued to see each other whenever…
Twenty-Four
A GIRL’S VOICE DOESN’T break like a boy’s in the…
Twenty-Five
DURING THE TOUR of Cap and Belles, I began to…
Twenty-Six
CINDERELLA ENDED ITS run in March, and I was not…
Twenty-Seven
A FAREWELL PARTY had been planned for me: a last…
Twenty-Eight
REHEARSALS FOR The Boy Friend were held at a theater…
Twenty-Nine
ONCE THE SHOW opened, the really hard work began. We…
Thirty
THE BOY FRIEND was a tremendous learning curve for me.
Thirty-One
DURING MY BRIEF stay at home, Alan and Fritz had…
Thirty-Two
POOR STANLEY HOLLOWAY had been waiting for his own chance…
Thirty-Three
THE MARK HELLINGER Theater on West 51st Street was originally…
Thirty-Four
MY MOTHER CAME to New York in early spring. She traveled…
Thirty-Five
IN OCTOBER OF that first year of My Fair Lady,…
Thirty-Six
IN JULY AND November of 1956, I made two appearances…
Thirty-Seven
MY FINAL PERFORMANCE in My Fair Lady on Broadway was…
Thirty-Eight
THE OPENING NIGHT of My Fair Lady in London was…
Thirty-Nine
TONY AND I purchased a miniature gray poodle puppy, and…
Forty
TO DESCRIBE NOW what theater means to me, and what…
Forty-One
MAY 10, 1959, dawned clear and sunny. I spent the…
Forty-Two
ALTHOUGH MY CONTRACT in London was for eighteen months and…
Forty-Three
AROUND CHRISTMASTIME OF 1959, something that had been nagging at…
Forty-Four
JUST BEFORE DEPARTING for New York, I drove down to Ockley…
Forty-Five
AFTER THE IMMENSE size of Toronto’s O’Keefe Centre, Boston Shubert…
Forty-Six
TIM WHITE STAYED with us through Christmas, departing just before…
Forty-Seven
TONY AND I ushered in the New Year sadly and quietly.
Forty-Eight
ALTHOUGH I HAD stolen a few days from Camelot in…
Forty-Nine
AT THE END of May, we flew home to London.
Acknowledgments
Searchable Terms
About the Author
Other Books by Julie Andrews
Copyright
ONE
I AM TOLD THAT the first comprehensible word I uttered as a child was “home.”
My father was driving his secondhand Austin 7; my mother was in the passenger seat beside him holding me on her lap. As we approached our modest house, Dad braked the car to turn onto the pocket-handkerchief square of concrete by the gate and apparently I quietly, tentatively, said the word.
“Home.”
My mother told me there was a slight upward inflection in my voice, not a question so much as a trying of the word on the tongue, with perhaps the delicious discovery of connection…the word to the place. My parents wanted to be sure they had heard me correctly, so Dad drove around the lanes once again, and as we returned, it seems I repeated the word.
My mother must have said it more than once upon arrival at our house—perhaps with satisfaction? Or relief? Or maybe to instill in her young daughter a sense of comfort and safety. The word has carried enormous resonance for me ever since.
Home.
THE RIVER THAMES begins as a trickle just above Oxford in an area referred to in old literature as “Isis.” The trickle has become a fair river and fordable by the time it reaches the great university city, and from there it winds its way through the English countryside, changing levels from time to time, spewing through the gates of some exquisitely pretty locks, passing old villages with lovely names like Sonning, Henley, Marlow, Maidenhead, and Bray.
It flows on through Windsor and Eton. Wicked King John signed the Magna Carta at a picturesque stretch of the Thames called Runnymede. It progresses through the county of Surrey, past Walton—the village where I was born—past the palace of Hampton Court where Sir Thomas More boarded the water taxis that carried him downriver after his audiences with Henry VIII, and continues through the county town of Kingston, on to Richmond and Kew. Finally it reaches London, gliding beneath its many bridges, passing the seat of British government, the Houses of Parliament, before making its final journey toward Greenwich and the magnificent Thames Estuary into the North Sea.
