The painter hurled himself upon him, and, with a quick grip upon his collar, gave him half a dozen flat-handed blows wherever he could plant them and then flung him reeling away.
“You infernal little ruffian!” he roared at him; and the sound of his voice was enough for the dog; he began to scale the hill-side toward the house without a moment’s stay.
The children still crouched together, and Westover could hardly make them understand that they were in his keeping when he bent over them and bade them not be frightened. The little girl set about wiping the child’s eyes on her apron in a motherly fashion; her own were dry enough, and Westover fancied there was more of fury than of fright in her face. She seemed lost to any sense of his presence, and kept on talking fiercely to herself, while she put the little boy in order, like an indignant woman.
“Great, mean, ugly thing! I’ll tell the teacher on him, that’s what I will, as soon as ever school begins. I’ll see if he can come round with that dog of his scaring folks! I wouldn’t ‘a’ been a bit afraid if it hadn’t ‘a’ been for Franky. Don’t cry any more, Franky. Don’t you see they’re gone? I presume he thinks it smart to scare a little boy and a girl. If I was a boy once, I’d show him!”
She made no sign of gratitude to Westover: as far as any recognition from her was concerned, his intervention was something as impersonal as if it had been a thunder-bolt falling upon her enemies from the sky.
“Where do you live?” he asked. “I’ll go home with you if you’ll tell me where you live.”
She looked up at him in a daze, and Westover heard the Durgin boy saying: “She lives right there in that little wood-colored house at the other end of the lane. There ain’t no call to go home with her.”
Westover turned and saw the boy kneeling at the edge of a clump of bushes, where he must have struck; he was rubbing, with a tuft of grass, at the dirt ground into the knees of his trousers.
The little, girl turned hawkishly upon him. “Not for anything you can do, Jeff Durgin!”
The boy did not answer.
“There!” she said, giving a final pull and twitch to the dress of her brother, and taking him by the hand tenderly. “Now, come right along, Franky.”
“Let me have your other hand,” said Westover, and, with the little boy between them, they set off toward the point where the lane joined the road on the northward. They had to pass the bushes where Jeff Durgin was crouching, and the little girl turned and made a face at him. “Oh, oh! I don’t think I should have done that,” said Westover.
“I don’t care!” said the little girl. But she said, in explanation and partial excuse: “He tries to scare all the girls. I’ll let him know ‘t he can’t scare one!”
Westover looked up toward the Durgin house with a return of interest in the canvas he had left in the lane on the easel. Nothing had happened to it. At the door of the barn he saw the farmer and his eldest son slanting forward and staring down the hill at the point he had come from. Mrs. Durgin was looking out from the shelter of the porch, and she turned and went in with Jeff’s dog at her skirts when Westover came in sight with the children.
V.
Westover had his tea with the family, but nothing was said or done to show that any of them resented or even knew of what had happened to the boy from him. Jeff himself seemed to have no grudge. He went out with Westover, when the meal was ended, and sat on the steps of the porch with him, watching the painter watch the light darken on the lonely heights and in the lonely depths around. Westover smoked a pipe, and the fire gleamed and smouldered in it regularly with his breathing; the boy, on a lower’ step, pulled at the long ears of his dog and gazed up at him.
They were both silent till the painter asked: “What do you do here when you’re not trying to scare little children to death?”
The boy hung his head and said, with the effect of excusing a long arrears of uselessness: “I’m goin’ to school as soon as it commences.”
“There’s one branch of your education that I should like to undertake if I ever saw you at a thing like that again. Don’t you feel ashamed of yourself?”
The boy pulled so hard at the dog’s ear that the dog gave a faint yelp of protest.
“They might ‘a’ seen that I had him by the collar. I wa’n’t a-goin’ to let go.”
“Well, the next time I have you by the collar I won’t let go, either,” said the painter; but he felt an inadequacy in his threat, and he imagined a superfluity, and he made some haste to ask: “who are they?”
“Whitwell is their name. They live in that little house where you took them. Their father’s got a piece of land on Zion’s Head that he’s clearin’ off for the timber. Their mother’s dead, and Cynthy keeps house. She’s always makin’ up names and faces,” added the boy. “She thinks herself awful smart. That Franky’s a perfect cry-baby.”
“Well, upon my word! You are a little ruffian,” said Westover, and he knocked the ashes out of his pipe. “The next time you meet that poor little creature you tell her that I think you’re about the shabbiest chap I know, and that I hope the teacher will begin where I left off with you and not leave blackguard enough in you to—”
He stopped for want of a fitting figure, and the boy said: “I guess the teacher won’t touch me.”
Westover rose, and the boy flung his dog away from him with his foot. “Want I should show you where to sleep?”
“Yes,” said Westover, and the boy hulked in before him, vanishing into the dark of the interior, and presently appeared with a lighted hand-lamp. He led the way upstairs to a front room looking down upon the porch roof and over toward Zion’s Head, which Westover could see dimly outlined against the night sky, when he lifted the edge of the paper shade and peered out.
