ALSO BY COLSON WHITEHEAD
Zone One
Sag Harbor
Apex Hides the Hurt
The Colossus of New York
John Henry Days
The Intuitionist
Copyright © 2014 by Colson Whitehead
All rights reserved. Published in the United States by Doubleday, a division of Random House LLC, New York, and in Canada by Random House of Canada Limited, Toronto, Penguin Random House companies.
www.doubleday.com
DOUBLEDAY and the portrayal of an anchor with a dolphin are registered trademarks of Random House LLC.
Portions of this book were previously published, in different form, as “Occasional Dispatches from the Republic of Anhedonia” in Grantland (July 2011).
Jacket design and illustration by Rodrigo Corral Design
Library of Congress Cataloging-in-Publication Data
Whitehead, Colson, 1969–
The noble hustle : poker, beef jerky and death / Colson Whitehead.
pages cm
1. World Series of Poker. 2. Poker. 3. Gambling. 4. Whitehead, Colson, 1969– I. Title.
GV1254.W45 2014
795.412—dc23 2013031448
ISBN 978-0-385-53705-6
ISBN 978-0-385-53706-3 (eBook)
v3.1
FOR ALISON RICH
who made people pick up a book about elevator inspectors
an-he-do-nia: the inability to experience pleasure
CONTENTS
Cover
Other Books by This Author
Title Page
Copyright
Dedication
Epigraph
The Republic of Anhedonia
Making the Nature Scene
The Poker Chips Is Filth
Wretch Like Me
How Are You Going to Break It to Cujo?
Every Ante Is a Soul
M
About the Author
I have a good poker face because I am half dead inside. My particular combo of slack features, negligible affect, and soulless gaze has helped my game ever since I started playing twenty years ago, when I was ignorant of pot odds and M-theory and four-betting, and it gave me a boost as I collected my trove of lore, game by game, hand by hand. It has not helped me human relationships–wise over the years, but surely I’m not alone here. Anyone whose peculiar mix of genetic material and formative experiences has resulted in a near-expressionless mask can relate. Nature giveth, taketh, etc. You make the best of the hand you’re dealt.
This thing draped over my skull and fastened by muscle is also a not-too-bad public-transportation face, a kind of wretched camouflage, which would come in handy on my trip to Atlantic City. Flash this mug and people don’t mess with you on buses, and this day I was heading to training camp. I had six weeks to get in shape. I was being staked to play in the World Series of Poker for a magazine, and my regular game was a five-dollar buy-in where catching up with friends took precedence over pulverizing your opponents.
There was no question about taking a bus. I’m of that subset of native New Yorkers who can’t drive. Every spring, I made noises about getting my license and checked out the websites of local driving schools, which as a species embodied the most retrograde web design on the internet, real Galápagos stuff, replete with frenetic logos and fonts they don’t make anymore, the HTML flourishes of the previous century. How could I give my money to a business with so incompetent a portal? My wife and I owned a car, and she drove us everywhere, which came to be a hassle. I used to joke that I was afraid of getting my license—that I was at a point in my life that the first time I got behind the wheel, I’d just keep driving. The first couple of times I made this joke, people laughed. Then maybe my delivery began to falter, there was a change in tone, and they’d look around nervously, peek over my shoulder for another person to talk to. My wife had the car now. We got divorced four days prior.
I’d been looking forward to a descent into some primo degradation to start my trip, a little atmosphere to match my mood, but of course the Port Authority was cleaned up now, like the rest of the city. In the daytime, anyway. Across the street, the shining New York Times tower watched over the entryway, a beacon of truth and justice and Renzo Piano, and inside the terminal corridors the stores were scrubbed nightly, well-buffed, the reassuring and familiar places you’ve shopped at plenty. Duane Reade, Hudson News, the kiosks of big banks yet to fail. I could be anywhere, starting a journey to anyplace, a new life or a funeral.
I rushed to make the 3:30 bus and thought I’d have to gulp down a hot dog from a street vendor—fearing a grim return of said frank hours later at the table—but had time to pick up an albacore tuna sandwich with dill, capers, and lemon mayo on marbled rye, plus an artisanal root cola, all for ten bucks across the street at Dean and DeLuca. Estimated Probability of Degradation: down 35 percent.
