The Walker in Shadows
Barbara Michaels
A trio of love stories that cross generations and centuries, a pair of historic houses that conceal old and new secret passions, and a series of ghostly appearances are interwoven to form a tapestry of complex horror and beauty.
Barbara Michaels
The Walker in Shadows
Copyright © 1979
One
I
The house next door had been empty as long as Pat could remember. Old Hiram, the caretaker, did not really occupy it; he camped in it, buying his food at one or another of the quick-food outlets and sleeping-so rumor reported-on a folding cot in one of the vast, echoing bedrooms. No chest of drawers would have been necessary, since he appeared to own only two shirts-one checked, the other plain blue-and two pairs of pants. Presumably these were replaced periodically, since they never progressed beyond a certain stage of decrepitude. Hiram had been heard mumbling to himself as he walked the streets, on those occasions when he emerged to dine on Big Macs and French fries. The soles of his shoes, inadequately secured by rubber bands, slapped the sidewalk as he proceeded. Sometimes he burst into a loud shrill laugh, as if he had told himself a particularly witty joke.
The neighborhood children called him a witch, ignoring his sex, which was, admittedly, hard to determine at a casual glance, for his long gray hair straggled to his shoulders. It was Pat's son Mark, trained to verbal accuracy by his father, who pointed out that male witches were more properly known as warlocks. The other kids liked the sound of the word and adopted it; thereafter, when old Hiram appeared on the street he was followed by a crowd of imp-sized tormentors, chanting the noun and a variety of selected adjectives. These became richer and riper and more decidedly Anglo-Saxon as the children grew, and their mothers shook their heads and wondered where the little monsters picked up such language.
Hiram's persecutors called him names, but they stayed at a safe distance, and after one or two unpleasant episodes they did not venture onto the weedy, overgrown lawn of the house next door. They claimed Hiram had chased them with a nail-studded club, spitting blue fire.
The adults dismissed the blue fire and were inclined to place the club in the same doubtful category. No child ever showed convincing wounds, so the other parents followed the example of Jerry Robbins, husband of Pat and father of Mark. His reaction to Mark's complaint was a stern lecture on the meaning of private property. The lecture was reinforced by the method immortalized by Dickens' Mr. Squeers-wall, noun; build, verb active. Mark built the wall between the two houses, assisted by his father. It took him three weeks of playtime, and got the point across.
A high iron fence, complete with spikes, surrounded the rest of the forbidden property. Rankly overgrown trees and shrubs formed a further barrier; on summer nights the shrouding honeysuckle scented the entire neighborhood, and poison ivy added its charms to bram-bly roses and other foliage. Normally these barriers would only have been a challenge to the children. It was not the wall, or the fence, or the poison ivy that kept them out; it was old Hiram, and the effect Jerry's lecture had had, not only on his own son, but on the other children.
Jerry had been dead now for over a year.
Pat's mind touched this thought and twisted away. She had survived that year only by refusing to let the knowledge surface any oftener than she could help; by concentrating compulsively on the tasks of each day; and by seeking chores that kept her mind fully occupied and her body exhausted enough to sleep.
It was spring again, and that made it worse. Spring is always cruel, with its false promise of resurrection, and Jerry had enjoyed the season so much-the return of the migratory birds, the emerging green spears of bulbs he had planted the previous fall, the first freezing afternoon on a soggy golf course. Yet as Pat sat by her window looking down on the hard-knotted potential flowers of the lilac bushes by the front door, she was thinking of something other than the treachery of spring. The house next door had been sold. A month earlier old Hiram had vanished into that mysterious limbo from which he had come, and a series of workmen had descended on the old house, supervised by a bustling lady from the local realtor's office. This morning the moving vans had lumbered up the street and stopped before the house, and Pat had decided that her cold was so bad she couldn't possibly go to work.
She blew her nose and dropped the tissue into a wastebasket conveniently at hand by her perch on the deep, padded window seat. Nurses were supposed to be immune to any disease short of bubonic plague; but she was entitled to some sick leave, the office was well staffed that week-and she was curious. She was cultivating that curiosity the way an injured person might encourage the first signs of movement in a paralyzed limb.
