The accident man sc-1

by Tom Cain

  The women flicked glances at Carver as he walked by. He turned his head and grinned cheekily back at them, giving the prettiest of the trio a saucy wink as he went by.

  He wasn't paying attention to where he was going. That's why he tripped on the handbag and fell forward, his glass flying from his hand and sending a spray of Guinness arcing through the air toward the girls, who shrieked and leaped out of the way as the foaming black liquid splashed their clothes.

  Carver's hands flailed for something to grab onto and landed on the man in the coat, who staggered backward as Carver plowed into him.

  Bodies went flying, chairs were knocked across the floor, the excited, outraged squeals of the women echoed around the room. No one noticed the way Carver's fists tightened their grip on the fabric of the man's coat, or the sudden jerk of the neck that sent Carver's forehead smashing into the bridge of his nose as the two men fell helplessly to the floor.

  Within a couple of seconds, the chaos had subsided. Carver pulled himself to his feet with a dazed expression on his face and looked down in anguish at the bloodstained wreck lying unconscious on the floor. "Oh God! I'm so sorry! Are you all right?" he said helplessly.

  He looked around at the gawking drinkers. "Someone call an ambulance, quick!" There was a pause, then his eyes widened. "Where's the men's room?" he gasped. "I think I'm going to be sick." He bent over, put his hands to his mouth and puffed out his cheeks, staggering toward the back of the pub as nervous drinkers stepped back to let him pass.

  It wasn't until he was through the swinging door, down the hallway beyond it, and into the men's room that Carver straightened, wiped a trace of blood off his forehead, and permitted himself a smile. That was one down. But how many more still to go?

  Then the door behind him opened. He looked in the mirror. And he got an answer. Grigori Kursk had a decision to make. He'd hoped Carver and Petrova would return to the apartment. He'd planned to capture them and the computer there, but now it looked as though they'd split up. Dimitrov had spotted Carver in the pub, but he was alone. Petrova was nowhere in sight. She must still be in the cafe. Kursk sent his other two men down to reinforce Dimitrov. But now should he join them, or should he go after the girl?

  He considered the situation. Carver was good, there was no doubt about that. But Kursk trusted his men. They might not be rocket scientists, but they were ex-Spetsnatz troopers, trained in one of the world's toughest special forces regimes.

  He, meanwhile, could deal with Petrova alone. He knew where to find her. He'd bet money Carver had played it the same way he would have done: Keep the bitch safely out of the way, then do a man's job by himself.

  He got out of the van and stretched his back, ridding his spine of the stiffness brought on by two hours cooped up in a car, then walked down the road toward the cafe. MI6 agent number D/813318, Grade 5 Officer Tom Johnsen was using his time on surveillance to get to know Jennifer Stock a little better. She hadn't struck him as anything special at first glance. Her face was handsome rather than pretty. Her manner was friendly, but businesslike, designed to underline the fact that, during working hours at least, she was an agent first and a woman second. He respected that, and he liked the fact that she hadn't let a desire to be taken seriously kill her sense of humor. The longer he spent in the car with Jennifer Stock, the more interested Johnsen became in the woman, rather than the agent.

  He was intrigued by the way she underplayed her attraction. She wore no makeup that he could see, and her hair was cut for convenience rather than glamor. She also seemed oblivious of her figure. That might be why it had taken him longer than usual to notice that she had amazing legs and fantastic breasts-not too big, but so round and pert and generally pleased-to-see-you that it was all he could do to look her in the eye. She'd given him a bit of flak about that, but he reckoned he'd got away with it. And it had been Jennifer's idea to act like lovebirds if anyone started looking suspiciously at two people sitting in a car. That had to be encouraging.

  They were swapping horror stories about trying to find a decent home in Switzerland on a measly MI6 allowance when Johnsen saw a man get out of the Swisscom van and head toward the cafe.

  "Hang on a minute, we've got company," he said, reaching for his camera and firing off a few frames.

  "I know that man," said Jennifer. "He was hanging around this afternoon, but he was driving a black BMW then. Oh, now this could be interesting…"

  They watched as he went into the cafe.

