The rocks shape life like hands around swelling dough. In Virginia, the salamanders vary from mountain ridge to mountain ridge; so do the fiddle tunes the old men play. All this is because it is hard to move from mountain to mountain. These are not merely anomalous details. This is what life is all about: salamanders, fiddle tunes, you and me and things, the split and burr of it all, the fizz into particulars. No mountains and one salamander, one fiddle tune, would be a lesser world. No continents, no fiddlers. No possum, no sop, no taters. The earth, without form, is void.
The mountains are time’s machines; in effect, they roll out protoplasm like printers’ rollers pressing out news. But life is already part of the landscape, a limiting factor in space; life too shapes life. Geology’s rocks and climate have already become Brazil’s rain forest, yielding shocking bright birds. To say that all life is an interconnected membrane, a weft of linkages like chain mail, is truism. But in this case, too, the Galápagos islands afford a clear picture.
On Santa Cruz island, for instance, the saddleback carapaces of tortoises enable them to stretch high and reach the succulent pads of prickly pear cactus. But the prickly pear cactus on that island, and on other tortoise islands, has evolved a treelike habit; those lower pads get harder to come by. Without limiting factors, the two populations could stretch right into the stratosphere.
Ça va. It goes on everywhere, tit for tat, action and reaction, triggers and inhibitors ascending in a spiral like spatting butterflies. Within life, we are pushing each other around. How many animal forms have evolved just so because there are, for instance, trees? We pass the nitrogen around, and vital gases; we feed and nest, plucking this and that and planting seeds. The protoplasm responds, nudged and nudging, bearing the news.
And the rocks themselves shall be moved. The rocks themselves are not pure necessity, given, like vast, complex molds around which the rest of us swirl. They heave to their own necessities, to stirrings and prickings from within and without.
The mountains are no more fixed than the stars. Granite, for example, contains much oxygen and is relatively light. It “floats.” When granite forms under the earth’s crust, great chunks of it bob up, I read somewhere, like dumplings. The continents themselves are beautiful peagreen boats. The Galápagos archipelago as a whole is surfing toward Ecuador; South America is sliding toward the Galápagos; North America, too, is sailing westward. We’re on floating islands, shaky ground.
So the rocks shape life, and then life shapes life, and the rocks are moving. The completed picture needs one more element: life shapes the rocks.
Life is more than a live green scum on a dead pool, a shimmering scurf like slime mold on rock. Look at the planet. Everywhere freedom twines its way around necessity, inventing new strings of occasions, lassoing time and putting it through its varied and spirited paces. Everywhere live things lash at the rocks. Softness is vulnerable, but it has a will; tube worms bore and coral atolls rise. Lichens in delicate lobes are chewing the granite mountains; forests in serried ranks trammel the hills. Man has more freedom than other live things; anti-entropically, he batters a bigger dent in the given, damming the rivers, planting the plains, drawing in his mind’s eye dotted lines between the stars.
The old ark’s a moverin’. Each live thing wags its home waters, rumples the turf, rearranges the air. The rocks press out protoplasm; the protoplasm pummels the rocks. It could be that this is the one world, and that world a bright snarl.
Like boys on dolphins, the continents ride their crustal plates. New lands shoulder up from the waves, and old lands buckle under. The very landscapes heave; change burgeons into change. Gray granite bobs up, red clay compresses; yellow sandstone tilts, surging in forests, incised by streams. The mountains tremble, the ice rasps back and forth, and the protoplasm furls in shock waves, up the rock valleys and down, ramifying possibilities, riddling the mountains. Life and the rocks, like spirit and matter, are a fringed matrix, lapped and lapping, clasping and held. It is like hand washing hand. It is like hand washing hand and the whole tumult hurled. The planet spins, rapt inside its intricate mists. The galaxy is a flung thing, loose in the night, and our solar system is one of many dotted campfires ringed with tossed rocks. What shall we sing?
