Carved in Bone bf-1

by Jefferson Bass

  She fixed me with a stern, no-bullshit look. “Bill, when’s the last time you got laid?”

  I flushed. “It’s been awhile. Not since Kathleen died. A few months before Kathleen died.”

  She held the look. “So, what, two years or more? That’s a long damn time for a man in his prime. And you’re around young women — smart, attractive young women, women who look up to you — day in and day out. I’m amazed you haven’t thrown some poor lass to the floor and ravished her by now. Jesus, Bill, give yourself a break. Yeah, you kissed a student. Probably as much her doing as yours — take my word for that. And yeah, your timing sucked. Too bad. You want to apologize to one of them, or both of them, go ahead. And then go on.” Her voice softened. “Bill, Bill. We all make mistakes. Even you. Grieving, lonely, stiff-upper-lip you. And if getting caught in a kiss knocks you off that pedestal your diener’s put you on, well, maybe that’s best.” She leaned closer, right into my face. “Understandable as it is, Bill, it’s not healthy for her to idolize you.”

  I blinked. A lot had just happened: confession, understanding, forgiveness, counsel. “I thought you were supposed to be a pathologist. Sound more like a shrink. A damn good one, by the way.”

  She smiled. “Nope, just a woman who’s been around the block a time or two. If I weren’t happily lesbian now, I might take you for a spin myself, try to put a smile back on your face. But enough with the therapy. We’ve got a corpse to dissect.”

  She left me with my jaw hanging open—“happily lesbian now”? Whatever happened to the husband she’d introduced me to at that forensic conference a year or so ago? — and turned her attention to Ledbetter’s corpse. The Y incision from Dr. Hamilton’s autopsy had been stitched shut with coarse black baseball-style sutures, which Jess cut with a flick of the scalpel. Stuffed into the abdomen was a red plastic biohazard bag; extricating it and laying it on the table, she said, “Well, at least he bagged the organs instead of just dumping them into the cavity. We might as well look at the lungs first, although I’m not feeling optimistic about what kind of shape they’re in.”

  “Nine months is a long time,” I agreed. “I’ll be surprised if they’re not completely putrefied.”

  “Me too. Looks like our man got the bare minimum of cosmetic embalming — just enough in the neck to keep his face presentable for the funeral. And the organs were already removed and bagged at that point, so they didn’t get any formalin at all.” She cut the zip tie at the neck of the bag. “Brace yourself — this is going to be pretty ripe.” Opening the bag wide, she revealed the contents to our eyes and our nostrils.

  The lungs — or, rather, what had once been the lungs — were now a few handfuls of gelatinous gray goo. They had been sliced apart during the original autopsy, and the dissection and decay had combined to render them useless as any source of additional forensic information. “Shit,” she said. “And I mean that descriptively as well as editorially.” She tied the bag shut again and strode toward a stereomicroscope at a desk against one wall of the autopsy suite. “At least your girlfriend did me one favor before she stomped out of here. She got us the slides.” Jess switched on the light source and peered into the eyepieces. “Come take a look.”

  I took her place at the scope and leaned in, tweaking the focus a bit to compensate for my lack of reading glasses. The field of view was filled with lacy, delicate circles of pale pink; the insides of the circles were nearly opaque brown. “Tell me what I’m seeing.”

  “Cross-section of the alveolar sacs from the lower right lobe of the lungs. Five microns thick — one two-hundredth of an inch. The water in the tissue has been replaced with paraffin.”

  “So the pink circles?”

  “The business part of the lungs — the sacs where air exchange takes place.”

  “That was what I figured. And the brown?”

  “Blood.”

  “Perimortem?”

  “Nope. Clotted. Definitely antemortem.”

  “Any way to tell how long antemortem?”

  “Top of the head, I’d guess two weeks,” she said. “I wish Dr. Hamilton had kept the save jar.”

  “Save jar?”

  “Yeah — a highly technical term for the jar where we packrat-type pathologists sometimes pickle bigger slices of organs in formalin. I’ve got thousands of ’em — I tend to keep mine for years, at least in forensic cases. But I think Hamilton incinerates the larger sections as soon as he finishes writing the report. Keeps the shelves clear, he told me once. Also makes it harder for somebody else to second-guess him, I’d say.”

