When you look away from this, and regard Berlin on its aesthetic, side you are again in that banished Paris, whose captive art-soul is made to serve, so far as it may be enslaved to such an effect, in the celebration of the German triumph over France. Berlin has never the presence of a great capital, however, in spite of its perpetual monumental insistence. There is no streaming movement in broad vistas; the dull looking population moves sluggishly; there is no show of fine equipages. The prevailing tone of the city and the sky is gray; but under the cloudy heaven there is no responsive Gothic solemnity in the architecture. There are hints of the older German cities in some of the remote and observe streets, but otherwise all is as new as Boston, which in fact the actual Berlin hardly antedates.
There are easily more statues in Berlin than in any other city in the world, but they only unite in failing to give Berlin an artistic air. They stand in long rows on the cornices; they crowd the pediments; they poise on one leg above domes and arches; they shelter themselves in niches; they ride about on horseback; they sit or lounge on street corners or in garden walks; all with a mediocrity in the older sort which fails of any impression. If they were only furiously baroque they would be something, and it may be from a sense of this that there is a self-assertion in the recent sculptures, which are always patriotic, more noisy and bragging than anything else in perennial brass. This offensive art is the modern Prussian avatar of the old German romantic spirit, and bears the same relation to it that modern romanticism in literature bears to romance. It finds its apotheosis in the monument to Kaiser Wilhelm I., a vast incoherent group of swelling and swaggering bronze, commemorating the victory of the first Prussian Emperor in the war with the last French Emperor, and avenging the vanquished upon the victors by its ugliness. The ungainly and irrelevant assemblage of men and animals backs away from the imperial palace, and saves itself too soon from plunging over the border of a canal behind it, not far from Rauch’s great statue of the great Frederic. To come to it from the simplicity and quiet of that noble work is like passing from some exquisite masterpiece of naturalistic acting to the rant and uproar of melodrama; and the Marches stood stunned and bewildered by its wild explosions.
When they could escape they found themselves so convenient to the imperial palace that they judged best to discharge at once the obligation to visit it which must otherwise weigh upon them. They entered the court without opposition from the sentinel, and joined other strangers straggling instinctively toward a waiting-room in one corner of the building, where after they had increased to some thirty, a custodian took charge of them, and led them up a series of inclined plains of brick to the state apartments. In the antechamber they found a provision of immense felt over-shoes which they were expected to put on for their passage over the waxed marquetry of the halls. These roomy slippers were designed for the accommodation of the native boots; and upon the mixed company of foreigners the effect was in the last degree humiliating. The women’s skirts some what hid their disgrace, but the men were openly put to shame, and they shuffled forward with their bodies at a convenient incline like a company of snow-shoers. In the depths of his own abasement March heard a female voice behind him sighing in American accents, “To think I should be polishing up these imperial floors with my republican feet!”
The protest expressed the rebellion which he felt mounting in his own heart as they advanced through the heavily splendid rooms, in the historical order of the family portraits recording the rise of the Prussian sovereigns from Margraves to Emperors. He began to realize here the fact which grew open him more and more that imperial Germany is not the effect of a popular impulse but of a dynastic propensity. There is nothing original in the imperial palace, nothing national; it embodies and proclaims a powerful personal will, and in its adaptations of French art it appeals to no emotion in the German witness nobler than his pride in the German triumph over the French in war. March found it tiresome beyond the tiresome wont of palaces, and he gladly shook off the sense of it with his felt shoes. “Well,” he confided to his wife when they were fairly out-of-doors, “if Prussia rose in the strength of silence, as Carlyle wants us to believe, she is taking it out in talk now, and tall talk.”
“Yes, isn’t she!” Mrs. March assented, and with a passionate desire for excess in a bad thing, which we all know at times, she looked eagerly about her for proofs of that odious militarism of the empire, which ought to have been conspicuous in the imperial capital; but possibly because the troops were nearly all away at the manoeuvres, there were hardly more in the streets than she had sometimes seen in Washington. Again the German officers signally failed to offer her any rudeness when she met them on the side-walks. There were scarcely any of them, and perhaps that might have been the reason why they were not more aggressive; but a whole company of soldiers marching carelessly up to the palace from the Brandenburg gate, without music, or so much style as our own militia often puts on, regarded her with inoffensive eyes so far as they looked at her. She declared that personally there was nothing against the Prussians; even when in uniform they were kindly and modest-looking men; it was when they got up on pedestals, in bronze or marble, that they, began to bully and to brag.
LXIV.
