Chapter V: The Curse of the Golden Cross
Six people sat around a small table, seeming almost as incongruous and accidental as if they had been shipwrecked separately on the same small desert island. At least the sea surrounded them; for in one sense their island was enclosed in another island, a large and flying island like Laputa. For the little table was one of many little tables dotted about in the dining saloon of that monstrous ship the Moravia , speeding through the night and the everlasting emptiness of the Atlantic. The little company had nothing in common except that all were travelling from America to England. Two of them at least might be called celebrities; others might be called obscure, and in one or two cases even dubious.
The first was the famous Professor Smaill, an authority on certain archaeological studies touching the later Byzantine Empire. His lectures, delivered in an American University , were accepted as of the first authority even in the most authoritative seats of learning in Europe. His literary works were so steeped in a mellow and imaginative sympathy with the European past, that it often gave strangers a start to hear him speak with an American accent. Yet he was, in his way, very American; he had long fair hair brushed back from a big square forehead, long straight features and a curious mixture of preoccupation with a poise of potential swiftness, like a lion pondering absent–mindedly on his next leap.
There was only one lady in the group; and she was (as the journalists often said of her) a host in herself; being quite prepared to play hostess, not to say empress, at that or any other table. She was Lady Diana Wales, the celebrated lady traveller in tropical and other countries; but there was nothing rugged or masculine about her appearance at dinner. She was herself handsome in an almost tropical fashion, with a mass of hot and heavy red hair; she was dressed in what the journalists call a daring fashion, but her face was intelligent and her eyes had that bright and rather prominent appearance which belongs to the eyes of ladies who ask questions at political meetings.
The other four figures seemed at first like shadows in this shining presence; but they showed differences on a close view. One of them was a young man entered on the ship's register as Paul T. Tarrant. He was an American type which might be more truly called an American antitype. Every nation probably has an antitype; a sort of extreme exception that proves the national rule. Americans really respect work, rather as Europeans respect war. There is a halo of heroism about it; and he who shrinks from it is less than a man. The antitype is evident through being exceedingly rare. He is the dandy or dude: the wealthy waster who makes a weak villain for so many American novels. Paul Tarrant seemed to have nothing whatever to do but change his clothes, which he did about six times a day; passing into paler or richer shades of his suit of exquisite light grey, like the delicate silver changes of the twilight. Unlike most Americans, he cultivated very carefully a short, curly beard; and unlike most dandies, even of his own type, he seemed rather sulky than showy. Perhaps there was something almost Byronic about his silence and his gloom.
The next two travellers were naturally classed together; merely because they were both English lecturers returning from an American tour. One of them was described as Leonard Smyth, apparently a minor poet, but something of a major journalist; long–headed, light–haired, perfectly dressed, and perfectly capable of looking after himself. The other was a rather comic contrast, being short and broad, with a black, walrus moustache, and as taciturn as the other was talkative. But as he had been both charged with robbing and praised for rescuing a Roumanian Princess threatened by a jaguar in his travelling menagerie, and had thus figured in a fashionable case, it was naturally felt that his views on God, progress, his own early life, and the future of Anglo–American relations would be of great interest and value to the inhabitants of Minneapolis and Omaha. The sixth and most insignificant figure was that of a little English priest going by the name of Brown. He listened to the conversation with respectful attention, and he was at that moment forming the impression that there was one rather curious thing about it.
'I suppose those Byzantine studies of yours, Professor,' Leonard Smyth was saying, 'would throw some light on this story of a tomb found somewhere on the south coast; near Brighton , isn't it? Brighton's a long way from Byzantium , of course. But I read something about the style of burying or embalming or something being supposed to be Byzantine.'
'Byzantine studies certainly have to reach a long way,' replied the Professor dryly. 'They talk about specialists; but I think the hardest thing on earth is to specialize. In this case, for instance: how can a man know anything about Byzantium till he knows everything about Rome before it and about Islam after it? Most Arab arts were old Byzantine arts. Why, take algebra–'
'But I won't take algebra,' cried the lady decisively. 'I never did, and I never do. But I'm awfully interested in embalming. I was with Gatton, you know, when he opened the Babylonian tombs. Ever since then I found mummies and preserved bodies and all that perfectly thrilling. Do tell us about this one.'
