One night - just after New Year’s Day had come at last, and the long winter had taken a turn, as I hoped - I heard the west drawing-room bell ring three times, which was the signal for me. I would not leave Miss Rosamond alone, for all she was asleep - for the old lord had been playing wilder than ever - and I feared lest my darling should waken to hear the spectre child; see her I knew she could not. I had fastened the windows too well for that. So, I took her out of her bed and wrapped her up in such outer clothes as were most handy, and carried her down to the drawing-room, where the old ladies sate at their tapestry work as usual. They looked up when I came in, and Mrs Stark asked, quite astounded, ‘Why did I bring Miss Rosamond there, out of her warm bed?’ I had begun to whisper, ‘Because I was afraid of her being tempted out while I was away, by the wild child in the snow,’ when she stopped me short (with a glance at Miss Furnivall), and said Miss Furnivall wanted me to undo some work she had done wrong, and which neither of them could see to unpick. So, I laid my pretty dear on the sofa, and sate down on a stool by them, and hardened my heart against them, as I heard the wind rising and howling.
Miss Rosamond slept on sound, for all the wind blew so; and Miss Furnivall said never a word, nor looked round when the gusts shook the windows. All at once she started up to her full height, and put up one hand, as if to bid us listen.
‘I hear voices!’ said she. ‘I hear terrible screams - I hear my father’s voice!’
Just at that moment, my darling wakened with a sudden start: ‘My little girl is crying, oh, how she is crying!’ and she tried to get up and go to her, but she got her feet entangled in the blanket, and I caught her up; for my flesh had begun to creep at these noises, which they heard while we could catch no sound. In a minute or two the noises came, and gathered fast, and filled our ears; we, too, heard voices and screams, and no longer heard the winter’s wind that raged abroad. Mrs Stark looked at me, and I at her, but we dared not speak. Suddenly Miss Furnivall went towards the door, out into the ante-room, through the west lobby, and opened the door into the great hall. Mrs Stark followed, and I durst not be left, though my heart almost stopped beating for fear. I wrapped my darling tight in my arms, and went out with them. In the hall the screams were louder than ever; they sounded to come from the east wing - nearer and nearer - close on the other side of the locked-up doors - close behind them. Then I noticed that the great bronze chandelier seemed all alight, though the hall was dim, and that a fire was blazing in the vast hearth-place, though it gave no heat; and I shuddered up with terror, and folded my darling closer to me. But as I did so, the east door shook, and she, suddenly struggling to get free from me, cried, ‘Hester! I must go! My little girl is there; I hear her; she is coming! Hester, I must go!’
I held her tight with all my strength; with a set will, I held her. If I had died, my hands would have grasped her still, I was so resolved in my mind. Miss Furnivall stood listening, and paid no regard to my darling, who had got down to the ground, and whom I, upon my knees now, was holding with both my arms clasped round her neck; she still striving and crying to get free.
All at once, the east door gave way with a thundering crash, as if torn open in a violent passion, and there came into that broad and mysterious light, the figure of a tall, old man, with grey hair and gleaming eyes. He drove before him, with many a relentless gesture of abhorrence, a stern and beautiful woman, with a little child clinging to her dress.
‘Oh Hester! Hester!’ cried Miss Rosamond. ‘It’s the lady! the lady below the holly-trees; and my little girl is with her. Hester! Hester! let me go to her; they are drawing me to them. I feel them - I feel them. I must go!’
Again she was almost convulsed by her efforts to get away; but I held her tighter and tighter, till I feared I should do her a hurt; but rather that than let her go towards those terrible phantoms. They passed along towards the great hall-door, where the winds howled and ravened for their prey; but before they reached that, the lady turned; and I could see that she defied the old man with a fierce and proud defiance; but then she quailed - and then she threw her arms wildly and piteously to save her child - her little child - from a blow from his uplifted crutch.
And Miss Rosamond was torn as by a power stronger than mine, and writhed in my arms, and sobbed (for by this time the poor darling was growing faint).
