by Неизвестный
Keaveney, Christopher T. Beyond Brushtalk: Sino-Japanese Literary Exchange in the Interwar Period. Hong Kong: Hong Kong University Press, 2009.
Keene, Donald. Appreciations of Japanese Culture. Tokyo: Kodansha International, 1981.
——. Dawn to the West: Japanese Literature in the Modern Era. Vol. 1, Fiction. New York: Holt, Rinehart and Winston, 1984.
——. Five Modern Japanese Novelists. New York: Columbia University Press, 2003.
——, ed. Modern Japanese Literature: An Anthology. New York: Grove Press, 1956.
——. The Pleasures of Japanese Literature. New York: Columbia University Press, 1988.
——. So Lovely a Country Will Never Perish: Wartime Diaries of Japanese Writers. New York: Columbia University Press, 2010.
——. Some Japanese Portraits. Tokyo: Kodansha International, 1988.
Kleeman, Faye Yuan. Under an Imperial Sun: Japanese Colonial Literature of Taiwan and the South. Honolulu: University of Hawai‘i Press, 2003.
Kokusai bunka kaikan, ed. Modern Japanese Literature in Translation: A Bibliography. Compiled by the International House of Japan Library. Tokyo: Kodansha International, 1979.
Kono, Kimberly. Romance, Family, and Nation in Japanese Colonial Literature. New York: Palgrave Macmillan, 2010.
Kornicki, Peter F. The Reform of Fiction in Meiji Japan. London: Ithaca Press, 1982.
Kuribayashi, Tomoko, with Mizuho Terasawa, eds. The Outsider Within: Ten Essays on Modern Japanese Women Writers. Lanham, Md.: University Press of America, 2002.
Levy, Indra A. Sirens of the Western Shore: Westernesque Women and Translation in Modern Japanese Literature. New York: Columbia University Press, 2006.
Lewell, John. Modern Japanese Novelists: A Biographical Dictionary. Tokyo: Kodansha International, 1993.
Lippit, Noriko Mizuta. Reality and Fiction in Modern Japanese Literature. White Plains, N.Y.: Sharpe, 1980.
Lippit, Noriko Mizuta, and Kyoko Iriye Selden, eds. Japanese Women Writers: Twentieth Century Short Fiction. Armonk, N.Y.: Sharpe, 1991.
Lippit, Seiji M. Topographies of Japanese Modernism. New York: Columbia University Press, 2002.
Mamola, Claire Zebroski. Japanese Women Writers in English Translation: An Annotated Bibliography. New York: Garland, 1989.
Matthew, Robert. Japanese Science Fiction: A View of a Changing Society. London: Routledge, 1989.
Mayo, Marlene J., J. Thomas Rimer, and H. Eleanor Kerkham, eds. War, Occupation, and Creativity: Japan and East Asia, 1920– 1960. Honolulu: University of Hawai‘i Press, 2001.
McDonald, Keiko I. From Book to Screen: Modern Japanese Literature in Film. Armonk, N.Y.: Sharpe, 2000.
Mertz, John Pierre. Novel Japan: Spaces of Nationhood in Early Meiji Narrative, 1870– 88. Michigan Monograph Series in Japanese Studies, no. 48. Ann Arbor: Center for Japanese Studies, University of Michigan, 2003.
Miller, J. Scott. Adaptations of Western Literature in Meiji Japan. New York: Palgrave, 2001.
——. Historical Dictionary of Modern Japanese Literature and Theater. Lanham, Md.: Scarecrow Press, 2009.
Miller, Stephen D., ed. Partings at Dawn: An Anthology of Japanese Gay Literature. San Francisco: Gay Sunshine Press, 1996.
Mishima, Yukio, and Geoffrey Bownas, eds. New Writing in Japan. Harmondsworth: Penguin, 1972.
Mitsios, Helen, ed. New Japanese Voices: The Best Contemporary Fiction from Japan. New York: Atlantic Monthly Press, 1991.
Miyoshi, Masao. Accomplices of Silence: The Modern Japanese Novel. Berkeley: University of California Press, 1974.
Molasky, Michael S. The American Occupation of Japan and Okinawa: Literature and Memory. London: Routledge, 1999.
