"Out, you chaps!" called Vance.
We had no more than alighted when the other car drove up and, with a grinding of brakes, came to a lurching halt within a few feet of our machine. Vance had run back, and as the car reached a standstill he threw open the front door. The rest of us had instinctively crowded after him, urged forward by some undefined sense of excitement and dread foreboding. The Daimler was of the sedan type with small high windows, and even with the lingering radiance of the western sky and the dashboard illumination I could barely make out the figures inside. But at that moment Heath's pocket flashlight blazed in the semi-darkness.
The sight that met my straining eyes was paralyzing. During the drive I had speculated on the outcome of our tragic adventure, and I had pictured several hateful possibilities. But I was wholly unprepared for the revelation that confronted me.
The tonneau of the car was empty; and, contrary to my suspicions, there was no sign of Von Blon. In the front seat were the two girls. Sibella was on the farther side, slumped down in the corner, her head hanging forward. On her temple was an ugly cut, and a stream of blood ran down her cheek. At the wheel sat Ada, glowering at us with cold ferocity. Heath's flash-light fell, directly on her face, and at first she did not recognize us. But as her pupils became adjusted to the glare her gaze concentrated on Vance, and a foul epithet burst from her.
Simultaneously her right hand dropped from the wheel to the seat beside her, and when she raised it again it held a small glittering revolver. There was a flash of flame and a sharp report, followed by a shattering, of glass where the bullet had struck the wind-shield. Vance had been standing with one foot on the running—board leaning into the car, and, as Ada's arm came up with the revolver, he had snatched her wrist and held it.
"No, my dear," came his drawling voice, strangely calm, and without animosity; "you shan't add me to your list. I was rather expecting that move, don't y' know."
Ada, frustrated in her attempt to shoot him, hurled herself upon him with savage fury. Vile abuse and unbelievable blasphemies poured from her snarling lips. Her wrath, feral and rampant, utterly possessed her. She was like a wild animal, cornered and conscious of defeat, yet fighting with a last instinct of hopeless desperation. Vance, however, had secured both her wrists, and could have broken her arms with a single twist of his hands; but he treated her almost tenderly, like a father subduing an infuriated child. Stepping back quickly he drew her into the roadway, where she continued her struggles with renewed violence.
"Come, Sergeant!" Vance spoke with weary exasperation. "You'd better put handcuffs on her. I don't want to hurt her."
Heath had stood watching the amazing drama in a state of bewilderment, apparently too nonplussed to move. But Vance's voice awakened him to sharp activity. There were two metallic clicks, and Ada suddenly relaxed into a listless attitude of sullen tractability. She leaned panting against the side of the car as if too weak to stand alone.
Vance bent over and picked up the revolver which had fallen to the road. With a cursory glance at it he handed it to Markham.
"There's Chester's gun," he said. Then he indicated Ada with a pitying movement of the head. "Take her to your office, Markham—Van will drive the car. I'll join you there as soon as I can. I must get Sibella to a hospital."
He stepped briskly into the Daimler. There was a shifting of gears, and with a few deft manipulations he reversed the car in the narrow road.
"And watch her, Sergeant!" he flung back, as the car darted away toward Ardsley.
I drove Vance's car back to the city. Markham and Heath sat in the rear seat with the girl between them. Hardly a word was spoken during the entire hour-and-a-half's ride. Several times I glanced behind me at the silent trio. Markham and the sergeant appeared completely stunned by the surprising truth that had just been revealed to them. Ada, huddled between them, sat apathetically with closed eyes, her head forward. Once I noticed that she pressed a handkerchief to her face with her manacled hands; and I thought I heard the sound of smothered sobbing. But I was too nervous to pay any attention. It took every effort of my will to keep my mind on my driving.
As I drew up before the Franklin Street entrance of the Criminal Courts Building and was about to shut off the engine, a startled exclamation from Heath caused me to release the switch.