It was a dreary day, with low gray clouds and occasional drizzles of rain. A stiff breeze rattled the branches of the trees. If these had been fully leafed her view would have been cut off; even now, the only way she could see what was going on was from the second floor of the house. Her room was on the corner; she could see not only the street but, over the fence, into the neighboring yard. The first van had opened its rear doors and men were lifting out furniture swathed in protective cloths.
Pat wriggled into a more comfortable position, her feet up on the seat, her back supported by cushions. Mark had gone off to his morning classes at the junior college after fussing over her till she was ready to shriek. He prided himself on his culinary skills; the breakfast he had brought her included enough food for one of the husky moving men next door-bacon and eggs, English muffins, fried potatoes, grapefruit, and a big glass of orange juice. He made sure she ate all of it, standing over her with his hands on his lean hips and his dark brows drawn together in a forbidding scowl, until she swallowed the last bite. The fact that he looked so much like his father didn't make it any easier for her to swallow.
Now, thank God, he had gone, and Pat was able to relax with coffee and cigarettes. She had not dared to admit to him that she was curious about what was happening next door, for he took a dim view of gossip and snooping, as he called it. Albert the cat prowled the room hoping Pat had overlooked a scrap of bacon. Mark's dog, Jud, a big black Labrador fondly known as the laziest dog in Maryland, was sprawled on the braided rug before the fireplace.
It was a charming, if slightly bizarre, room. Pat's eyes, accustomed to its eccentricities, passed over without heeding them, but a stranger would have been amused or appalled by some of the details. The large, high-ceilinged chamber was half-paneled, in the Georgian style, but the carving on the wooden chimneypiece was pure Gothic, with fantastic pointed arches supporting the mantel. Equally fantastic was the oriel window on whose wide cushioned seat Pat had settled, with its leaded panes and trefoil arches. The architecture demanded massive furniture, like the heavy four-poster bed; but the hangings and spread were of flowered print whose colors matched the lavender and blue and rose shades of the braided rug where Jud snored in canine comfort. Pat doubted that the dog had any notion of guarding her; Mark had lighted the fire before he left and Jud had simply sought out the warmest place in the house. Jerry always said Jud was an ideal watchdog. He was so clumsy and so affectionate that a burglar would be bound to trip over him and break a leg, giving them plenty of time to telephone the police.
Resolutely Pat turned her eyes from the room she and Jerry had shared to the view out of the window. The moving men had removed the shrouding cloths from some of the objects before they carried them into the house. What she could see was prosaic enough: a bronze standing lamp, sections of a steel bookcase, rolled rugs, their patterns indecipherable. A few of the pieces of furniture were transported still swathed in their wrappings. Pat tried to make out their shapes and failed, catching only a glimpse of curv
ed chair legs that ended in the characteristic Queen Anne ball. Perhaps the newcomers shared Jerry's love of old things, antique furniture, aged houses.
The fact that they had bought the house next door suggested that they did. Like her house, it was an anomaly on glossy, modern Magnolia Drive, with its rows of split levels and Williamsburg reproductions. Jerry had hated the new houses. A house wasn't even mature till it was a century old, he claimed, stressing the adjective as he always did when he had found a word that pleased him.
When they first came to Washington, ten years earlier, they had lived in an apartment for a while, but it soon became apparent that Mark's nine-year-old energies could not be confined within four walls, particularly walls built of plasterboard. He thundered up and down the stairs, smuggled in all the stray animals he encountered, bounced balls off passing neighbors (accidentally, of course), and generally raised Cain. They decided to hunt for a house. The prices in the District of Columbia were appalling, so they investigated the neighboring counties of Maryland and Virginia.
It wasn't until then that Pat realized her husband had a passion for old houses. He was a history buff, particularly interested in military history, and Pat had already tramped all the old battlegrounds within driving distance of Washington. She got a bad case of poison ivy at Bull Run, twisted her ankle at Gettysburg, and was stung by wasps at Yorktown, after Jerry, trying to locate the site of Rochambeau's unit, had disturbed a nest. But she had not known that Jerry's interest in the past extended to architecture until they found the house near Poolesville.