‘They want me to go with them on to the Fells - they are drawing me to them. Oh, my little girl! I would come, but cruel, wicked Hester holds me very tight.’ But when she saw the uplifted crutch she swooned away, and I thanked God for it. Just at this moment - when the tall, old man, his hair streaming as in the blast of a furnace, was going to strike the little, shrinking child - Miss Furnivall, the old woman by my side, cried out, ‘Oh, father! father! spare the little, innocent child!’ But just then I saw - we all saw - another phantom shape itself, and grow clear out of the blue and misty light that filled the hall; we had not seen her till now, for it was another lady who stood by the old man, with a look of relentless hate and triumphant scorn. That figure was very beautiful to look upon, with a soft, white hat drawn down over the proud brows, and a red and curling lip. It was dressed in an open robe of blue satin. I had seen that figure before. It was the likeness of Miss Furnivall in her youth; and the terrible phantoms moved on, regardless of old Miss Furnivall’s wild entreaty, and the uplifted crutch fell on the right shoulder of the little child, and the younger sister looked on, stony and deadly serene. But at that moment, the dim lights, and the fire that gave no heat, went out of themselves, and Miss Furnivall lay at our feet stricken down by the palsy - death-stricken.
Yes! she was carried to her bed that night never to rise again. She lay with her face to the wall, muttering low, but muttering always: Alas! alas! what is done in youth can never be undone in age! what is done in youth can never be undone in age!’
THE POOR CLARE
CHAPTER I
December 12th, 1747 - My life has been strangely bound up with extraordinary incidents, some of which occurred before I had any connection with the principal actors in them, or, indeed, before I even knew of their existence. I suppose, most old men are, like me, more given to looking back upon their own career with a kind of fond interest and affectionate remembrance than to watching the events - though these may have far more interest for the multitude - immediately passing before their eyes. If this should be the case with the generality of old people, how much more so with me! . . . If I am to enter upon that strange story connected with poor Lucy, I must begin a long way back. I myself only came to the knowledge of her family history after I knew her; but, to make the tale clear to any one else, I must arrange events in the order in which they occurred - not that in which I became acquainted with them.
There is a great old hall in the north-east of Lancashire, in a part they called the Trough of Bolland, adjoining that other district named Craven. Starkey Manor-house is rather like a number of rooms clustered round a grey, massive, old keep than a regularly-built hall. Indeed, I suppose that the house only consisted of a great tower in the centre, in the days when the Scots made their raids terrible as far south as this; and that after the Stuarts came in, and there was a little more security of property in those parts, the Starkeys of that time added the lower building, which runs, two storeys high, all round the base of the keep. There has been a grand garden laid out in my days, on the southern slope near the house; but when I first knew the place, the kitchen garden at the farm was the only piece of cultivated ground belonging to it. The deer used to come within sight of the drawing-room windows, and might have browsed quite close up to the house if they had not been too wild and shy. Starkey Manor-house itself stood on a projection or peninsula of high land, jutting out from the abrupt hills that form the sides of the Trough of Bolland. These hills were rocky and bleak enough towards their summit; lower down they were clothed with tangled copsewood and green depths of fern, out of which a grey giant of an ancient forest-tree would tower here and there, throwing up its ghas
tly white branches, as if in imprecation, to the sky. These trees, they told me, were the remnants of that forest which existed in the days of the Heptarchy, and were even then noted as landmarks. No wonder that their upper and more exposed branches were leafless, and that the dead bark had peeled away, from sapless old age.
Not far from the house there were a few cottages, apparently of the same date as the keep; probably built for some retainers of the family, who sought shelter - they and their families and their small flocks and herds - at the hands of their feudal lord. Some of them had pretty much fallen to decay. They were built in a strange fashion. Strong beams had been sunk firm in the ground at the requisite distance, and their other ends had been fastened together, two and two, so as to form the shape of one of those rounded waggon-headed gipsy-tents, only very much larger. The spaces between were filled with mud, stones, osiers, rubbish, mortar - anything to keep out the weather. The fires were made in the centre of these rude dwellings, a hole in the roof forming the only chimney. No Highland hut or Irish cabin could be of rougher construction.
