Toward the end of his first year he sent to Westover one night from a station-house, where he had been locked up for breaking a street-lamp in Boston. By his own showing he had not broken the lamp, or assisted, except through his presence, at the misdeed of the tipsy students who had done it. His breath betrayed that he had been drinking, too; but otherwise he seemed as sober as Westover himself, who did not know whether to augur well or ill for him from the proofs he had given before of his ability to carry off a bottle of wine with a perfectly level head. Jeff seemed to believe Westover a person of such influence that he could secure his release at once, and he was abashed to find that he must pass the night in the cell, where he conferred with Westover through the bars.
In the police court, where his companions were fined, the next morning, he was discharged for want of evidence against him; but the university authorities did not take the same view as the civil authorities. He was suspended, and for the time he passed out of Westover’s sight and knowledge.
He expected to find him at Lion’s Head, where he went to pass the month of August — in painting those pictures of the mountain which had in some sort, almost in spite of him, become his specialty. But Mrs. Durgin employed the first free moments after their meeting in explaining that Jeff had got a chance to work his way to London on a cattle-steamer, and had been abroad the whole summer. He had written home that the voyage had been glorious, with plenty to eat and little to do; and he had made favor with the captain for his return by the same vessel in September. By other letters it seemed that he had spent the time mostly in England; but he had crossed over into France for a fortnight, and had spent a week in Paris. His mother read some passages from his letters aloud to show Westover how Jeff was keeping his eyes open. His accounts of his travel were a mixture of crude sensations in the presence of famous scenes and objects of interest, hard-headed observation of the facts of life, narrow-minded misconception of conditions, and wholly intelligent and adequate study of the art of inn-keeping in city and country.
Mrs. Durgin seemed to feel that there was some excuse due for the relative quantity of the last. “He knows that’s what I’d care for the most; and Jeff a’n’t one to forget his mother.” As if the word reminded her, she added, after a moment: “We sha’n’t any of us soon forget what you done for Jeff — that time.”
“I didn’t do anything for him, Mrs. Durgin; I couldn’t,” Westover protested.
“You done what you could, and I know that you saw the thing in the right light, or you wouldn’t ‘a’ tried to do anything. Jeff told me every word about it. I know he was with a pretty harum-scarum crowd. But it was a lesson to him; and I wa’n’t goin’ to have him come back here, right away, and have folks talkin’ about what they couldn’t understand, after the way the paper had it.”
“Did it get into the papers?”
“Mm.” Mrs. Durgin nodded. “And some dirty, sneakin’ thing, here, wrote a letter to the paper and told a passel o’ lies about Jeff and all of us; and the paper printed Jeff’s picture with it; I don’t know how they got a hold of it. So when he got that chance to go, I just said, ‘Go.’ You’ll see he’ll keep all straight enough after this, Mr. Westover.”
“Old woman read you any of Jeff’s letters?” Whit-well asked, when his chance for private conference with Westover came. “What was the rights of that scrape he got into?”
Westover explained as favorably to Jeff as he could; the worst of the affair was the bad company he was in.
“Well, where there’s smoke there’s some fire. Cou’t discharged him and college suspended him. That’s about where it is? I guess he’ll keep out o’ harm’s way next time. Read you what he said about them scenes of the Revolution in Paris?”
“Yes; he seems to have looked it all up pretty thoroughly.”
“Done it for me, I guess, much as anything. I was always talkin’ it up with him. Jeff’s kep’ his eyes open, that’s a fact. He’s got a head on him, more’n I ever thought.”
