Even Jack has been heard to acknowledge that Tom has “pluck” in him; and as “pluck” in Jack’s mind is a short way of summing up all the virtues, he has lately become very fond of his cousin. Tom does not think about happiness, but is happy; and I think we may hope that he, and the household among whom he is adopted, will go “from strength to strength.”
Now do you not see how much happier this family are from the one circumstance of a little child’s coming among them? Could money have made one-tenth part of this real and increasing happiness? I think you will all say no. And yet Tom was no powerful person; he was not clever; be was very friendless at first; but he was loving and good; and on those two qualities, which any of us may have if we try, the blessing of God lies in rich abundance.
(Sunday School Penny Magazine, 1849)
THE HAUNTED HOUSE
This collection of stories was written for Dickens’ weekly periodical All the Year Round, appearing in the Extra Christmas Number on 13 December 1859. Dickens began a tradition of Christmas publications with A Christmas Carol in 1843 and his Christmas stories soon became a national institution. The Haunted House was his 1859 offering, and it is a ‘portmanteau’ story, with Dickens writing the opening and closing stories, framing stories by himself and five other authors.
The tales are all very different, but each has an element of the fey and terrifying. Some of the house guests have heard stories from ghosts while others have had out-of-body experiences. Wilkie Collins tells a seafaring story of Spanish pirates and the torment of a candle that, as it burns, takes the narrator ever closer to explosion and death. Dickens himself contributes The Ghost in Master B’s Room, a very peculiar tale of the ghost of innocence that hints at the author’s own feelings of melancholy. Gaskell contributes a strong story of working people in the north of England. The whole text has been provided below for the reader.
The original magazine
THE HAUNTED HOUSE
CONTENTS
The Mortals in the House by Charles Dickens
The Ghost in the Clock Room by Hesba Stretton
The Ghost in the Double Room by George Augustus Sala
The Ghost in the Picture Room by Adelaide Anne Procter
The Ghost in the Cupboard Room by Wilkie Collins
The Ghost in Master B.’s Room by Charles Dickens
The Ghost in the Garden Room by Elizabeth Gaskell
The Ghost in the Corner Room by Charles Dickens
The Mortals in the House by Charles Dickens
Under none of the accredited ghostly circumstances, and environed by none of the conventional ghostly surroundings, did I first make acquaintance with the house which is the subject of this Christmas piece. I saw it in the daylight, with the sun upon it. There was no wind, no rain, no lightning, no thunder, no awful or unwonted circumstance, of any kind, to heighten its effect. More than that: I had come to it direct from a railway station: it was not more than a mile distant from the railway station; and, as I stood outside the house, looking back upon the way I had come, I could see the goods train running smoothly along the embankment in the valley. I will not say that everything was utterly commonplace, because I doubt if anything can be that, except to utterly commonplace people — and there my vanity steps in; but, I will take it on myself to say that anybody might see the house as I saw it, any fine autumn morning.
The manner of my lighting on it was this.
I was travelling towards London out of the North, intending to stop by the way, to look at the house. My health required a temporary residence in the country; and a friend of mine who knew that, and who had happened to drive past the house, had written to me to suggest it as a likely place. I had got into the train at midnight, and had fallen asleep, and had woke up and had sat looking out of window at the brilliant Northern Lights in the sky, and had fallen asleep again, and had woke up again to find the night gone, with the usual discontented conviction on me that I hadn’t been to sleep at all; — upon which question, in the first imbecility of that condition, I am ashamed to believe that I would have done wager by battle with the man who sat opposite me. That opposite man had had, through the night — as that opposite man always has — several legs too many, and all of them too long. In addition to this unreasonable conduct (which was only to be expected of him), he had had a pencil and a pocket-book, and had been perpetually listening and taking notes. It had appeared to me that these aggravating notes related to the jolts and bumps of the carriage, and I should have resigned myself to his taking them, under a general supposition that he was in the civil-engineering way of life, if he had not sat staring straight over my head whenever he listened. He was a goggle-eyed gentleman of a perplexed aspect, and his demeanour became unbearable.
It was a cold, dead morning (the sun not being up yet), and when I had out-watched the paling light of the fires of the iron country, and the curtain of heavy smoke that hung at once between me and the stars and between me and the day, I turned to my fellow-traveller and said:
“I BEG your pardon, sir, but do you observe anything particular in me”? For, really, he appeared to be taking down, either my travelling-cap or my hair, with a minuteness that was a liberty.
The goggle-eyed gentleman withdrew his eyes from behind me, as if the back of the carriage were a hundred miles off, and said, with a lofty look of compassion for my insignificance:
“In you, sir? — B.”
“B, sir?” said I, growing warm.
“I have nothing to do with you, sir,” returned the gentleman; “pray let me listen — O.”
He enunciated this vowel after a pause, and noted it down.
