by Alice Munro
It’s not the “we” that matters, that is not what tells me the truth. It’s his male-to-male tone to the driver, his calm and reasonable apology. I could wish now to go back to what he was saying before, when he did not even notice the van trying to park. What he was saying then had been terrible but his tight grip on the wheel, his grip and his abstraction and his voice had pain in them. No matter what he said and meant, he spoke out of the same deep place then, that he spoke from when he was in bed with me. But it is not so now, after he has spoken to another man. He rolls up the window and gives his attention to the car, to backing it out of its tight spot and moving it so as not to come in contact with the van.
And a moment later I would be glad even to go back to that time, when he craned his head to see behind him. Better that than driving—as he is driving now—down the main street of Huntsville, as if there is no more to be said or managed.
I can’t do it, he has said.
He has said that he can’t go through with this.
He can’t explain it.
Only that it’s a mistake.
I think that I will never be able to look at curly S’s like those on the Skates Sharpened sign, without hearing his voice. Or at rough boards knocked into an X like those across the steps of the yellow house opposite the store.
“I’m going to drive you to the station now. I’ll buy your ticket to Toronto. I’m pretty sure there’s a train to Toronto late in the afternoon. I’ll think up some very plausible story and I’ll get somebody to pack up your things. You’ll need to give me your Toronto address, I don’t think I’ve kept it. Oh, and I’ll write you a reference. You’ve done a good job. You wouldn’t have finished out a term anyway—I hadn’t told you yet but the children are going to be moved. All kinds of big changes going on.”
A new tone in his voice, almost jaunty. A knockabout tone of relief. He is trying to hold that in, not let relief out till I am gone.
I watch the streets. It’s something like being driven to the place of execution. Not yet. A little while yet. Not yet do I hear his voice for the last time. Not yet.
He doesn’t have to ask the way. I wonder out loud if he has put girls on the train before.
“Don’t be like that,” he says.
Every turn is like a shearing-off of what’s left of my life.
There is a train to Toronto at five o’clock. He has told me to wait in the car while he goes in to check. He comes out with the ticket in his hand and what I think is a lighter step. He must have realized this because as he approaches the car he becomes more sedate.
“It’s nice and warm in the station. There’s a special ladies’ waiting room.”
He has opened the car door for me.
“Or would you rather I waited and saw you off? Maybe there’s a place where we can get a decent piece of pie. That was a horrible dinner.”
This makes me stir myself. I get out and walk ahead of him into the station. He points out the ladies’ waiting room. He raises his eyebrow at me and tries to make a final joke.
“Maybe someday you’ll count this one of the luckiest days of your life.”
I choose a bench in the ladies’ waiting room that has a view of the station’s front doors. That is to be able to see him if he comes back. He will tell me that this is all a joke. Or a test, as in some medieval drama.
Or perhaps he has had a change of mind. Driving down the highway seeing the pale spring sunlight on the rocks that we so lately looked at together. Struck by a realization of his folly he turns in the middle of the road and comes speeding back.
It is an hour at least before the Toronto train comes into the station, but it seems hardly any time at all. And even now fantasies are running through my mind. I board the train as if there are chains on my ankles. I press my face to the window to look along the platform as the whistle blows for our departure. Even now it might not be too late for me to jump from the train. Jump free and run through the station to the street where he would just have parked the car and is running up the steps thinking not too late, pray not too late.
Myself running to meet him, not too late.
And what is the commotion, shouting, hollering, not one but a gaggle of latecomers pounding between the seats. High school girls in athletic outfits, hooting at the trouble they have caused. The conductor displeased and hurrying them along as they scramble for their seats.
One of them, and perhaps the loudest, is Mary.
I turn my head and do not look at them again.
But here she is, crying out my name and wanting to know where I have been.
To visit with a friend, I tell her.
She plunks herself down beside me and tells me that they have been playing basketball against Huntsville. It was a riot. They lost.
“We lost, didn’t we?” she calls out in apparent delight, and the others groan and giggle. She mentions the score which is indeed quite shameful.
“You’re all dressed up,” she says. But she doesn’t much care, she seems to take my explanation without real interest.
She barely notices when I say that I am going on to Toronto to visit my grandparents. Except to remark that they must be really old. Not a word about Alister. Not even a bad word. She would not have forgotten. Just tidied up the scene and put it away in a closet with her former selves. Or maybe she really is a person who can deal recklessly with humiliation.
I am grateful to her now, even if I was not able to feel such a thing at the time. Left all to myself, what might I have done when we got to Amundsen? What jumping up and leaving the train and running to his house and demanding to know why, why. What shame on me forever. As it was, the stop there gave the team barely time to get themselves collected and to rap on the windows alerting the people who had come to pick them up, while being warned by the conductor that if they don’t get a move on they will be riding to Toronto.
