I thought of the river that ran far down deep below the house where I was born, the water creamy and gushing and flecked with yellow foam. I saw it swallow my uncle and could not imagine it ever becoming thin, weak, hungry.
“So why do they throw water then?” I asked.
“So the devi will give them more,” Smiling Kumarima explained. But I could not see the sense in that even for goddesses and I frowned, trying to understand how humans were and so I was looking right at him when he came at me.
He had city-pale skin and hair parted on the left that flopped as he dived out of the crowd. He moved his fists to the collar of his diagonally striped shirt and people surged away from him. I saw him hook his thumbs into two loops of black string. I saw his mouth open in a great cry. Then the machine swooped and I saw a flash of silver. The young man’s head flew up into the air. His mouth and eyes went round: from a cry to an oh! The King’s Own machine had sheathed its blade, like a boy folding a knife, before the body, like that funny goat in the Hanumandhoka, realized it was dead and fell to the ground. The crowd screamed and tried to get away from the headless thing. My bearers rocked, swayed, uncertain where to go, what to do. For a moment I thought they might drop me.
Smiling Kumarima let out little shrieks of horror, “Oh! Oh! Oh!” My face was spotted with blood.
“It’s not hers,” Tall Kumarima shouted. “It’s not hers!” She moistened a handkerchief with a lick of saliva. She was gently wiping the young man’s blood from my face when the Royal security in their dark suits and glasses arrived, beating through the crowd. They lifted me, stepped over the body and carried me to the waiting car.
“You smudged my make-up,” I said to the Royal guard as the car swept away. Worshippers barely made it out of our way in the narrow alleys.
Tall Kumarima came to my room that night. The air was loud with helicopters, quartering the city for the plotters. Helicopters, and machines like the King’s Own robots, that could fly and look down on Kathmandu with the eyes of a hawk. She sat on my bed and laid a little transparent blue box on the red and gold embroidered coverlet. In it were two pale pills.
“To help you sleep.”
I shook my head. Tall Kumarima folded the blue box into the sleeve of her robe.
“Who was he?”
“A fundamentalist. A karsevak. A foolish, sad young man.”
“A Hindu, but he wanted to hurt us.”
“That is the madness of it, devi. He and his kind think our kingdom has grown too western, too far from its roots and religious truths.”
“And he attacks us, the Taleju Devi. He would have blown up his own goddess, but the machine took his head. That is almost as strange as people throwing water to the rain.”
Tall Kumarima bowed her head. She reached inside the sash of her robe and took out a second object which she set on my heavy cover with the same precise care as she had the sleeping pills. It was a light, fingerless glove, for the right hand; clinging to its back was a curl of plastic shaped like a very very tiny goat fetus.
“Do you know what this is?”
I nodded. Every devotee doing puja in the streets seemed to own one, right hands held up to snatch my image. A palmer.
“It sends messages into your head,” I whispered.
“That is the least of what it can do, devi. Think of it like your jharoka, but this window opens onto the world beyond Durbar Square, beyond Kathmandu and Nepal. It is an aeai, an artificial intelligence, a thinking-thing, like the machines up there, but much cleverer than them. They are clever enough to fly and hunt and not much else, but this aeai can tell you anything you want to know. All you have to do is ask. And there are things you need to know, devi. You will not be Kumari forever. The day will come when you will leave your palace and go back to the world. I have seen them before you.” She reached out to take my face between her hands, then drew back. “You are special, my devi, but the kind of special it takes to be Kumari means you will find it hard in the world. People will call it a sickness. Worse than that, even . . .”
She banished the emotion by gently fitting the fetus-shaped receiver behind my ear. I felt the plastic move against my skin, then Tall Kumarima slipped on the glove, waved her hand in a mudra and I heard her voice inside my head. Glowing words appeared in the air between us, words I had been painstakingly taught to read by Tall Kumarima.
Don’t let anyone find it, her dancing hand said. Tell no one, not even Smiling Kumarima. I know you call her that, but she would not understand. She would think it was unclean, a pollution. In some ways, she is not so different from that man who tried to harm you. Let this be our secret, just you and me.