"Holy Mother o' God!" I heard him say in a hoarse voice. Then he thumped me on the back. "Get to the Beekman Street Hospital—as quick as hell, Mr. Van Dine. Damn the traffic lights! Step on it!"
Without looking round I knew what had happened. I swung the car into Centre Street again, and fairly raced for the hospital. We carried Ada into the emergency ward, Heath bawling loudly for the doctor as we passed through the door.
It was more than an hour later when Vance entered the District Attorney's office, where Markham and Heath and I were waiting. He glanced quickly round the room and then looked at our faces.
"I told you to watch her, Sergeant," he said, sinking into a chair; but there was neither reproach nor regret in his voice.
None of us spoke. Despite the effect Ada's suicide had had on us, we were waiting, with a kind of conscience-stricken anxiety, for news of the other girl whom all of us, I think, had vaguely suspected.
Vance understood our silence and nodded reassuringly.
"Sibella's all right. I took her to the Trinity Hospital in Yonkers. A slight concussion—Ada had struck her with a box-wrench which was always kept under the front seat. She'll be out in a few days. I registered her at the hospital as Mrs. Von Blon, and then phoned her husband. I caught him at home, and he hurried out. He's with her now. Incidentally, the reason we didn't reach him at Mrs. Riglander's is because he stopped at the office for his medicine-case. That delay saved Sibella's life. Otherwise, I doubt if we'd have reached her before Ada had run her over the precipice in the machine."
He drew deeply on his cigarette for a moment. Then he lifted his eyebrows to Markham.
"Cyanide of potassium?"
Markham gave a slight start.
"Yes—or so the doctor thinks. There was a bitter-almond odour on her lips." He shot his head forward angrily. "But if you knew—"
"Oh, I wouldn't have stopped it in any case," interrupted Vance. "I discharged my wholly mythical duty to the State when I warned the sergeant. However, I didn't know at the time. Von Blon just gave me the information. When I told him what had happened I asked him if he had ever lost any other poisons—you see, I couldn't imagine anyone planning so devilish and hazardous an exploit as the Greene murders without preparing for the eventuality of failure. He told me he'd missed a tablet of cyanide from his dark room about three months ago. And when I jogged his memory he recalled that Ada had been poking round there and asking questions a few days before. The one cyanide tablet was probably all she dared take at the time; so she kept it for herself in case of an emergency."[28]
"What I want to know, Mr. Vance," said Heath, "is how she worked this scheme. Was there anyone else in on the deal?"
"No, Sergeant. Ada planned and executed every part of it."
"But how, in God's name—?"
Vance held up his hand.
"It's all very simple, Sergeant—once you have the key. What misled us was the fiendish cleverness and audacity of the plot. But there's no longer any need to speculate about it. I have a printed and bound explanation of everything that happened. And it's not a fictional or speculative explanation. It's actual criminal history, garnered and recorded by the greatest expert on the subject the world has yet known—doctor Hans Gross, of Vienna."
He rose and took up his coat.
"I phoned Currie from the hospital, and he has a belated dinner waiting for all of us. When we have eaten, I'll present you with a reconstruction and exposition of the entire case."
26. THE ASTOUNDING TRUTH
(Monday, December 13th; 11 p.m.)
"AS you know, Markham," Vance began, when we were seated about the library fire late that night, "I finally succeeded in
putting together the items of my summary in such a way that I could see plainly who the murderer was.[29] Once I had found the basic pattern, every detail fitted perfectly into a plastic whole. The technique of the crimes, however, remained obscure; so I asked you to send for the books in Tobias's library—I was sure they would tell me what I wanted to know. First, I went through Gross's 'Handbuch fur Untersuchungsrichter,' which I regarded as the most likely source of information. It is an amazing treatise, Markham. It covers the entire field of the history and science of crime; and, in addition, is a compendium of criminal technique, citing specific cases and containing detailed explanations and diagrams. Small wonder it is the world's standard cyclopaedia on its subject. As I read it, I found what I was looking for. Ada had copied every act of hers, every method, every device, every detail, from its pages—from actual criminal history! We are hardly to be blamed for our inability to combat her schemes; for it was not she alone who was deceiving us; it was the accumulated experience of hundreds of shrewd criminals before her, plus the analytic science of the world's greatest criminologist Doctor Hans Gross."