The owner of this property at the beginning of the present century, was a Mr. Patrick Byrne Starkey. His family had kept to the old faith, and were staunch Roman Catholics, esteeming it even a sin to marry any one of Protestant descent, however willing he or she might have been to embrace the Romish religion. Mr. Patrick Starkey’s father had been a follower of James the Second; and during the disastrous campaign of that monarch he had fallen in love with an Irish beauty, a Miss Byrne, as zealous for her religion and for the Stuarts as himself. He had returned to Ireland after his escape to France, and married her, bearing her back to the court at St. Germains. But some license, on the part of the disorderly gentlemen who surrounded King James in his exile, had insulted his beautiful wife, and disgusted him; so he removed from St. Germains to Antwerp, whence, in a few years’ time, he quietly returned to Starkey Manor-house - some of his Lancashire neighbours having lent their good offices to reconcile him to the powers that were. He was as firm a Catholic as ever, and as staunch an advocate for the Stuarts and the divine rights of kings; but his religion almost amounted to asceticism, and the conduct of those with whom he had been brought in such close contact at St. Germains would little bear the inspection of a stern moralist. So he gave his allegiance where he could not give his esteem and learned to respect sincerely the upright and moral character of one whom he yet regarded as an usurper. King William’s government had little need to fear such a one. So he returned, as I have said, with a sobered heart and impoverished fortunes, to his ancestral house, which had fallen sadly to ruin while the owner had been a courtier, a soldier, and an exile. The roads into the Trough of Bolland were little more than cart-ruts; indeed, the way up to the house lay along a ploughed field before you came to the deer-park. Madam, as the country-folk used to call Mrs. Starkey, rode on a pillion behind her husband, holding on to him with a light hand by his leather riding-belt. Little master (he that was afterwards Squire Patrick Byrne Starkey) was held on to his pony by a serving-man. A woman past middle age walked, with a firm and strong step, by the cart that held much of the baggage; and, high up on the mails and boxes, sat a girl of dazzling beauty, perched lightly on the topmost trunk, and swaying herself fearlessly to and fro, as the cart rocked and shook in the heavy roads of late autumn. The girl wore the Antwerp faille, or black Spanish mantle, over her head; and altogether her appearance was such that the old cottager, who described the procession to me many years after, said that all the country-folk took her for a foreigner. Some dogs, and the boy who held them in charge, made up the company. They rode silently along, looking with grave, serious eyes at the people, who came out of the scattered cottages to bow or curtsey to the real Squire, ‘come back at last,’ and gazed after the little procession with gaping wonder, not deadened by the sound of the foreign language in which the few necessary words that passed among them were spoken. One lad, called from his staring by the Squire to come and help about the cart, accompanied them to the Manor-house. He said that when the lady had descended from her pillion, the middle-aged woman whom I have described as walking while the others rode, stepped quickly forward; and, taking Madame Starkey (who was of a slight and delicate figure) in her arms, she lifted her over the threshold, and set her down in her husband’s house, at the same time uttering a passionate and outlandish blessing. The Squire stood by, smiling gravely at first; but when the words of blessing were pronounced, he took off his fine feathered hat and bent his head. The girl with the black mantle stepped onward into the shadow of the dark hall, and kissed the lady’s hand; and that was all the lad could tell to the group that gathered round him on his return, eager to hear everything, and to know how much the Squire had given him for his services.
