Poems of Robert Frost. Large Collection, includes A Boy's Will, North of Boston and Mountain Interval

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Poems of Robert Frost. Large Collection, includes A Boy's Will, North of Boston and Mountain Interval Page 12

by Robert Frost


  Let’s all but bring to life this old volcano,

  If that is what the mountain ever was—

  And scare ourselves. Let wild fire loose we will. . . .”

  “And scare you too?” the children said together.

  “Why wouldn’t it scare me to have a fire

  Begin in smudge with ropy smoke and know

  That still, if I repent, I may recall it,

  But in a moment not: a little spurt

  Of burning fatness, and then nothing but

  The fire itself can put it out, and that

  By burning out, and before it burns out

  It will have roared first and mixed sparks with stars,

  And sweeping round it with a flaming sword,

  Made the dim trees stand back in wider circle—

  Done so much and I know not how much more

  I mean it shall not do if I can bind it.

  Well if it doesn’t with its draft bring on

  A wind to blow in earnest from some quarter,

  As once it did with me upon an April.

  The breezes were so spent with winter blowing

  They seemed to fail the bluebirds under them

  Short of the perch their languid flight was toward;

  And my flame made a pinnacle to heaven

  As I walked once round it in possession.

  But the wind out of doors—you know the saying.

  There came a gust. You used to think the trees

  Made wind by fanning since you never knew

  It blow but that you saw the trees in motion.

  Something or someone watching made that gust.

  It put the flame tip-down and dabbed the grass

  Of over-winter with the least tip-touch

  Your tongue gives salt or sugar in your hand.

  The place it reached to blackened instantly.

  The black was all there was by day-light,

  That and the merest curl of cigarette smoke—

  And a flame slender as the hepaticas,

  Blood-root, and violets so soon to be now.

  But the black spread like black death on the ground,

  And I think the sky darkened with a cloud

  Like winter and evening coming on together.

  There were enough things to be thought of then.

  Where the field stretches toward the north

  And setting sun to Hyla brook, I gave it

  To flames without twice thinking, where it verges

  Upon the road, to flames too, though in fear

  They might find fuel there, in withered brake,

  Grass its full length, old silver golden-rod,

  And alder and grape vine entanglement,

  To leap the dusty deadline. For my own

  I took what front there was beside. I knelt

  And thrust hands in and held my face away.

  Fight such a fire by rubbing not by beating.

  A board is the best weapon if you have it.

  I had my coat. And oh, I knew, I knew,

  And said out loud, I couldn’t bide the smother

  And heat so close in; but the thought of all

  The woods and town on fire by me, and all

  The town turned out to fight for me—that held me.

  I trusted the brook barrier, but feared

  The road would fail; and on that side the fire

  Died not without a noise of crackling wood—

  Of something more than tinder-grass and weed—

  That brought me to my feet to hold it back

  By leaning back myself, as if the reins

  Were round my neck and I was at the plough.

  I won! But I’m sure no one ever spread

  Another color over a tenth the space

  That I spread coal-black over in the time

  It took me. Neighbors coming home from town

  Couldn’t believe that so much black had come there

  While they had backs turned, that it hadn’t been there

  When they had passed an hour or so before

  Going the other way and they not seen it.

  They looked about for someone to have done it.

  But there was no one. I was somewhere wondering

  Where all my weariness had gone and why

  I walked so light on air in heavy shoes

  In spite of a scorched Fourth-of-July feeling.

  Why wouldn’t I be scared remembering that?”

  “If it scares you, what will it do to us?”

  “Scare you. But if you shrink from being scared,

  What would you say to war if it should come?

  That’s what for reasons I should like to know—

  If you can comfort me by any answer.”

  “Oh, but war’s not for children—it’s for men.”

  “Now we are digging almost down to China.

  My dears, my dears, you thought that—we all thought it.

  So your mistake was ours. Haven’t you heard, though,

  About the ships where war has found them out

  At sea, about the towns where war has come

  Through opening clouds at night with droning speed

  Further o’erhead than all but stars and angels,—

  And children in the ships and in the towns?

  Haven’t you heard what we have lived to learn?

  Nothing so new—something we had forgotten:

  War is for everyone, for children too.

  I wasn’t going to tell you and I mustn’t.

  The best way is to come up hill with me

  And have our fire and laugh and be afraid.”

  A Girl’s Garden

  A neighbor of mine in the village

  Likes to tell how one spring

  When she was a girl on the farm, she did

  A childlike thing.