Westover decided that Mrs. Durgin’s prepotent behavior toward Mrs. Marven the summer before had not hurt her materially, with the witnesses even. There were many new boarders, but most of those whom he had already met were again at Lion’s Head. They said there was no air like it, and no place so comfortable. If they had sold their birthright for a mess of pottage, Westover had to confess that the pottage was very good. Instead of the Irish woman at ten dollars a week who had hitherto been Mrs. Durgin’s cook, under her personal surveillance and direction, she had now a man cook, whom she boldly called a chef and paid eighty dollars a month. He wore the white apron and white cap of his calling, but Westover heard him speak Yankee through his nose to one of the stablemen as they exchanged hilarities across the space between the basement and the barn-door. “Yes,” Mrs. Durgin admitted, “he’s an American; and he learnt his trade at one of the best hotels in Portland. He’s pretty headstrong, but I guess he does what he’s told — in the end. The meanyous? Oh, Franky Whitwell prints then. He’s got an amateur printing-office in the stable-loft.”
XIV.
One morning toward the end of August, Whitwell, who was starting homeward, after leaving his ladies, burdened with their wishes and charges for the morrow, met Westover coming up the hill with his painting-gear in his hand. “Say!” he hailed him. “Why don’t you come down to the house to-night? Jackson’s goin’ to come, and, if you ha’n’t seen him work the plantchette for a spell, you’ll be surprised. There a’n’t hardly anybody he can’t have up. You’ll come? Good enough!”
What affected Westover first of all at the seance, and perhaps most of all, was the quality of the air in the little house; it was close and stuffy, mixed with an odor of mould and an ancient smell of rats. The kerosene-lamp set in the centre of the table, where Jackson afterward placed his planchette, devoured the little life that was left in it. At the gasps which Westover gave, with some despairing glances at the closed windows, Whitwell said: “Hot? Well, I guess it is a little. But, you see, Jackson has got to be careful about the night air; but I guess I can fix it for you.” He went out into the ell, and Westover heard him raising a window. He came back and asked, “That do? It ‘ll get around in here directly,” and Westover had to profess relief.
Jackson came in presently with the little Canuck, whom Whitwell presented to Westover: “Know Jombateeste?”
The two were talking about a landslide which had taken place on the other side of the mountain; the news had just come that they had found among the ruins the body of the farm-hand who had been missing since the morning of the slide; his funeral was to be the next day.
Jackson put his planchette on the table, and sat down before it with a sigh; the Canuck remained standing, and on foot he was scarcely a head higher than the seated Yankees. “Well,” Jackson said, “I suppose he knows all about it now,” meaning the dead farm-hand.
“Yes,” Westover suggested, “if he knows anything.”
“Know anything!” Whitwell shouted. “Why, man, don’t you believe he’s as much alive as ever he was?”
“I hope so,” said Westover, submissively.
“Don’t you know it?”
“Not as I know other things. In fact, I don’t know it,” said Westover, and he was painfully aware of having shocked his hearers by the agnosticism so common among men in towns that he had confessed it quite simply and unconsciously. He perceived that faith in the soul and life everlasting was as quick as ever in the hills, whatever grotesque or unwonted form it wore. Jackson sat with closed eyes and his head fallen back; Whitwell stared at the painter, with open mouth; the little Canuck began to walk up and down impatiently; Westover felt a reproach, almost an abhorrence, in all of them.
Whitwell asked: “Why, don’t you think there’s any proof of it?”
“Proof? Oh Yes. There’s testimony enough to carry conviction to the stubbornest mind on any other point. But it’s very strange about all that. It doesn’t convince anybody but the witnesses. If a man tells me he’s
seen a disembodied spirit, I can’t believe him. I must see the disembodied spirit myself.”
“That’s something so,” said Whitwell, with a relenting laugh.
“If one came back from the dead, to tell us of a life beyond the grave, we should want the assurance that he’d really been dead, and not merely dreaming.”
Whitwell laughed again, in the delight the philosophic mind finds even in the reasoning that hates it.
The Canuck felt perhaps the simpler joy that the average man has in any strange notion that he is able to grasp. He stopped in his walk and said: “Yes, and if you was dead and went to heaven, and stayed so long you smelt, like Lazarus, and you come back and tol’ ’em what you saw, nobody goin’ believe you.”