  “What would a bigger section tell you?”

  “Maybe nothing, but maybe — if we got really lucky — it might have included traumatized tissue. Which might have lent credence to his stabbing theory — or might have shown what a completely idiotic idea that was.”

  She leaned closer, practically inserting her head into the cavern that had once housed the rubbery heart and spongy lungs, and played her headlamp over the interior. “The soft tissues inside the body cavity show signs of advanced decomposition,” she dictated, “however, the parietal pleural membrane appears to be intact, showing no sign of a penetration wound on the posterior wall of the chest cavity.” She lifted her foot from the Dictaphone’s pedal. “You wanna help me roll him over?”

  We rolled the corpse onto its stomach, or what was once its stomach, so she could examine the back. A ragged gash, roughly two inches long and an inch wide, punctuated the lower left side of the back, just above the hip. Jess teased it open with the tip of a probe. As she worked the probe around inside the wound, a muffled grating sound emerged from the corpse. “Hark,” she said, eyes dancing above her mask. “Do you hear what I hear?” I nodded. “Let’s see what we’ve found.”

  Trading the probe for a scalpel, she cut gently at the top and bottom of the wound to widen it slightly, then inserted a small spreader to open it. Something glimmered dully deep within the rotting flesh. Reaching in with a pair of forceps, Jess grasped and pulled, wiggling gently to help tease the object from the tissue. “Come to Mama,” she murmured as she worked it free, then, “Eureka.” It was a shard of glass, a quarter-inch thick and two inches long. The end she held in the forceps was perhaps an inch across; the piece tapered, over its two-inch length, to a wicked point. “That had to hurt,” she said.

  “Meacham said that Ledbetter had collapsed onto a glass-topped coffee table. That’s got to be a piece of it. Could it have killed him?”

  “Don’t see how — not right there. It’s completely lodged in the erector spinae — the main group of muscles of the lower back — so even though it’s a bad puncture wound, it wouldn’t have severed any major blood vessels. Eventually he might have bled out or died of infection, but he didn’t. For all his sloppiness in this case, Dr. Hamilton did get the cause of death right: it was a pulmonary hemorrhage that killed him. What he got badly wrong were the cause and the timing of the hemorrhage. This glass was just icing on the cake. In fact, this guy might have already been dead, or close to it, when he hit the coffee table.”

  “So there’s no evidence of a knife wound, Jess?”

  “Well, you never know. Maybe the guy stabbed him and then stuck this in there to cover his tracks. Sounds far-fetched, but I still get surprised once in a while. You’re gonna check for knife marks on the bone, right?”

  I nodded. “Yeah, I wasn’t trying to get out of the work. Just trying to make sense of what we’re seeing here.”

  She wrapped up her dictation with a matter-of-fact notation that the remains had been transferred to forensic anthropologist William Brockton of the University of Tennessee for further examination, to ascertain whether the spine or ribs had sustained trauma, then switched off the recorder. “Bill, you want me to save you a little time?”

  I wasn’t sure what she meant. “What do you mean?” I asked. Reaching to one side of the instrument tray, she picked up a long, straight-bladed knife that must have measured eighteen inches from stem to st
ern. I vaguely recalled seeing its twin one morning in Panera Bread, where a baker deftly dissected a cinnamon-raisin loaf into perfect slices. “Looks like a kitchen knife,” I said.

  “Oh, please,” she said. “It’s a highly specialized implement with a precise medical name: bread knife.” Her arm extended and then swiftly drew back, and suddenly the corpse’s legs and pelvis lay separated from the upper body by a crisp, narrow gap. The one-eighth-inch cartilage disk between the twelfth thoracic vertebra and the first lumbar vertebra had been slit neatly in half.

  “Wow,” I said. “Remind me never to make you mad.”

  “Don’t ever make me mad,” she obliged. “I keep hoping some creep will try to mug me in the hospital parking lot some night, but it never happens.”

  “Tough break,” I commiserated. “But don’t give up hope. You’re far too young and beautiful to become embittered by life’s disappointments.”

  “Thanks.”