What shall we sing, while the fire burns down? We can sing only specifics, time’s rambling tune, the places we have seen, the faces we have known. I will sing you the Galápagos islands, the sea lions soft on the rocks. It’s all still happening there, in real light, the cool currents upwelling, the finches falling on the wind, the shearwaters looping the waves. I could go back, or I could go on; or I could sit down, like Kubla Khan:
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.
A Field of Silence
THERE IS A PLACE called “the farm” where I lived once, in a time that was very lonely. Fortunately I was unconscious of my loneliness then, and felt it only deeply, bewildered, in the half-bright way that a puppy feels pain.
I loved the place, and still do. It was an ordinary farm, a calf-raising, haymaking farm, and very beautiful. Its flat, messy pastures ran along one side of the central portion of a quarter-mile road in the central part of an island, an island in Puget Sound, on the Washington coast, so that from the high end of the road you could look west toward the Pacific, to the sound and its hundred islands, and from the other end—and from the farm—you could see east to the water between you and the mainland, and beyond it the mainland’s mountains slicked with snow.
I liked the clutter about the place, the way everything blossomed or seeded or rusted; I liked the hundred half-finished projects, the smells, and the way the animals always broke loose. It is calming to herd animals. Often a regular rodeo breaks out—two people and a clever cow can kill a morning—but still, it is calming. You laugh for a while, exhausted, and silence is restored; the beasts are back in their pastures, the fences are not fixed but disguised as if they were fixed, ensuring the animals’ temporary resignation; and a great calm descends, a lack of urgency, a sense of having to invent something to do until the next time you must run and chase cattle.
The farm seemed eternal in the crude way the earth does—extending, that is, a very long time. The farm was as old as earth, always there, as old as the island, the Platonic form of “farm,” of human society itself, a piece of land eaten and replenished a billion summers, a piece of land worked on, lived on, grown over, plowed under, and stitched again and again, with fingers or with leaves, in and out and into human life’s thin weave. I lived there once.
I lived there once and I have seen, from behind the barn, the long roadside pastures heaped with silence. Behind the rooster, suddenly, I saw the silence heaped on the fields like trays. That day the green hayfields supported silence evenly sown; the fields bent just so under the even pressure of silence, bearing it, palming it aloft: cleared fields, part of a land, a planet, that did not buckle beneath the heel of silence, nor split up scattered to bits, but instead lay secret, disguised as time and matter as though that were nothing, ordinary—disguised as fields like those which bear the silence only because they are spread, and the silence spreads over them, great in size.
I do not want, I think, ever to see such a sight again. That there is loneliness here I had granted, in the abstract—but not, I thought, inside the light of God’s presence, inside his sanction, and signed by his name.
I lived alone in the farmhouse and rented; the owners, in their twenties, lived in another building just over the yard. I had been reading and restless for two or three days. It was morning. I had just read at breakfast an Updike story, “Packed Dirt, Churchgoing, A Dying Cat, A Traded Car,” which moved me. I heard our own farmyard rooster and two or three roosters across the street screeching. I quit the house, hoping at heart to see either of the owners, but immediately to watch our rooster as he crowed.
It was
Saturday morning late in the summer, in early September, clear-aired and still. I climbed the barnyard fence between the poultry and the pastures; I watched the red rooster, and the rooster, reptilian, kept one alert and alien eye on me. He pulled his extravagant neck to its maximum length, hauled himself high on his legs, stretched his beak as if he were gagging, screamed, and blinked. It was a ruckus. The din came from everywhere, and only the most rigorous application of reason could persuade me that it proceeded in its entirety from this lone and maniac bird.
After a pause, the roosters across the street started, answering the proclamation, or cranking out another round, arhythmically, interrupting. In the same way there is no pattern nor sense to the massed stridulations of cicadas; their skipped beats, enjambments, and failed alterations jangle your spirits, as though each of those thousand insects, each with identical feelings, were stubbornly deaf to the others, and loudly alone.