He paused to light another cigarette.
"But even when I had found the explanation of her crimes," he continued, "I felt that there was something lacking, some fundamental penchant— the thing that made this orgy of horror possible and gave viability, so to speak, to her operations. We knew nothing of Ada's early life or of her progenitors and inherited instincts; and without that knowledge the crimes, despite their clear logic, were incredible. Consequently, my next step was to verify Ada's psychological and environmental sources. I had had a suspicion from the first that she was Frau Mannheim's daughter. But even when I verified this fact I couldn't see its bearing on the case. It was obvious, from our interview with Frau Mannheim, that Tobias and her husband had been in shady deals together in the old days; and she later admitted to me that her husband had died thirteen years ago, in October, at New Orleans after a year's illness in a hospital. She also said, as you may recall, that she had seen Tobias a year prior to her husband's death. This would have been fourteen years ago—just the time Ada was adopted by Tobias. I thought there might be some connection between Mannheim and the crimes, and I even toyed with the idea that Sproot was Mannheim, and that a dirty thread of blackmail ran through the situation. So I decided to investigate. My mysterious trip last week was to New Orleans; and there I had no difficulty in learning the truth. By looking up the death records for October thirteen years ago, I discovered that Mannheim had been in an asylum for the criminally insane for a year preceding his death. And from the police I ascertained something of his record. Adolph Mannheim—Ada's father—was, it seems, a famous German criminal and murderer, who had been sentenced to death, but had escaped from the penitentiary at Stuttgart and come to America. I have a suspicion that the departed Tobias was, in some way, mixed up in that escape. But whether or not I wrong him, the fact remains that Ada's father was homicidal and a professional criminal. And therein lies the explanat'ry background of her actions..."
"You mean she was crazy like her old man?" asked Heath.
"No, Sergeant. I merely mean that the potentialities of criminality had been handed down to her in her blood. When the motive for the crimes became powerful, her inherited instincts asserted themselves."
"But mere money," put in Markham, "seems hardly a strong enough motive to inspire such atrocities as hers."
"It wasn't money alone that inspired her. The real motive went much deeper. Indeed, it was perhaps the most powerful of all human motives—a strange, terrible combination of hate and love and jealousy and a desire for freedom. To begin with, she was the Cinderella in that abnormal Greene family, looked down upon, treated like a servant, made to spend her time caring for a nagging invalid, and forced—as Sibella put it—to earn her livelihood. Can you not see her for fourteen years brooding over this treatment, nourishing her resentment, absorbing the poison about her, and coming at length to despise everyone in that household? That alone would have been enough to awaken her congenital instincts. One almost wonders that she did not break forth long before. But another equally potent element entered the situation. She fell in love with Von Blon—a natural thing for a girl in her position to do—and then learned that Sibella had won his affections. She either knew or strongly suspected that they were married; and her normal hatred of her sister was augmented by a vicious and eroding jealousy...
"Now, Ada was the only member of the family who, according to the terms of old Tobias's will, was not compelled to live on the estate in event of marriage and in this fact she saw a chance to snatch all the things she craved and at the same time to rid herself of the persons against whom her whole passionate nature cried out in deadly hatred. She calculated to get rid of the family, inherit the Greene millions, and set her cap for Von Blon. There was vengeance, too, as a motivating factor in all this; but I'm inclined to think the amatory phase of the affair was the prim'ry actuating force in the series of horrors she later perpetrated. It gave her strength and courage; it lifted her into that ecstatic realm where everything seemed possible, and where she was willing to pay any price for the desired end. And there is one point I might recall parenthetically—you remember that Barton, the younger maid, told us how Ada sometimes acted like a devil and used vile language. That fact should have given me a hint; but who could have taken Barton seriously at that stage of the game? ...
