The Ferrises went to Europe some years after their marriage, revisiting Venice, but sojourning for the most part in Florence. Ferris had once imagined that the tragedy which had given him his wife would always invest her with the shadow of its sadness, but in this he was mistaken. There is nothing has really so strong a digestion as love, and this is very lucky, seeing what manifold experiences love has to swallow and assimilate; and when they got back to Venice, Ferris found that the customs of their joint life exorcised all the dark associations of the place. These simply formed a sombre background, against which their wedded happiness relieved itself. They talked much of the past, with free minds, unashamed and unafraid. If it is a little shocking, it is nevertheless true, and true to human nature, that they spoke of Don Ippolito as if he were a part of their love.
Ferris had never ceased to wonder at what he called the unfathomable innocence of his wife, and he liked to go over all the points of their former life in Venice, and bring home to himself the utter simplicity of her girlish ideas, motives, and designs, which both confounded and delighted him.
“It’s amazing, Florida,” he would say, “it’s perfectly amazing that you should have been willing to undertake the job of importing into America that poor fellow with his whole stock of helplessness, dreamery, and unpracticality. What were you about?”
“Why, I’ve often told you, Henry. I thought he oughtn’t to continue a priest.”
“Yes, yes; I know.” Then he would remain lost in thought, softly whistling to himself. On one of these occasions he asked, “Do you think he was really very much troubled by his false position?”
“I can’t tell, now. He seemed to be so.”
“That story he told you of his childhood and of how he became a priest; didn’t it strike you at the time like rather a made-up, melodramatic history?”
“No, no! How can you say such things, Henry? It was too simple not to be true.”
“Well, well. Perhaps so. But he baffles me. He always did, for that matter.”
Then came another pause, while Ferris lay back upon the gondola cushions, getting the level of the Lido just under his hat-brim.
“Do you think he was very much of a skeptic, after all, Florida?”
Mrs. Ferris turned her eyes reproachfully upon her husband. “Why, Henry, how strange you are! You said yourself, once, that you used to wonder if he were not a skeptic.”
“Yes; I know. But for a man who had lived in doubt so many years, he certainly slipped back into the bosom of mother church pretty suddenly. Don’t you think he was a person of rather light feelings?”
“I can’t talk with you, my dear, if you go on in that way.”
“I don’t mean any harm. I can see how in many things he was the soul of truth and honor. But it seems to me that even the life he lived was largely imagined. I mean that he was such a dreamer that once having fancied himself afflicted at being what he was, he could go on and suffer as keenly as if he really were troubled by it. Why mightn’t it be that all his doubts came from anger and resentment towards those who made him a priest, rather than from any examination of his own mind? I don’t say it was so. But I don’t believe he knew quite what he wanted. He must have felt that his failure as an inventor went deeper than the failure of his particular attempts. I once thought that perhaps he had a genius in that way, but I question now whether he had. If he had, it seems to me he had opportunity to prove it — certainly, as a priest he had leisure to prove it. But when that sort of subconsciousness of his own inadequacy came over him, it was perfectly natural for him to take refuge in the supposition that he had been baffled by circumstances.”
Mrs. Ferris remained silently troubled. “I don’t know how to answer you, Henry; but I think that you’re judging him narrowly and harshly.”
“Not harshly. I feel very compassionate towards him. But now, even as to what one might consider the most real thing in his life, — his caring for you, — it seems to me there must have been a great share of imagined sentiment in it. It was not a passion; it was a gentle nature’s dream of a passion.”
“He didn’t die of a dream,” said the wife.
“No, he died of a fever.”
“He had got well of the fever.”
“That’s very true, my dear. And whatever his head was, he had an affectionate and faithful heart. I wish I had been gentler with him. I must often have bruised that sensitive soul. God knows I’m sorry for it. But he’s a puzzle, he’s a puzzle!”