  “Say, you think you could do that again, up here between the thoracic and cervical vertebrae?”

  “Gee, I dunno,” she said, “that mighta just been beginner’s luck.” I pulled my finger back a split second before the knife flashed again. The head rolled free of the shoulders. “Two in a row — whattaya know?” Jess washed and dried the knife and began shucking her scrubs and paper booties. Underneath, she’d kept on a pair of black jeans, a blue silk blouse, and a pair of square-toed leather boots. “Okay, sport, he’s all yours. Have fun.” I nodded, already mentally dissecting the rib cage. “Oh, and Bill?” I turned to look at her as she sheathed the blade and tucked it into the belt of her jeans. “Don’t forget what I said. Do what you need to do to straighten things with these students. Then cut yourself some slack. And for pete’s sake, get yourself laid!” She winked broadly and pushed open the door, leaving me standing red-faced above the disarticulated torso of Billy Ray Ledbetter.

  I didn’t need to deflesh the entire skeleton, just the thoracic region which Jess had cut free for me. Curling my fingers under the rib cage, I lifted the ripe section of torso and lugged it to a nearby counter, where a mammoth steam-jacketed steel kettle stood waiting. Resting my burden on the rim, I shifted my grip and lowered it in, then filled it to within a few inches of the rim, using a short hose hanging on the wall behind it. I added a splash of bleach from a Clorox bottle — I liked the fresher, green-labeled variety — and what I guessed to be a tablespoon from a jar of Adolph’s Meat Tenderizer. The Adolph’s would cut the time and the bleach would cut the odor, as well as lightening the bones’ caramel color to the shade of aging ivory that lawyers and jurors seemed to prefer. I twisted the thermostat at the base of the kettle to 180 degrees. Below that, the tissue would take too long to soften; any higher, and I’d be risking a nasty boil-over.

  As I left Billy Ray Ledbetter to simmer, I realized I’d been doing a lot of stewing myself. I’d kept a tight lid on my emotions ever since Kathleen died — outwardly, at least — hoping that by doing so, I could keep my life from getting messy. Jess’s advice, and my own behavior lately, had shown me that I, too, had come close to boiling over. Maybe she was right. Maybe I needed to loosen up. Maybe I did need to get laid.

  CHAPTER 17

  I leaned out the truck and down toward the drive-through window. “Here you go,” said Dolores, handing me the bright yellow plastic box.

  “Did I get anything besides the lens cap?”

  “Some great shots of your left index finger,” she laughed. “Your buddy Art could run those through his fingerprint database for sure.” Seeing the alarm on my face, she laughed again. “Gotcha. Not bad, mostly — less gross than usual, which I personally appreciate. Some of ’em, though, looks like you accidentally hit the shutter button before you were ready.”

  “What makes you say that?”

  “Nothing but mud.”

  I smiled. “Any footprints in that mud?”

  “Well, now that you mention it, seems like maybe there were. Is that what you were after?” I nodded.

  Dolores had been developing my slides for years now; during that time, she’d seen photos from crime scenes that had made hardened cops lose their lunch. She always seemed interested, but her questions invariably stopped short of nosiness. I didn’t mind sharing a few details, because I knew she’d keep anything she saw or heard to herself. In her mind’s eye, she seemed to click back through the strip of film. “Nothing but mud in some, but others, you’ll probably find something interesting. You must’ve been shooting at night.”

  “In a cave, actually.”

  “I wondered where you’d found all that mud, dry as it’s been this month. Always something new with you, Doc.”

  “Keeps life interesting, Dolores. Keeps old age at bay.” I paid, took my receipt, and waved as the drive-through window slid shut and Dolores disappeared into the depths of FotoFast.