I shifted along the fence to see if either of the owners was coming or going. To the rooster I said nothing, but only stared. And he stared at me; we were both careful to keep the wooden fence slat from our line of sight, so that his profiled eye and my two eyes could meet. From time to time I looked beyond the pastures to learn if anyone might be seen on the road.
When I was turned away in this manner, the silence gathered and struck me. It bashed me broadside from the heavens above me like yard goods; ten acres of fallen, invisible sky choked the fields. The pastures on either side of the road turned green in a surrealistic fashion, monstrous, impeccable, as if they were holding their breaths. The roosters stopped. All the things of the world—the fields and the fencing, the road, a parked orange truck—were stricken and self-conscious. A world pressed down on their surfaces, a world battered just within their surfaces, and that real world, so near to emerging, had got stuck.
There was only silence. It was the silence of matter caught in the act and embarrassed. There were no cells moving, and yet there were cells. I could see the shape of the land, how it lay holding silence. Its poise and its stillness were unendurable, like the ring of the silence you hear in your skull when you’re little and notice you’re living the ring which resumes later in life when you’re sick.
There were flies buzzing over the dirt by the henhouse, moving in circles and buzzing, black dreams in chips off the one long dream, the dream of the regular world. But the silent fields were the real world, eternity’s outpost in time, whose look I remembered but never like this, this God-blasted, paralyzed day. I felt myself tall and vertical, in a blue shirt, self-conscious, and wishing to die. I heard the flies again; I looked at the rooster who was frozen looking at me.
Then at last I heard whistling, human whistling far on the air, and I was not able to bear it. I looked around, heartbroken; only at the big yellow Charolais farm far up the road was there motion—a woman, I think, dressed in pink, and pushing a wheelbarrow easily over the grass. It must have been she who was whistling and heaping on top of the silence those hollow notes of song. But the slow sound of the music—the beautiful sound of the music ringing the air like a stone bell—was isolate and detached. The notes spread into the general air and became the weightier part of silence, silence’s last straw. The distant woman and her wheelbarrow were flat and detached, like mechanized and pink-painted properties for a stage. I stood in pieces, afraid I was unable to move. Something had unhinged the world. The houses and roadsides and pastures were buckling under the silence. Then a Labrador, black, loped up the distant driveway, fluid and cartoonlike, toward the pink woman. I had to try to turn away. Holiness is a force, and like the others can be resisted. It was given, but I didn’t want to see it, God or no God. It was as if God had said, “I am here, but not as you have known me. This is the look of silence, and of loneliness unendurable; it too has always been mine, and now will be yours.” I was not ready for a life of sorrow, sorrow deriving from knowledge I could just as well stop at the gate.
I turned away, willful, and the whole show vanished. The realness of things disassembled. The whistling became ordinary, familiar; the air above the fields released its pressure and the fields lay hooded as before. I myself could act. Looking to the rooster I whistled to him myself, softly, and some hens appeared at the chicken house window, greeted the day, and fluttered down.
Several months later, walking past the farm on the way to a volleyball game, I remarked to a friend, by way of information, “There are angels in those fields.” Angels! That silence so grave and so stricken, that choked and unbearable green! I have rarely been so surprised at something I’ve said. Angels! What are angels? I had never thought of angels, in any way at all.
From that time I began to think of angels. I considered that sights such as I had seen of the silence must have been shared by the people who said they saw angels. I began to review the thing I had seen that morning. My impression now of those fields is of thousands of spirits—spirits trapped, perhaps, by my refusal to call them more fully, or by the paralysis of my own spirit at that time—thousands of spirits, angels in fact, almost discernible to the eye, and whirling. If pressed I would say they were three or four feet from the ground. Only their motion was clear (clockwise, if you insist); that, and their beauty unspeakable.