  "The other two are still in there, right?" asked Johnsen. "So, do we follow him in, try to get a closer look?"

  Jennifer shook her head. "That could be tricky. It's tiny in there. If I go in, the guy who runs it is bound to recognize me. And if there's any trouble, we'd have a hard time staying out of the way."

  "Yeah, but we're supposed to find out what's going on with these clowns. And whatever's happening, it's happening in there. Tell you what, I'll take a little recce. Just stand at the door, cast an eye inside. Then I'll come back here, tell you what they're up to, and we'll decide our next move. Okay?"

  By the time Jennifer said "Okay" back to him, Johnsen had thrown his camera carelessly into the backseat and was out of the car, walking toward the cafe.

  52

  They walked into the narrow men's room one at a time. The first man had spiked, dyed red hair, with a straggle of punk rats' tails flopping on the collar of his black overcoat. He must have pushed the door open with his back because he was spinning around as he came in and there was a MAC-10 submachine gun in his hands, another being held by the man behind him. The guns were fitted with Sionics noise suppressors that would make them virtually silent and far more accurate than the regular short-barreled MAC. That was the first thing Carver noticed, right about the time he was reaching into his jacket for his SIG. By the time he had his pistol out in front of him, swinging from one man to the next, he'd noticed something else: They weren't firing at him.

  If this had been a hit, they'd have come in blasting and he'd have been blown to smithereens long before he'd had a chance to draw. But they were just standing there, looking professionally mean and surly, but also pissed off, like they'd really have enjoyed the opportunity to kill him but were being prevented from doing so. That made sense. Whoever had sent them needed Carver alive. As long as Alix and the computer were out there, it wasn't enough just to take him out. They needed the full set.

  So now Carver had another piece of information to factor into his calculations. He wasn't going to die within the next few seconds. They might be pointing guns at him, but no one was going to start shooting just yet.

  The bozos didn't seem to speak English. They just stood there, glowering. The redhead kept blinking. He had a speed freak's dilated pupils and gray white pallor, the flesh of his face burned away till his cheekbones, brow, and Adam's apple stood out in unnatural relief. Carver could almost hear the humming of his overstimulated nerve endings and feel the effort it was taking him to maintain even the semblance of restraint or rationality.

  Nothing happened for a few seconds, no one knowing what the next move should be. Carver had no intention of making any provocative movements, not when a cranked-up crazy with a gun was standing six feet away. Then the other gunman started to move along the gap between the urinals on one wall and the sinks on the other. He eased by Carver, staying just out of reach, and took up a position beyond him, making sure Carver couldn't cover both men with just one gun.

  The man pointed at Carver's gun and flicked his finger as if to say, "Hand it over."

  Carver looked at him dumbly. The man had a fleshy face, as smooth and stolid as a potato, with small eyes and a bully's full, sulky lips. He gestured again, this time more forcefully, with a greater degree of irritation. "Oh," said Carver, all wide-eyed and innocent, "you want my gun? Well, here it is…"

  He threw the SIG-Sauer hard at the potato-man's feet, sending it clattering onto the tiled floor and skittering into his ankles. The piggy eyes looked down for a frac
tion of a second and that was long enough for Carver to swivel on his left foot and send his right crashing into the man's fleshy jaw. He staggered backward, absorbing the blow, and Carver moved with him, grabbing the man's right arm and using it as a lever to swing him around, like a dancer twirling his partner, sending him careering across the floor toward his pal with the red hair.

  As the two men collided, Carver grabbed the suppressor of the potato-man's MAC and ripped it from his grasp. He pivoted to face the two men. The redhead hesitated for a split second, wondering whether to fire, and that pause was all Carver needed. He took a single step forward, holding the gun barrel like a baseball bat, and swung it hard, backhanded, slamming the handle into one round head before his left elbow jerked back the other way, into the speed freak's face.

  That movement set Carver up for another backhander with the gun. He put all his strength into the swing, connecting with a crack that shattered bone and sent a spume of snot and blood flying across the room before the man with the punky red hair collapsed unconscious to the floor right next to his pal.