Soon after, Smiling Kumarima came to look in on me and check for fleas, but I pretended to be asleep. The glove and the fetus-thing were hidden under my pillow. I imagined them talking to me through the goose down and soft soft cotton, sending dreams while the helicopters and hunting robots wheeled in the night above me. When the latch on her door clicked too, I put on the glove and earhook and went looking for the lost rain. I found it one hundred and fifty kilometers up, through the eye of a weather aeai spinning over east India. I saw the monsoon, a coil of cloud like a cat’s claw hooking up across the sea. There had been cats in the village; suspicious things lean on mice and barley. No cat was permitted in the Kumari Ghar. I looked down on my kingdom but I could not see a city or a palace or me down here at all. I saw mountains, white mountains ridged with grey and blue ice. I was goddess of this. And the heart went out of me, because it was nothing, a tiny crust of stone on top of that huge world that hung beneath it like the full teat of a cow, rich and heavy with people and their brilliant cities and their bright nations. India, where our gods and names were born.
Within three days the police had caught the plotters and it was raining. The clouds were low over Kathmandu. The color ran from the temples in Durbar Square but people beat tins and metal cups in the muddy streets calling praise on the Taleju Devi.
“What will happen to them?” I asked Tall Kumarima. “The bad men.”
“They will likely be hanged,” she said.
That autumn after the executions of the traitors the dissatisfaction finally poured on to the streets like sacrificial blood. Both sides claimed me: police and demonstrators. Others yet held me up as both the symbol of all that was good with our Kingdom and also everything wrong with it. Tall Kumarima tried to explain it to me but with my world mad and dangerous my attention was turned elsewhere, to the huge, old land to the south, spread out like a jeweled skirt. In such a time it was easy to be seduced by the terrifying depth of its history, by the gods and warriors who swept across it, empire after empire after empire. My kingdom had always been fierce and free but I met the men who liberated India from the Last Empire—men like gods—and saw that liberty broken up by rivalry and intrigue and corruption into feuding states; Awadh and Bharat, the United States of Bengal, Maratha, Karnataka.
Legendary names and places. Shining cities as old as history. There aeais haunted the crowded streets like gandhavas. There men outnumbered women four to one. There the old distinctions were abandoned and women married as far up and men as few steps down the tree of caste as they could. I became as enthralled by their leaders and parties and politics as any of their citizens by the aeai-generated soaps they loved so dearly. My spirit was down in India in that early, hard winter when the police and King’s machines restored the old order to the city beyond Durbar Square. Unrest in earth and the three heavens. One day I woke to find snow in the wooden court; the roofs of the temple of Durbar Square heavy with it, like frowning, freezing old men. I knew now that the strange weather was not my doing but the result of huge, slow changes in the climate. Smiling Kumarima came to me in my jharoka as I watched flakes thick and soft as ash sift down from the white sky. She knelt before me, rubbed her hands together inside the cuffs of her wide sleeves. She suffered badly in the cold and damp.
“Devi, are you not one of my own children to me?”
I waggled my head, not wanting to say yes.
“Devi, have I ever, ever given you anything but my best?”
Like her counterpart a season before, she drew a plastic pillbox from her sleeve, set it on her palm. I sat back on my chair, afraid of it as I had never been afraid of anything Tall Kumarima offered me.
“I know how happy we are all here, but change must always happen. Change in the world, like this snow—unnatural, devi, not right—change in our city. And we are not immune to it in here, my flower. Change will come to you, devi. To you, to your body. You will become a woman. If I could, I would stop it happening to you, devi. But I can’t. No one can. What I can offer is . . . a delay. A stay. Take these. They will slow down the changes. For years, hopefully. Then we can all be happy here together, devi.” She looked up from her deferential half-bow, into my eyes. She smiled. “Have I ever wanted anything but the best for you?”
I held out my hand. Smiling Kumarima tipped the pills into my palm. I closed my fist and slipped from my carved throne. As I went to my room, I could hear Smiling Kumarima chanting prayers of thanksgiving to the goddesses in the carvings. I looked at the pills in my hand. Blue seemed such a wrong color. Then I filled my cup in my little washroom and washed them down, two gulps, down, down.