There are angels in those fields, and, I presume, in all fields, and everywhere else. I would go to the lions for this conviction, to witness this fact. What all this means about perception, or language, or angels, or my own sanity, I have no idea.
God in the Doorway
ONE COLD CHRISTMAS EVE I was up unnaturally late because we had all gone out to dinner—my parents, my baby sister, and I. We had come home to a warm living room, and Christmas Eve. Our stockings drooped from the mantel; beside them, a special table bore a bottle of ginger ale and a plate of cookies.
I had taken off my fancy winter coat and was standing on the heat register to bake my shoe soles and warm my bare legs. There was a commotion at the front door; it opened, and cold wind blew around my dress.
Everyone was calling me. “Look who’s here! Look who’s here!” I looked. It was Santa Claus. Whom I never—ever—wanted to meet. Santa Claus was looming in the doorway and looking around for me. My mother’s voice was thrilled: “Look who’s here!” I ran upstairs.
Like everyone in his right mind, I feared Santa Claus, thinking he was God. I was still thoughtless and brute, reactive. I knew right from wrong, but had barely tested the possibility of shaping my own behavior, and then only from fear, and not yet from love. Santa Claus was an old man whom you never saw, but who nevertheless saw you; he knew when you’d been bad or good. He knew when you’d been bad or good! And I had been bad.
My mother called and called, enthusiastic, pleading; I wouldn’t come down. My father encouraged me; my sister howled. I wouldn’t come down, but I could bend over the stairwell and see: Santa Claus stood in the doorway with night over his shoulder, letting in all the cold air of the sky; Santa Claus stood in the doorway monstrous and bright, powerless, ringing a loud bell and repeating Merry Christmas, Merry Christmas. I never came down. I don’t know who ate the cookies.
For so many years now I have known that this Santa Claus was actually a rigged-up Miss White, who lived across the street, that I confuse the dramatis personae in my mind, making of Santa Claus, God, and Miss White an awesome, vulnerable trinity. This is really a story about Miss White.
Miss White was old; she lived alone in the big house across the street. She liked having me around; she plied me with cookies, taught me things about the world, and tried to interest me in finger painting, in which she herself took great pleasure. She would set up easels in her kitchen, tack enormous slick soaking papers to their frames, and paint undulating undersea scenes: horizontal smears of color sparked by occasional vertical streaks which were understood to be fixed kelp. I liked her. She meant no harm on earth, and yet half a year after her failed visit as Santa Claus, I ran from her again.
That day, a day of the following summer, Miss White and
I knelt in her yard while she showed me a magnifying glass. It was a large, strong hand lens. She lifted my hand and, holding it very still, focused a dab of sunshine on my palm. The glowing crescent wobbled, spread, and finally contracted to a point. It burned; I was burned; I ripped my hand away and ran home crying. Miss White called after me, sorry, explaining, but I didn’t look back.
Even now I wonder: if I meet God, will he take and hold my bare hand in his, and focus his eye on my palm, and kindle that spot and let me burn?
But no. It is I who misunderstood everything and let everybody down. Miss White, God, I am sorry I ran from you. I am still running, running from that knowledge, that eye, that love from which there is no refuge. For you meant only love, and love, and I felt only fear, and pain. So once in Israel love came to us incarnate, stood in the doorway between two worlds, and we were all afraid.
Mirages
ALL SUMMER LONG MIRAGES APPEAR OVER PUGET SOUND, mirages appear and vanish. While they last they mince and maul the islands and waters, and put us in thrall to our senses.
It is as though summer itself were a mirage, a passive dream of pleasure, itself untrue. For in winter the beaches lie empty; the gulls languish; the air is a reasonable stuff, chilled and lidded by clouds. We light the lamps early; we fasten the doors. We live in the mind. The water everywhere is vacant; the tankers alone still pass, their low diesel vibrations and their powerful wakes adding to the wind’s whine and waves only a moment’s more commotion; then they are gone.
Teaching a Stone to Talk Page 10
