“It’s a communal thing, lover.”
He grunted and passed her the joint; she smoked and passed it to Tabachnik; Tabachnik took a hit, let the smoke sit in his mouth for a moment, and breathed out. He passed the joint to the bassist and asked the drummer, “How’d you get the name SadJoe?”
SadJoe made a gun with his thumb and index finger and shoved it into his mouth.
Molly said, “He’s sick of telling the story.”
If you’re going to call yourself SadJoe, thought Tabachnik, you ought to expect a little curiosity.
“I’ll tell it,” said the Australian. The whites of his eyes were now mostly red. A strand of mucus was creeping out of one of his nostrils and Tabachnik started to say something but then decided not to.
“SadJoe grew up in New Jersey,” the Australian began. “What town?”
“Near Elizabeth,” said SadJoe.
“Near Elizabeth. And the street he lived on, I guess this was a quiet town, all the kiddies played together. Football and so forth.”
“Street hockey,” said SadJoe. “Street hockey was the big game. I was always goalie. Goalie’s the best athlete on the team.” He nudged Molly Minx and she smiled at him.
“So they all played street hockey together. This was before SadJoe became SadJoe. He was just Joe.”
“Some people called me Joey.”
“All right. And along comes a new family, with a little boy. This boy, unfortunately, was born a little off. Special, you call it?”
“He was a mongoloid,” said SadJoe. Molly shot him a nasty look and SadJoe shrugged. “What’s the nice word for mongoloid?”
Everyone looked at Tabachnik. There was something about his face that made people suspect he knew things that nobody else would bother to know.
He said, “A kid with Down’s syndrome, I guess.”
“Mon-go-loid,” said SadJoe, chanting the syllables into Molly’s ear. “Mon-go-loid.”
“But a sweet boy,” continued the Australian. “Always smiling, always laughing.”
“He used to kiss me on the lips sometimes,” said SadJoe, scratching his armpit. “But I don’t think he was gay. Sometimes retards don’t know the difference between right and wrong.”
“Jesus,” said Molly.
“Well,” said the Australian, “the boy’s name was Joe. But the kids couldn’t call him Joe, because our friend here already had the name. So they started calling him Happy Joe.”
“He was a good kid,” said SadJoe.
“And eventually,” concluded the Australian, “if there’s one Joe called Happy Joe, then the other will become Sad Joe.”
“Ta-da,” said Molly, lighting a new joint.
“And they all lived happily ever after,” said the Australian, gazing hungrily at the fresh weed.
“Not really,” said SadJoe. “Happy Joe got run over by a UPS truck.”
Everybody stared at him. He sighed and rubbed the palm of his hand over the stiff ridge of his mohawk. “First dead body I ever saw.”
“You never told me that part,” said Molly, frowning.
“Death makes me glum, baby.”
The club closed down at four in the morning, but Tabachnik and the Taints stayed until five, when the manager came to say they were locking the doors. They shuffled outside and shivered on the street corner.
“You know what we should do,” said SadJoe. “The fish market opens up in a few minutes, down on Fulton Street. We should go down there.”
“Why?” asked Molly. She was wearing an old fur coat. One of the sleeves was torn, but it looked like real fur.
“That’s when the fish is freshest,” SadJoe explained.
The Australian and the bassist and the guitarist murmured stoned good-byes, hailed a cab, and headed for Brooklyn. Finally, thought Tabachnik.
“If you two want to grab some coffee, there are things I’d like to talk about.”
“Nah, I guess I’ll go home,” said SadJoe. “First train will be running pretty soon.”
Molly stared at Tabachnik and then at SadJoe. “Maybe we should get some coffee.”
“Not for me, pretty. It’s fish or nothing.” He extended a hand for Tabachnik and they shook. The drummer had a firm grip. “Later, pilgrim.”
“Why don’t you invite him to the party,” said Molly, still staring at SadJoe purposefully.
SadJoe looked at her, raised his eyebrows, and then shrugged. “I’m having a party tomorrow afternoon. In Jersey.”
“We can go together,” Molly told Tabachnik. “His place is hard to find.”