In those days the Williamsburg reproductions and the split levels were still in the future, and the future Magnolia Drive was only a graveled country road. As the real-estate agent's car bounced along the rutted surface, Pat felt a stir of misgiving.
"It's awfully isolated," she said, glancing uneasily at the empty fields on both sides of the road. "Aren't there any other houses?"
"Not since the old Johnson place burned down, couple of years back," Mr. Platt, the realtor, replied. He winced as the bottom of his sleek yellow Thunderbird scraped a boulder. "But it's not that far from the highway, Miz Robbins; only about a mile. You folks said you wanted privacy…"
A mile or so from the highway the road divided. The right branch passed between tumbled piles of rock that had once been gateposts and plunged into a jungle of shrubbery. The left branch seemed to disappear entirely after a few yards. Pat paid this little heed, for above the trees to the right she had caught a glimpse of something that left her openmouthed with surprise. It appeared to be the top of a medieval stone tower.
The house would have looked more at home on a Scottish mountaintop or a wild Cornish moor. Someone had recently mowed the weedy lawn and trimmed the bushes back so that it was possible to reach the porch steps- barely possible. The brick walk had been laid in an elegant herringbone pattern; now many of the bricks were missing and the others had been dislodged by tree roots and weathering. As they stumbled along it the boxwood pressed in on either side, yellowed with neglect and smelling abominable. At least it smelled bad to Pat. Jerry sniffed the cat-litter-box aroma as if it were incense.
The closer they got to the house, the more incredible it appeared. There was a stone tower, with battlements. There was also an oriel window on the second floor. An equally Gothic bay window on the first floor still retained some panes of stained glass. Across the front of this hybrid monstrosity stretched a typically American front porch, though the wooden posts that supported its roof were carved into medieval curlicues.
Mr. Platt led them quickly across the creaking porch and into the house, hoping, no doubt, that the interior would be less remarkable than the outside of the place. In that he was mistaken. While Jerry exclaimed over the pointed Gothic doorframes and carved wainscoting and marble fireplaces, Pat saw the hideously stained tub in the old-fashioned bathroom and the antique appliances in the kitchen. Surprisingly there were plenty of closets, as well as a room-sized pantry next to the kitchen. "Lots of storage space," Mr. Platt said cheerily, opening one of the cabinets in the pantry-and slamming it hastily shut upon a pile of mouse droppings.
So far as Pat could see, the only other advantage the house boasted was that it was not so unmanageably large as she had expected from its pretentious exterior. A parlor, dining room, library and kitchen on the first floor; four major bedrooms, plus several odd little chambers tucked in here and there on the second. There were more bedrooms, small but well lighted, on the third floor. "We wouldn't have to use this level," Jerry muttered. "Close it off… save on heating…"
"We should save quite a bundle on heating when the furnace breaks down, as it is on the verge of doing," Pat said. "Radiators! I haven't seen those things since-"
"Wonderful to sit on when you come in out of the snow," Jerry said, a faraway look in his eyes. "And to hang your wet coats and things on."
Mr. Platt beamed approvingly at him.
"Few repairs here and there, not much… considering you should get the place cheap. Old Miz Bates' heirs are anxious to sell. Make 'em an offer."
Jerry did-an offer so low,that Mr. Platt's expression lost its poorly concealed contempt and became one of pure pain.
"Well, now, Mr. Robbins, I dunno…"
"Won't do any harm to ask," Jerry said.
Not until then did Pat realize he was serious about buying the house. Her protests rose to high heaven. It was too far from his job, he'd have to drive for hours every day. There were no neighbors; whom would Mark play with? The house was in terrible condition. The porch steps were crumbling, the ceilings were water-stained, wallpaper hung in peeling strips, floors sagged… A howl of glee from Mark, somewhere in the overgrown garden, prompted her to add, "And there's probably a well somewhere he can fall into, and old rusty nails he'll get tetanus from, and…"
She saw Jerry's face, and her protests died. There was no use trying to talk sense to him when he looked like that. Sighing, she turned for another look at the Gothic battlements. Her shoulder brushed Jerry's arm, and it was as if his emotions brushed off into her mind. For a moment she saw the old house as he saw it-its grotesque charm, its underlying solidity, the inevitable suggestion of courage in its resistance to time and neglect.