Molasky, Michael S., and Steve Rabson, eds. Southern Exposure: Modern Japanese Literature from Okinawa. Honolulu: University of Hawai‘i Press, 2000.
Morris, Ivan, ed. Modern Japanese Stories. Tokyo: Tuttle, 1962.
Mortimer, Maya. Meeting the Sensei: The Role of the Master in Shirakaba Writers. Brill’s Japanese Studies Library, vol. 11. Leiden: Brill, 2000.
Morton, Leith. The Alien Within: Representations of the Exotic in Twentieth-Century Japanese Literature. Honolulu: University of Hawai‘i Press, 2009.
——, ed. Seven Stories of Modern Japan. Sydney: Wild Peony, 1992.
Mulhern, Chieko I., ed. Japanese Women Writers: A Bio-Critical Sourcebook. Westport, Conn.: Greenwood Press, 1994.
Murakami, Fuminobu. Ideology and Narrative in Modern Japanese Literature. Assen: Van Gorcum, 1996.
——. Postmodern, Feminist and Postcolonial Currents in Contemporary Japanese Culture: A Reading of Murakami Haruki, Yoshimoto Banana, Yoshimoto Takaaki and Karatani Kōjin. London: Routledge, 2009.
Murphy, Joseph A. Metaphorical Circuit: Negotiations Between Literature and Science in 20th Century Japan. Honolulu: University of Hawai‘i Press, 2010.
Napier, Susan J. Escape from the Wasteland: Romanticism and Realism in the Fiction of Mishima Yukio and Oe Kenzaburo. Harvard East Asian Monographs, no. 33. Cambridge, Mass.: Harvard University Press, 1991.
——. The Fantastic in Modern Japanese Literature: The Subversion of Modernity. London: Routledge, 1996.
Ōe Kenzaburō, ed. The Crazy Iris [Nan to mo shirenai mirai ni] and Other Stories of the Atomic Aftermath. New York: Grove Press, 1985.
Okada, Sumie. Japanese Writers and the West. New York: Palgrave Macmillan, 2003.
Orbaugh, Sharalyn. Japanese Fiction of the Allied Occupation: Vision, Embodiment, Identity. Brill’s Japanese Studies Library, vol. 26. Leiden: Brill, 2006.
Petersen, Gwenn Boardman. The Moon in the Water: Understanding Tanizaki, Kawabata, and Mishima. Honolulu: University of Hawai‘i Press, 1979.
Pollack, David. Reading Against Culture: Ideology and Narrative in the Japanese Novel. Ithaca, N.Y.: Cornell University Press, 1992.
Powell, Irina. Writers and Society in Modern Japan. London: Macmillan, 1983.
Prindle, Tamae K. Made in Japan and Other Japanese Business Novels. Armonk, N.Y.: Sharpe, 1989.
Reichert, Jim. In the Company of Men: Representations of Male-Male Sexuality in Meiji Literature. Stanford, Calif.: Stanford University Press, 2006.
Richie, Donald. Japanese Literature Reviewed. Tokyo: ICG Muse, 2003.
——. A Tractate on Japanese Aesthetics. Berkeley, Calif.: Stone Bridge Press, 2007.
Rimer, J. Thomas. Modern Japanese Fiction and Its Traditions: An Introduction. Prince ton, N.J.: Prince ton University Press, 1978.
——. Pilgrimages: Aspects of Japanese Literature and Culture. Honolulu: University of Hawai‘i Press, 1988.
——. A Reader’s Guide to Japanese Literature. 2nd ed. Tokyo: Kodansha International, 1999.
Rimer, J. Thomas, and Van C. Gessel, eds. Modern Japanese Literature. Vol. 1, From Restoration to Occupation, 1868– 1945. New York: Columbia University Press, 2005.
——, eds. Modern Japanese Literature. Vol. 2, From 1945 to the Present. New York: Columbia University Press, 2007.
Rubin, Jay. Injurious to Public Morals: Writers and the Meiji State. Seattle: University of Washington Press, 1984.
——, ed. Modern Japanese Writers. New York: Scribner, 2001.
Sakaki, Atsuko. Obsessions with the Sino-Japanese Polarity in Japanese Literature. Honolulu: University of Hawai‘i Press, 2005.
