by Paul Auster
In his bedroom closet I had found several hundred photographs—stashed away in faded manilla envelopes, affixed to the black pages of warped albums, scattered loosely in drawers. From the way they had been stored I gathered he never looked at them, had even forgotten they were there. One very big album, bound in expensive leather with a gold-stamped title on the cover—This is Our Life: The Austers—was totally blank inside. Someone, probably my mother, had once gone to the trouble of ordering this album, but no one had ever bothered to fill it.
Back home, I pored over these pictures with a fascination bordering on mania. I found them irresistible, precious, the equivalent of holy relics. It seemed that they could tell me things I had never known before, reveal some previously hidden truth, and I studied each one intensely, absorbing the least detail, the most insignificant shadow, until all the images had become a part of me. I wanted nothing to be lost.
Death takes a man’s body away from him. In life, a man and his body are synonymous; in death, there is the man and there is his body. We say, “This is the body of X,” as if this body, which had once been the man himself, not something that represented him or belonged to him, but the very man called X, were suddenly of no importance. When a man walks into a room and you shake hands with him, you do not feel that you are shaking hands with his hand, or shaking hands with his body, you are shaking hands with him. Death changes that. This is the body of X, not this is X. The syntax is entirely different. Now we are talking about two things instead of one, implying that the man continues to exist, but only as an idea, a cluster of images and memories in the minds of other people. As for the body, it is no more than flesh and bones, a heap of pure matter.
Discovering these photographs was important to me because they seemed to reaffirm my father’s physical presence in the world, to give me the illusion that he was still there. The fact that many of these pictures were ones I had never seen before, especially the ones of his youth, gave me the odd sensation that I was meeting him for the first time, that a part of him was only just beginning to exist. I had lost my father. But at the same time, I had also found him. As long as I kept these pictures before my eyes, as long as I continued to study them with my complete attention, it was as though he were still alive, even in death. Or if not alive, at least not dead. Or rather, somehow suspended, locked in a universe that had nothing to do with death, in which death could never make an entrance.
Most of these pictures did not tell me anything new, but they helped to fill in gaps, confirm impressions, offer proof where none had existed before. A series of snapshots of him as a bachelor, for example, probably taken over a number of years, gives a precise account of certain aspects of his personality that had been submerged during the years of his marriage, a side of him I did not begin to see until after his divorce: my father as prankster, as man about town, as good time Charlie. In picture after picture he is standing with women, usually two or three, all of them affecting comical poses, their arms perhaps around each other, or two of them sitting on his lap, or else a theatrical kiss for the benefit of no one but the person taking the picture. In the background: a mountain, a tennis court, perhaps a swimming pool or a log cabin. These were the pictures brought back from weekend jaunts to various Catskill resorts in the company of his bachelor friends: play tennis, have a good time with the girls. He carried on in this way until he was thirty-four.
It was a life that suited him, and I can see why he went back to it after his marriage broke up. For a man who finds life tolerable only by staying on the surface of himself, it is natural to be satisfied with offering no more than this surface to others. There are few demands to be met, and no commitment is required. Marriage, on the other hand, closes the door. Your existence is confined to a narrow space in which you are constantly forced to reveal yourself—and therefore, constantly obliged to look into yourself, to examine your own depths. When the door is open there is never any problem: you can always escape. You can avoid unwanted confrontations, either with yourself or with another, simply by walking away.
My father’s capacity for evasion was almost limitless. Because the domain of the other was unreal to him, his incursions into that domain were made with a part of himself he considered to be equally unreal, another self he had trained as an actor to represent him in the empty comedy of the world-at-large. This surrogate self was essentially a tease, a hyperactive child, a fabricator of tall tales. It could not take anything seriously.
Because nothing mattered, he gave himself the freedom to do anything he wanted (sneaking into tennis clubs, pretending to be a restaurant critic in order to get a free meal), and the charm he exercised to make his conquests was precisely what made these conquests meaningless. With the vanity of a woman he hid the truth about his age, made up stories about his business dealings, talked about himself only obliquely—in the third person, as if about an acquaintance of his (“There’s a friend of mine who has this problem; what do you think he should do about it?…”). Whenever a situation became too tight for him, whenever he felt pushed to the verge of having to reveal himself, he would wriggle out of it by telling a lie. Eventually, the lie came automatically and was indulged in for its own sake. The principle was to say as little as possible. If people never learned the truth about him, then they couldn’t turn around and use it against him later. The lie was a way of buying protection. What people saw when he appeared before them, then, was not really him, but a person he had invented, an artificial creature he could manipulate in order to manipulate others. He himself remained invisible, a puppeteer working the strings of his alter-ego from a dark, solitary place behind the curtain.
For the last ten or twelve years of his life he had one steady lady friend, and this was the woman who went out with him in public, who played the role of official companion. Every now and then there was some vague talk of marriage (at her insistence), and everyone assumed that this was the only woman he had anything to do with. After his death, however, other women began to step forward. This one had loved him, that one had worshipped him, another one was going to marry him. The principal girlfriend was shocked to learn about these other women: my father had never breathed a word about them to her. Each one had been fed a different line, and each one thought she had possessed him entirely. As it turned out, none of them knew the slightest thing about him. He had managed to elude them all.