“Well, I guess you’re right there, Jombateeste,” said Whitwell, with pleasure in the Canuck’s point. After a moment he suggested to Westover: “Then I s’pose, if you feel the way you do, you don’t care much about plantchette?”
“Oh yes, I do,” said the painter. “We never know when we may be upon the point of revelation. I wouldn’t miss any chance.”
Whether Whitwell felt an ironic slant in the words or not, he paused a moment before he said: “Want to start her up, Jackson?”
Jackson brought to the floor the forefeet of his chair, which he had tilted from it in leaning back, and without other answer put his hand on the planchette. It began to fly over the large sheet of paper spread upon the table, in curves and angles and eccentrics.
“Feels pootty lively to-night,” said Whitwell, with a glance at Westover.
The little Canuck, as if he had now no further concern in the matter, sat down in a corner and smoked silently. Whitwell asked, after a moment’s impatience:
“Can’t you git her down to business, Jackson?”
Jackson gasped: “She’ll come down when she wants to.”
The little instrument seemed, in fact, trying to control itself. Its movements became less wild and large; the zigzags began to shape themselves into something like characters. Jackson’s wasted face gave no token of interest; Whitwell laid half his gaunt length across the table in the endeavor to make out some meaning in them; the Canuck, with his hands crossed on his stomach, smoked on, with the same gleam in his pipe and eye.
The planchette suddenly stood motionless.
“She done?” murmured Whitwell.
“I guess she is, for a spell, anyway,” said Jackson, wearily.
“Let’s try to make out what she says.” Whitwell drew the sheets toward himself and Westover, who sat next him. “You’ve got to look for the letters everywhere. Sometimes she’ll give you fair and square writin’, and then again she’ll slat the letters down every which way, and you’ve got to hunt ’em out for yourself. Here’s a B I’ve got. That begins along pretty early in the alphabet. Let’s see what we can find next.”
Westover fancied he could make out an F and a T.
Whitwell exulted in an unmistakable K and N; and he made sure of an I, and an E. The painter was not so sure of an S. “Well, call it an S,” said Whitwell. “And I guess I’ve got an O here, and an H. Hello! Here’s an A as large as life. Pootty much of a mixture.”
“Yes; I don’t see that we’re much better off than we were before,” said Westover.
“Well, I don’t know about that,” said Whitwell.
“Write ’em down in a row and see if we can’t pick out some sense. I’ve had worse finds than this; no vowels at all sometimes; but here’s three.”
He wrote the letters down, while Jackson leaned back against the wall, in patient quiet.
“Well, sir,” said Whitwell, pushing the paper, where he had written the letters in a line, to Westover, “make anything out of ‘em?”
Westover struggled with them a moment. “I can make out one word-shaft.”
“Anything else?” demanded Whitwell, with a glance of triumph at Jackson.
Westover studied the remaining letters. “Yes, I get one other word-broken.”
“Just what I done! But I wanted you to speak first. It’s Broken Shaft. Jackson, she caught right onto what we was talkin’ about. This life,” he turned to Westover, in solemn exegesis, “is a broken shaft when death comes. It rests upon the earth, but you got to look for the top of it in the skies. That’s the way I look at it. What do you think, Jackson? Jombateeste?”
“I think anybody can’t see that. Better go and get some heye-glass.”
Westover remained in a shameful minority. He said, meekly: “It suggests a beautiful hope.”
Jackson brought his chair-legs down again, and put his hand on the planchette.
“Feel that tinglin’?” asked. Whitwell, and Jackson made yes with silent lips. “After he’s been workin’ the plantchette for a spell, and then leaves off, and she wants to say something more,” Whitwell explained to Westover, “he seems to feel a kind of tinglin’ in his arm, as if it was asleep, and then he’s got to tackle her again. Writin’ steady enough now, Jackson!” he cried, joyously. “Let’s see.” He leaned over and read, “Thomas Jefferson—” The planchette stopped, “My, I didn’t go to do that,” said Whitwell, apologetically. “You much acquainted with Jefferson’s writin’s?” he asked of Westover.
