The Counterfeit Crank

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The Counterfeit Crank Page 27

by Edward Marston


  They reached Gracechurch Street towards the end of the afternoon, just in time to watch the happy crowds pouring out of the Queen’s Head to remind the landlord that he would have to contend with the actors who loathed him almost as much as he detested them. It was a heavy cross to bear. He and Sybil drove into the yard in grim silence, furious at the noise of revelry that was coming from the taproom. It sounded as if a riot was taking place there. Marwood jumped down from the cart and rushed off to save what he could of his inn before what he believed was an unruly mob got completely out of hand. But, when he charged into the taproom, a miracle occurred.

  The noise ceased instantly and everyone turned to look at him with a respect that bordered almost on reverence. During his absence, Westfield’s Men had been assailed by a whole series of setbacks, testing them to the limit of their tolerance. Much of their suffering had been inflicted by Adam Crowmere, the very man engaged to replace their old landlord. He and his false friendship had now gone. Alexander Marwood was back to revile them as before but they found that strangely reassuring. Whatever his faults, the landlord was sincere. He was no counterfeit.

  With a spontaneous release of affection, the whole company clapped and cheered him to the echo. Lawrence Firethorn even went so far as to hug the man warmly and kiss him on his pate. Marwood was overwhelmed by his reception. Against all the odds, he was wanted. As the ovation continued, and as the actors patted him warmly on the back, he was caught up in the spirit of the moment. For the first time since his wedding night, he put back his head and laughed with unreserved joy.

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  About the Author

  EDWARD MARSTON was born and brought up in South Wales. A full-time writer for over forty years, he has worked in radio, film, television and the theatre and is a former chairman of the Crime Writers’ Association. Prolific and highly successful, he is equally at home writing children’s books or literary criticism, plays or biographies.

  www.edwardmarston.com

  By Edward Marston

  THE BRACEWELL MYSTERIES

  The Queen’s Head • The Merry Devils • The Trip to Jerusalem

  The Nine Giants • The Mad Courtesan • The Silent Woman

  The Roaring Boy • The Laughing Hangman • The Fair Maid of Bohemia

  The Wanton Angel • The Devil’s Apprentice • The Bawdy Basket

  The Vagabond Clown • The Counterfeit Crank • The Malevolent Comedy

  The Princess of Denmark

  THE RAILWAY DETECTIVE SERIES

  The Railway Detective • The Excursion Train

  The Railway Viaduct • The Iron Horse

  Murder on the Brighton Express • The Silver Locomotive Mystery

  Railway to the Grave • Blood on the Line

  The Stationmaster’s Farewell • Peril on the Royal Train

  The Railway Detective Omnibus:

  The Railway Detective, The Excursion Train, The Railway Viaduct

  THE CAPTAIN RAWSON SERIES

  Soldier of Fortune • Drums of War • Fire and Sword

  Under Siege • A Very Murdering Battle

  THE RESTORATION SERIES

  The King’s Evil • The Amorous Nightingale • The Repentant Rake

  The Frost Fair • The Parliament House • The Painted Lady

  THE HOME FRONT DETECTIVE SERIES

  A Bespoke Murder • Instrument of Slaughter

  Five Dead Canaries

  Copyright

  Allison & Busby Limited

  12 Fitzroy Mews

  London W1T 6DW

  www.allisonandbusby.com

  First published in 2004.

  This ebook edition first published in Great Britain by Allison & Busby in 2014.

  Copyright © 2004 by EDWARD MARSTON

  The moral right of the author is hereby asserted in accordance with the Copyright, Designs and Patents Act 1988.

  All characters and events in this publication other than those clearly in the public domain are fictitious and any resemblance to actual persons, living or dead, is purely coincidental.

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent buyer.

  A CIP catalogue record for this book is available from

  the British Library.

  ISBN 978–0–7490–1531–2

 

 

 


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