After that they came every day, two pills, blue as the Lord Krishna, appearing as miraculously on my bedside table. For some reason I never told Tall Kumarima, even when she commented on how fractious I was becoming, how strangely inattentive and absent-minded at ceremonies. I told her it was the devis in the walls, whispering to me. I knew enough of my specialness, that others have called my disorder, that that would be unquestioned. I was tired and lethargic that winter. My sense of smell grew keen to the least odor and the people in my courtyard with their stupid, beaming upturned faces infuriated me. I went for weeks without showing myself. The wooden corridors grew sharp and brassy with old blood. With the insight of demons, I can see now that my body was a chemical battlefield between my own hormones and Smiling Kumarima’s puberty suppressants. It was a heavy, humid spring that year and I felt huge and bloated in the heat, a waddling bulb of fluids under my robes and waxy make-up. I started to drop the little blue pills down the commode. I had been Kumari for seven Dasains.
I had thought I would feel like I used to, but I did not. It was not unwell, like the pills had made me feel, it was sensitive, acutely conscious of my body. I would lie in my wooden bed and feel my legs growing longer. I became very very aware of my tiny nipples. The heat and humidity got worse, or so it seemed to me.
At any time I could have opened my palmer and asked it what was happening to me, but I didn’t. I was scared that it might tell me it was the end of my divinity.
Tall Kumarima must have noticed that the hem of my gown no longer brushed the floorboards but it was Smiling Kumarima drew back in the corridor as we hurried towards the darshan hall, hesitated a moment, said, softly, smiling as always,
“How you’re growing, devi. Are you still. . . ? No, forgive me, of course. . . . Must be this warm weather we’re having, makes children shoot up like weeds. My own are bursting out of everything they own, nothing will fit them.”
The next morning as I was dressing a tap came on my door, like the scratch of a mouse or the click of an insect.
“Devi?”
No insect, no mouse. I froze, palmer in hand, earhook babbling the early morning news reports from Awadh and Bharat into my head.
“We are dressing.”
“Yes, devi, that is why I would like to come in.”
I just managed to peel off the palmer and stuff it under my mattress before the heavy door swung open on its pivot.
“We have been able to dress ourselves since we were six,” I retorted.
“Yes, indeed,” said Smiling Kumarima, smiling. “But some of the priests have mentioned to me a little laxness in the ritual dress.”
I stood in my red and gold night-robe, stretched out my arms and turned, like one of the trance-dancers I saw in the streets from my litter. Smiling Kumarima sighed.
“Devi, you know as well as I . . .”
I pulled my gown up over my head and stood unclothed, daring her to look, to search my body for signs of womanhood.
“See?” I challenged.
“Yes,” Smiling Kumarima said, “but what is that behind your ear?”
She reached to pluck the hook. It was in my fist in a flick.
“Is that what I think it is?” Smiling Kumarima said, soft smiling bulk filling the space between the door and me. “Who gave you that?”
“It is ours,” I declared in my most commanding voice but I was a naked twelve-year-old caught in wrongdoing and that commands less than dust.
“Give it to me.”
I clenched my fist tighter.
“We are a goddess, you cannot command us.”
“A goddess is as a goddess acts and right now, you are acting like a brat. Show me.”
She was a mother, I was her child. My fingers unfolded. Smiling Kumarima recoiled as if I held a poisonous snake. To her eyes of her faith, I did.
“Pollution,” she said faintly. “Spoiled, all spoiled. Her voice rose. “I know who gave you this!” Before my fingers could snap shut, she snatched the coil of plastic from my palm. She threw the earhook to the floor as if it burned her. I saw the hem of her skirt raise, I saw the heel come down, but it was my world, my oracle, my window on the beautiful. I dived to rescue the tiny plastic fetus. I remember no pain, no shock, not even Smiling Kumarima’s shriek of horror and fear as her heel came down, but I will always see the tip of my right index finger burst in a spray of red blood.