For years I thought I might run into him. I lived, and still live, in Toronto. It seemed to me that everybody ended up in Toronto at least for a little while. Of course that hardly means that you will get to see that person, provided that you should in any way want to.
It finally happened. Crossing a crowded street where you could not even slow down. Going in opposite directions. Staring, at the same time, a bare shock on our time-damaged faces.
He called out, “How are you?” and I answered, “Fine.” Then added for good measure, “Happy.”
At the moment this was only generally true. I was having some kind of dragged-out row with my husband, about our paying a debt run up by one of his children. I had gone that afternoon to a show at an art gallery, to get myself into a more comfortable frame of mind.
He called back to me once more:
“Good for you.”
It still seemed as if we could make our way out of that crowd, that in a moment we would be together. But just as certain that we would carry on in the way we were going. And so we did. No breathless cry, no hand on my shoulder when I reached the sidewalk. Just that flash, that I had seen in an instant, when one of his eyes opened wider. It was the left eye, always the left, as I remembered. And it always looked so strange, alert and wondering, as if some whole impossibility had occurred to him, one that almost made him laugh.
For me, I was feeling something the same as when I left Amundsen, the train carrying me still dazed and full of disbelief.
Nothing changes really about love.
LEAVING MAVERLEY
IN the old days when there was a movie theater in every town there was one in this town, too, in Maverley, and it was called the Capital, as such theaters often were. Morgan Holly was the owner and the projectionist. He didn’t like dealing with the public—he preferred to sit in his upstairs cubbyhole managing the story on the screen—so naturally he was annoyed when the girl who took the tickets told him that she was going to have to quit, because she was having a baby. He might have expected this—she had been married for half a year, and in those days you were supposed to get out of
the public eye before you began to show—but he so disliked change and the idea of people having private lives that he was taken by surprise.
Fortunately, she came up with somebody who might replace her. A girl who lived on her street had mentioned that she would like to have an evening job. She was not able to work in the daytime, because she had to help her mother look after the younger children. She was smart enough to manage, though shy.
Morgan said that that was fine—he didn’t hire a ticket taker to gab with the customers.
So the girl came. Her name was Leah, and Morgan’s first and last question for her was to ask what kind of name that was. She said that it was out of the Bible. He noticed then that she did not have any makeup on and that her hair was slicked unbecomingly tight to her head and held there with bobby pins. He had a moment’s worry about whether she was really sixteen and could legally hold a job, but close up he saw that it was likely the truth. He told her that she would need to work one show, starting at eight o’clock, on weeknights and two shows, starting at seven, on Saturday nights. After closing, she would be responsible for counting the take and locking it away.
There was only one problem. She said that she would be able to walk herself home on weeknights but it would not be allowed on Saturday nights and her father could not come for her then, because he himself had a night job at the mill.
Morgan said that he did not know what there was to be scared of in a place like this, and was about to tell her to get lost, when he remembered the night policeman who often broke his rounds to watch a little of the movie. Perhaps he could be charged with getting Leah home.
She said that she would ask her father.
Her father agreed, but he had to be satisfied on other accounts. Leah was not to look at the screen or listen to any of the dialogue. The religion that the family belonged to did not allow it. Morgan said that he did not hire his ticket takers to give them a free peek at the show. As for the dialogue, he lied and said that the theater was soundproofed.
Ray Elliot, the night policeman, had taken the job so that he would be able to help his wife manage for at least some part of the daytime. He could get by with about five hours’ sleep in the morning and then a nap in the late afternoon. Often, the nap did not materialize, because of some chore that had to be done or just because he and his wife—her name was Isabel—got to talking. They had no children and could get talking anytime about anything. He brought her the news of the town, which often made her laugh, and she told him about the books she was reading.
Ray had joined up for the war as soon as he was eighteen. He chose the Air Force, which promised, as was said, the most adventure and the quickest death. He had been a mid-upper gunner—a position that Isabel could never get straight in her head—and he had survived. Close to the end of the war, he’d been transferred to a new crew, and within a couple of weeks his old crew, the men he’d flown with so many times, were shot down and lost. He came home with a vague idea that he had to do something meaningful with the life that had so inexplicably been left to him, but he didn’t know what.
First, he had to finish high school. In the town where he had grown up, a special school had been set up for veterans who were doing just that and hoping to go on to college, courtesy of the grateful citizens. The teacher of English Language and Literature was Isabel. She was thirty years old and married. Her husband, too, was a veteran, who considerably outranked the students in her English class. She was planning to put in this one year of teaching out of general patriotism, and then she was going to retire and start a family. She discussed this openly with her students, who said, just out of her earshot, that some guys got all the luck.