At first I was alarmed, for an Express lunatic and no communication with the guard, is a serious position. The thought came to my relief that the gentleman might be what is popularly called a Rapper: one of a sect for (some of) whom I have the highest respect, but whom I don’t believe in. I was going to ask him the question, when he took the bread out of my mouth.
“You will excuse me,” said the gentleman contemptuously, “if I am too much in advance of common humanity to trouble myself at all about it. I have passed the night — as indeed I pass the whole of my time now — in spiritual intercourse.”
“O!” said I, somewhat snappishly.
“The conferences of the night began,” continued the gentleman, turning several leaves of his note-book, “with this message: ‘Evil communications corrupt good manners.’”
“Sound,” said I; “but, absolutely new?”
“New from spirits,” returned the gentleman.
I could only repeat my rather snappish “O!” and ask if I might be favoured with the last communication.
“‘A bird in the hand,’” said the gentleman, reading his last entry with great solemnity, “‘is worth two in the Bosh.’”
“Truly I am of the same opinion,” said I; “but shouldn’t it be Bush?”
“It came to me, Bosh,” returned the gentleman.
The gentleman then informed me that the spirit of Socrates had delivered this special revelation in the course of the night. “My friend, I hope you are pretty well. There are two in this railway carriage. How do you do? There are seventeen thousand four hundred and seventy-nine spirits here, but you cannot see them. Pythagoras is here. He is not at liberty to mention it, but hopes you like travelling.” Galileo likewise had dropped in, with this scientific intelligence. “I am glad to see you, AMICO. COME STA? Water will freeze when it is cold enough. ADDIO!” In the course of the night, also, the following phenomena had occurred. Bishop Butler had insisted on spelling his name, “Bubler,” for which offence against orthography and good manners he had been dismissed as out of temper. John Milton (suspected of wilful mystification) had repudiated the authorship of Paradise Lost, and had introduced, as joint authors of that poem, two Unknown gentlemen, respectively named Grungers and Scadgingtone. And Prince Arthur, nephew of King John of England, had described himself as tolerably comfortable in the seventh circle, wh
ere he was learning to paint on velvet, under the direction of Mrs. Trimmer and Mary Queen of Scots.
If this should meet the eye of the gentleman who favoured me with these disclosures, I trust he will excuse my confessing that the sight of the rising sun, and the contemplation of the magnificent Order of the vast Universe, made me impatient of them. In a word, I was so impatient of them, that I was mightily glad to get out at the next station, and to exchange these clouds and vapours for the free air of Heaven.
By that time it was a beautiful morning. As I walked away among such leaves as had already fallen from the golden, brown, and russet trees; and as I looked around me on the wonders of Creation, and thought of the steady, unchanging, and harmonious laws by which they are sustained; the gentleman’s spiritual intercourse seemed to me as poor a piece of journey-work as ever this world saw. In which heathen state of mind, I came within view of the house, and stopped to examine it attentively.
It was a solitary house, standing in a sadly neglected garden: a pretty even square of some two acres. It was a house of about the time of George the Second; as stiff, as cold, as formal, and in as bad taste, as could possibly be desired by the most loyal admirer of the whole quartet of Georges. It was uninhabited, but had, within a year or two, been cheaply repaired to render it habitable; I say cheaply, because the work had been done in a surface manner, and was already decaying as to the paint and plaster, though the colours were fresh. A lop-sided board drooped over the garden wall, announcing that it was “to let on very reasonable terms, well furnished.” It was much too closely and heavily shadowed by trees, and, in particular, there were six tall poplars before the front windows, which were excessively melancholy, and the site of which had been extremely ill chosen.
It was easy to see that it was an avoided house — a house that was shunned by the village, to which my eye was guided by a church spire some half a mile off — a house that nobody would take. And the natural inference was, that it had the reputation of being a haunted house.
No period within the four-and-twenty hours of day and night is so solemn to me, as the early morning. In the summer-time, I often rise very early, and repair to my room to do a day’s work before breakfast, and I am always on those occasions deeply impressed by the stillness and solitude around me. Besides that there is something awful in the being surrounded by familiar faces asleep — in the knowledge that those who are dearest to us and to whom we are dearest, are profoundly unconscious of us, in an impassive state, anticipative of that mysterious condition to which we are all tending — the stopped life, the broken threads of yesterday, the deserted seat, the closed book, the unfinished but abandoned occupation, all are images of Death. The tranquillity of the hour is the tranquillity of Death. The colour and the chill have the same association. Even a certain air that familiar household objects take upon them when they first emerge from the shadows of the night into the morning, of being newer, and as they used to be long ago, has its counterpart in the subsidence of the worn face of maturity or age, in death, into the old youthful look. Moreover, I once saw the apparition of my father, at this hour. He was alive and well, and nothing ever came of it, but I saw him in the daylight, sitting with his back towards me, on a seat that stood beside my bed. His head was resting on his hand, and whether he was slumbering or grieving, I could not discern. Amazed to see him there, I sat up, moved my position, leaned out of bed, and watched him. As he did not move, I spoke to him more than once. As he did not move then, I became alarmed and laid my hand upon his shoulder, as I thought — and there was no such thing.