  Back at the office, I inserted the slides, upside-down, into a carousel tray and snapped the tray onto the Kodak projector. I switched on the projector’s lamp and turned out the overhead fluorescent. As the autofocus lens ratcheted in and out, seeking clarity, green and yellow blurs gradually resolved into the ATVs we’d wrangled up the mountainside and into the cave. Sheriff Kitchings’s belly flashed up, filling half the screen, as he wriggled through the narrow squeeze. His face was contorted and his teeth were clenched with the strain. I studied him, this man who had asked for my help and then hidden the truth from me. Something about the photo disturbed me. The image — the way he was hoisting his belly — was grotesque, but that wasn’t what nagged at me. I stared at his face awhile longer, still unable to put my finger on anything specific, then moved on. The soles of three different boots — the sheriff’s, the deputy’s, and mine — flashed past. Only then, because I had purposely loaded the three-boot reference photos out of sequence, did my shots of the cave’s muddy floor begin.

  The first few images showed some hint of foot traffic, but the angle — high, shooting nearly straight down — made everything appear flat and featureless. As the camera angle got progressively lower, shadows appeared and grew, as if the sun were setting in the cave, throwing the contours of the mud into sharp relief, revealing a world of texture. A world of footprints.

  The prints reminded me of craters on the moon, seen through a telescope: at full moon, viewed straight-on, the rocky surface appears deceptively smooth. But at other stages, especially when viewed at the terminus — the border between light and dark — the craters and canyons show themselves to be rugged, razor-edged, and forbidding. The cave’s craters were made by human feet, not by massive meteorites, but the surface looked almost as pocked and layered as the ancient face of the moon.

  Kitchings had told me that he and Williams ventured into the grotto just far enough to determine that a body lay there. Sure enough, two sets of tracks — a lugged-sole pattern that matched the sheriff’s boots and a rippled design that matched Williams’s — led toward the rock shelf where the body lay. The tracks stopped, and some random, layered trampling suggested shifting stances by both men. Then the tracks reversed direction, leading back toward the camera and in the direction of the grotto’s entrance. I nodded to myself; it was what I’d expected to see, based on what they’d told me.

  What I hadn’t expected to see came in the next slide, which I’d taken by leaning far to the left, beyond the corpse’s head, still shooting low. The image that flashed onto the screen made me gasp. A veritable stampede of footprints approached the body from the opposite direction — a shadowy nook in the grotto, as I recalled, which I had taken to be a dead-end crevice. The tracks — lots of them, a dozen or more — departed the same way they’d come. I was dumbfounded. “Jesus,” I said out loud, “how many people were in on this damn thing?” Then another thought struck me: could they be morbid sightseers, who had somehow gotten wind of the grisly spectacle in the grotto? But it took only a few seconds to decide that what appeared to be many people’s footprints were actually many prints from a single person: layer upo
n layer of tracks from what appeared to be the same pair of boots. Judging by the soles, the boots were old and worn — work boots, maybe, rather than hiking or combat boots. But here and there along the edge, some of the earlier tracks — ones that were only partially obliterated by later imprints — looked sharper, as if the boots were newer. I felt my mind ratcheting back and forth, like the projector’s lens, struggling to focus. Finally I got it: someone had visited the grotto repeatedly, over a long period of time. I’d ask Art to take a look and give me his read on it, but that seemed the only explanation that made sense. The only other possibility was that a crowd of people had trooped in, wearing identically made but differently aged boots. Either scenario was disturbing.

  But not as disturbing as what I saw next. It was the final image of the cave’s floor, similar to the previous one, but following the tracks even farther toward what was clearly the room’s other entrance. At the edge of the mass of identical tracks was one additional set of prints — uppermost, and therefore most recent. Unlike the layers of increasingly worn work boot tracks, these prints showed crisp, practically new soles. Lugged soles. They looked a lot like the soles on the feet of Sheriff Tom Kitchings.

  I switched off the lamp and sat in darkness, quiet except for the low hum of the projector’s fan. The machine’s heat warmed the room, but the picture I had just seen gave me a chill. I was working a case for a sheriff whom I did not know and did not trust. I was in contact with a self-described outlaw — a potential suspect — whom I likewise did not know but, oddly, did trust. The solid footing I normally felt underfoot seemed to be falling away on either side, leaving me teetering along a knife-edge ridge, defined only by dark and dizzying drops on either side. For the first time in my career, I began to consider withdrawing from a case. Every internal alarm I possessed was ringing like crazy; the stakes seemed too high, the truth too tainted by secrets that lurked deep within the mountains or the hearts of the clannish people who dwelled there.