——. Recontextualizing Texts: Narrative Performance in Modern Japanese Fiction. Harvard East Asian Monographs, no. 180. Cambridge, Mass.: Harvard University Press, 1999.
Sas, Miryam. Fault Lines: Cultural Memory and Japanese Surrealism. Stanford, Calif.: Stanford University Press, 1999.
Schalow, Paul Gordon, and Janet A. Walker, eds. The Woman’s Hand: Gender and Theory in Japanese Women’s Writing. Stanford, Calif.: Stanford University Press, 1996.
Schierbeck, Sachiko Shibata. Japanese Women Novelists in the 20th Century: 104 Biographies, 1900–1993. Copenhagen: University of Copenhagen, Museum Tusculanum Press, 1994.
Schlant, Ernestine, and J. Thomas Rim
er, eds. Legacies and Ambiguities: Postwar Fiction and Culture in West Germany and Japan. Washington, D.C.: Woodrow Wilson Center Press, 1991.
Seaman, Amanda C. Bodies of Evidence: Women, Society, and Detective Fiction in 1990s Japan. Honolulu: University of Hawai‘i Press, 2004.
Shea, George Tyson. Leftwing Literature in Japan: A Brief History of the Proletarian Literary Movement. Tokyo: Hosei University Press, 1964.
Silver, Mark. Purloined Letters: Culture Borrowing and Japanese Crime Literature, 1868– 1937. Honolulu: University of Hawai‘i Press, 2008.
Silverberg, Miriam. Erotic Grotesque Nonsense: The Mass Culture of Japanese Modern Times. Berkeley: University of California Press, 2009.
Slaymaker, Douglas. Body in Postwar Japanese Fiction. London: Routledge, 2004.
——, ed. Postwar Japan and France. Michigan Monograph Series in Japanese Studies, no. 42. Ann Arbor: Center for Japanese Studies, University of Michigan, 2002.
Snyder, Stephen, and Philip Gabriel, eds. Ōe and Beyond: Fiction in Contemporary Japan. Honolulu: University of Hawai‘i Press, 1999.
Stewart, Frank, and Leza Lowitz, eds. Silence to Light: Japan and the Shadows of War. Honolulu: University of Hawai‘i Press, 2001.
Suzuki, Michiko. Becoming Modern Women: Love and Female Identity in Prewar Japanese Literature and Culture. Stanford, Calif.: Stanford University Press, 2009.
Suzuki, Tomi. Narrating the Self: Fictions of Japanese Modernity. Stanford, Calif.: Stanford University Press, 1996.
Swann, Thomas E., and Kinya Tsuruta, eds. Approaches to the Modern Japanese Short Story. Tokyo: Waseda University Press, 1982.
Tachibana, Reiko, Narrative as Counter-Memory: A Half-Century of Postwar Writing in Germany and Japan. Albany: State University of New York Press, 1998.
Takamizawa Junko. My Brother Hideo Kobayashi. Translated by James Wada and edited, with an introduction, by Leith Morton. Honolulu: University of Hawai‘i Press, 2001.
Tanaka, Yukiko, ed. To Live and To Write. Seattle: Seal Press, 1987.
——. Women Writers of Meiji and Taishō Japan: Their Lives, Works and Critical Reception. Jefferson, N.C.: McFarland, 2000.
Tanaka, Yukiko, and Elizabeth Hanson, eds. This Kind of Woman. Stanford, Calif.: Stanford University Press, 1982.
Tansman, Alan, ed. The Aesthetics of Japanese Fascism. Durham, N.C.: Duke University Press, 2009.
——, ed. The Culture of Japanese Fascism. Berkeley: University of California Press, 2009.
Tillack, Peter. Living the “Somehow Life”: Tanaka Yasuo, Banana Yoshimoto and Postmodern Japan. Saarbrücken: VDM Verlag Dr. Mueller e.K., 2007.
Tomasi, Massimiliano. Rhetoric in Modern Japan: Western Influences on the Development of Narrative and Oratorical Style. Honolulu: University of Hawai‘i Press, 2004.
Treat, John Whittier. Writing Ground Zero: Japanese Literature and the Atomic Bomb. Chicago: University of Chicago Press, 1995.