The dinner which the Marches got at a restaurant on Unter den Linden almost redeemed the avenue from the disgrace it had fallen into with them. It was, the best meal they had yet eaten in Europe, and as to fact and form was a sort of compromise between a French dinner and an English dinner which they did not hesitate to pronounce Prussian. The waiter who served it was a friendly spirit, very sensible of their intelligent appreciation of the dinner; and from him they formed a more respectful opinion of Berlin civilization than they had yet held. After the manner of strangers everywhere they judged the country they were visiting from such of its inhabitants as chance brought them in contact with; and it would really be a good thing for nations that wish to stand well with the world at large to look carefully to the behavior of its cabmen and car conductors, its hotel clerks and waiters, its theatre-ticket sellers and ushers, its policemen and sacristans, its landlords and salesmen; for by these rather than by its society women and its statesmen and divines, is it really judged in the books of travellers; some attention also should be paid to the weather, if the climate is to be praised. In the railroad cafe at Potsdam there was a waiter so rude to the Marches that if they had not been people of great strength of character he would have undone the favorable impression the soldiers and civilians of Berlin generally had been at such pains to produce in them; and throughout the week of early September which they passed there, it rained so much and so bitterly, it was so wet and so cold, that they might have come away thinking it’s the worst climate in the world, if it had not been for a man whom they saw in one of the public gardens pouring a heavy stream from his garden hose upon the shrubbery already soaked and shuddering in the cold. But this convinced them that they were suffering from weather and not from the climate, which must really be hot and dry; and they went home to their hotel and sat contentedly down in a temperature of sixty degrees. The weather, was not always so bad; one day it was dry cold instead of wet cold, with rough, rusty clouds breaking a blue sky; another day, up to eleven in the forenoon, it was like Indian summer; then it changed to a harsh November air; and then it relented and ended so mildly, that they hired chairs in the place before the imperial palace for five pfennigs each, and sat watching the life before them. Motherly women-folk were there knitting; two American girls in chairs near them chatted together; some fine equipages, the only ones they saw in Berlin, went by; a dog and a man (the wife who ought to have been in harness was probably sick, and the poor fellow was forced to take her place) passed dragging a cart; some schoolboys who had hung their satchels upon the low railing were playing about the base of the statue of King William III. in the joyous freedom of German childhood.
They seemed the gayer for the brief moments of sunshine, but to the Americans, who were Southern by virtue of their sky,
the brightness had a sense of lurking winter in it, such as they remembered feeling on a sunny day in Quebec. The blue heaven looked sad; but they agreed that it fitly roofed the bit of old feudal Berlin which forms the most ancient wing of the Schloss. This was time-blackened and rude, but at least it did not try to be French, and it overhung the Spree which winds through the city and gives it the greatest charm it has. In fact Berlin, which is otherwise so grandiose without grandeur and so severe without impressiveness, is sympathetic wherever the Spree opens it to the sky. The stream is spanned by many bridges, and bridges cannot well be unpicturesque, especially if they have statues to help them out. The Spree abounds in bridges, and it has a charming habit of slow hay-laden barges; at the landings of the little passenger-steamers which ply upon it there are cafes and summer-gardens, and these even in the inclement air of September suggested a friendly gayety.
The Marches saw it best in the tour of the elevated road in Berlin which they made in an impassioned memory of the elevated road in New York. The brick viaducts which carry this arch the Spree again and again in their course through and around the city, but with never quite such spectacular effects as our spidery tressels, achieve. The stations are pleasant, sometimes with lunch-counters and news-stands, but have not the comic-opera-chalet prettiness of ours, and are not so frequent. The road is not so smooth, the cars not so smooth-running or so swift. On the other hand they are comfortably cushioned, and they are never overcrowded. The line is at times above, at times below the houses, and at times on a level with them, alike in city and in suburbs. The train whirled out of thickly built districts, past the backs of the old houses, into outskirts thinly populated, with new houses springing up without order or continuity among the meadows and vegetable-gardens, and along the ready-made, elm-planted avenues, where wooden fences divided the vacant lots. Everywhere the city was growing out over the country, in blocks and detached edifices of limestone, sandstone, red and yellow brick, larger or smaller, of no more uniformity than our suburban dwellings, but never of their ugliness or lawless offensiveness.