Thus lapsing more and more into a mere problem as the years have passed, Don Ippolito has at last ceased to be even the memory of a man with a passionate love and a mortal sorrow. Perhaps this final effect in the mind of him who has realized the happiness of which the poor priest vainly dreamed is not the least tragic phase of the tragedy of Don Ippolito.
THE LADY OF THE AROOSTOOK
Originally serialised in The Atlantic Monthly, this novel was published in book form in 1879. It deals with the coming of age of Lydia Blood, who is sent to live with her aunt in Venice. The focus of the novel is Lydia’s relationship with the men she encounters on her journey to the Italian city — in particular her fellow traveller on the Aroostook, James Staniford.
Title page of the first edition
CONTENTS
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
The cover of the first edition
I.
In the best room of a farm-house on the skirts of a village in the hills of Northern Massachusetts, there sat one morning in August three people who were not strangers to the house, but who had apparently assembled in the parlor as the place most in accord with an unaccustomed finery in their dress. One was an elderly woman with a plain, honest face, as kindly in expression as she could be perfectly sure she felt, and no more; she rocked herself softly in the haircloth arm-chair, and addressed as father the old man who sat at one end of the table between the windows, and drubbed noiselessly upon it with his stubbed fingers, while his lips, puckered to a whistle, emitted no sound. His face had that distinctly fresh-shaven effect which once a week is the advantage of shaving no oftener: here and there, in the deeper wrinkles, a frosty stubble had escaped the razor. He wore an old-fashioned, low black satin stock, over the top of which the linen of his unstarched collar contrived with difficulty to make itself seen; his high-crowned, lead-colored straw hat lay on the table before him. At the other end of the table sat a young girl, who leaned upon it with one arm, propping her averted face on her hand. The window was open beside her, and she was staring out upon the door-yard, where the hens were burrowing for coolness in the soft earth under the lilac bushes; from time to time she put her handkerchief to her eyes.
“I don’t like this part of it, father,” said the elderly woman,— “Lyddy’s seeming to feel about it the way she does right at the last moment, as you may say.” The old man made a noise in his throat as if he might speak; but he only unpuckered his mouth, and stayed his fingers, while the other continued: “I don’t want her to go now, no more than ever I did. I ain’t one to think that eatin’ up everything on your plate keeps it from wastin’, and I never was; and I say that even if you couldn’t get the money back, it would cost no more to have her stay than to have her go.”
“I don’t suppose,” said the old man, in a high, husky treble, “but what I could get some of it back from the captain; may be all. He didn’t seem any ways graspin’. I don’t want Lyddy should feel, any more than you do, Maria, that we’
re glad to have her go. But what I look at is this: as long as she has this idea — Well, it’s like this — I d’know as I can express it, either.” He relapsed into the comfort people find in giving up a difficult thing.
“Oh, I know!” returned the woman. “I understand it’s an opportunity; you might call it a leadin’, almost, that it would be flyin’ in the face of Providence to refuse. I presume her gifts were given her for improvement, and it would be the same as buryin’ them in the ground for her to stay up here. But I do say that I want Lyddy should feel just so about goin’, or not go at all. It ain’t like goin’ among strangers, though, if it is in a strange land. They’re her father’s own kin, and if they’re any ways like him they’re warm-hearted enough, if that’s all you want. I guess they’ll do what’s right by Lyddy when she gets there. And I try to look at it this way: that long before that maple by the gate is red she’ll be with her father’s own sister; and I for one don’t mean to let it worry me.” She made search for her handkerchief, and wiped away the tears that fell down her cheeks.
“Yes,” returned the old man; “and before the leaves are on the ground we shall more’n have got our first letter from her. I declare for’t,” he added, after a tremulous pause, “I was goin’ to say how Lyddy would enjoy readin’ it to us! I don’t seem to get it rightly into my head that she’s goin’ away.”