Tabachnik gave her a card from the hotel where he was staying, his room number already written on top in neat, square digits. “Give me a call. I’d love to go.”
SadJoe watched this exchange in silence, chewing his lip. Finally he said, “Tell me your name again, man.”
“Tabachnik.”
“Yeah, all right. We’ll see you.”
SadJoe and Molly Minx walked away and Tabachnik watched them go, SadJoe’s heavy black boots clomping on the pavement, the back of his old army jacket scrawled with faded words in black Magic Marker.
The next afternoon Tabachnik picked up Molly at the occult boutique in the East Village where she worked. They took the subway to Penn Station. Tabachnik had not ridden the subway in years. He longed to be back in Los Angeles, where there were supposedly millions of people but you never really saw them. He could walk two miles in his neighborhood, on broad sidewalks beneath tall palm trees, and encounter one old woman in yellow pants and one small boy on a skateboard. Everybody else was locked away somewhere safe.
Tabachnik and Molly Minx held on to a metal pole as the train shuddered and plunged through the tunnel. He wore black woolen pants, a black cashmere turtleneck sweater, and a full-length black peacoat. Molly wore a powder blue catsuit that zipped in the back. Winter wasn’t over yet, and this is what she wore. She had what seemed to be a permanent wedgie. All the men within sight had noticed this condition. An old man chewing a potato knish stared at her ass, glanced at Tabachnik, and then resumed staring at her ass. The other men pretended not to stare at her ass, pretended to look up only at appropriate moments—as when the conductor announced something unintelligible—and then sneakily stared at her ass. When Tabachnik caught them they would quickly look away, but Tabachnik wanted people staring at her ass. He wanted the whole world horny for Molly Minx.
They boarded the 4:12 from Penn Station and sat in the back car. Tabachnik paged through four different music magazines he’d bought that morning. Molly played games on her cell phone.
When the train shot out from under the Hudson, the pale New Jersey sunlight seemed strange and hostile. They sped through industrial flatlands, past smokestacks that pointed to the sky like the fingers of a giant hand. As the train began to slow down Molly said, “This is us,” and Tabachnik thought she was joking. People didn’t live here.
They walked past sprawling chemical plants ringed with chain-link fences topped with concertina wire. Warning signs were posted every few yards. DO NOT ENTER and THIS AREA STRICTLY OFF LIMITS and NO TRESPASSING. Everything stank of methane.
SadJoe’s street was normal and suburban—two parallel rows of ranch houses with aluminum sidings—except that it was the only residential block in the entire industrial complex. In front of each house was a tidy lawn. Leashed dogs growled. Tabachnik and Molly walked below the outflung branches of leafless red maples.
SadJoe’s house was the last in the row. There was a barbecue party in the backyard. SadJoe stood at the grill, a bottle of beer in one hand, a pair of tongs in the other. He wore black sweatpants and no shirt, though the temperature was in the forties. Tabachnik noticed, for the first time, that SadJoe’s chest and arms were crosshatched with fine, pale scars. Candy, the rottweiler, sat by her master’s feet. When SadJoe flung her bits of charred beef, the dog would snatch them out of the air and lick her black lips.
Tabachnik followed Molly to the grill, watched her kiss SadJoe o
n the mouth, watched the drummer’s bottle-holding hand slide over her ass. When they disengaged, SadJoe nodded to Tabachnik, gesturing with his tongs and beer bottle to indicate that he could not shake hands.
“Well,” said SadJoe, watching the hamburgers sizzle above the coals, “welcome to the neighborhood.”
There was a long silence until Tabachnik pointed at the scars on SadJoe’s chest and asked, “What are those?”
“Huh?” SadJoe bent his head and studied his own skin. “Oh. Razor scars.”
Tabachnik waited for the rest. When he realized it wasn’t coming, he asked, “Why do you have razor scars on your chest?”
“From when I was in high school. How do you want your burger?”
