* * * *
What shall I do? I am invited to New York, I, and Charles says I may go, too—only I have nothing to wear. Oh, for some money! a little money! it is my right to have some money; but Charles tells me he can only spare enough to pay my expenses, that my Sunday frock looks very well, and that, even if it did not, I am pretty enough to do without fine clothes, and other nonsense like that—sweet enough, but totally without point, in fact. If I am pretty, all the more I need a little finery to set me off, and, besides, to go to New York without money—why, I should be perfectly miserable. Charles himself ought to realize this, and be willing to sell his old books before he would let me go into this whirl of temptation without a dollar to spend. As he don’t, I must devise some plan of my own for obtaining a little money, for I won’t give up my trip—the first offered me since I was married—and neither will I go away and come back without a gift for my two girls, who have grown to womanhood without a jewel to adorn them or a silk dress to make them look like gentlemen’s children. But how get money without Charles knowing it? Mr. Trohm is such a good friend, he might lend me a little, but I don’t know how to ask him without recalling to his mind certain words long since forgotten by him perhaps, but never to be forgotten by me, feather-brained as many people think me. Is there any one else?
* * * *
I wonder if some things are as wicked as people say they are. I—
* * * *
Here the diary breaks off abruptly. But we know what followed. The forgery, the discovery of it by her suave but secret enemy, his unnatural revenge, and the never-dying enmity which led to the tragic events it has been my unhappy fortune to relate at such length. Poor Althea! with thy name I write finis to these pages. May the dust lie lightly on thy breast under the shadow of the Flower Parlor, through which thy footsteps passed with such dread in the old days of thy youthful beauty and innocence!
THE CIRCULAR STUDY [Part 1]
THE THIRD EPISODE IN THE LIFE OF AMELIA BUTTERWORTH
BOOK I: A STRANGE CRIME
CHAPTER I
RED LIGHT
Mr. Gryce was melancholy. He had attained that period in life when the spirits flag and enthusiasm needs a constant spur, and of late there had been a lack of special excitement, and he felt dull and superannuated. He was even contemplating resigning his position on the force and retiring to the little farm he had bought for himself in Westchester; and this in itself did not tend to cheerfulness, for he was one to whom action was a necessity and the exercise of his mental faculties more inspiring than any possible advantage which might accrue to him from their use.
But he was not destined to carry out this impulse yet. For just at the height of his secret dissatisfaction there came a telephone message to Headquarters which roused the old man to something like his former vigor and gave to the close of this gray fall day an interest he had not expected to feel again in this or any other kind of day. It was sent from Carter’s well-known drug store, and was to the effect that a lady had just sent a boy in from the street to say that a strange crime had been committed in ——’s mansion round the corner. The boy did not know the lady, and was shy about showing the money she had given him, but that he had money was very evident, also, that he was frightened enough for his story to be true. If the police wished to communicate with him, he could be found at Carter’s, where he would be detained till an order for his release should be received.
A strange crime! That word “strange” struck Mr. Gryce, and made him forget his years in wondering what it meant. Meanwhile the men about him exchanged remarks upon the house brought thus unexpectedly to their notice. As it was one of the few remaining landmarks of the preceding century, and had been made conspicuous moreover by the shops, club-houses, and restaurants pressing against it on either side, it had been a marked spot for years even to those who knew nothing of its history or traditions.
And now a crime had taken place in it! Mr. Gryce, in whose ears that word “strange” rang with quiet insistence, had but to catch the eye of the inspector in charge to receive an order to investigate the affair. He started at once, and proceeded first to the drug store. There he found the boy, whom he took along with him to the house indicated in the message. On the way he made him talk, but there was nothing the poor waif could add to the story already sent over the telephone. He persisted in saying that a lady (he did not say woman) had come up to him while he was looking at some toys in a window, and, giving him a piece of money, had drawn him along the street as far as the drug store. Here she showed him another coin, promising to add it to the one he had already pocketed if he would run in to the telephone clerk with a message for the police. He wanted the money, and when he grabbed at it she said that all he had to do was to tell the clerk that a strange crime had been committed in the old house on —— Street. This scared him, and he was sliding off, when she caught him again and shook him until his wits came back, after which he ran into the store and delivered the message.
There was candor in the boy’s tone, and Mr. Gryce was disposed to believe him; but when he was asked to describe the lady, he showed that his powers of observation were no better than those of most of his class. All he could say was that she was a stunner, and wore shiny clothes and jewels, and Mr. Gryce, recognizing the lad’s limitations at the very moment he found himself in view of the house he was making for, ceased to question him, and directed all his attention to the building he was approaching.
Nothing in the exterior bespoke crime or even disturbance. A shut door, a clean stoop, heavily curtained windows (some of which were further shielded by closely drawn shades) were eloquent of inner quiet and domestic respectability, while its calm front of brick, with brownstone trimmings, offered a pleasing contrast to the adjoining buildings jutting out on either side, alive with signs and humming with business.