'Gatton was an interesting man,' said the Professor. 'They were an interesting family. That brother of his who went into Parliament was much more than an ordinary politician. I never understood the Fascisti till he made that speech about Italy.'
'Well, we're not going to Italy on this trip,' said Lady Diana persistently, 'and I believe you're going to that little place where they've found the tomb. In Sussex , isn't it?'
' Sussex is pretty large, as these little English sections go,' replied the Professor. 'One might wander about in it for a goodish time; and it's a good place to wander in. It's wonderful how large those low hills seem when you're on them.'
There was an abrupt accidental silence; and then the lady said, 'Oh, I'm going on deck,' and rose, the men rising with her. But the Professor lingered and the little priest was the last to leave the table, carefully folding up his napkin. And as they were thus left alone together the Professor said suddenly to his companion:
'What would you say was the point of that little talk?'
'Well,' said Father Brown, smiling, 'since you ask me, there was something that amused me a little. I may be wrong; but it seemed to me that the company made three attempts to get you to talk about an embalmed body said to be found in Sussex. And you, on your side, very courteously offered to talk first about algebra, and then about the Fascisti, and then about the landscape of the Downs.'
'In short,' replied the Professor, 'you thought I was ready to talk about any subject but that one. You were quite right.'
The Professor was silent for a little time, looking down at the tablecloth; then he looked up and spoke with that swift impulsiveness that suggested the lion's leap.
'See here. Father Brown,' he said, 'I consider you about wisest and whitest man I ever met.'
Father Brown was very English. He had all the normal nation helplessness about what to do with a serious and sincere compliment suddenly handed to him to his face in the American manner. His reply was a meaningless murmur; and it was the Professor who proceeded, with the same staccato earnestness: 'You see, up to a point it's all simple enough. A Christian tomb of the Dark Ages, apparently that of a bishop, has been found under a little church at Dulham on the Sussex coast. The Vicar happens to be a good bit of an archaeologist himself and has been able to find a good deal more than I know yet. There was a rumour of the corpse being embalmed in a way peculiar to Greeks and Egyptians but unknown in the West, especially at that date. So Mr Walters (that is the Vicar) naturally wonders about Byzantine influences. But he also mentions something else, that is of even more personal interest to me.'
His long grave face seemed to grow even longer and graver as he frowned down at the tablecloth. His long finger seemed to be tracing patterns on it like the plans of dead cities and their temples and tombs.
'So I'm going to tell you, and nobody else, why it is I have to be careful about mentioning that matter in mixed company; and why, the more eager they are to talk about it, the more cautious I have to be. I
t is also stated that in the coffin is a chain with a cross, common enough to look at, but with a certain secret symbol on the back found on only one other cross in the world. It is from the arcana of the very earliest Church, and is supposed to indicate St Peter setting up his See at Antioch before he came to Rome. Anyhow, I believe there is but one other like it, and it belongs to me. I hear there is some story about a curse on it; but I take no notice of that. But whether or no there is a curse, there really is, in one sense, a conspiracy; though the conspiracy should only consist of one man.'
'Of one man?' repeated Father Brown almost mechanically.
'Of one madman, for all I know,' said Professor Smaill. 'It's a long story and in some ways a silly one.'