  Carver took a moment to collect his breath. He checked his reflection in the mirror, smoothed down his hair, and straightened his clothes. Then he picked his pistol up from the floor, tucked it away, and walked back out of the men's room.

  When he got back into the pub, Stu the bartender was waiting for him.

  "You all right, mate? You looked like you were about to upchuck."

  Carver smiled ruefully and wiped his hand across his mouth. "Yeah, I'm fine. But you'd better tell the customers not to go in there for a while. There's a bit of a mess on the floor."

  "Anything to do with those two blokes who went in there right after you?"

  Carver shrugged. "Two guys? No, don't think I saw them."

  The Australian grinned. "Jeez, mate, I'm glad you never picked a fight with me. Listen, the doc's on his way and so are the cops. A couple of the regulars insisted on calling 'em. Law-abiding bastards, these Swiss."

  "I'll be off, then."

  "Yeah, that might be an idea. And you'd best drink your Guinness somewhere else for a while too."

  53

  Petrova had spotted Kursk coming into the cafe and tried to rise from the table where she'd been hunched over a cup of coffee, feeling sorry for herself. He'd seen her like that plenty of times before, filled with self pity and bemoaning her situation, like every other ungrateful whore. Before she'd even got to her feet, he'd wrapped an arm around her throat and was holding her tight enough to choke her. She struck out with her arms and heels, but the blows just bounced off Kursk. He didn't even notice them.

  There were two men in the room, an old geezer slurping soup at another table and a balding, middle-aged man wearing a white apron behind the counter. Kursk pointed his gun at him, gesturing for him to come out from behind the bar. The man started moving, never taking his eyes off Kursk. When he reached the middle of the room, Kursk gestured again, pointing at the floor. The man got down on his knees, and Kursk stepped over, dragging Alix as easily as he would a child with a cuddly toy, and stamped on the man's back, forcing him facedown on the ground.

  The old geezer hadn't moved. Kursk figured he must be senile. There was no point trying to communicate with him, so he just swung a foot at the chair, knocking it out from under the old boy and sending him crashing to the floor. Kursk kicked him in the head, just to reinforce the message, and fired a bullet into the floor between the two men. They lay there, the older one moaning incoherently as Kursk put his gun to Alix's head and hissed in her ear.

  "You're coming with me, you treacherous bitch. Yuri wants you alive, but just try anything clever and I'll put a bullet through your jaw and smash your pretty face to pieces. You'll live, all right, but you'll wish you hadn't. Now, move!"

  They started toward the exit, and that was when Tom Johnsen walked up to the doorway. He stopped there for a moment, trying to make sense of what he could see, the two men lying on the floor, a third man holding a woman he was threatening with a gun. A coward would have done the smart thing and got the hell out of there. But Johnsen was not a coward. He was a trained agent. He was also a brave man faced with a felon abducting a woman. So he reached for his weapon.

  Kursk put two rounds into Johnsen's upper body before he'd even got a hand on his gun, the impact sending him sprawling backward into the street. Then the Russian turned back to the men on the floor, men who had just become eye witnesses to a homicide, and shot them point-blank in the back of their skulls, the bullets ripping half their faces off as they exited into the floor.

  Alix turned her head and spat in Kursk's face. "You bastard," she croaked, gasping for the air to force her words out. "You didn't have to do that."

  He pounded the pistol into her head, leaving her dazed and barely conscious as he pulled her out of the cafe. He didn't have to do that, either. But it felt good. As she watched Tom Johnsen walk up to the cafe, Jennifer Stock had been thinking about the weird ways life threw men and women together. When she got up that morning, she'd had no more expectation of meeting someone new than she had of spending the day cooped up in cars doing surveillance. But that was how the day had gone and that was how she'd found this man.

  She liked him, that much was certain. She liked the way he'd smiled when he first opened his car door and let her in. She liked the way the sun had caught the golden hairs on his strong, muscular forearms when he held the steering wheel, his sleeves rolled up as he drove. She liked the way he'd tried and failed not to stare at her breasts, and his guilty-schoolboy look when she'd caught him at it. "Sorry", he'd said, shamefacedly. Then he'd perked up and added, "Still, you look so great it would be rude not to." She'd tried to be cross, but she'd actually felt ridiculously pleased.