Tabachnik shook his head and explained that he had eaten earlier. A keg of beer sat in a red plastic tub of ice. A picnic table with a black-and-white checkerboard tablecloth held bowls of potato salad and coleslaw, bottles of cola, and a chocolate cake with the number “200,000!” in yellow icing. Most of the men wore work boots, blue jeans, and plaid flannel shirts. They stood in small circles drinking beer from Dixie cups and yelling at SadJoe to quit burning the goddamn burgers. SadJoe would give them the finger each time and the men would laugh and resume their conversations. The women sat at the picnic table. They watched Tabachnik and Molly and spoke in low tones.
An older man, his eyes bright blue beneath savage strokes of white eyebrow, sat with the women. He wore a Jets football jersey with NAMATH embossed on the back on top of the number 12. When he saw Molly he stood up and limped over to her. He kissed her on the cheek.
“This is SadJoe’s father,” she told Tabachnik. “We call him OldJoe.”
“Not around me, you don’t.”
OldJoe grinned and shook Tabachnik’s hand. His grip was as firm as his son’s. “Help yourself to some beer, friend. I’m going to check on Joey’s mom.”
He limped to the house, opened the screen door, and disappeared inside. The sky began to darken. Somebody turned on the floodlights and people ate their burgers and drank beer and cola and Tabachnik wondered if he was the only one about to die of exposure. It was the first week of March. Who had outdoor barbecues the first week of March?
After dinner everyone gathered on the front lawn. SadJoe and his father and several of SadJoe’s friends were inside the garage. An engine revved and the crowd on the lawn cheered.
Molly smiled. “He’s been looking forward to this for three years.”
A black Ford Galaxie 500 rolled out of the garage, glistening in the floodlights with a fresh coat of wax. Everyone but Tabachnik whooped with pleasure. SadJoe sat in the driver’s seat, his black mohawk brushing against the car’s roof. His father sat beside him. Four other men were crammed into the backseat. All the windows were down and the car’s speakers were blasting a song Tabachnik recognized. “The Ballad of SadJoe.”
SadJoe waved his friends over to his window and one by one they came. Each leaned into the cabin, looked at something on the dashboard, and then shook SadJoe’s hand. When it was Molly’s turn she leaned in and kissed her boyfriend for a long time, and people started whistling and making smooch-smooch sounds. When she stood up she beckoned for Tabachnik. Tabachnik did not want to lean into the cabin and he guessed that SadJoe didn’t want him to either. But Molly kept curling her finger and everyone seemed to be waiting, wondering who he was, so Tabachnik went to the side of the car and crouched down until his head was level with SadJoe’s.
SadJoe pointed at the odometer. “What does it say, pilgrim?”
Tabachnik squinted at the numbers, white on a black field. “Ninety-nine thousand nine hundred and ninety-nine.”
“And nine-tenths. I’ve already flipped the first hundred. This is mile number two hundred thousand coming up.”
“Wow,” said Tabachnik. Wow sounded ridiculous, but what was he supposed to say?
He shook hands with SadJoe and backed away. SadJoe pulled himself halfway out of the window and called out to his assembled friends: “Everybody who’s helped with this car over the years, Gary and Sammy and Gino, thank you. Thank you, Lisa, for the hubcaps. Molly, thanks for my song. Mom, if you can hear me in there, thanks for never complaining when I practiced the drums. And most of all I want to thank dad for buying me this car when I was in high school, when it only had ninety thousand miles on it.”
Everybody clapped and whistled and SadJoe put the Galaxie into gear and rolled into the street. He took a left and drove very slowly and all his friends walked behind him. Candy, loyal squire, trotted alongside the car. Tabachnik followed in the rear. He glanced at SadJoe’s house and saw an old woman standing in the window, the curtain pulled back and gathered in her hand. She was watching the car’s stately progress. She looked much older than SadJoe’s father.
In the middle of the block SadJoe hit the brakes, leaned on the horn, and began yelling and pumping his left fist out the window. The four men in the back jumped out and high fived each other as if the Jets had finally won another Super Bowl. The crowd cheered and started singing “The Ballad of SadJoe” a cappella. A few boys about high school age set off a round of fireworks. Everyone watched the rockets hurtle into the dark sky above the brightly lit street, higher and higher and higher, disappearing into the blackness, everyone still watching, their faces upturned to the nighttime sky, waiting for the rockets to burst, for petals of blue flame to drift slowly downward. Everyone watched for a full minute, until it became certain that the rockets were duds.