The pallav of my yellow sari flapped in the wind as I darted through the Delhi evening crush-hour. Beating the heel of his hand off his buzzer, the driver of the little wasp-colored phatphat cut in between a lumbering truck-train painted with gaudy gods and apsaras and a cream Government Maruti and pulled into the great chakra of traffic around Connaught Place. In Awadh you drive with your ears. The roar of horns and klaxons and cycle-rickshaw bells assailed from all sides at once. It rose before the dawn birds and only fell silent well after midnight. The driver skirted a saddhu walking through the traffic as calmly as if he were wading through the Holy Yamuna. His body was white with sacred ash, a mourning ghost, but his Siva trident burned blood red in the low sun. I had thought Kathmandu dirty, but Delhi’s golden light and incredible sunsets spoke of pollution beyond even that. Huddled in the rear seat of the autorickshaws with Deepti, I wore a smog mask and goggles to protect my delicate eye make-up. But the fold of my sari flapped over my shoulder in the evening wind and the little silver bells jingled.
There were six in our little fleet. We accelerated along the wide avenues of the British Raj, past the sprawling red buildings of old India, toward the glass spires of Awadh. Black kites circled the towers, scavengers, pickers of the dead. We turned beneath cool neem trees into the drive of a government bungalow. Burning torches lit us to the pillared porch. House staff in Rajput uniforms escorted us to the shaadi marquee.
Mamaji had arrived before any of us. She fluttered and fretted among her birds; a lick, a rub, a straightening, an admonition. “Stand up stand up, we’ll have no slumping here. My girls will be the bonniest at this shaadi, hear me?” Shweta, her bony, mean-mouthed assistant, collected our smog-masks. “Now girls, palmers ready.” We knew the drill with almost military smartness. Hand up, glove on, rings on, hook behind ear jewelry, decorously concealed by the fringed dupattas draped over our heads. “We are graced with Awadh’s finest tonight. Crème de la crème.” I barely blinked as the résumés rolled up my inner vision. “Right girls, from the left, first dozen, two minutes each then on to the next down the list. Quick smart!” Mamaji clapped her hands and we formed a line. A band struck a medley of musical numbers from Town and Country, the soap opera that was a national obsession in sophisticated Awadh. There we stood, twelve little wives-a-waiting while the Rajput servants hau
led up the rear of the pavilion.
Applause broke around us like rain. A hundred men stood in a rough semi-circle, clapping enthusiastically, faces bright in the light from the carnival lanterns.
When I arrived in Awadh, the first thing I noticed was the people. People pushing people begging people talking people rushing past each other without a look or a word or an acknowledgement. I had thought Kathmandu held more people than a mind could imagine. I had not seen Old Delhi. The constant noise, the everyday callousness, the lack of any respect appalled me. You could vanish into that crowd of faces like a drop of rain into a tank. The second thing I noticed was that the faces were all men. It was indeed as my palmer had whispered to me. There were four men for every woman.
Fine men good men clever men rich men, men of ambition and career and property, men of power and prospects. Men with no hope of ever marrying within their own class and caste. Men with little prospect of marrying ever. Shaadi had once been the word for wedding festivities, the groom on his beautiful white horse, so noble, the bride shy and lovely behind her golden veil. Then it became a name for dating agencies: lovely wheat-complexioned Agarwal, U.S.-university MBA, seeks same civil service/military for matrimonials. Now it was a bride-parade, a marriage-market for lonely men with large dowries. Dowries that paid a hefty commission to the Lovely Girl Shaadi Agency.
The Lovely Girls lined up on the left side of the Silken Wall that ran the length of the bungalow garden. The first twelve men formed up on the right. They plumped and preened in their finery but I could see they were nervous. The partition was no more than a row of saris pinned to a line strung between plastic uprights, fluttering in the rising evening wind. A token of decorum. Purdah. They were not even silk.
Reshmi was first to walk and talk the Silken Wall. She was a Yadav country girl from Uttaranchal, big-handed and big-faced. A peasant’s daughter. She could cook and sew and sing, do household accounts, manage both domestic aeais and human staff. Her first prospective was a weasely man with a weak jaw in government whites and a Nehru cap. He had bad teeth. Never good. Any one of us could have told him he was wasting his shaadi fee, but they namasted to each other and stepped out, regulation three paces between them. At the end of the walk Reshmi would loop back to rejoin the tail of the line and meet her next prospective. On big shaadis like this my feet would bleed by the end of the night. Red footprints on the marble floors of Mamaji’s courtyard haveli.
The Year's Best Science Fiction: Twenty-Third Annual Collection Page 105