Because of the Thames I have always loved inland waterways—water in general, water sounds—there’s music in water. Brooks babbling, fountains splashing. Weirs, waterfalls; tumbling, gushing. Whenever I think of my birthplace, Walton-on-Thames, my reference first and foremost is the river. I love the smell of the river; love its history, its gentleness. I was aware of its presence
from my earliest years. Its majesty centered me, calmed me, was a solace to a certain extent.
The name “Walton” probably derives from the old English words wealh tun (Briton/serf and enclosure/town). Remnants of an ancient wall were to be found there in my youth. Walton is one of three closely related villages, the others being Hersham and Weybridge. When I was born, they were little more than stops on the railway line leading out of London into the county of Surrey. Hersham was the poor relative and had once been merely a strip of woodland beside another river, the Mole. It was originally occupied by Celts, whose implements were found in large numbers in the area. The Romans were there, and Anglo-Saxons were the first settlers. Hersham was very much a fringe settlement. Walton, slightly better off, was a larger village; Weybridge was altogether “upmarket.”
Walton’s small claim to fame was its bridge over the Thames. A very early version was painted by Canaletto; J. M. W. Turner painted a newer bridge in 1805. The span was reconstructed again long ago, but in my youth the bridge was so old and pitted that our bones were jarred as we rattled over it, and I was able to peer through the cracks and see the river flowing beneath. Driving across, away from the village, usually meant that I was leaving home to go on tour with my parents. Crossing back, though, was to know that we were in familiar territory once again. The river was our boundary; we could leave the busy world behind us and our front door was only moments away.
To this day, when I am flying into England, it is the view of the river that I search for as we descend toward Heathrow. And suddenly, I see it—stately, sparkling, winding through the meadows, forever soothing, forever serene.
I WAS NAMED after my two grandmothers—Julia Elizabeth.
Julia, my mother’s mother, was the eldest daughter of William Henry Ward. He was a gardener, and met my great-grandmother, Julia Emily Hearmon (always referred to as Emily), when they joined the staff of a large house in Stratford-upon-Avon. Great-Granny Emily was a “tweeny,” which is the name given to the poor unfortunate who gets up even before the servants and lights their fires so that they, in turn, can see to the comforts of the household. She was eleven years old when she went into service.
Some years later, she and Great-Grandpa William married and moved to Hersham, where their first daughter, my maternal grandmother, Julia Mary Ward, was born in 1887. There was to be a barren lapse of nine years before the rest of the family came along at two-year intervals, in a vain effort to produce a son. Four daughters were born, who were collectively known as “the girls,” all bearing highfalutin names, starting with Wilhelmina Hearmon, followed by Fenella Henrietta, Nona Doris, and finally, Kathleen Lavinia. Mercifully, they were all shortened, to Mina, Fen, Doll, and Kath. Finally, the longed-for son arrived—William Henry, shortened to Harry and then to Hadge, by which time Julia, being the eldest, had married…and soon after, gave birth to my mother, Barbara Ward Morris, in July 1910. This meant that my mum had an uncle only a few years older than she, and therefore a built-in playmate.
I remember meeting my Great-Granny Emily Ward when she was in her eighties. Great-Grandpa had died, and she was living with her daughter Kath. Great-Granny was small and round like a barrel, with flawless skin and fine, pure white hair. She always smelled of fresh lavender and called me “dearie.”
She had a sweet smile and a soft voice that sounded as if it were coming from a great distance. She loved canaries, and kept an aviary in the back of Auntie Kath’s house in Hersham. I have loved canaries ever since.
Aunt Mina, Aunt Kath, and the other great-aunts were wonderful ladies, great characters all. Uncle Harry—or “Hadge”—was the black sheep of the family, and an alcoholic. I always felt there was something a little rough and dangerous about him, though he could be kind and had a playful sense of humor. Like his father, he had a magical touch with the land, and he eventually became our gardener. Things flourished when Hadge was in charge. My mother had a soft spot in her heart for him, and he was so competent when he was sober that she always wanted to keep him around. I used his image for the character of the gardener in my first children’s book, Mandy.
My sense of the family history is somewhat sketchy, because my mother kept a great deal to herself. She spoke of her early years when pressed, but she never volunteered much—other than to speak lovingly of her mother, my namesake, Julia. Mum always took primroses to her grave in Hersham on Primrose Day, April 19, which was Granny Julia’s birthday. Clearly, she missed her mother very much. The earliest recollections I have are of my mother’s sadness at losing her. She must have carried her grief with her for many years in order for me to pick up on something like that.