“It ain’t as if Lyddy was leavin’ any life behind her that’s over and above pleasant,” resumed the woman. “She’s a good girl, and I never want to see a more uncomplainin’; but I know it’s duller and duller here all the while for her, with us two old folks, and no young company; and I d’know as it’s been any better the two winters she’s taught in the Mill Village. That’s what reconciles me, on Lyddy’s account, as much as anything. I ain’t one to set much store on worldly ambition, and I never was; and I d’know as I care for Lyddy’s advancement, as you may call it. I believe that as far forth as true happiness goes she’d be as well off here as there. But I don’t say but what she would be more satisfied in the end, and as long as you can’t have happiness, in this world, I say you’d better have satisfaction. Is that Josiah Whitman’s hearse goin’ past?” she asked, rising from her chair, and craning forward to bring her eyes on a level with the window, while she suspended the agitation of the palm-leaf fan which she had not ceased to ply during her talk; she remained a moment with the quiescent fan pressed against her bosom, and then she stepped out of the door, and down the walk to the gate. “Josiah!” she called, while the old man looked and listened at the window. “Who you be’n buryin’?”
The man halted his hearse, and answered briefly, “Mirandy Holcomb.”
“Why, I thought the funeral wa’n’t to be till tomorrow! Well, I declare,” said the woman, as she reëntered the room and sat down again in her rocking-chair, “I didn’t ask him whether it was Mr. Goodlow or Mr. Baldwin preached the sermon. I was so put out hearin’ it was Mirandy, you might say I forgot to ask him anything. Mirandy was always a well woman till they moved down to the Mill Village and began takin’ the hands to board, — so many of ‘em. When I think of Lyddy’s teachin’ there another winter, — well, I could almost rejoice that she was goin’ away. She ain’t a mite too strong as it is.”
Here the woman paused, and the old man struck in with his quaint treble while she fanned herself in silence: “I do suppose the voyage is goin’ to be everything for her health. She’ll be from a month to six weeks gettin’ to Try-East, and that’ll be a complete change of air, Mr. Goodlow says. And she won’t have a care on her mind the whole way out. It’ll be a season of rest and quiet. I did wish, just for the joke of the thing, as you may say, that the ship had be’n goin’ straight to Venus, and Lyddy could ‘a’ walked right in on ’em at breakfast, some morning. I should liked it to be’n a surprise. But there wa’n’t any ship at Boston loadin’ for Venus, and they didn’t much believe I’d find one at New York. So I just took up with the captain of the Aroostook’s offer. He says she can telegraph to her folks at Venus as soon as she gets to Try-East, and she’s welcome to stay on the ship till they come for her. I didn’t think of their havin’ our mod’n improvements out there; but he says they have telegraphs and railroads everywheres, the same as we do; and they’re real kind and polite when you get used to ‘em. The captain, he’s as nice a man as I ever see. His wife’s be’n two or three voyages with him in the Aroostook, and he’ll know just how to have Lyddy’s comfort looked after. He showed me the state-room she’s goin’ to have. Well, it ain’t over and above large, but it’s pretty as a pink: all clean white paint, with a solid mahogany edge to the berth, and a mahogany-framed lookin’-glass on one side, and little winders at the top, and white lace curtains to the bed. He says he had it fixed up for his wife, and he lets Lyddy have it all for her own. She can set there and do her mendin’ when she don’t feel like comin’ into the cabin. The cabin — well, I wish you could see that cabin, Maria! The first mate is a fine-appearing man, too. Some of the sailors looked pretty rough; but I guess it was as much their clothes as anything; and I d’know as Lyddy’d have a great deal to do with them, any way.” The old man’s treble ceased, and at the same moment the shrilling of a locust in one of the door-yard maples died away; both voices, arid, nasal, and high, lapsed as one into a common silence.
The woman stirred impatiently in her chair, as if both voices had been repeating something heard many times before. They seemed to renew her discontent. “Yes, I know; I know all that, father. But it ain’t the mahogany I think of. It’s the child’s gettin’ there safe and well.”