Solitary. But not in the sense of being alone. Not solitary in the way Thoreau was, for example, exiling himself in order to find out where he was; not solitary in the way Jonah was, praying for deliverance in the belly of the whale. Solitary in the sense of retreat. In the sense of not having to see himself, of not having to see himself being seen by anyone else.
Talking to him was a trying experience. Either he would be absent, as he usually was, or he would assault you with a brittle jocularity, which was merely another form of absence. It was like trying to make yourself understood by a senile old man. You talked, and there would be no response, or a response that was inappropriate, showing that he hadn’t been following the drift of your words. In recent years, whenever I spoke to him on the phone I would find myself saying more than I normally do, becoming aggressively talkative, chatting away in a futile attempt to hold his attention, to provoke a response. Afterwards, I would invariably feel foolish for having tried so hard.
He did not smoke, he did not drink. No hunger for sensual pleasures, no thirst for intellectual pleasures. Books bored him, and it was the rare movie or play that did not put him to sleep. Even at parties you would see him struggling to keep his eyes open, and more often than not he would succumb, falling asleep in a chair as the conversations swirled around him. A man without appetites. You felt that nothing could ever intrude on him, that he had no need of anything the world had to offer.
At thirty-four, marriage. At fifty-two, divorce. In one sense, it lasted years, but in fact it did not last more than a few days. He was never a married man, never a divorced man, but a life-long bachelor w
ho happened to have had an interlude of marriage. Although he did not shirk his outward duties as a husband (he was faithful, he provided for his wife and children, he shouldered all his responsibilities), it was clear that he was not cut out to play this role. He simply had no talent for it.
My mother was just twenty-one when she married him. His conduct during the brief courtship had been chaste. No daring overtures, none of the aroused male’s breathless assaults. Now and then they would hold hands, exchange a polite good-night kiss. Love, in so many words, was never declared by either one of them. By the time the wedding came, they were little more than strangers.
It was not long before my mother realized her mistake. Even before the honeymoon was over (that honeymoon, so fully documented in the photographs I found: the two of them sitting together, for instance, on a rock at the edge of a perfectly still lake, a broad path of sunlight behind them leading to the pine slope in shadow, my father with his arms around my mother, and the two of them looking at each other, smiling timidly, as if the photographer had made them hold the pose an instant too long), even before the honeymoon was over, my mother knew the marriage would not work. She went to her mother in tears and said she wanted to leave him. Somehow, her mother managed to persuade her to go back and give it a chance. And then, before the dust had settled, she found herself pregnant. And suddenly it was too late to do anything.
I think of it sometimes: how I was conceived in that Niagara Falls resort for honeymooners. Not that it matters where it happened. But the thought of what must have been a passionless embrace, a blind, dutiful groping between chilly hotel sheets, has never failed to humble me into an awareness of my own contingency. Niagara Falls. Or the hazard of two bodies joining. And then me, a random homunculus, like some dare-devil in a barrel, shooting over the falls.
A little more than eight months later, on the morning of her twenty-second birthday, my mother woke up and told my father that the baby was coming. Ridiculous, he said, that baby’s not due for another three weeks—and promptly went off to work, leaving her without a car.
She waited. Thought maybe he was right. Waited a little more, then called a sister-in-law and asked to be driven to the hospital. My aunt stayed with my mother throughout the day, calling my father every few hours to ask him to come. Later, he would say, I’m busy now, I’ll get there when I can.
At a little past midnight I poked my way into the world, ass first, no doubt screaming.
My mother waited for my father to show up, but he did not arrive until the next morning—accompanied by his mother, who wanted to inspect grandchild number seven. A short, nervous visit, and then off again to work.
She cried, of course. After all, she was young, and she had not expected it to mean so little to him. But he could never understand such things. Not in the beginning, and not in the end. It was never possible for him to be where he was. For as long as he lived, he was somewhere else, between here and there. But never really here. And never really there.
Thirty years later, this same little drama was repeated. This time I was there, and I saw it with my own eyes.
After my own son was born I had thought: surely this will please him. Isn’t every man pleased to become a grandfather?
I had wanted to see him doting on the baby, for him to offer me proof that he was, after all, capable of demonstrating some feeling—that he did, after all, have feelings in the way other people did. And if he could show affection for his grandson, then wouldn’t it be an indirect way of showing affection for me? You do not stop hungering for your father’s love, even after you are grown up.
But then, people do not change. All told, my father saw his grandson only three or four times, and at no time was he able to distinguish him from the impersonal mass of babies born into the world every day. Daniel was just two weeks old when he first laid eyes on him. I can remember the day vividly: a blistering Sunday at the end of June, heat wave weather, the country air gray with moisture. My father pulled up in his car, saw my wife putting the baby into the carriage for a nap, and walked over to say hello. He poked his head into the carriage for a tenth of a second, straightened up and said to her, “A beautiful baby. Good luck with it,” and then proceeded to walk on into the house. He might just as well have been talking about some stranger’s baby encountered in line at the supermarket. For the rest of his visit that day he did not look at Daniel, and not once, ever, did he ask to hold him.