  She sighed to herself, knowing where all this would lead and wondering whether the pleasures would be worth the inevitable complications that arose from a relationship with someone else in the Service. Then she told herself to stop acting like a silly schoolgirl and start paying attention to her job. And that was when she saw the look of surprise on Tom's face and the two steps he took as he staggered backward, as if hit by some invisible blow to his body, collapsed, and just lay there motionless in the middle of the street.

  What she'd just seen was so far removed from what she'd been thinking that it took Jennifer a couple of seconds to make sense of it all. Then, understanding and horror collided in her brain and she was throwing open the car door, pulling out her gun, and racing up the street, crying out the name of the lover she'd never have, concentrating so hard on his dead body that she did not at first register the presence of the other, far bigger man, nor the woman in his grasp.

  Then they were standing opposite each other, Jennifer and the killer, and immediately she knew that even though they were both armed, it really made no difference. During her small-arms training, Jennifer had been told that during the Second World War, 85 percent of soldiers in battle never fired their weapons in anger, even when their own lives were threatened. Normal, nonpsychotic human beings are overwhelmingly inclined not to kill one another. So the most important psychological element in military training is to overcome that inclination and turn decent people into killers. But in the case of Jennifer Stock, that training hadn't worked. She knew she had to shoot the man in front of her or she herself would be shot, but she just couldn't do it.

  He knew it too. She could see it in his eyes, in the tiny twitch of a smile at one corner of his mouth.

  Their whole encounter could be counted in seconds on the fingers of one hand, yet it seemed to stretch for hours as the smile spread and his finger tightened on the trigger and the muzzle of his gun flashed and then Jennifer felt herself being picked up by a force stronger than gravity and thrown through the air just like Tom had been. And then she felt nothing at all. Kursk paused for a moment to be sure that the woman was dead, then continued on his way. When he got to the van, he yanked the rear cargo doors open, picked up Alix, and threw her in, locking the
doors behind her.

  As he walked around to the driver's door, a flash of movement caught Kursk's eye. He looked across to the far side of the street, up at the end of the road, and saw a man leave the Irish pub. It was Carver.

  Carver spotted Kursk at the same time, and started to run down the street toward him, keeping his head down, his body covered by the line of parked cars as Kursk fired in his direction.

  Kursk hunkered down behind the van door for a second, waiting to see if any of his men would follow Carver out of the pub. But there was no sign of them. Carver must have taken them out. Now they were one-on-one again, just like they had been in those Parisian sewers. Kursk didn't like those odds. But he could see another way of getting at the Englishman: the woman lying helpless in his cargo bay.

  Kursk fired two more shots in Carver's direction, just to keep his head down, then leaped into his cab and fired up the engine, flooring the accelerator as he engaged the transmission. He could see Carver ahead of him, running into the street and standing there in the firing position, legs apart, arms outstretched in front of him. But Kursk ignored the bullets as they shattered the windshield in front of him and ripped into the bodywork at his side. He aimed the van straight at Carver, forcing him to dive out of the way and sideswiping a row of parked cars. The van careered back across the road, but then Kursk regained control of the wheel, sat up in his seat, and drove off into the night.

  Carver couldn't catch him now. If he wanted the woman back, he was going to have to beg.

  54

  The moment he'd seen the tall, massively built figure standing by the Swisscom van, Carver had known it was Grigori Kursk and realized that he'd made a terrible mistake. He should never have left Alix. Her place of safety had turned out to be a trap.

  Now he could do nothing to help her. He dared not fire on the van as it hurtled away. Any shot through the side paneling or rear door could easily hit Alix. He couldn't even aim to blow out the tires. She was unprotected and unsecured. At the speed Kursk was now driving, her body would be battered like a pinball around the vehicle's interior. Carver, of all people, did not need telling that sudden deceleration could be fatal to a passenger.