“Some mistake,” muttered Gryce to himself, as the perfect calm reigning over the whole establishment struck him anew. But before he had decided that he had been made the victim of a hoax, a movement took place in the area under the stoop, and an officer stepped out, with a countenance expressive of sufficient perplexity for Mr. Gryce to motion him back with the hurried inquiry: “Anything wrong? Any blood shed? All seems quiet here.”
The officer, recognizing the old detective, touched his hat. “Can’t get in,” said he. “Have rung all the bells. Would think the house empty if I had not seen something like a stir in one of the windows overhead. Shall I try to make my way into the rear yard through one of the lower windows of Knapp & Co.’s store, next door?”
“Yes, and take this boy with you. Lock him up in one of their offices, and then break your way into this house by some means. It ought to be easy enough from the back yard.”
The officer nodded, took the boy by the arm, and in a trice had disappeared with him into the adjoining store. Mr. Gryce remained in the area, where he was presently besieged by a crowd of passers-by, eager to add their curiosity to the trouble they had so quickly scented. The opening of the door from the inside speedily put an end to importunities for which he had as yet no reply, and he was enabled to slip within, where he found himself in a place of almost absolute quiet. Before him lay a basement hall leading to a kitchen, which, even at that moment, he noticed to be in trimmer condition than is usual where much housework is done, but he saw nothing that bespoke tragedy, or even a break in the ordinary routine of life as observed in houses of like size and pretension.
Satisfied that what he sought was not to be found here, he followed the officer upstairs. As they emerged upon the parlor floor, the latter dropped the following information:
“Mr. Raffner of the firm next door says that the man who lives here is an odd sort of person whom nobody knows; a bookworm, I think they call him. He has occupied the house six months, yet they have never seen any one about the premise but himself and a strange old servant as peculiar and uncommunicative as his master.”
“I know,” muttered Mr. Gryce. He did know, e
verybody knew, that this house, once the seat of one of New York’s most aristocratic families, was inhabited at present by a Mr. Adams, noted alike for his more than common personal attractions, his wealth, and the uncongenial nature of his temperament, which precluded all association with his kind. It was this knowledge which had given zest to this investigation. To enter the house of such a man was an event in itself: to enter it on an errand of life and death—Well, it is under the inspiration of such opportunities that life is reawakened in old veins, especially when those veins connect the heart and brain of a sagacious, if octogenarian, detective.
The hall in which they now found themselves was wide, old-fashioned, and sparsely furnished in the ancient manner to be observed in such time-honored structures. Two doors led into this hall, both of which now stood open. Taking advantage of this fact, they entered the nearest, which was nearly opposite the top of the staircase they had just ascended, and found themselves in a room barren as a doctor’s outer office. There was nothing here worth their attention, and they would have left the place as unceremoniously as they had entered it if they had not caught glimpses of richness which promised an interior of uncommon elegance, behind the half-drawn folds of a portière at the further end of the room.
Advancing through the doorway thus indicated, they took one look about them and stood appalled. Nothing in their experience (and they had both experienced much) had prepared them for the thrilling, the solemn nature of what they were here called upon to contemplate.
Shall I attempt its description?
A room small and of circular shape, hung with strange tapestries relieved here and there by priceless curios, and lit, although it was still daylight, by a jet of rose-colored light concentrated, not on the rows and rows of books around the lower portion of the room, or on the one great picture which at another time might have drawn the eye and held the attention, but on the upturned face of a man lying on a bearskin rug with a dagger in his heart and on his breast a cross whose golden lines, sharply outlined against his long, dark, swathing garment, gave him the appearance of a saint prepared in some holy place for burial, save that the dagger spoke of violent death, and his face of an anguish for which Mr. Gryce, notwithstanding his lifelong experience, found no name, so little did it answer to a sensation of fear, pain, or surprise, or any of the emotions usually visible on the countenances of such as have fallen under the unexpected stroke of an assassin.
CHAPTER II
MYSTERIES
A moment of indecision, of awe even, elapsed before Mr. Gryce recovered himself. The dim light, the awesome silence, the unexpected surroundings recalling a romantic age, the motionless figure of him who so lately had been the master of the house, lying outstretched as for the tomb, with the sacred symbol on his breast offering such violent contradiction to the earthly passion which had driven the dagger home, were enough to move even the tried spirit of this old officer of the law and confuse a mind which, in the years of his long connection with the force, had had many serious problems to work upon, but never one just like this.
It was only for a moment, though. Before the man behind him had given utterance to his own bewilderment and surprise, Mr. Gryce had passed in and taken his stand by the prostrate figure.
That it was that of a man who had long since ceased to breathe he could not for a moment doubt; yet his first act was to make sure of the fact by laying his hand on the pulse and examining the eyes, whose expression of reproach was such that he had to call up all his professional sangfroid to meet them.
He found the body still warm, but dead beyond all question, and, once convinced of this, he forbore to draw the dagger from the wound, though he did not fail to give it the most careful attention before turning his eyes elsewhere. It was no ordinary weapon. It was a curio from some oriental shop. This in itself seemed to point to suicide, but the direction in which the blade had entered the body and the position of the wound were not such as would be looked for in a case of self-murder.