Ray disliked hearing that kind of talk, and the reason was that he had fallen in love with her. And she with him, which seemed infinitely more surprising. It was preposterous to everybody except themselves. There was a divorce—a scandal to her well-connected family and a shock to her husband, who had wanted to marry her since they were children. Ray had an easier time of it than she did, because he had little family to speak of, and those he did have announced that they supposed they wouldn’t be good enough for him now that he was marrying so high up, and they would just stay out of his way in the future. If they expected any denial or reassurance in response to this, they did not get it. Okay with him was what he more or less said. Time to make a fresh start. Isabel said that she could go on teaching until Ray had finished college and got established in whatever it was that he wanted to do.
But the plan had to change. She was not well. At first, they thought it was nerves. The upheaval. The foolish fuss.
Then the pains came. Pain whenever she took a deep breath. Pain under the breastbone and in her left shoulder. She ignored it. She joked about God punishing her for her amorous adventure and said that he, God, was wasting his time when she didn’t even believe in him.
She had something called pericarditis. It was serious and she had ignored it to her peril. It was something she would not be cured of but could manage, with difficulty. She could never teach again. Any infection would be dangerous, and where is infection more rampant than in a schoolroom? It was Ray who now had to support her, and he took a job as a policeman in this small town called Maverley, just over the Grey-Bruce border. He didn’t mind the work and she didn’t mind, after a while, her semiseclusion.
There was one thing they didn’t talk about. Each of them wondered whether the other minded not being able to have children. It occurred to Ray that that disappointment might have something to do with Isabel’s wanting to hear all about the girl he had to walk home on Saturday nights.
“That is deplorable,” she said when she heard about the ban on movies, and she was even more upset when he told her that the girl had been kept out of high school to help at home.
“And you say she’s intelligent.”
Ray did not remember having said that. He had said that she was weirdly shy, so that during their walks he had to rack his brains for a subject of conversation. Some questions he thought of wouldn’t do. Such as, What is your favorite subject at school? That would have had to go into the past tense and it would not matter now whether she’d liked anything. Or, What did she want to do when she was grown up? She was grown up now, for all intents and purposes, and she had her work cut out for her, whether she wanted it or not. Also the question of whether she liked this town, and did she miss wherever it was that she used to live—pointless. And they had already gone through, without elaboration, the names and ages of the younger children in her family. When he inquired after a dog or a cat, she reported that she didn’t have any.
She did come up with a question for him eventually. She asked what it was that people had been laughing about in the movie that night.
He didn’t think he should remind her that she wasn’t supposed to have heard anything. But he could not remember what might have been funny. So he said that it must have been some stupid thing—you could never tell what would make the audience laugh. He said that he didn’t get too involved in the movies, seeing them as he did, in bits and pieces. He seldom followed the plots.
“Plots,” she said.
He had to tell her what that meant—that there were stories being told. And from that time on there was no problem making conversation. Nor did he need to warn her that it might not be wise to repeat any of it at home. She understood. He was called upon not to tell any specific story—which he could hardly have done anyway—but to explain that the stories were often about crooks and innocent people and that the crooks generally managed well enough at first by committing their crimes and hoodwinking people singing in nightclubs (which were like dance halls) or sometimes, God knows why, singing on mountaintops or in some other unlikely outdoor scenery, holding up the action. Sometimes the movies were in color. With magnificent costumes if the story was set in the past. Dressed-up actors making a big show of killing one another. Glycerin tears running down ladies’ cheeks. Jungle animals brought in from zoos, probably
, and teased to act ferocious. People getting up from being murdered in various ways the moment the camera was off them. Alive and well, though you had just seen them shot or on the executioner’s block with their heads rolling in a basket.
“You should take it easy,” Isabel said. “You could give her nightmares.”
Ray said he’d be surprised. And certainly the girl had an air of figuring things out, rather than being alarmed or confused. For instance, she never asked what the executioner’s block was or seemed surprised at the thought of heads on it. There was something in her, he told Isabel, something that made her want to absorb whatever you said to her, instead of just being thrilled or mystified by it. Some way in which he thought she had already shut herself off from her family. Not to be contemptuous of them, or unkind. She was just rock-bottom thoughtful.
But then he said what made him sorrier than he knew why.
“She hasn’t got much to look forward to, one way or the other.”
“Well, we could snatch her away,” Isabel said.
Then he warned her. Be serious.
“Don’t even think about it.”
Shortly before Christmas (though the cold had not really set in yet), Morgan came to the police station around midnight one night in the middle of the week to say that Leah was missing.
She had sold the tickets as usual and closed the window and put the money where it was supposed to go and set off for home, so far as he knew. He himself had shut things up when the show was done, but when he got outside this woman he didn’t know had appeared, asking what had become of Leah. This was the mother—Leah’s mother. The father was still at his job at the mill, and Morgan had suggested that the girl might have taken it into her head to go and see him at work. The mother didn’t seem to know what he was talking about, so he said that they could go to the mill and see if the girl was there, and she—the mother—cried and begged him not to do any such thing. So Morgan gave her a ride home, thinking that the girl might have turned up by now, but no luck, and then he thought he had better go and inform Ray.