Tsuruta, Kinya, and Thomas E. Swann, eds. Approaches to the Modern Japanese Novel. Tokyo: Sophia University Press, 1976.
Tyler, William, comp. and ed. Modanizumu: Modernist Fiction from Japan, 1913– 1938. Honolulu: University of Hawai‘i Press, 2008.
Ueda, Atsuko. Concealment of Politics, Politics of Concealment: The Production of “Literature” in Meiji Japan. Stanford, Calif.: Stanford University Press, 2007.
Ueda, Makoto. Modern Japanese Writers and the Nature of Literature. Stanford, Calif.: Stanford University Press, 1976.
——, ed. The Mother of Dreams and Other Short Stories: Portrayals of Women in Modern Japanese Fiction. Tokyo: Kodansha International, 1986.
Vernon, Victoria V. Daughters of the Moon: Wish, Will, and Social Constraint in Fiction by Modern Japanese Women. Japan Research Monograph, no. 9. Berkeley: Institute of East Asian Studies, University of California, 1988.
Walker, Janet A. The Japanese Novel of the Meiji Period and the Ideal of Individualism. Prince ton, N.J.: Prince ton University Press, 1979.
Washburn, Dennis C. The Dilemma of the Modern in Japanese Fiction. New Haven, Conn.: Yale University Press, 1995.
——. Translating Mount Fuji: Modern Japanese Fiction and the Ethics of Identity. New York: Columbia University Press, 2006.
Washburn, Dennis C., and Alan Tansman, eds. Studies in Modern Japanese Literature: Essays and Translations in Honor of Edwin McClellan. Michigan Monograph Series in Japanese Studies, no. 20. Ann Arbor: Center for Japanese Studies, University of Michigan, 1997.
Yamanouchi, Hisaaki. The Search for Authenticity in Modern Japanese Literature. Cambridge: Cambridge University Press, 1978.
Zwicker, Jonathan E. Practices of the Sentimental Imagination: Melodrama, the Novel, and the Social Imaginary in Nineteenth-Century Japan. Harvard East Asian Monographs, no. 277. Cambridge, Mass.: Harvard University Press, 2006.
Drama and Poetry
Beichman, Janine. Embracing the Firebird: Yosano Akiko and the Birth of the Female Voice in Modern Japanese Poetry. Honolulu: University of Hawai‘i Press, 2002.
Downer, Leslie. Madame Sadayakko: The Geisha Who Bewitched the West. New York: Gotham Books, 2003.
Fitzsimmons, Thomas, ed., with Yoshimasu Gōzō. The New Poetry of Japan: The 70s and 80s. Translated by Christopher Drake et al. Asian Poetry in Translation, no. 15. Santa Fe, N.M.: Katydid Books, 1993.
Goodman, David G., trans. After Apocalypse: Four Japanese Plays of Hiroshima and Nagasaki. New York: Columbia University Press, 1986.
——. Japanese Drama and Culture in the 1960s: The Return of the Gods. Armonk, N.Y.: Sharpe, 1988.
Harada, Hiroko. Aspects of Post-War German and Japanese Drama, 1945– 1970: Reflections on War, Guilt, and Responsibility. Lewiston, N.Y.: Mellen, 2000.
Havens, Thomas R. H. Artist and Patron in Postwar Japan: Dance, Music, Theater, and the Visual Arts, 1955– 1980. Prince ton, N.J.: Prince ton University Press, 1982.
Heinrich, Amy Vladeck. Fragments of Rainbows: The Life and Poetry of Saitō Mokichi, 1882–1953. New York: Columbia University Press, 1983.
Japan Playwrights Association, ed. Half a Century of Japanese Theater. Tokyo: Kinokuniya, 1999–2005. [An ongoing series of translations of plays from 1950 to 2000]
Japan Society and Japan Foundation. Japanese Theater in the World. New York: Japan Society, 1997.
Keene, Donald. Dawn to the West: Japanese Literature in the Modern Era. Vol. 2, Poetry, Drama, Criticism. New York: Holt, Rinehart and Winston, 1984.
Klein, Susan Blakely. Ankoku Butō: The Premodern and Postmodern Influences on the Dance of Utter Darkness. Cornell University East Asia Papers, no. 49. Ithaca, N.Y.: East Asia Program, Cornell University, 1988.