The painter had to own his ignorance of all except the diction that the government is best which governs least; but he was not in a position to deny that Jefferson had ever said anything about a broken shaft.
“It may have come to him on the other side,” said Whitwell.
“Perhaps,” Westover assented.
The planchette began to stir itself again. “She’s goin’ ahead!” cried Whitwell. He leaned over the table so as to get every letter as it was formed. “D — Yes! Death. Death is the Broken Shaft. Go on!” After a moment of faltering the planchette formed another letter. It was a U, and it was followed by an R, and so on, till Durgin had been spelled. “Thunder!” cried Whitwell. “If anything’s happened to Jeff!”
Jackson lifted his hand from the planchette.
“Oh, go on, Jackson!” Whitwell entreated. “Don’t leave it so!”
“I can’t seem to go on,” Jackson whispered, and Westover could not resist the fear that suddenly rose among them. But he made the first struggle against it. “This is nonsense. Or, if there’s any sense in it, it means that Jeff’s ship has broken her shaft and put back.”
Whitwell gave a loud laugh of relief. “That’s so! You’ve hit it, Mr. Westover.”
Jackson said, quietly: “He didn’t mean to start home till tomorrow. And how could he send any message unless he was—”
“Easily!” cried Westover. “It’s simply an instance of mental impression-of telepathy, as they call it.”
“That’s so!” shouted Whitwell, with eager and instant conviction.
Westover could see that Jackson still doubted. “If you believe that a disembodied spirit can communicate with you, why not an embodied spirit? If anything has happened to your brother’s ship, his mind would be strongly on you at home, and why couldn’t it convey its thought to you?”
“Because he ha’n’t started yet,” said Jackson.
Westover wanted to laugh; but they all heard voices without, which seemed to be coming nearer, and he listened with the rest. He made out Frank Whitwell’s voice, and his sister’s; and then another voice, louder and gayer, rose boisterously above them. Whitwell flung the door open and plunged out into the night. He came back, hauling Jeff Durgin in by the shoulder.
“Here, now,” he shouted to Jackson, “you just let this feller and plantchette fight it out together!”
“What’s the matter with plantchette?” said Jeff, before he said to his brother, “Hello, Jackson!” and to the Canuck, “Hello, Jombateeste!” He shook hands conventionally with them both, and then with the painter, whom he greeted with greater interest. “Glad to see you here, Mr. Westover. Did I take you by surprise?” he asked of the company at large.
“No, sir,” said Whitwell. “Didn’t surprise us any, if you a
re a fortnight ahead of time,” he added, with a wink at the others.
“Well, I took a notion I wouldn’t wait for the cattle-ship, and I started back on a French boat. Thought I’d try it. They live well. But I hoped I should astonish you a little, too. I might as well waited.”
Whitwell laughed. “We heard from you — plantchette kept right round after you.”
“That so?” asked Jeff, carelessly.
“Fact. Have a good voyage?” Whitwell had the air of putting a casual question.
“First-rate,” said Jeff. “Plantchette say not?”
“No. Only about the broken shaft.”
“Broken shaft? We didn’t have any broken shaft. Plantchette’s got mixed a little. Got the wrong ship.”
After a moment of chop-fallenness, Whitwell said:
“Then somebody’s been makin’ free with your name. Curious how them devils cut up oftentimes.”
He explained, and Jeff laughed uproariously when he understood the whole case. “Plantchette’s been havin’ fun with you.”
Whitwell gave himself time for reflection. “No, sir, I don’t look at it that way. I guess the wires got crossed some way. If there’s such a thing as the spirits o’ the livin’ influencin’ plantchette, accordin’ to Mr. Westover’s say, here, I don’t see why it wa’n’t. Jeff’s being so near that got control of her and made her sign his name to somebody else’s words. It shows there’s something in it.”
Delphi Complete Works of William Dean Howells Page 591