"It has the original hardware and some of the original glass," Jerry muttered. "The American Gothic revival- mid-nineteenth century-there aren't many of them left, Pat. I'll bet under all the layers of paint the banisters are solid walnut."
"The yard," Pat began.
Jerry surveyed it with bemused pleasure. "Sensational, isn't it? This boxwood must be a hundred years old. And the magnolias-"
"And the poison ivy, and the weeds," Pat groaned. The house was surrounded by high green walls of undergrowth. Over the trees at the left side she saw something that made her wonder if consternation had unhinged her mind.
"That can't be!" she exclaimed.
Mr. Platt followed her glance.
"You aren't seein' double, Miz Robbins," he assured her, with a chuckle. "That's a tower, all right. There's another house over there. The twin to this one."
"Don't tell me there are two houses like this," Pat said. "One would be bad enough."
The two men, now allied in a common aim, exchanged amused glances; but Jerry was as intrigued as Pat.
"Twin houses, Mr. Platt? I've heard of such things, but only in fiction."
"Well, this is fact. Old Mr. Peters built these houses for his girls, when they got married. Back before the War Between the States, that was. He was quite a character, Mr. Peters. Read a lot. He got some fellow out from Scotland to build the houses, they say. I'd sell you Halcyon House," Mr. Platt went on, grinning, "only it's in worse shape than… That's to say, it's tied up in some court fighting, the heirs can't agree." His eyes went from Jerry's rapt face to the barely visible top of the tower of the neighboring house, and he said thoughtfully, "Better see about getting a caretaker in there. One of these days I just might…"
"Find another sucker?" Pa
t inquired pointedly.
Mr. Platt made deprecating noises, but Pat knew that was precisely what he was thinking. It had never occurred to him, until Jerry walked into his life, that anyone would be fool enough to buy either of the old houses. Where there was one, there might be another.
And of course there were others, many of them. Pat and Jerry were among the first of the frustrated city dwellers to move out, seeking lower prices and country air. They bought up the old houses that dotted the countryside and remodeled them; builders caught on to the trend and constructed streets of little modern boxes amid the cornfields and pastures. Among these sharp businessmen was Mr. Platt. He had not mentioned to them-why should he, after all?-that he owned all the property along Bates Road. The year after they bought their house the bulldozers moved in, and by November there was a new street, named Magnolia Drive, lined with houses. The homes in Magnolia Estates (Mr. Platt was not a man of imagination) had only two basic floor plans, but by painting them different colors and changing details such as shutters and rooflines, Mr. Platt managed to give them a simulacrum of individuality. Jerry swore at the houses and their builder at least once a day. But Pat rather liked the "new people," though she saw little of them. She had gone back to work part-time by then. Mark was in school all day, and Jerry's beloved house was draining them financially, even though he did most of the work himself.
For a solid year he worked every night and every weekend and every day of his vacation. Under his direction Pat wore the skin off her fingers scraping and sanding and painting. When Jerry put on the new roof she stood clutching the ladder, an ineffectual gesture, as he laughingly pointed out, though of course he appreciated the thought.
The end of the year did not mark the end of Jerry's labors, for by that time he was so infatuated with the house that improving it had become a pleasurable hobby instead of a duty. But the worst of the work was done by then; the house was habitable, and Pat had moments when she admitted that she was getting rather fond of the place herself. The newly plastered walls had been painted in pastel shades, Delft blue and sunny yellow; the floors gleamed with wax. The newel posts and banisters were walnut. Azaleas and rhododendron emerged from the weeds and bloomed brilliantly, as if grateful for their new freedom. As Jerry's salary rose he bought gifts for the house-new bathroom fixtures, a modern kitchen-and, cautiously and with care, a few treasured antiques.
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