Wilentz, Sean. Bob Dylan in America. New York: Doubleday, 2010.
Williams, Tennessee. Collected Stories. New York: New Directions Publishing, 1994.
———. Orpheus Descending: A Play in Three Acts. New York: Dramatists Play Service, 1959.
Wolfe, Thomas. Of Time and the River. New York: Scribner Classics, 1999.
———. You Can’t Go Home Again. New York: HarperPerennial Modern Classics, 1998.
Woodlawn, Holly, with Jeffrey Copeland. A Low Life in High Heels: The Holly Woodlawn Story. New York: St. Martin’s Press, 1991.
Works Progress Administration, Federal Writers’ Project. The WPA Guide to New York City. New York: New Press, 1992.
Yevtushenko, Yevgeny. Stolen Apples. New York: Anchor Books, 1972.
Young, James. Nico: The End. New York: Overlook Press, 1993.
Ziffrin, Marilyn. Carl Ruggles: Composer, Painter, and Storyteller. Urbana: University of Illinois Press, 1994.
Index
Abbey, Henry E., [>]
Abbie Making Gefilte Fish (video), [>]
Academy of Music, New York City, [>]
Acheson, Dean, [>]
Adler, Stella, [>]
After Claude (Owens), [>]
After the Fall: The Survivor (Miller), [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>]
AIDS, [>], [>]
Ajzenberg, Harold, [>]
See also Woodlawn, Holly
Alfred and Guinevere (Schuyler), [>]
Algonquin Hotel, [>], [>], [>]
Algren, Nelson, [>]
All My Sons (Miller), [>]–[>]
Allen, Don, [>]
Allen, Woody, [>]
Allman Brothers, [>]
Altman, Robert, [>]
Amaya, Mario, [>]
American Civil Liberties Union, [>], [>]
American Family, An (documentary), [>], [>]
See also Loud, Lance
American new realists, [>]
Amos, Stanley, [>]–[>]
Anderson, Eric, [>]
Anderson, Laurie, [>]
Anderson, Sherwood
background, [>], [>], [>]
Chelsea and, [>]–[>], [>]
war and, [>]–[>]
Andy Warhol, Up-Tight, [>]–[>], [>], [>], [>]
Angel and the Snake (Blondie), [>]
Another Side of Bob Dylan (album), [>]
Anthology Film Archives, [>], [>], [>], [>]
Anthology of American Folk Music (Harry Smith), [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]
Anthropometries (Klein), [>]
Arbus, Diane, [>], [>], [>]–[>]
Arcade, Penny, [>], [>]
Archbishop’s Ceiling, The (play), [>]
archy and mehitabel (opera), [>], [>]
Arendt, Hannah, [>]
Arman, [>], [>], [>]–[>]
Armory Show (1913), [>]–[>], [>], [>], [>], [>], [>]
art/artists
American nationalism, [>]–[>], [>]
commercial art, [>]–[>]
“making the private public,” [>]–[>], [>], [>], [>], [>], [>]
See also specific individuals; specific places
Arthurs, Peter, [>]
Artists’ Key Club, [>]–[>]
Arts and Humanities Act, [>]
Arts Magazine, [>]
Asch, Moses, [>]–[>], [>]
Ashbery, John, [>], [>]
associations
affordable housing and, [>]
economic benefits, [>]–[>]
housing solutions with, [>]–[>]
Hubert’s “Home Club Associations,” [>]–[>]
poor class and, [>]–[>]
social interaction and, [>], [>]
See also Chelsea Association Building
Aswell, Edward, [>]–[>], [>], [>], [>]
Atlantic Monthly, [>]–[>], [>]
Auden, W. H., [>]
Auder, Michel, [>]–[>], [>], [>], [>], [>]
Auer, Jane, [>]
Avakian, Aram, [>]
Baby (Viva), [>]