The room was neat, with greater comfort in its appointments than he hoped for. He tried the bed, and found it hard, but of straw, and not the feathers he had dreaded; while the boy looked into the water-pitcher to see if it was full; and then went out without any form of goodnight.
Westover would have expected to wash in a tin basin at the back door, and wipe on the family towel, but all the means of toilet, such as they were, he found at hand here, and a surprise which he had felt at a certain touch in the cooking renewed itself at the intelligent arrangements for his comfort. A secondary quilt was laid across the foot of his bed; his window-shade was pulled down, and, though the window was shut and the air stuffy within, there was a sense of cleanliness in everything which was not at variance with the closeness.
The bed felt fresh when he got into it, and the sweet breath of the mountains came in so cold through the sash he had lifted that he was glad to pull the secondary quilt up over him. He heard the clock tick in some room below; from another quarter came the muffled sound of coughing; but otherwise the world was intensely still, and he slept deep and long.
VI.
The men folks had finished their breakfast and gone to their farm-work hours before Westover came down to his breakfast, but the boy seemed to be of as much early leisure as himself, and was lounging on the threshold of the back door, with his dog in waiting upon him. He gave the effect of yesterday’s cleanliness freshened up with more recent soap and water. At the moment Westover caught sight of him, he heard his mother calling to him from the kitchen, “Well, now, come in and get your breakfast, Jeff,” and the boy called to Westover, in turn, “I’ll tell her you’re here,” as he rose and came in-doors. “I guess she’s got your breakfast for you.”
Mrs. Durgin brought the breakfast almost as soon as Westover had found his way to the table, and she lingered as if for some expression of his opinion upon it. The biscuit and the butter were very good, and he said so; the eggs were fresh, and the hash from yesterday’s corned-beef could not have been better, and he praised them; but he was silent about the coffee.
“It a’n’t very good,” she suggested.
“Why, I’m used to making my own coffee; I lived so long in a country where it’s nearly the whole
of breakfast that I got into the habit of it, and I always carry my little machine with me; but I don’t like to bring it out, unless—”
“Unless you can’t stand the other folks’s,” said the woman, with a humorous gleam. “Well, you needn’t mind me. I want you should have good coffee, and I guess I a’n’t too old to learn, if you want to show me. Our folks don’t care for it much; they like tea; and I kind of got out of the way of it. But at home we had to have it.” She explained, to his inquiring glance.
“My father kept the tavern on the old road to St. Albans, on the other side of Lion’s Head. That’s where I always lived till I married here.”
“Oh,” said Westover, and he felt that she had proudly wished to account for a quality which she hoped he had noticed in her cooking. He thought she might be going to tell him something more of herself, but she only said, “Well, any time you want to show me your way of makin’ coffee,” and went out of the room.
That evening, which was the close of another flawless day, he sat again watching the light outside, when he saw her come into the hallway with a large shade-lamp in her hand. She stopped at the door of a room he had not seen yet, and looked out at him to ask:
“Won’t you come in and set in the parlor if you want to?”
He found her there when he came in, and her two sons with her; the younger was sleepily putting away some school-books, and the elder seemed to have been helping him with his lessons.
“He’s got to begin school next week,” she said to Westover; and at the preparations the other now began to make with a piece of paper and a planchette which he had on the table before him, she asked, in the half-mocking, half-deprecating way which seemed characteristic of her: “You believe any in that?”
“I don’t know that I’ve ever seen it work,” said the painter.
“Well, sometimes it won’t work,” she returned, altogether mockingly now, and sat holding her shapely hands, which were neither so large nor so rough as they might have been, across her middle and watching her son while the machine pushed about under his palm, and he bent his wan eyes upon one of the oval-framed photographs on the wall, as if rapt in a supernal vision. The boy stared drowsily at the planchette, jerking this way and that, and making abrupt starts and stops. At last the young man lifted his palm from it, and put it aside to study the hieroglyphics it had left on the paper.
“What’s it say?” asked his mother.
The young man whispered: “I can’t seem to make out very clear. I guess I got to take a little time to it,” he added, leaning back wearily in his chair. “Ever seen much of the manifestations?” he gasped at Westover.
“Never any, before,” said the painter, with a leniency for the invalid which he did not feel for his belief.
The young man tried for his voice, and found enough of it to say: “There’s a trance medium over at the Huddle. Her control says ‘t I can develop into a writin’ medium.” He seemed to refer the fact as a sort of question to Westover, who could think of nothing to say but that it must be very interesting to feel that one had such a power.
“I guess he don’t know he’s got it yet,” his mother interposed. “And planchette don’t seem to know, either.”
“We ha’n’t given it a fair trial yet,” said the young man, impartially, almost impassively.
“Wouldn’t you like to see it do some of your sums, Jeff?” said the mother to the drowsy boy, blinking in a corner. “You better go to bed.”