All this, merely as an example.
Impossible, I realize, to enter another’s solitude. If it is true that we can ever come to know another human being, even to a small degree, it is only to the extent that he is willing to make himself known. A man will say: I am cold. Or else he will say nothing, and we will see him shivering. Either way, we will know that he is cold. But what of the man who says nothing and does not shiver? Where all is intractable, where all is hermetic and evasive, one can do no more than observe. But whether one can make sense of what he observes is another matter entirely.
I do not want to presume anything.
He never talked about himself, never seemed to know there was anything he could talk about. It was as though his inner life eluded even him.
He could not talk about it, and therefore he passed over it in silence.
If there is nothing, then, but silence, is it not presumptuous of me to speak? And yet: if there had been anything more than silence, would I have felt the need to speak in the first place?
My choices are limited. I can remain silent, or else I can speak of things that cannot be verified. At the very least, I want to put down the facts, to offer them as straightforwardly as possible, and let them say whatever they have to say. But even the facts do not always tell the truth.
He was so implacably neutral on the surface, his behavior was so flatly predictable, that everything he did came as a surprise. One could not believe there was such a man—who lacked feeling, who wanted so little of others. And if there was not such a man, that means there was another man, a man hidden inside the man who was not there, and the trick of it, then, is to find him. On the condition that he is there to be found.
To recognize, right from the start, that the essence of this project is failure.
Earliest memory: his absence. For the first years of my life he would leave for work early in the morning, before I was awake, and come home long after I had been put to bed. I was my mother’s boy, and I lived in her orbit. I was a little moon circling her gigantic earth, a mote in the sphere of her gravity, and I controlled the tides, the weather, the forces of feeling. His refrain to her was: Don’t fuss so much, you’ll spoil him. But my health was not good, and she used this to justify the attention she lavished on me. We spent a lot of time together, she in her loneliness and I in my cramps, waiting patiently in doctors’ offices for someone to quell the insurrection that continually raged in my stomach. Even then, I would cling to these doctors in a desperate sort of way, wanting them to hold me. From the very beginning, it seems, I was looking for my father, looking frantically for anyone who resembled him.
Later memories: a craving. My mind always ready to deny the facts at the slightest excuse, I mulishly went on hoping for something that was never given to me—or given to me so rarely and arbitrarily that it seemed to happen outside the range of normal experience, in a place where I would never be able to live for more than a few moments at a time. It was not that I felt he disliked me. It was just that he seemed distracted, unable to look in my direction. And more than anything else, I wanted him to take notice of me.
Anything, even the least thing, was enough. How, for example, when the family once went to a crowded restaurant on a Sunday and we had to wait for our table, my father took me outside, produced a tennis ball (from where?), put a penny on the sidewalk, and proceeded to play a game with me: hit the penny with the tennis ball. I could not have been more than eight or nine years old.
In retrospect, nothing could have been more trivial. And yet the fact that I had been i
ncluded, that my father had casually asked me to share his boredom with him nearly crushed me with happiness.
More often, there were disappointments. For a moment he would seem to have changed, to have opened up a little, and then, suddenly, he would not be there anymore. The one time I managed to persuade him to take me to a football game (the Giants versus the Chicago Cardinals, at Yankee Stadium or the Polo Grounds, I forget which), he abruptly stood up from his seat in the middle of the fourth quarter and said, “It’s time to go now.” He wanted to “beat the crowd” and avoid getting stuck in traffic. Nothing I said could convince him to stay, and so we left, just like that, with the game going full tilt. Unearthly despair as I followed him down the concrete ramps, and then, even worse, in the parking lot, with the noise of the invisible crowd roaring behind me.
You could not trust him to know what you wanted, to anticipate what you might have been feeling. The fact that you had to tell him yourself vitiated the pleasure in advance, disrupted a dreamed-of harmony before a note could be played. And then, even if you did tell him, it was not at all sure that he would understand what you meant.
I remember a day very like today. A drizzling Sunday, lethargy and quiet in the house: the world at half-speed. My father was taking a nap, or had just awoken from one, and somehow I was on the bed with him, the two of us alone in the room. Tell me a story. It must have begun like that. And because he was not doing anything, because he was still drowsing in the languor of the afternoon, he did just what I asked, launching into a story without missing a beat. I remember it all so clearly. It seems as if I have just walked out of that room, with its gray light and tangle of quilts on the bed, as if, simply by closing my eyes, I could walk back into it anytime I want.
He told me of his prospecting days in South America. It was a tale of high adventure, fraught with mortal dangers, hair-raising escapes, and improbable twists of fortune: hacking his way through the jungle with a machete, fighting off bandits with his bare hands, shooting his donkey when it broke its leg. His language was flowery and convoluted, probably an echo of the books he himself had read as a boy. But it was precisely this literary style that enchanted me. Not only was he telling me new things about himself, unveiling to me the world of his distant past, but he was telling it with new and strange words. This language was just as important as the story itself. It belonged to it, and in some sense was indistinguishable from it. Its very strangeness was proof of authenticity.