Back Bog Beast Bait (play), [>]
Baez, Joan, [>], [>], [>], [>], [>]
Baker, Jake, [>], [>]
Baker, Mildred, [>], [>], [>]
Balch, Antony, [>]
Balin, Marty, [>]
Bani, [>], [>]
Bard, David, [>]–[>], [>], [>], [>], [>], [>], [>], [>]
Bard, Stanley
artists/helping artists and, [>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]
beginnings at Chelsea, [>], [>]
Chelsea crime/financial problems and, [>], [>]–[>], [>], [>]–[>], [>]
Chelsea’s centennial birthday celebration and, [>]
Chelsea’s deterioration and, [>]–[>]
complaints of guests/residents and, [>]
description/routine, [>], [>], [>], [>]
difficult people and, [>], [>]
evictions, [>]–[>]
filming Chelsea Girls and, [>]–[>]
“junkies’ floor,” [>], [>]
removal from board/firing, [>]
Smith, Harry, and, [>], [>], [>]
on Spungen’s murder, [>]
Bard family, [>]
Barros, Rita, [>]
Basketball Diaries (Carroll), [>], [>]
Beach, Mary, [>]
Beat generation
homosexuality and, [>]–[>], [>]
See also specific individuals
Beat Generation, The (Kerouac), [>]
Beatles, [>], [>]
Beaton, Cecil, [>]
Beatty, Warren, [>]
Beck, Julian, [>]
Bedroom Ensemble (Oldenburg), [>]
Behan, Brendan
background/work, [>]–[>], [>]–[>]
Chelsea and, [>]–[>], [>], [>]
health/death, [>], [>]–[>], [>]
Belasco, David, [>], [>]–[>]
Bellamy, Edward
background, [>]
work/views, [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Bellevue Hospital/insane asylum, [>], [>], [>], [>], [>], [>], [>], [>]
Bellow, Saul, [>]
Belson, Jordan, [>], [>], [>]
Berg, Jonathan, [>]
Berlin, Brigid, [>], [>], [>], [>]
Bernhardt, Sarah, [>]
Bernstein, Leonard, [>], [>]
Bernstein, Richard, [>]
Besançon, Yitzchak, [>]
Biderman, Peggy, [>], [>], [>], [>], [>], [>], [>]
Bidewell, Joe, [>]
Big Brother and the Holding Company, [>], [>]–[>], [>], [>], [>]
Big Table magazine, [>]–[>], [>]
Blackburn, Robert, [>]
Blackwell’s Island insane asylum, [>], [>]
Blake, Eubie, [>]
Blake, William, [>]–[>], [>], [>], [>]
Blank, Les, [>]
Blank Generation (album), [>]
Blank Generation (documentary), [>]
“Blast, The” (Cloete), [>]–[>]
Bliss, Lizzie Plummer, [>], [>], [>]
Blitzstein, Marc, [>], [>]
Blonde on Blonde (album), [>], [>], [>], [>], [>], [>]
Blondie (the Angel and the Snake), [>]
Blossom, Betty, [>]
“Blowin’ in the Wind” (Dylan), [>]–[>]
Blues Accordin’ to Lightnin’ Hopkins, The (documentary), [>]
Bolcom, William, [>]
Borstal Boy (Behan), [>]
Boston, Bernie, [>]
Boulton, Agnes/Shane (son), [>], [>], [>]
Bowie, David, [>]
Bowles, Jane, [>]
Bowles, Paul, [>]
Bowman, David, [>]
Bradbury, Ray, [>]
Brakhage, Stan, [>], [>], [>]
Branson, Richard, [>]
Brecht, Bertolt, [>], [>], [>], [>], [>], [>]–[>], [>]
Brecht, George, [>]
Brecht, Stefan, [>]
Brendan Behan’s New Yor
k (Behan), [>]–[>]
Breton, André, [>]
Bringing It All Back Home (album), [>], [>]–[>], [>], [>]
Brisbane, Albert, [>], [>]
Broadwater, Bowdoin, [>]–[>]
Brook, Peter, [>], [>], [>]
Brook Farm community, Massachusetts
description, [>]–[>], [>]–[>], [>], [>]
fire and, [>]
problems, [>], [>]