Lueders, Edward, and Naoshi Koriyama, trans. Like Underground Water: The Poetry of Mid-Twentieth Century Japan. Port Townsend, Wash.: Copper Canyon Press, 1995.
Morton, Leith, ed. An Anthology of Contemporary Japanese Poetry. New York: Garland, 1993.
——. Modernism in Practice: An Introduction to Postwar Japanese Poetry. Honolulu: University of Hawai‘i Press, 2004.
Ōoka, Makoto, and Thomas Fitzsimmons, eds. A Play of Mirrors: Eight Major Poets of Modern Japan. Asian Poetry in Translation, no. 7. Rochester, Mich.: Katydid Books, 1987.
Ortolani, Benito. The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism. Rev. ed. Prince ton, N.J.: Prince ton University Press, 1995.
Poulton, M. Cody. A Beggar’s Art: Scripting Modernity in Japanese Drama, 1900–1930. Honolulu: University of Hawai‘i Press, 2010.
——. Spirits of Another Sort: The Plays of Izumi Kyōka. Michigan Monograph Series in Japanese Studies, no. 29. Ann Arbor: Center for Japanese Studies, University of Michigan, 2001.
Rabson, Steve. Righteous Cause or Tragic Folly: Changing Views of War in Modern Japanese Poetry. Michigan Monograph Series in Japanese Studies, no. 17. Ann Arbor: Center for Japanese Studies, University of Michigan, 1998.
Rimer, J. Thomas. Toward a Modern Japanese Theatre: Kishida Kunio. Prince ton, N.J.: Prince ton University Press, 1974.<
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Rolf, Robert, and John Gillespie, eds. and trans. Alternative Japanese Drama: Ten Plays. Honolulu: University of Hawai‘i Press, 1992.
Sato, Hiroaki. Japanese Women Poets: An Anthology. Armonk, N.Y.: Sharpe, 2007.
Sato, Hiroaki, and Burton Watson, trans. and eds. From the Country of Eight Islands: An Anthology of Japanese Poetry. New York: Columbia University Press, 1986. [An anthology of both traditional and modern poetry]
Scholz-Cionca, Stanca, and Samuel L. Leiter, eds. Japanese Theatre and the International Stage. Brill’s Japanese Studies Library, vol. 12. Leiden: Brill, 2001.
Senda, Akihiko. The Voyage of Contemporary Japanese Theatre. Translated by J. Thomas Rimer. Honolulu: University of Hawai‘i Press, 1997.
Shields, Nancy K. Fake Fish: The Theater of Kobo Abe. New York: Weatherhill, 1996.
Suzuki, Tadashi. The Way of Acting: The Theatre Writings of Tadashi Suzuki. Translated by J. Thomas Rimer. New York: Theatre Communications Group, 1986.
Takaya, Ted, trans. Modern Japanese Drama: An Anthology. New York: Columbia University Press, 1979.
Ueda, Makoto. Modern Japanese Poets and the Nature of Literature. Stanford, Calif.: Stanford University Press, 1983.
Uzawa, Kozue, and Amelia Fielden, ed. and trans. Ferris Wheel: 101 Modern and Contemporary Tanka. New York: Cheng & Tsui, 2006.
Wilson, Graeme, ed. Three Contemporary Japanese Poets: Anzai Hitoshi, Shiraishi Kazuko, Tanikawa Shuntarō. London: London Magazine Editions, 1972.
Yamamoto, Kenkichi, ed. The Singing Heart: An Anthology of Japanese Poems, 1900– 1960. Translated by William I. Elliott and Nishihara Katsumasa. Honolulu: University of Hawai‘i Press, 2001.
1. FIRST EXPERIMENTS
Fiction
Mori Ōgai
Bowring, Richard. Mori Ōgai and the Modernization of Japanese Culture. Cambridge: Cambridge University Press, 1979.
Dilworth, David, and J. Thomas Rimer, eds. The Historical Fiction of Mori Ōgai. Rev. ed. Honolulu: University of Hawai‘i Press, 1991. [Originally two volumes: The Incident at Sakai and Other Stories and Saiki Kōi and Other Stories. Honolulu: University of Hawai‘i Press, 1977]