He paused again, tracing plans like architectural drawings with his finger on the cloth, and then resumed: 'Perhaps I had better tell you about it from the beginning, in case you see some little point in the story that is meaningless to me. It began years and years ago, when I was conducting some investigations on my own account in the antiquities of Crete and the Greek islands. I did a great deal of it practically single–handed; sometimes with the most rude and temporary help from the inhabitants of the place, and sometimes literally alone. It was under the latter circumstances that I found a maze of subterranean passages which led at last to a heap of rich refuse, broken ornaments and scattered gems which I took to be the ruins of some sunken altar, and in which I found the curious gold cross. I turned it over, and on the back of it I saw the Ichthus or fish, which was an early Christian symbol, but of a shape and pattern rather different from that commonly found; and, as it seemed to me, more realistic–more as if the archaic designer had meant it to be not merely a conventional enclosure or nimbus, but to look a little more like a real fish. It seemed to me that there was a flattening towards one end of it that was not like mere mathematical decoration, but rather like a sort of rude or even savage zoology.
'In order to explain very briefly why I thought this find important, I must tell you the point of the excavation. For one thing, it had something of the nature of an excavation of an excavation. We were on the track not only of antiquities, but of the antiquarians of antiquity. We had reason to believe, or some of us thought we had reason to believe, that these underground passages, mostly of the Minoan period, like that famous one which is actually identified with the labyrinth of the Minotaur, had not really been lost and left undisturbed for all the ages between the Minotaur and the modern explorer. We believed that these underground places, I might almost say these underground towns and villages, had already been penetrated during the intervening period by some persons prompted by some motive. About the motive there were different schools of thought: some holding that the Emperors had ordered an official exploration out of mere scientific curiosity; others that the furious fashion in the later Roman Empire for all sorts of lurid Asiatic superstitions had started some nameless Manichaean sect or other rioting in the caverns in orgies that had to be hidden from the face of the sun. I belong to the group which believed that these caverns had been used in the same way as the catacombs. That is, we believed that, during some of the persecutions which spread like a fire over the whole Empire, the Christians had concealed themselves in these ancient pagan labyrinths of stone. It was therefore with a thrill as sharp I as a thunderclap that I found and picked up the fallen golden cross and saw the design upon it; and it was with still more of a shock of felicity that, on turning to make my way once more outwards and upwards into the light of day, I looked up at the walls of bare rock that extended endlessly along the low passages, and saw scratched in yet ruder outline, but if possible more unmistakable, the shape of the Fish.
'Something about it made it seem as if it might be a fossil fish or some rudimentary organism fixed for ever in a frozen sea. I could not analyse this analogy, otherwise unconnected with a mere drawing scratched upon the stone, till I realized that I was saying in my sub–conscious mind that the first Christians must have seemed something like fish, dumb and dwelling in a fallen world of twilight and silence, dropped far below the feet of men and moving in dark and twilight and a soundless world.
'Everyone walking along stone passages knows what it is to be followed by phantom feet. The echo follows flapping or clapping behind or in front, so that it is almost impossible for the man who is really lonely to believe in his loneliness. I had got used to the effects of this echo and had not noticed it much for some time past, when I caught sight of the symbolical shape scrawled on the wall of rock. I stopped, and at the same instant it seemed as if my heart stopped, too; for my own feet had halted, but the echo went marching on.
'I ran forward, and it seemed as if the ghostly footsteps ran also, but not with that exact imitation which marks the material reverberation of a sound. I stopped again, and the steps stopped also; but I could have sworn they stopped an instant too late; I called out a question; and my cry was answered; but the voice was not my own.
'It came round the corner of a rock just in front of me; and throughout that uncanny chase I noticed that it was always at some such angle of the crooked path that it paused and spoke. The little space in front of me that could be illuminated by my small electric torch was always as empty as an empty room. Under these conditions I had a conversation with I know not whom, which lasted all the way to the first white gleam of daylight, and even there I could not see in what fashion he vanished into the light of day. But the mouth of the labyrinth was full of many openings and cracks and chasms, and it would not have been difficult for him to have somehow darted back and disappeared again into the underworld of the caves. I only know that I came out on the lonely steps of a great mountain like a marble terrace, varied only with a green vegetation that seemed somehow more tropical than the purity of the rock, like the Oriental invasion that has spread sporadically over the fall of classic Hellas. I looked out on a sea of stainless blue, and the sun shone steadily on utter loneliness and silence; and there was not a blade of grass stirred with a whisper of flight nor the shadow of a shadow of man.