“Well,” said the old man, “I asked the captain about the seasickness, and he says she ain’t nigh so likely to be sick as she would on the steamer; the motion’s more regular, and she won’t have the smell of the machinery. That’s what he said. And he said the seasickness would do her good, any way. I’m sure I don’t want her to be sick any more than you do, Maria.” He added this like one who has been unjustly put upon his defense.
They now both remained silent, the woman rocking herself and fanning, and the old man holding his fingers suspended from their drubbing upon the table, and looking miserably from the woman in the rocking-chair to the girl at the window, as if a strict inquiry into the present situation might convict him of it in spite of his innocence. The girl still sat with her face turned from them, and still from time to time she put her handkerchief to her eyes and wiped away the tears. The locust in the maple began again, and shrilled inexorably. Suddenly the girl leaped to her feet.
“There’s the stage!” she cried, with a tumult in her voice and manner, and a kind of choking sob. She showed, now that she stood upright, the slim and elegant shape which is the divine right of American girlhood, clothed with the stylishness that instinctive taste may evoke, even in a hill town, from study of paper patterns, Harper’s Bazar, and the costume of summer boarders. Her dress was carried with spirit and effect.
“Lydia Blood!” cried the other woman, springing responsively to her feet, also, and starting toward the girl, “don’t you go a step without you feel just like it! Take off your things this minute and stay, if you wouldn’t jus’ as lives go. It’s hard enough to have you go, child, without seemin’ to force you!”
“Oh, aunt Maria,” answered the girl, piteously, “it almost kills me to go; but I’m doing it, not you. I know how you’d like to have me stay. But don’t say it again, or I couldn’t bear up; and I’m going now, if I have to be carried.”
The old man had risen with the others; he was shorter than either, and as he looked at them he seemed half awed, half bewildered, by so much drama. Yet it was comparatively very little. The girl did not offer to cast herself upon her aunt’s neck, and her aunt did not offer her an embrace, it was only their hearts that clung together as they simply shook hands and kissed each other. Lydia whirled away for her last look at herself in the glass over the table, and her aunt tremulously began to put to rights some slight disorder in the girl’s hat.
<
br /> “Father,” she said sharply, “are Lyddy’s things all ready there by the door, so’s not to keep Ezra Perkins waitin’? You know he always grumbles so. And then he gets you to the cars so’t you have to wait half an hour before they start.” She continued to pin and pull at details of Lydia’s dress, to which she descended from her hat. “It sets real nice on you, Lyddy. I guess you’ll think of the time we had gettin’ it made up, when you wear it out there.” Miss Maria Latham laughed nervously.
With a harsh banging and rattling, a yellow Concord coach drew up at the gate where Miss Maria had stopped the hearse. The driver got down, and without a word put Lydia’s boxes and bags into the boot, and left two or three light parcels for her to take into the coach with her.
Miss Maria went down to the gate with her father and niece. “Take the back seat, father!” she said, as the old man offered to take the middle place. “Let them that come later have what’s left. You’ll be home to-night, father; I’ll set up for you. Good-by again, Lyddy.” She did not kiss the girl again, or touch her hand. Their decent and sparing adieux had been made in the house. As Miss Maria returned to the door, the hens, cowering conscience-stricken under the lilacs, sprang up at sight of her with a screech of guilty alarm, and flew out over the fence.
“Well, I vow,” soliloquized Miss Maria, “from where she set Lyddy must have seen them pests under the lilacs the whole time, and never said a word.” She pushed the loosened soil into place with the side of her ample slipper, and then went into the house, where she kindled a fire in the kitchen stove, and made herself a cup of Japan tea: a variety of the herb which our country people prefer, apparently because it affords the same stimulus with none of the pleasure given by the Chinese leaf.
Delphi Complete Works of William Dean Howells Page 59