On the train ride back to Manhattan, Tabachnik asked Molly if she loved SadJoe. It wasn’t a question that he had planned on asking, and he didn’t think it was a smart question to ask, but he wanted to know.
She was staring out the window. She said, “I guess there was a Shell station near where he grew up. And him and his friends, they had a rifle, and every now and then they’d get drunk and shoot out the S. You know, make it the ‘hell’ station. And the next week there’d be a new S up there and SadJoe and his friends would go over and shoot it out again. They got caught, finally. And the judge said, well, this is the first time you’ve been in trouble, and he let SadJoe go. His friends had records, so they were sent to a JD center. Anyway, a week later he shot out the S again. And they brought him back to the judge and SadJoe said, ‘I want to be with my friends.’ ”
Tabachnik nodded and studied the various New Jersey towns listed on the train ticket. He did not believe the story. It was too romantic, too perfect a history for a rebellious punk rocker. But he thought about the street SadJoe grew up on, with its concertina wire and methane stink, and he thought about the razor scars, and the mother behind the window with the curtain bunched in her hand, and he thought about the friends who had piled into the backseat so they could be there for mile number two hundred thousand, and he thought if anyone would shoot the S out of the Shell station sign so he could join his buddies in the JD, it was SadJoe.
Tabachnik did not want to say any of this to Molly, so instead he said, “Hell is other people.”
Molly turned away from the window and stared at him. “Really?”
“No, I mean, that’s a quotation. I didn’t make it up.”
She rested her head on his shoulder and said, “I never heard that before.”
Tabachnik stared out the window but it was too dark to see anything outside. He saw his own face reflected in the glass, and Molly’s bowed head, and the empty seats around them.
They went to a twenty-four-hour Turkish restaurant on Houston, drank small cups of bitter black coffee, ate syrupy baklava. The Turk manning the cash register had the Daily News crossword puzzle on the counter between his elbows. He chewed on the eraser-end of a pencil.
“I’m going to make you a star,” Tabachnik told Molly. He never smiled when he said these words; he never made a joke of it. He said the line very simply, enunciating each syllable, looking directly into the listener’s eyes. He knew that every kid in America was waiting to hear those words, or at least all the kids who mat
tered to him. They wanted to believe him. They needed to believe him.
Molly took a deep breath. She smiled and looked down at her fingers picking apart the layered pastry. She looked very young, very shy, a blushing girl on her first date.
“I’m going to fuck you anyway,” she said. “You don’t have to blow smoke up my ass.”
Tabachnik made eye contact with the Turk at the counter. The Turk grinned.
“Check,” said Tabachnik.
She had a small room in an Alphabet City apartment that she shared with five other musicians and actors. She led him by hand through the shadowy hallways, guiding him past piles of dirty laundry, a sleeping dog, and a bong lying on its side in a puddle of bong water.
When they got to her room she closed the door and slid a dead bolt shut. She saw Tabachnik’s raised eyebrows and said, “Weird things go on here. A guy got knifed on New Year’s Eve.”
Tabachnik didn’t want to know about it. He held the side of her face and kissed her on the lips and she unbuckled his belt and unzipped his pants and he thought, Jesus, what’s the rush? And then he realized that he was very, very old. Soon he would have no idea what kids wanted to hear on the radio. A&R men did not age gracefully—you either moved up or were bumped off. Tabachnik was good, a rainmaker for all seasons, but he had never had the huge score. He had never signed a group that became a super group, a Nirvana or R.E.M or Pearl Jam. The men who signed the super groups were no longer A&R. They were VVVVIPs.
He unzipped the back of her catsuit. Her skin was beautiful, the color of a cinnamon stick, and it flushed in the places where his mouth went. She shimmied out of the suit and stood naked before him, her hands covering her crotch with mock bashfulness. Tabachnik kissed her throat and her breasts and her belly, crouching lower and lower until he was on his knees.
When they finished they lay on their backs in bed and listened to the sleeping dog in the hallway moan in his dreams.
When the Nines Roll Over Page 2