It was left to my father and my aunt Joan, my mother’s younger sister, to fill in what little I do know about my grandparents.
Grandmother Julia was apparently a sweet mouse of a woman. Sensitive, shy, of a retiring nature, yet a lover of music—my aunt told me she sang quite well. She wanted no more of life than to look after and love her children. I was told that my grandfather Arthur found this state of affairs suffocating and that her obvious attempts to please irritated him.
Unlike my mother, Aunt Joan spoke rather scathingly about Granny Julia, putting her down as being inferior to their father in intellect and breeding. Piecing the details together, I have concluded that my maternal grandmother was uneducated, pretty, hardworking, troubled; and that her husband, Grandfather Arthur Morris, was angry, talented, a womanizer, a bully, a drunkard, and illegitimate.
Arthur Morris was conceived at a time when it boded ill to be born “on the wrong side of the blanket,” even if sired by a “Sir.” Being tall—over six feet—of good countenance, and brainy, he apparently had an arrogant personality, but if he desired, he could be a great charmer. His own childhood was unhappy to say the least, as he was banished to the scullery most of the time, for his mother eventually married and his stepfather couldn’t bear the sight of him.
As soon as he was of age, Arthur ran away to join the army and became a Grenadier Guard. Here he learned music and gained a promotion into the brass band, where he played the trumpet. He also excelled at the piano.
While stationed at Caterham Barracks, Surrey, Arthur met Granny Julia. They started seeing each other at every opportunity, and according to family rumor, Arthur “took advantage of” Julia in a field and she became pregnant. They dutifully married on February 28, 1910, at the Register Office, Godstone.
My mother, Barbara Ward Morris, was born on July 25, 1910. Five days later, Arthur did the unthinkable and deserted his regiment. The small family seemed to disappear into thin air for a time, but two years later Arthur was identified by a policeman as being on the army’s missing list and was arrested, tried, and sentenced to sixty-three days in military prison for desertion. His superiors may have recognized that Julia was a new wife with a young child and that she needed her husband, for pleadings were made on his behalf, and after only twenty-nine days in prison, Arthur was formally discharged.
Julia and Arthur made a fresh start. They traveled to Kent, where Arthur became a member of the recently established Kent coal-mining community. On June 30, 1915, another daughter was born to them—my aunt Joan. After her birth, Arthur “deserted” again for a while, this time leaving his family. He was subject to bouts of depression, but it may simply have been that he went to the more lucrative mining area of South Yorkshire to search out new prospects for himself—for not long afterward, the Morrises moved again, to the pit village of Denaby, where Arthur was hired as a deputy at the local colliery.
The girls were both enrolled at Miss Allport’s Preparatory School for Boys and Girls, and later they attended the village school in nearby Old Denaby. According to school records, my mother was very popular, very attractive. Aunt Joan was more reserved, always nervous. She depended on my mother a great deal. Both girls were striking, with alabaster complexions and glorious auburn hair.
It was during the period at Denaby that Arthur started composing and publishing poetry, wh
ich was quite well received and which earned him the moniker “The Pitman’s Poet.”
He also used his musical skills to entertain the villagers at cricket club functions, “smoking concerts” (men-only evenings), fund-raisers, and other parties around town. Arthur began teaching my mother to play the piano. Temperamentally, they were very much alike, being both self-willed and used to getting their own way. According to my aunt, many a shouting match was heard culminating with the sound of a sharp slap and a box on the ear.
Mum’s version of these events was a little harsher; she claimed that her father hit her across the hands with a ruler. Either way, Arthur seems to have been a tyrannical and cruel parent. Eventually Mum took private lessons from a Miss Hatton and built her piano skills to a very high standard. In July of 1920, at the age of ten, she passed the first stage of the London College of Music curriculum. Her father is referred to in the announcement as “Mr. Arthur Morris, the well-known entertainer.”
Years later, my aunt wrote this of her father: “People would come up to our mother and congratulate her on being married to such a fun-loving man. Little did they know of his dark moods of despair, when he would sit in his chair and speak not a word for days, and I would take the longest way round when crossing the room to avoid going near him. After these bouts, he would go away for a while, and return laden with gifts for us.”
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