  One day she asked her father

  To give her a garden plot

  To plant and tend and reap herself,

  And he said, “Why not?”

  In casting about for a corner

  He thought of an idle bit

  Of walled-off ground where a shop had stood,

  And he said, “Just it.”

  And he said, “That ought to make you

  An ideal one-girl farm,

  And give you a chance to put some strength

  On your slim-jim arm.”

  It was not enough of a garden,

  Her father said, to plough;

  So she had to work it all by hand,

  But she don’t mind now.

  She wheeled the dung in the wheelbarrow

  Along a stretch of road;

  But she always ran away and left

  Her not-nice load.

  And hid from anyone passing.

  And then she begged the seed.

  She says she thinks she planted one

  Of all things but weed.

  A hill each of potatoes,

  Radishes, lettuce, peas,

  Tomatoes, beets, beans, pumpkins, corn,

  And even fruit trees

  And yes, she has long mistrusted

  That a cider apple tree

  In bearing there to-day is hers,

  Or at least may be.

  Her crop was a miscellany

  When all was said and done,

  A little bit of everything,

  A great deal of none.

  Now when she sees in the village

  How village things go,

  Just when it seems to come in right,

  She says, “I know!

  It’s as when I was a farmer——”

  Oh, never by way of advice!

  And she never sins by telling the tale

  To the same person twice.

  The Exposed Nest

  You were forever finding some new play.

  So when I saw you down on hands and knees

  I the meadow, busy with the new-cut hay,

  Trying, I thought, to set it up on
end,

  I went to show you how to make it stay,

  If that was your idea, against the breeze,

  And, if you asked me, even help pretend

  To make it root again and grow afresh.

  But ’twas no make-believe with you today,

  Nor was the grass itself your real concern,

  Though I found your hand full of wilted fern,

  Steel-bright June-grass, and blackening heads of clovers.

  ’Twas a nest full of young birds on the ground

  The cutter-bar had just gone champing over

  (Miraculously without tasking flesh)

  And left defenseless to the heat and light.

  You wanted to restore them to their right

  Of something interposed between their sight

  And too much world at once—could means be found.

  The way the nest-full every time we stirred

  Stood up to us as to a mother-bird

  Whose coming home has been too long deferred,

  Made me ask would the mother-bird return

  And care for them in such a change of scene

  And might our meddling make her more afraid.

  That was a thing we could not wait to learn.

  We saw the risk we took in doing good,

  But dared not spare to do the best we could

  Though harm should come of it; so built the screen

  You had begun, and gave them back their shade.

  All this to prove we cared. Why is there then

  No more to tell? We turned to other things.

  I haven’t any memory—have you?—

  Of ever coming to the place again

  To see if the birds lived the first night through,

  And so at last to learn to use their wings.

  “Out, Out—”

  The buzz-saw snarled and rattled in the yard

  And made dust and dropped stove-length sticks of wood,

  Sweet-scented stuff when the breeze drew across it.

  And from there those that lifted eyes could count

  Five mountain ranges one behind the other

  Under the sunset far into Vermont.

  And the saw snarled and rattled, snarled and rattled,

  As it ran light, or had to bear a load.

  And nothing happened: day was all but done.

  Call it a day, I wish they might have said

  To please the boy by giving him the half hour

  That a boy counts so much when saved from work.

  His sister stood beside them in her apron

  To tell them “Supper.” At that word, the saw,

  As if to prove saws knew what supper meant,

  Leaped out at the boy’s hand, or seemed to leap—

  He must have given the hand. However it was,

  Neither refused the meeting. But the hand!

  The boy’s first outcry was a rueful laugh,

  As he swung toward them holding up the hand

  Half in appeal, but half as if to keep

  The life from spilling. Then the boy saw all—

  Since he was old enough to know, big boy

  Doing a man’s work, though a child at heart—

  He saw all spoiled. “Don’t let him cut my hand off—

  The doctor, when he comes. Don’t let him, sister!”

  So. But the hand was gone already.

  The doctor put him in the dark of ether.

  He lay and puffed his lips out with his breath.

  And then—the watcher at his pulse took fright.

  No one believed. They listened at his heart.

  Little—less—nothing!—and that ended it.

  No more to build on there. And they, since they

  Were not the one dead, turned to their affairs.

  Brown’s Descent

  or

  The Willy-Nilly Slide

  Brown lived at such a lofty farm

  That everyone for miles could see

  His lantern when he did his chores

  In winter after half-past three.