Brooklyn Bridge, [>]–[>], [>], [>]
Brown, Michael, [>]
Brunt, Thomas C., [>]
Buchanan, Ann, [>]
Buchanan, Robert, [>]
Buckley, Tim, [>]–[>]
Buddington, William, [>]
Bundy, McGeorge, [>]
Burckhardt, Rudy, [>]
Burgess, Joseph, [>]
Burleigh, Harry Thacker, [>]–[>]
Burman, Ben/Alice, [>]
Burroughs, William
Beat generation/relationships, [>], [>], [>], [>], [>]–[>]
Chelsea and, [>]–[>], [>], [>], [>]
drugs and, [>], [>], [>], [>], [>], [>]
punk and, [>], [>]–[>], [>], [>]
teaching, [>]–[>]
work/views, [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]
Burroughs Corporation, [>]
Busby, Gerald, [>], [>]
Bush, George H. W., [>]
Bush, George W., [>]
Butler, Michael, [>]
Butterfield Blues Band, [>]
Byers, Sam, [>], [>]
Byrd, Joseph, [>]
Byrds, [>]
Cage, John, [>]–[>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]
Caigan, Khem, [>]
Cale, John, [>], [>], [>], [>], [>]
Calfee, Julia, [>]
Call (socialist newspaper), [>]
Campbell, Andrew J., [>], [>]
Candy (Southern and Hoffenberg), [>]–[>], [>]–[>], [>]
Canned Heat, [>]
Capote, Truman, [>]
Carnegie, Andrew/family, [>], [>], [>]
Carr, Lucien, [>]
Carroll, Jim
background/description, [>]–[>]
Smith, Patti, and, [>]–[>], [>], [>], [>]
work/views, [>], [>], [>]
Cartier-Bresson, Henri, [>], [>]
Cash, Johnny, [>]
Cassady, Neal, [>], [>], [>], [>], [>], [>]
Cassavetes, John, [>], [>]
Caswell, Edward, [>]
“Catch Me, Daddy” (Joplin), [>]
Cavestani, Frank/Laura, [>]–[>], [>], [>], [>], [>]
CBGB, [>]–[>], [>]–[>], [>], [>]–[>]
Céline, [>]
Central Park, New York City, [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]
Cézanne, Paul, [>], [>], [>]–[>], [>]
Chagall, Marc, [>]
Chappaqua (film), [>]
Charles X, king of France, [>]
Chase, Doris, [>], [>]
Chase, Marian, [>]
Cheap Thrills (album), [>], [>]
Chelsea Association Building beginnings
apartment descriptions/prices, [>], [>]–[>]
artist studios, [>]
board of directors, [>]
builders as members, [>]–[>]
building committee, [>]
confidence in American arts and, [>]–[>]
construction, [>], [>]
cooperative theater, [>]–[>]
creativity/arts, [>], [>], [>]–[>], [>], [>], [>]–[>], [>]–[>], [>]–[>]
description, [>], [>]–[>], [>], [>]–[>], [>]–[>]
diversity and, [>]–[>], [>]–[>], [>], [>]–[>], [>], [>]–[>]
in early 1900s, [>], [>]
elevators, [>]
fire safety, [>], [>]
health clinic and, [>]
Howells and, [>]–[>]
lobby, [>]
location surroundings, [>]–[>], [>]
members (early 1900s), [>]
members (plan), [>]–[>]
public fears, [>]–[>], [>]
roof description/activities and, [>], [>], [>]–[>]
See also specific individuals
“Chelsea Burns” (Keren Ann), [>]
Chelsea Estate, [>]
Chelsea Girls (film), [>]–[>], [>], [>], [>]
Chelsea Horror Hotel (Dee Dee Ramone), [>]
Chelsea Hotel
association changes (late 1800s/early 1900s), [>]
“Blast, The,” and, [>]–[>]
centennial birthday celebration (1983), [>]–[>]
cockroaches, [>]
conversion to residential hotel, [>]
crime, [>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>]–[>], [>]–[>]
female artists (1971) and, [>]–[>]