'It had been a terrible conversation; so intimate and so individual and in a sense so casual. This being, bodiless, faceless, nameless and yet calling me by my name, had talked to me in those crypts and cracks where we were buried alive with no more passion or melodrama than if we had been sitting in two armchairs at a club. But he had told me also that he would unquestionably kill me or any other man who came into the possession of the cross with the mark of the fish. He told me frankly he was not fool enough to attack me there in the labyrinth, knowing I had a loaded revolver, and that he ran as much risk as I. But he told me, equally calmly, that he would plan my murder with the certainty of success, with every detail developed and every danger warded off, with the sort of artistic perfection that a Chinese craftsman or an Indian embroiderer gives to the artistic work of a life–time. Yet he was no Oriental; I am certain be was a white man. I suspect that he was a countryman of my own.
'Since then I have received from time to time signs and symbols and queer impersonal messages that have made me certain, at least, that if the man is a maniac he is a monomaniac. He is always telling me, in this airy and detached way, that the preparations for my death and burial are proceeding satisfactorily; and that the only way in which I can prevent their being crowned with a comfortable success is to give up the relic in my possession–the unique cross that I found in the cavern. He does not seem to have any religious sentiment or fanaticism on the point; he seems to have no passion but the passion of a collector of curiosities. That is one of the things that makes me feel sure he is a man of the West and not of the East. But this particular curiosity seems to have driven him quite crazy.
'And then came this report, as yet unsubstantiated, about the duplicate relic found on an embalmed body in a Sussex tomb. If he had been a maniac before, this news turned him into a demoniac possessed of seven devils. That there should be one of them belonging to another man was bad enough, but that there should be two of them and
neither belonging to him was a torture not to be borne. His mad messages began to come thick and fast like showers of poisoned arrows, and each cried out more confidently than the last that death would strike me at the moment when I stretched out my unworthy hand towards the cross in the tomb.
'You will never know me,' he wrote, 'you will never say my name; you will never see my face; you will die, and never know who has killed you. I may be in any form among those about you; but I shall be in that alone at which you have forgotten to look.' From those threats I deduce that he is quite likely to shadow me on this expedition; and try to steal the relic or do me some mischief for possessing it. But as I never saw the man in my life, he may be almost any man I meet. Logically speaking, he may be any of the waiters who wait on me at table. He may be any of the passengers who sit with me at table.'
'He may be me,' said Father Brown, with cheerful contempt for grammar.
'He may be anybody else,' answered Smaill seriously. 'That is what I meant by what I said just now. You are the only man I feel sure is not the enemy.'
Father Brown again looked embarrassed; then he smiled and said: 'Well, oddly enough, I'm not. What we have to consider is any chance of finding out if he really is here before he– before he makes himself unpleasant.'
'There is one chance of finding out, I think,' remarked the Professor rather grimly. 'When we get to Southampton I shall take a car at once along the coast; I should be glad if you would come with me, but in the ordinary sense, of course, our little party will break up. If any one of them turns up again in that little churchyard on the Sussex coast, we shall know who he really is.'
The Professor's programme was duly carried out, at least to the extent of the car and its cargo in the form of Father Brown. They coasted along the road with the sea on one side and the hills of Hampshire and Sussex on the other; nor was there visible to the eye any shadow of pursuit. As they approached the village of Dulham only one man crossed their path who had any connexion with the matter in hand; a journalist who had just visited the church and been courteously escorted by the vicar through the new excavated chapel; but his remarks and notes seemed to be of the ordinary newspaper sort. But Professor Smaill was perhaps a little fanciful, and could not dismiss the sense of something odd and discouraging in the attitude and appearance of the man, who was tall and shabby, hook–nosed and hollow–eyed, with moustaches that drooped with depression. He seemed anything but enlivened by his late experiment as a sightseer; indeed, he seemed to be striding as fast as possible from the sight, when they stopped him with a question.
The Incredulity of Father Brown Page 11