The elder brother rose. “I guess I’ll go, too.”
The father had not joined their circle in the parlor, now breaking up by common consent.
Mrs. Durgin took up her lamp again and looked round on the appointments of the room, as if she wished Westover to note them, too: the drab wallpaper, the stiff chairs, the long, hard sofa in haircloth, the high bureau of mahogany veneer.
“You can come in here and set or lay down whenever you feel like it,” she said. “We use it more than folks generally, I presume; we got in the habit, havin’ it open for funerals.”
VII.
Four or five days of perfect weather followed one another, and Westover worked hard at his picture in the late afternoon light he had chosen for it. In the morning he tramped through the woods and climbed the hills with Jeff Durgin, who seemed never to do anything about the farm, and had a leisure unbroken by anything except a rare call from his mother to help her in the house. He built the kitchen fire, and got the wood for it; he picked the belated pease and the early beans in the garden, and shelled them; on the Monday when the school opened he did a share of the family wash, which seemed to have been begun before daylight, and Westover saw him hanging out the clothes before he started off with his books. He suffered no apparent loss of self-respect in these employments, and, while he still had his days free, he put himself at Westover’s disposal with an effect of unimpaired equality. He had expected, evidently, that Westover would want to fish or shoot, or at least join him in the hunt for woodchucks, which he still carried on with abated zeal for lack of his company when the painter sat down to sketch certain bits that struck him. When he found that Westover cared for nothing in the way of sport, as people commonly understand it, he did not openly contemn him. He helped him get the flowers he studied, and he learned to know true mushrooms from him, though he did not follow his teaching in eating the toadstools, as his mother called them, when they brought them home to be cooked.
If it could not be said that he shared the affection which began to grow up in Westover from their companionship, there could be no doubt of the interest he took in him, though it often seemed the same critical curiosity which appeared in the eye of his dog when it dwelt upon the painter. Fox had divined in his way that Westover was not only not to be molested, but was to be respectfully tolerated, yet no gleam of kindness ever lighted up his face at sight of the painter; he never wagged his tail in recognition of him; he simply recognized him and no more, and he remained passive under Westover’s advances, which he had the effect of covertly referring to Jeff, when the boy was by, for his approval or disapproval; when he was not by, the dog’s manner implied a reservation of opinion until the facts could be submitted to his master.
On the Saturday morning which was the last they were to have together, the three comrades had strayed from the vague wood road along one of the unexpected levels on the mountain slopes, and had come to a standstill in a place which the boy pretended not to know his way out of. Westover doubted him, for he had found that Jeff liked to give himself credit for woodcraft by discovering an escape from the depths of trackless wildernesses.
“I guess you know where we are,” he suggested.
“No, honestly,” said the boy; but he grinned, and Westover still doubted him.
“Hark! What’s that?” he said, hushing further speech from him with a motion of his hand. It was the sound of an axe.
“Oh, I know where we are,” said Jeff. “It’s that Canuck chopping in Whitwell’s clearing. Come along.”
He led the way briskly down the mountain-side now, stopping from time to time and verifying his course by the sound of the axe. This came and went, and by-and-by it ceased altogether, and Jeff crept forward with a real or feigned uncertainty. Suddenly he stopped. A voice called, “Heigh, there!” and the boy turned and fled, crashing through the underbrush at a tangent, with his dog at his heels.
Westover looked after them, and then came forward. A lank figure of a man at the foot of a poplar, which he had begun to fell, stood waiting him, one hand on his axe-helve and the other on his hip. There was the scent of freshly smitten bark and sap-wood in the air; the ground was paved with broad, clean chips.
“Good-morning,” said Westover.
“How are you?” returned the other, without moving or making any sign of welcome for a moment. But then he lifted his axe and struck it into the carf on the tree, and came to meet Westover.
As he advanced he held out his hand. “Oh, you’re the one that stopped that fellow that da
y when he was tryin’ to scare my children. Well, I thought I should run across you some time.” He shook hands with Westover, in token of the gratitude which did not express itself in words. “How are you? Treat you pretty well up at the Durgins’? I guess so. The old woman knows how to cook, anyway. Jackson’s about the best o’ the lot above ground, though I don’t know as I know very much against the old man, either. But that boy! I declare I ‘most feel like takin’ the top of his head off when he gets at his tricks. Set down.”
Whitwell, as Westover divined the man to be, took a seat himself on a high stump, which suited his length of leg, and courteously waved Westover to a place on the log in front of him. A long, ragged beard of brown, with lines of gray in it, hung from his chin and mounted well up on his thin cheeks toward his friendly eyes. His mustache lay sunken on his lip, which had fallen in with the loss of his upper teeth. From the lower jaw a few incisors showed at this slant and that as he talked.
“Well, well!” he said, with the air of wishing the talk to go on, but without having anything immediately to offer himself.
Delphi Complete Works of William Dean Howells Page 586