financial difficulties, [>], [>], [>]–[>]
fire (1971), [>]–[>]
fire (1978), [>]
future and, [>]–[>]
ground rules for life together (1930s), [>]
hotel/neighborhood (1960s), [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>], [>]–[>], [>]–[>], [>]–[>]
housing for musicians and, [>], [>]
humanism and, [>], [>]
“jungle” apartment, [>]–[>], [>], [>], [>], [>], [>]
late 1950s, [>]–[>]
magicians and, [>]–[>]
modernizing (1920s), [>]
New Deal initiatives and, [>]–[>], [>], [>]
new ownership/changes (1940s), [>]–[>], [>]
1990s and, [>], [>]
1970s, [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]
1969 changes, [>]–[>], [>]–[>]
1930s, [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>]
physical changes (1950s), [>]
physical layout/effects, [>]–[>]
plaques honoring guests, [>]
pornography filmmakers at, [>]–[>]
postwar conflicting ideas and, [>]–[>]
racism/race and, [>], [>]
rates (1930s), [>], [>], [>]–[>]
renovations/closing, [>]–[>]
residents remaining after closing, [>]–[>], [>]
rooftop activities, [>], [>], [>], [>], [>]
sale/purchase (2011), [>]
secrets/mystery and, [>]–[>]
Sid Vicious/Nancy Spungen deaths and, [>]
social diversity, [>]–[>], [>]
as subject, [>]
suicides, [>], [>], [>], [>]–[>], [>], [>], [>]
twenty-first century, [>]–[>], [>]–[>]
World War I and, [>]
World War II and, [>]–[>]
See also specific individuals
Chelsea on the Rocks (documentary), [>]
Chelsea Walls (film), [>]
Chemeche, George, [>]
Cheng, Ching Ho, [>], [>]
Cherry, Don, [>]
Chetrit, Joseph, [>]
Chetrit Group, [>], [>]
Chicago Columbian Exposition (1893), [>]–[>], [>]–[>]
Chicago Daily News, [>], [>]
Chicago Eight trial, [>], [>]
Chicago Review, [>]
Childhood’s End (Arthur C. Clarke), [>]
Childs, Bernard, [>]–[>]
Childs, Judith, [>], [>]–[>]
“Chimes of Freedom” (Dylan), [>]
Chopin, Henri, [>]
Christie, Julie, [>]
Christmas on Earth (Barbara Rubin), [>]–[>], [>], [>], [>], [>]
Christo/family, [>], [>]–[>], [>]
Ciao! Manhattan (film), [>], [>]–[>], [>], [>]
Cinema [>] film society, [>], [>], [>], [>], [>], [>]
City and the Pillar, The (Vidal), [>]
City and the Stars, The (Arthur C. Clarke), [>]
City Lights Books/bookstore, [>], [>]
Clapp, Henry, [>]
Clarke, Arthur C.
Chelsea and, [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]
Irving, Clifford, and, [>]
moon landing and, [>]–[>], [>]
work/views, [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>]–[>]
Clarke, Shirley
background/description, [>], [>]
Chelsea and, [>]–[>], [>]–[>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]
film and, [>], [>], [>], [>]–[>], [>]–[>], [>]
final years/health, [>]
in group sculpture, [>]
leaving Chelsea, [>]
video and, [>], [>]–[>], [>]–[>], [>]–[>], [>]
Wendy (daughter), [>]
class
associations, [>]–[>]
Fourier and, [>]
today, [>]
See also economic inequalities
Clemens, Samuel. See Twain, Mark
Clemente, Francesco, [>], [>]
Clinton, Bill, [>]
Cloete, Stuart, [>]–[>
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