I waited to board and saw I didn’t need a public-transportation face. The other passengers queued up for AC were exfoliated and fit, heading down for Memorial Day fun, not the disreputable lot of Port Authority legend. Their weekend bags gave no indication that they contained their owners’ sole possessions. Where have all the molesters gone, the weenie wagglers and chicken hawks? Whither the diddlers? The only shabby element I registered was the signage at the Greyhound and Peter Pan counters, still showcasing the dependable logos remembered from the bad trips of yore. Returning from a botched assignation or misguided attempt to reconnect with an old friend. Rumbling and put-putting to a scary relative’s house in bleak winter as you peered out into the gray mush through green, trapezoid windows. Greyhounds were raised in deplorable puppy mills and drugged up for the racetrack, I think I read somewhere, and Peter Pan used to enter kids’ bedrooms and entice them, so perhaps there is a core aspect to the bus industry that defies rebranding.
The bus was state of the art, like it had wi-fi, and even though I sat two rows up from the lav I did not smell it. It was two and a half hours to AC, plenty of time for me to graze on my inadequacies. Poker eminence Doyle Brunson called Hold’em “the Cadillac of poker,” and I was only qualified to steer a Segway. In one of the fiction-writing manuals, it says that there are only two stories: a hero goes on a journey, and a stranger comes to town. I don’t know. This being life, and not literature, we’ll have to make do with this: A middle-aged man, already bowing and half broken under his psychic burdens, decides to take on the stress of being one of the most unqualified players in the history of the Big Game. A hapless loser goes on a journey, a strange man comes to gamble.
According to the two crew cuts in the row in front of me, the weekly pool party at their casino was killer, but I wasn’t going to make it over there. I hit my poker book, cramming. “Big raises make big pots.” “Before you enter a pot, think about who the likely flop bettor will be.” The highway bored through miles of Jersey’s old growth, as if the forests had been mowed down specifically for passage to our destination, a tunnel to the Land of Atrocious Odds, and then we broke off the expressway and the big gambling houses burst up, looming over the gray water. We passed the one- and two-story buildings of downtown Atlantic City—clapboard homes, broken chapels, purveyors of quick cash—that seemed washed up against the casinos like driftwood and soda bottles. Then we pulled into the Leisure Industrial Complex.
Growing up in the city, I never went to a lot of malls, so I didn’t have the psychological scars of my Midwestern friends, who cringed at the thought of all the adolescent afternoons spent mindlessly drifting across the buffed tile. I like the Leisure Industrial Complex when I can find it, those meticulously arranged consumer arenas. I don’t care if it’s a suburban galleria sucking the human plankton into itself from the exit ramps or a metro-ar
ea monolith stuffed with escalators to convey the herd to the multiple price-pointed retail outlets, food court stalls, and movie screens.
Gimme a red-brick pedestrian mall reclaimed from urban blight and dolled up to commemorate some location of inflated historical import—I love those guys. There is the multiplicity of diversion, sure, but more important is that a sector of human endeavor is diligently trying to improve itself and succeeding spectacularly. Consumer theorists, commercial architects, scientists of demography are working hard to make the LIC better, more efficient, more perfect. They analyze the traffic patterns and microscopic eye movements of shoppers, the implications of rest room and water fountain placement, and disseminate their innovations for the universal good. Even if we fail ourselves in a thousand ways every day, we can depend on this one grace in our lives. We are in good hands.
Anyone who’s gambled in the past twenty years knows that casinos are high rollers in the LIC. The contemporary casino is more than a gambling destination; it’s a multifarious pleasure enclosure intended to satisfy every member of the family unit. Reimagined as resorts, there’s moderate-stakes blackjack for Dad, a sea-salt spa scrub for Mom, the cortex-agitating arcade for the youngsters—or the Men’s Mani-Pedi Suite for Dad, Pai Gau Poker for Mom, and Highly Supervised Kidz Camp for the little ones (once you sign the liability waiver).