The other clews were few. Though the scene had been one of bloodshed and death, the undoubted result of a sudden and fierce attack, there were no signs of struggle to be found in the well-ordered apartment. Beyond a few rose leaves scattered on the floor, the room was a scene of peace and quiet luxury. Even the large table which occupied the centre of the room and near which the master of the house had been standing when struck gave no token of the tragedy which had been enacted at its side. That is, not at first glance; for though its large top was covered with articles of use and ornament, they all stood undisturbed and presumably in place, as if the shock which had laid their owner low had failed to be communicated to his belongings.
The contents of the table were various. Only a man of complex tastes and attainments could have collected and arranged in one small compass pipes, pens, portraits, weights, measures, Roman lamps, Venetian glass, rare porcelains, medals, rough metal work, manuscript, a scroll of music, a pot of growing flowers, and—and—(this seemed oddest of all) a row of electric buttons, which Mr. Gryce no sooner touched than the light which had been burning redly in the cage of fretted ironwork overhead changed in a twinkling to a greenish glare, filling the room with such ghastly tints that Mr. Gryce sought in haste another button, and, pressing it, was glad to see a mild white radiance take the place of the sickly hue which had added its own horror to the already solemn terrors of the spot.
“Childish tricks for a man of his age and position,” ruminated Mr. Gryce; but after catching another glimpse of the face lying upturned at his feet he was conscious of a doubt as to whether the owner of that countenance could have possessed an instinct which was in any wise childish, so strong and purposeful were his sharply cut features. Indeed, the face was one to make an impression under any circumstances. In the present instance, and with such an expression stamped upon it, it exerted a fascination which disturbed the current of the detective’s thoughts whenever by any chance he allowed it to get between him and his duty. To attribute folly to a man with such a mouth and such a chin was to own one’s self a poor judge of human nature. Therefore, the lamp overhead, with its electric connection and changing slides, had a meaning which at present could be sought for only in the evidences of scientific research observable in the books and apparatus everywhere surrounding him.
Letting the white light burn on, Mr. Gryce, by a characteristic effort, shifted his attention to the walls, covered, as I have said, with tapestries and curios. There was nothing on them calculated to aid him in his research into the secret of this crime, unless—yes, there was something, a bent-down nail, wrenched from its place, the nail on which the cross had hung which now lay upon the dead man’s heart. The cord by which it had been suspended still clung to the cross and mingled its red threads with that other scarlet thread which had gone to meet it from the victim’s wounded breast. Who had torn down that cross? Not the victim himself. With such a wound, any such movement would have been impossible. Besides, the nail and the empty place on the wall were as far removed from where he lay as was possible in the somewhat circumscribed area of this circular apartment. Another’s hand, then, had pulled down this symbol of peace and pardon, and placed it where the dying man’s fleeting breath would play across it, a peculiar exhibition of religious hope or mad remorse, to the significance of which Mr. Gryce could not devote more than a passing thought, so golden were the moments in which he found himself alone upon this scene of crime.
Behind the table and half-way up the wall was a picture, the only large picture in the room. It was the portrait of a young girl of an extremely interesting and pathetic beauty. From her garb and the arrangement of her hair, it had evidently been painted about the end of our civil war. In it was to be observed the same haunting quality of intellectual charm visible in the man lying prone upon the floor, and though she was fair and he dark, there was sufficient likeness between the two to argue some sort of relationship between them. Below this picture were fastened a sword, a pair of epaulettes, and a medal such
as was awarded for valor in the civil war.
“Mementoes which may help us in our task,” mused the detective.
Passing on, he came unexpectedly upon a narrow curtain, so dark of hue and so akin in pattern to the draperies on the adjoining walls that it had up to this time escaped his attention. It was not that of a window, for such windows as were to be seen in this unique apartment were high upon the wall, indeed, almost under the ceiling. It must, therefore, drape the opening into still another communicating room. And such he found to be the case. Pushing this curtain aside, he entered a narrow closet containing a bed, a dresser, and a small table. The bed was the narrow cot of a bachelor, and the dresser that of a man of luxurious tastes and the utmost nicety of habit. Both the bed and dresser were in perfect order, save for a silver-backed comb, which had been taken from the latter, and which he presently found lying on the floor at the other end of the room. This and the presence of a pearl-handled parasol on a small stand near the door proclaimed that a woman had been there within a short space of time. The identity of this woman was soon established in his eyes by a small but unmistakable token connecting her with the one who had been the means of sending in the alarm to the police. The token of which I speak was a little black spangle, called by milliners and mantua-makers a sequin, which lay on the threshold separating this room from the study; and as Mr. Gryce, attracted by its sparkle, stooped to examine it, his eye caught sight of a similar one on the floor beyond, and of still another a few steps farther on. The last one lay close to the large centre-table before which he had just been standing.
The Anna Katharine Green Mystery Megapack Page 59