  And many must have seen him make

  His wild descent from there one night,

  ’Cross lots, ’cross walls, ’cross everything,

  Describing rings of lantern light.

  Between the house and barn the gale

  Got him by something he had on

  And blew him out on the icy crust

  That cased the world, and he was gone!

  Walls were all buried, trees were few:

  He saw no stay unless he stove

  A hole in somewhere with his heel.

  But though repeatedly he strove

  And stamped and said things to himself,

  And sometimes something seemed to yield,

  He gained no foothold, but pursued

  His journey down from field to field.

  Sometimes he came with arms outspread

  Like wings, revolving in the scene

  Upon his longer axis, and

  With no small dignity of mien.

  Faster or slower as he chanced,

  Sitting or standing as he chose,

  According as he feared to risk

  His neck, or thought to spare his clothes,

  He never let the lantern drop.

  And some exclaimed who saw afar

  The figures he described with it,

  “I wonder what those signals are

  Brown makes at such an hour of night!

  He’s celebrating something strange.

  I wonder if he’s sold his farm,

  Or been made Master of the Grange.”

  He reeled, he lurched, he bobbed, he checked;

  He fell and made the lantern rattle

  (But saved the light from going out.)

  So half-way down he fought the battle

  Incredulous of his own bad luck.

  And then becoming reconciled

  To everything, he gave it up

  And came down like a coasting child.

  “Well—I—be—” that was all he said,

  As standing in the river road,

  He looked back up the slippery slope

  (Two miles it was) to his abode.

  Sometimes as an authority

  On motor-cars, I’m asked if I

  Should say our stock was petered out,

  And this is my sincere reply:

  Yankees are what they always were.

  Don’t think Brown ever gave up hope

  Of getting home again because

  He couldn’t climb that slippery slope;

  Or even thought of standing there

  Until the January thaw

  Should take the polish off the crust.

  He bowed with grace to natural law.

  And then went round it on his feet,

  After the manner of our stock;

  Not much concerned for those to whom,

  At that particular time o’clock,

  It must have looked as if the course

  He steered was really straight away

  From that which he was headed for—

  Not much concerned for them, I say:

  No more so than became a man—

  And politicain at odd seasons.

  I’ve kept Brown standing in the cold

  While I invested him with reasons;

  But now he snapped his eyes three times;

  Then shook his lantern, saying, “Ile’s

  ’Bout out!” and took the long way home

  By road, a matter of several miles.

  The Gum-Gatherer

  There overtook me and drew me in

  To his down-hill, early-morning stride,

  And set me five miles on my road

  Better than if he had had me ride,

  A man with a swinging bag for load

  And half the bag wound round his hand.

  We talked like barking above the din

  Of water we walked along beside.

  An
d for my telling him where I’d been

  And where I lived in mountain land

  To be coming home the way I was,

  He told me a little about himself.

  He came from higher up in the pass

  Where the grist of the new-beginning brooks

  Is blocks split off the mountain mass—

  And hopeless grist enough it looks

  Ever to grind to soil for grass.

  (The way it is will do for moss.)

  There he had built his stolen shack.

  It had to be a stolen shack

  Because of the fears of fire and loss

  That trouble the sleep of lumber folk:

  Visions of half the world burned black

  And the sun shrunken yellow in smoke.

  We know who when they come to town

  Bring berries under the wagon seat,

  Or a basket of eggs between their feet;

  What this man brought in a cotton sack

  Was gum, the gum of the mountain spruce.

  He showed me lumps of the scented stuff

  Like uncut jewels, dull and rough

  It comes to market golden brown;

  But turns to pink between the teeth.

  I told him this is a pleasant life

  To set your breast to the bark of trees

  That all your days are dim beneath,

  And reaching up with a little knife,

  To loose the resin and take it down

  And bring it to market when you please.

  The Line-Gang

  Here come the line-gang pioneering by.

  They throw a forest down less cut than broken.

  They plant dead trees for living, and the dead

  They string together with a living thread.

  They string an instrument against the sky

  Wherein words whether beaten out or spoken

  Will run as hushed as when they were a thought.

  But in no hush they string it: they go past

  With shouts afar to pull the cable taught,

  To hold it hard until they make it fast,

  To ease away—they have it. With a laugh,

  An oath of towns that set the wild at naught

  They bring the telephone and telegraph.

 

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