A mall with living rooms. The concept of such a thing, to eat, drink, and play, and then dream inside its walls. No windows, for what sight could be more inspiring than your true self laid bare, with all its hungers and flaws and grubby aspirations. Stroll past the high-end shops with accented names, recognizable theme restaurants owned by TV chefs, indoor Big Tops, man-made wave pools, and find nourishment for any desire zipping through your brain. If there’s a gap in perimeter through which an unfulfilled wish might escape, it will be plugged by your next trip.
They even have bus depots. Some casinos are equipped with snap-on bus depots, an optional component for the base model. Like the Tropicana. Today’s outpost of the LIC was the Tropicana, local franchise of the famous Vegas standby, where James Bond busted heads in Diamonds Are Forever. Methinks he did not arrive on Greyhound. You might escape if the bus didn’t pull directly into the building itself, so the depot was a worthy investment. Some of the passengers stood and funneled to the door, causing a scandal. “Where is he going?” “They’re not waiting for their bonus?” Meaning the twenty-dollar voucher they give you to play upstairs—it’s worked out between Greyhound and the casino (they really want you to stay). For what kind of inhuman monster didn’t wait for their bonus—it’s free money.
I jumped up and joined the apostates. I was vibrating with newly acquired poker knowledge and couldn’t wait. The smell of ancient cigarette smoke and the mellow undertones of men’s room disinfectant were an intoxicant. I checked in, chucked in some buffalo wings for fuel, and soon I was in the Tropicana Poker Room.
I found my degradation. You can rubble the old Times Square and erect magnificent corporate towers, hose down Port Authority and clean under its fingernails, but you can’t change people. I was among gamblers.
I sat down at a $1/$2 table with types I would encounter with some frequency during my training. Like Big Mitch. Big Mitch is a potbellied endomorph in fabric-softened khaki shorts and polo shirt, a middle-aged white guy here with his wife, who was off dropping chips on the roulette felt according to her patented system. Fully equipped with a mortgage, a decent job, and disposable income. The segments of his thick metal watchband chick-chicked on his hairy wrist each time he entered the pot. Your average home player. What Big Mitch wants the most, apart from coming home to see that young Kaitlyn hasn’t had a party and wrecked the house while they were away (she’s really been acting out lately, but Pat says all girls go through that stage), is to brag to his home-game buddies and certain guys at the office of how much he won tonight, with a breakdown of a Really Big Hand or two. He will be less vocal about his failures, as we all are.
Next to two Big Mitches was a Methy Mike, a harrowed man who had been tested in untold skirmishes, of which the poker table was only one. If Methy Mike had been hitched, the lady had packed her bags long ago, and if they had spawned, their parenting goals probably ended with making sure their kid didn’t get a tattoo on her face, and they did not always succeed. Often locals, Methy Mikes are on a first-name basis with the bosses and dealers and cocktail waitresses, and you can count on hearing a little catching up. “Haven’t seen you in a while.” “I’ve been … had some stuff come up.” So I see. Iggy Pop takes a look at these guys and says, “Wow, he’s really let himself go.”
They are weathered by the sun, by their lifestyles, which you can only guess at, the underlying narrative of their decay, and resemble unfortunates who have been dragged on chains from the back of a beat-up van and left to desiccate in the desert, like one of the down-and-outers in The Treasure of the Sierra Madre. Undone by their hardwired inclinations and undying dream of a new start. “Can you help a fellow American who’s down on his luck?” Luck—they believe in luck, its patterns, its unknowable rules. They will, seeing pocket Jacks demolish some weekend punter, tell the table, “Let me tell you a sad story about a pair a Jacks.” A sad story for every hand, every one of the 1,326 possible starting combinations.