For all these reasons, and for others less easily and briefly statable, I find the early morning to be my most ghostly time. Any house would be more or less haunted, to me, in the early morning; and a haunted house could scarcely address me to greater advantage than then.
I walked on into the village, with the desertion of this house upon my mind, and I found the landlord of the little inn, sanding his door-step. I bespoke breakfast, and broached the subject of the house.
“Is it haunted?” I asked.
The landlord looked at me, shook his head, and answered, “I say nothing.”
“Then it IS haunted?”
“Well!” cried the landlord, in an outburst of frankness that had the appearance of desperation — ”I wouldn’t sleep in it.”
“Why not?”
“If I wanted to have all the bells in a house ring, with nobody to ring ‘em; and all the doors in a house bang, with nobody to bang ‘em; and all sorts of feet treading about, with no feet there; why, then,” said the landlord, “I’d sleep in that house.”
“Is anything seen there?”
The landlord looked at me again, and then, with his former appearance of desperation, called down his stable-yard for “Ikey!”
The call produced a high-shouldered young fellow, with a round red face, a short crop of sandy hair, a very broad humorous mouth, a turned-up nose, and a great sleeved waistcoat of purple bars, with mother-of-pearl buttons, that seemed to be growing upon him, and to be in a fair way — if it were not pruned — of covering his head and overunning his boots.
“This gentleman wants to know,” said the landlord, “if anything’s seen at the Poplars.”
“‘Ooded woman with a howl,” said Ikey, in a state of great freshness.
“Do you mean a cry?”
“I mean a bird, sir.”
“A hooded woman with an owl. Dear me! Did you ever see her?”
“I seen the howl.”
“Never the woman?”
“Not so plain as the howl, but they always keeps together.”
“Has anybody ever seen the woman as plainly as the owl?”
“Lord bless you, sir! Lots.”
“Who?”
“Lord bless you, sir! Lots.”
“The general-dealer opposite, for instance, who is opening his shop?”
“Perkins? Bless you, Perkins wouldn’t go a-nigh the place. No!” observed the young man, with considerable feeling; “he an’t overwise, an’t Perkins, but he an’t such a fool as THAT.”
(Here, the landlord murmured his confidence in Perkins’s knowing better.)
“Who is — or who was — the hooded woman with the owl? Do you know?”
“Well!” said Ikey, holding up his cap with one hand while he scratched his head with the other, “they say, in general, that she was murdered, and the howl he ‘ooted the while.”
This very concise summary of the facts was all I could learn, except that a young man, as hearty and likely a young man as ever I see, had been took with fits and held down in ‘em, after seeing the hooded woman. Also, that a personage, dimly described as “a hold chap, a sort of one-eyed tramp, answering to the name of Joby, unless you challenged him as Greenwood, and then he said, ‘Why not? and even if so, mind your own business,’” had encountered the hooded woman, a matter of five or six times. But, I was not materially assisted by these witnesses: inasmuch as the first was in California, and the last was, as Ikey said (and he was confirmed by the landlord), Anywheres.
Now, although I regard with a hushed and solemn fear, the mysteries, between which and this state of existence is interposed the barrier of the great trial and change that fall on all the things that live; and although I have not the audacity to pretend that I know anything of them; I can no more reconcile the mere banging of doors, ringing of bells, creaking of boards, and such-like insignificances, with the majestic beauty and pervading analogy of all the Divine rules that I am permitted to understand, than I had been able, a little while before, to yoke the spiritual intercourse of my fellow-traveller to the chariot of the rising sun. Moreover, I had lived in two haunted houses — both abroad. In one of these, an old Italian palace, which bore the reputation of being very badly haunted indeed, and which had recently been twice abandoned on that account, I lived eight months, most tranquilly and pleasantly: notwithstanding that the house had a score of mysterious bedrooms, which were never used, and posse
ssed, in one large room in which I sat reading, times out of number at all hours, and next to which I slept, a haunted chamber of the first pretensions. I gently hinted these considerations to the landlord. And as to this particular house having a bad name, I reasoned with him, Why, how many things had bad names undeservedly, and how easy it was to give bad names, and did he not think that if he and I were persistently to whisper in the village that any weird-looking old drunken tinker of the neighbourhood had sold himself to the Devil, he would come in time to be suspected of that commercial venture! All this wise talk was perfectly ineffective with the landlord, I am bound to confess, and was as dead a failure as ever I made in my life.
Delphi Complete Works of Elizabeth Gaskell Page 456