From all I could gather, the Manor-house, at the time of the Squire’s return, was in the most dilapidated state. The stout grey walls remained firm and entire; but the inner chambers had been used for all kinds of purposes. The great withdrawing-room had been a barn; the state tapestry-chamber had held wool, and so on. But, by-and-by, they were cleared out; and, if the Squire had no money to spend on new furniture, he and his wife had the knack of making the best of the old. He was no despicable joiner; she had a kind of grace in whatever she did, and imparted an air of elegant picturesqueness to whatever she touched. Besides, they had brought many rare things from the Continent; perhaps I should rather say, things that were rare in that part of England - carvings, and crosses, and beautiful pictures. And then, again, wood was plentiful in the Trough of Bolland, and great log-fires danced and glittered in all the dark, old rooms, and gave a look of home and comfort to everything. Why do I tell you all this? I have little to do with the Squire and Madame Starkey; and yet I dwell upon them, as if I were unwilling to come to the real people with whom my life was so strangely mixed up. Madam had been nursed in Ireland by the very woman who lifted her in her arms, and welcomed her to her husband’s home in Lancashire. Excepting for the short period of her own married life, Bridget Fitzgerald had never left her nursling. Her marriage - to one above her in rank - had been unhappy. Her husband had died, and left her in even greater poverty than that in which she was when he had first met with her. She had one child, the beautiful daughter who came riding on the waggon-load of furniture that was brought to the Manor-house. Madame Starkey had taken her again into her service when she became a widow. She and her daughter had followed ‘the mistress’ in all her fortunes; they had lived at St. Germains and at Antwerp, and were now come to her home in Lancashire. As soon as Bridget had arrived there, the Squire gave her a cottage of her own, and took more pains in furnishing it for her than he did in anything else out of his own house. It was only nominally her residence. She was constantly up at the great house; indeed, it was but a short cut across the woods from her own home to the home of her nursling. Her daughter Mary, in like manner, moved from one house to the other at her own will. Madam loved both mother and child dearly. They had great influence over her and, through her, over her husband. Whatever Bridget or Mary willed was sure to come to pass. They were not disliked; for though wild and passionate, they were also generous by nature. But the other servants were afraid of them, as being in secret the ruling spirits of the household. The Squire had lost his interest in all secular things; Madam was gentle, affectionate, and yielding. Both husband and wife were tenderly attached to each other and to their boy; but they grew more and more to shun the trouble of decision on any point; and hence it was that Bridget could exert such despotic power. But, if every one else yielded to her ‘magic of a superior mind,’ her daughter not unfrequently rebelled. She and her mother were too much alike to agree. There were wild quarrels between them, and wilder reconciliations. There were times when, in the heat of passion, they could have stabbed each other. At all other times they both - Bridget especially - would have willingly laid down their lives for one another. Bridget’s love for her child lay very deep - deeper than that daughter ever knew; or, I should think,
she would never have wearied of home as she did, and prayed her mistress to obtain for her some situation - as waiting-maid beyond the seas, in that more cheerful continental life, among the scenes of which so many of her happiest years had been spent. She thought, as youth thinks, that life would last for ever, and that two or three years were but a small portion of it to pass away from her mother, whose only child she was. Bridget thought differently, but was too proud ever to show what she felt. If her child wished to leave her, why - she should go. But people said Bridget became ten years older in the course of two months at this time. She took it that Mary wanted to leave her. The truth was that Mary wanted for a time to leave the place, and to seek some change, and would thankfully have taken her mother with her.
Indeed, when Madame Starkey had gotten her a situation with some grand lady abroad, and the time drew near for her to go, it was Mary who clung to her mother with passionate embrace, and, with floods of tears, declared that she would never leave her; and it was Bridget who at last loosened her arms, and, grave and tearless herself, bade her keep her word, and go forth into the wide world. Sobbing aloud, and looking back continuously, Mary went away. Bridget was still as death, scarcely drawing her breath, or closing her stony eyes; till at last she turned back into her cottage, and heaved a ponderous old settle against the door. There she sat, motionless, over the grey ashes of her extinguished fire, deaf to Madam’s sweet voice, as she begged leave to enter and comfort her nurse. Deaf, stony, and motionless, she sat for more than twenty hours; till, for the third time, Madam came across the snowy path from the great house carrying with her a young spaniel, which had been Mary’s pet up at the hall, and which had not ceased all night long to seek for its absent mistress, and to whine and moan after her. With tears Madam told this story, through the closed door - tears excited by the terrible look of anguish, so steady, so immovable, so the same today as it was yesterday - on her nurse’s face. The little creature in her arms began to utter its piteous cry, as it shivered with the cold. Bridget stirred; she moved - she listened. Again that long whine; she thought it was for her daughter; and what she had denied to her nursling and mistress she granted to the dumb creature that Mary had cherished. She opened the door, and took the dog from Madam’s arms. Then Madam came in, and kissed and comforted the old woman, who took but little notice of her or anything. And, sending up Master Patrick to the hall for fire and food, the sweet young lady never left her nurse all that night. Next day the Squire himself came down, carrying a beautiful foreign picture - Our Lady of the Holy Heart, the Papists call it. It is a picture of the Virgin, her heart pierced with arrows, each arrow representing one of her great woes. That picture hung in Bridget’s cottage when I first saw her; I have that picture now.
Delphi Complete Works of Elizabeth Gaskell Page 494