"To trace the origin of her diabolical scheme we must first consider the locked library. Alone in the house, bored, resentful, tied down—it was inevitable that this pervertedly romantic child should play Pandora. She had every opportunity of securing the key and having a duplicate made; and so the library became her retreat, her escape from the gruelling, monotonous routine of her existence. There she ran across those books on criminology. They appealed to her, not only as a vicious outlet for her smouldering, repressed hatred, but because they struck a responsive chord in her tainted nature. Eventually she came upon Gross's great manual, and thus found the entire technique of crime laid out before her, with diagrams and examples—not a handbook for examining magistrates, but a guide for a potential murderer! Slowly the idea of her gory orgy took shape. At first perhaps she only imagined, as a means of self- gratification, the application of this technique of murder to those she hated. But after a time, no doubt, the conception became real. She saw its practical possibilities; and the terrible plot was formulated. She created this horror, and then, with her diseased imagination, she came to believe in it. Her plausible stories to us, her superb acting, her clever deceptions—all were part of this horrible fantasy she had engendered. That book of Grimms' 'Fairy Tales'!—I should have understood. Y' see, it wasn't histrionism altogether on her part; it was a kind of demoniac possession. She lived her dream. Many young girls are like that under the stress of ambition and hatred. Constance Kent completely deceived the whole of Scotland Yard into believing in her innocence."
Vance smoked a moment thoughtfully.
"It's curious how we instinctively close our eyes to the truth when history is filled with substantiating examples of the very thing we are contemplating. The annals of crime contain numerous instances of girls in Ada's position who have been guilty of atrocious crimes. Besides the famous case of Constance Kent, there were, for example, Marie Boyer, and Madeliene Smith, and Grete Beyer. I wonder if we'd have suspected them."[30]
"Keep to the present, Vance," interposed Markham impatiently. "You say Ada took all her ideas from Gross. But Gross's handbook is written in German. How did you know she spoke German well enough—?"
"That Sunday when I went to the house with Van I inquired of Ada if Sibella spoke German. I put my questions in such a way that she could not answer without telling me whether or not she, too, knew German well. Incidentally, I wanted her to think that I suspected Sibella, so that she would not hasten matters until I returned from New Orleans. I knew that as long as Sibella was in Atlantic City she was safe from Ada."
"But what I want to know," put in Heath, "is how she killed Rex when she was sitting in Mr. Markham's office."
"Let us take things in order, Sergeant," answered Vance. "Julia was killed first because she was the manager of the establishment. With her out of the way, Ada would have a free hand. And, another thing, the death of Julia at the start fitted best into the scheme she had outlined; it gave her the most plausible setting for staging the attempted murder on herself. Ada had undoubtedly heard some mention of Chester's revolver, and after she had secured it she waited for the opportunity to strike the first blow. The propitious circumstances fell on the night of November 8th; and at half past eleven, when the house was asleep, she knocked on Julia's door. She was admitted, and doubtless sat on the edge of Julia's bed telling some story to explain her late visit. Then she drew the gun from under her dressing-gown and shot Julia through the heart. Back in her own bedroom, with the lights on, she stood before the large mirror of the dressing-table, and, holding the gun in her right hand, placed it against her left shoulder-blade at an oblique angle. The mirror and the lights were essential, for she could thus see exactly where to point the muzzle of the revolver. All this occupied the three-minute interval between the shots. Then she pulled the trigger—"
"But a girl shooting herself as a fake!" objected Heath. "It ain't natural."
"But Ada wasn't natural, Sergeant. None of the plot was natural. That was why I was so anxious to look up her family history. But as to shooting herself; that was quite logical when one considers her true character. And, as a matter of fact, there was little or no danger attaching to it. The gun was on a hair-trigger, and no pressure was needed to discharge it. A slight flesh wound was the worst she had to fear. Moreover, history is full of cases of self-mutilation where the object to be gained was far smaller than what Ada was after. Gross is full of them..."
Philo Vance Omnibus Vol 1 Page 79