And then there was Robotron, wedged in there, lean and wiry and hunkered down, a young man with sunglasses and earbuds, his hoodie cinched tight around his face like a school shooter or a bathroom loiterer. Weaned on internet play, Robotron is only here tonight because the Feds shut down all the U.S. online poker sites a month ago. Black Friday, something about money laundering. Here with the humans. Otherwise the Robotrons would be back in their childhood rooms, eight pixelated tables open on the screen; he can play eight games at once, zip zip. It’s not so hard once you retrain those pathways in the brain, cramming decades of poker experience into eighteen months. Why leave the house at all, between the poker sites and the porn sites? What are other people for, but for robbing or fucking? (The goddamned Feds, breeding a new generation of libertarians in the subdivs.) Real people, talking, breathing, it must be so weird to them. Their earbuds help keep ’em out, playing music, self-help manuals, If I’m So Wonderful, Why Am I Still Single? as read by Edward James Olmos, or the latest invasion plans transmitted from their home planet.
There was one woman at the table, a quiet sixty-something lady with bright red hair, the follicles of which it was perhaps possible to count. Five percent of commercially available hair dyes actually match a color that occurs in nature. Hers was not one of them. I liked her.
I will now take a moment to explain Hold’em to the lay reader, I don’t mind. In my home games, I often assumed the mantle of the Explainer, laying out the rules for the newbies—the indulging girlfriend, the language poet in town for the weekend, and, maddeningly, people I had played with dozens of times before. I wrote the hand rankings on a little piece of paper for them to keep by their chips, reminded them it’s “one or two or none from your hand, and three or four or five from the board.” I stopped being so amenable once my kid started talking because I was explaining shit all the time now. “Daddy, why is the sky blue?” “Daddy, how do fish swim?” “Daddy, where shall I keep my secret fears of the world, and tend to them like my private garden?” Nowadays my poker neophytes are on their own.
You start with two cards. You know what an ante is, my friend, even if you have never played a single hand of poker. Gotta pay to play, that’s the American way, sweet pea, whether it’s parking meters or X-ray specs. In Hold’em, only two people plop down an automatic bet without seeing their cards: the Small Blind and the Big Blind. Blind, because you’re in a dark mine probably about to step into the abyss. Depending on the stakes, the Small Blind is one dollar and the Big Blind is two dollars (or twenty-five cents and fifty cents, thirty dollars and sixty dollars, whatever). This way there are always two people invested in the hand, to different degrees. They’re in, and maybe they’re p
rotective of their opening contribution, will feel moved to defend their one dollar or two dollars, the way a parent on a playground might steer their progeny away from that weird kid who’s been eating nuggets from the sandbox (feral cats use this place as their bathroom at night, according to a parenting blog).
If the rest of the players at the table, a maximum of ten, want to enter the hand, they have to match (or call) the Big Blind of two dollars or fifty cents or whatever, or raise it, or fold. And so on for the others ringed around the table, until it comes back to the Small Blind, who has to bring up his initial forced bet to match whatever the current bet is. Finally, the Big Blind, who, also having bet without seeing her cards, can match or raise, because they want to protect their little tyke, or because they got a monster hand, you never know. Two dollars is two dollars, we live in a capitalist society.
Everything begins and ends with these two cards. You are the ant: They squeeze you like the fingers of a mean kid. You have to learn which combos are worth engaging and which are not. For example: For three years I was cursed with sitting down in the exact wrong seat at group dinners. Wholly and inescapably hexed. Adjacent to a blowhard lush, between two narcissistic twerps, face-to-face with the mime. You look at what you’ve been dealt and think, This will end badly, and check out of the convo and endure until next time. Or maybe you make the best of a bad situation and play the affability game, go for it, but your optimism is only rarely rewarded. The lush starts talking about “immigrants,” the narcissists discuss that new boutique colonic joint, the mime won’t shut up. Once in a while, though, you have a pretty swell time with that unpromising start, and it is these improbable nights that feed the gambling delusion. “If it worked once, I can make it happen again.” (The dinner analogy makes the most sense to misanthropes, I reckon.)
Then comes the Flop: three communal cards in the middle of the table. Sharing with strangers—we’ve moved from capitalism to communism. Flop, like you’ve parachuted into the war zone and landed in a strategic position, or the champs at air command have miscalculated again and dropped you smack in the enemy trenches. Everyone checks, bets, raises, or folds according to their present coordinates. Checking is ducking from artillery, like if I lie low maybe I won’t get hit and my lot will improve. Taking a second to see what’s going on.
The Noble Hustle Page 1
