by Alison Lurie
“No. It’s more like owning the company.” Delia did not obviously take offense, but she withdrew her hand and took a step away. “It’s very beautiful, your tower,” she said. “Even more than I thought it would be when Jacky showed me the drawings.”
“Thank you,” he said repressively, refusing to express pleasure.
“Can you get up to the top?”
“Yes,” he admitted. “There’s stairs inside.”
“Wonderful.” She started toward the arched stone entrance, and Alan, after a moment, picked up his cane and followed, drawn by both antagonism and passion. Painfully he climbed the stone steps behind a flurry of white gauze and bare pale rosy legs in high-heeled silver sandals.
“Oh, it’s nice up here. There’s a lovely view.”
“Yeah, that was the idea.” Alan followed her gaze across Long Island Sound, now a sheet of rippled gray silk near the shore, touched with ultramarine farther out. Then he looked back to where Delia stood, where the crenellated wall had been deliberately designed and built to look broken away. Suppose I pushed her now, suppose she fell, would she die? he thought. No, probably not, because of the thick bushes just below, sumac and blackberry and wild rose—but she might be injured, or at least badly scratched—
“Jacky says you’re doing awfully well with your art,” Delia remarked. “He showed me the piece in the Times. And he says you’ve got more commissions after this one.”
“Yeah. There’s a collector in New Jersey who has a sculpture park; I’m building something for him next month. And there’s supposed to be another commission, somewhere in Westchester. Only it’s not certain—Jacky won’t even tell me the guy’s name.”
“Yes. The mystery client.” Delia smiled. “It’s Wally. He wants the ruined Temple of Venus that was in the group show last year.”
“Well, he can’t have it,” Alan said, feeling a surge of rage and losing his cool. “That stupid rich bastard.” He swallowed hard, fighting the urge to strike out. “He’s bought you, and now he wants to buy me.”
“Oh, darling. Don’t say that,” Delia wailed. “It’s my place too. It’s for me, really; I’ve been dreaming about it for months.”
“A ruined Temple of Venus,” Alan growled. “Well, that’s fucking appropriate.” He turned away and began slowly and painfully to descend the stone steps, with Delia following close behind.
“It doesn’t have to be very ruined,” she cried, clutching on to his arm to stop him. “Just a little. And it could be so beautiful, like in your drawing, with the columns and the stone garlands of flowers and fruit, and the faded frescoes—it would be a big project, it could take months to build. And you’d be there, and I’d be there. . . .” She took another step down and moved toward him, then against him. For the first time since December he felt the warm, soft weight of her; he saw, in the shadows of the circular stair, her pale face turned to his.
“Oh, my dear,” she whispered. “I’ve missed you so much.”
What the fuck am I doing? Alan thought. How can I trust this bitch, how can I love her? She betrayed Henry Hull, then she betrayed me, and now she’s betraying Wally Hersh. But the pull was too strong, and he moved closer.
“You could build it in September,” Delia murmured when they paused for breath. “Wally has to be in Hong Kong then, I’ll be all alone—but of course you’ll have to come to Rye much sooner, to look at the site. There’s a little pond that might be just right—”
“I didn’t say I would do it,” Alan said, crushing Delia’s elaborate tiered skirts against the rough stone of the staircase.
“But you will, won’t you?” She kissed him again, lightly and warmly, then swayed back. “And then, you know your Attic Window, that’s going to be on the cover of my new book? I want you to build it by my cabin in North Carolina, just where the mountain falls away, so that what you see through the window is all sky and distant hills.”
“Oh yeah?”
“Yes. Absolutely.”
“And I suppose then you’ll want another piece for Wally Hersh’s place in Palm Beach,” he said as coolly as he could manage.
“No. I don’t like Palm Beach. And Wally’s house is really awful, all pink and green Cuban tiles and stucco arches and chandeliers and ugly fountains. My spirits would never come there, not in a thousand years. I’m going to persuade Wally to sell it and move to Key West. That’ll be much more welcoming for them.”
“Really.” Alan descended the last few steps to the ground floor of the tower, trying to get a grip on himself, and stepped outside. “According to what I read, Key West is overrun with homeless chickens and feral six-toed cats, and drugs, and drunken writers and crazy motorcyclists, and the local government is completely corrupt,” he said.
“Yes, doesn’t it sound wonderful?” Delia laughed. “I’m going to be so happy there. Even happier than Henry and Jane.” She paused in the natural frame of the tower’s archway, whose gray stone had begun to turn a faint gold in the light of the declining sun.
“You think they’re going to be happy?”
“Oh yes, probably. Boringly happy. Or maybe eventually they’ll begin to bore each other, who knows?”
“And will you really be happy?”
“Maybe. Sometimes.”
“I thought you didn’t believe artists should be happy.”
“I don’t. Not as a steady thing. The world is a bad place for us, mostly. That’s why we mustn’t miss anything good that comes along. And there’s pleasure sometimes, there’s joy—like today. I wasn’t sure you’d even speak to me.”
“Probably I shouldn’t have,” Alan said.
“Too late now.” Delia laughed and came closer. “Let’s drink to that.” She lifted the remaining champagne glass from where she had set it on an outcrop of artificial ruined wall, sipped, and handed it to Alan. A few bubbles still rose unhurriedly through the liquid, whose color, he thought, could have been described as pale gold—or as piss. “It’s hardly gone flat at all,” she said.
Alan drank. “No. Only a little.” He looked across the lawn toward the party. “I think we’d better get back,” he said.
“Yes.” Delia sighed. “But I’ll call you soon, so we can arrange for you to come to Rye.”
Alan said neither yes nor no, but a heavy dark feeling—or was it light, was it joy?—came over him that he was fated to go to Rye, fated to build Delia’s ruined Temple of Venus, to join her in her ruin, or whatever it was, maybe for the rest of his life.
“You know,” she murmured as they began to cross the lawn, “you could do what I did, if you wanted to. I’ve met so many women lately—they’re widowed or divorced, in their forties and fifties, but quite attractive, and very well off. They try to keep up their spirits, but their children have grown and gone, and they’re real lonely and sad. They don’t know what to do with themselves. Most of them would jump over the moon for a man like you, an artist, a genius.”
“A cripple,” Alan said.
“But that just makes it more romantic. Wally loves my migraines, they appeal to his protective instincts. It would be the same for you—artists always have a tragic wound, to go with their invincible bow, you know. They need to be taken care of. Anyhow, that’s what my new girlfriends think. When you’re in Rye I’ll invite two or three of them to lunch, and you’ll see.”
“I don’t want to see,” Alan said, stopping and turning to stare at Delia. In her floating white dress, overlaid with gold by the low sun, like the grass and the gray stones of the tower behind her, she looked almost unearthly. “Who are you, Dilly, what are you?” he asked, catching hold of her arm. “Are you a demon come to tempt me to sin?”
“No, I’m your good angel, like I always was,” Delia said. “I’m your true love.” She gave him a quick, blazing look. Then she laughed and walked on. They were near enough to the terrace now to be seen, and soon many well-dressed, gold-tinged people began to surge toward them: greeting them, congratulating them, separating them.
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Alison Lurie, Truth and Consequences