In an effort for the intimate life of the country March went two successive mornings for his breakfast to the Cafe Bauer, which has some admirable wall-printings, and is the chief cafe on Unter den Linden; but on both days there were more people in the paintings than out of them. The second morning the waiter who took his order recognized him and asked, “Wie gestern?” and from this he argued an affectionate constancy in the Berliners, and a hospitable observance of the tastes of strangers. At his bankers, on the other hand, the cashier scrutinized his signature and remarked that it did not look like the signature in his letter of credit, and then he inferred a suspicious mind in the moneyed classes of Prussia; as he had not been treated with such unkind doubt by Hebrew bankers anywhere, he made a mental note that the Jews were politer than the Christians in Germany. In starting for Potsdam he asked a traeger where the Potsdam train was and the man said, “Dat train dare,” and in coming back he helped a fat old lady out of the car, and she thanked him in English. From these incidents, both occurring the same day in the same place, the inference of a widespread knowledge of our language in all classes of the population was inevitable.
In this obvious and easy manner he studied contemporary civilization in the capital. He even carried his researches farther, and went one rainy afternoon to an exhibition of modern pictures in a pavilion of the Thiergarten, where from the small attendance he inferred an indifference to the arts which he would not ascribe to the weather. One evening at a summer theatre where they gave the pantomime of the ‘Puppenfee’ and the operetta of ‘Hansel and Gretel’, he observed that the greater part of the audience was composed of nice plain young girls and children, and he noted that there was no sort of evening dress; from the large number of Americans present he imagined a numerous colony in Berlin, where they mast have an instinctive sense of their co-nationality, since one of them in the stress of getting his hat and overcoat when they all came out, confidently addressed him in English. But he took stock of his impressions with his wife, and they seemed to him so few, after all, that he could not resist a painful sense of isolation in the midst of the environment.
They made a Sunday excursion to the Zoological Gardens in the Thiergarten, with a large crowd of the lower classes, but though they had a great deal of trouble in getting there by the various kinds of horsecars and electric cars, they did not feel that they had got near to the popular life. They endeavored for some sense of Berlin society by driving home in a drosky, and on the way they passed rows of beautiful houses, in French and Italian taste, fronting the deep, damp green park from the Thiergartenstrasse, in which they were confident cultivated and delightful people lived; but they remained to the last with nothing but their unsupported conjecture.
LXV.
Their excursion to Potsdam was the cream of their sojourn in Berlin. They chose for it the first fair morning, and they ran out over the flat sandy plains surrounding the capital, and among the low hills surrounding Potsdam before it actually began to rain.
They wished immediately to see Sans Souci for the great Frederick’s sake, and they drove through a lively shower to the palace, where they waited with a horde of twenty-five other tourists in a gusty colonnade before they were led through Voltaire’s room and Frederick’s death chamber.
The French philosopher comes before the Prussian prince at Sans Souci even in the palatial villa which expresses the wilful caprice of the great Frederick as few edifices have embodied the whims or tastes of their owners. The whole affair is eighteenth-century French, as the Germans conceived it. The gardened terrace from which the low, one-story building, thickly crusted with baroque sculptures, looks down into a many-colored parterre, was luxuriantly French, and sentimentally French the colonnaded front opening to a perspective of artificial ruins, with broken pillars lifting a conscious fragment of architrave against the sky. Within, all again was French in the design, the decoration and the furnishing. At that time there, was in fact no other taste, and Frederick, who despised and disused his native tongue, was resolved upon French taste even in his intimate companionship. The droll story of his coquetry with the terrible free spirit which he got from France to be his guest is vividly reanimated at Sans Souci, where one breathes the very air in which the strangely assorted companions lived, and in which they parted so soon to pursue each other with brutal annoyance on one side, and with merciless mockery on the other. Voltaire was long ago revenged upon his host for all the indignities he suffered from him in their comedy; he left deeply graven upon Frederick’s fame the trace of those lacerating talons which he could strike to the quick; and it is the singular effect of this scene of their brief friendship that one feels there the pre-eminence of the wit in whatever was most important to mankind.
The rain had lifted a little and the sun shone out on the bloom of the lovely parterre where the Marches profited by a smiling moment to wander among the statues and the roses heavy with the shower. Then they walked back to their carriage and drove to the New Palace, which expresses in differing architectural terms the same subjection to an alien ideal of beauty. It is thronged without by delightfully preposterous rococco statues, and within it is rich in all those curiosities and memorials of royalty with which palaces so well know how to fatigue the flesh and spirit of their visitors.
The Marches escaped from it all with sighs and groans of relief, and before they drove off to see the great fountain of the Orangeries, they dedicated a moment of pathos to the Temple of Friendship which Frederick built in memory of unhappy Wilhelmina of Beyreuth, the sister he loved in the common sorrow of their wretched home, and neglected when he came to his kingdom. It is beautiful in its rococco way, swept up to on its terrace by most noble staircases, and swaggered over by baroque allegories of all sorts: Everywhere the statues outnumbered the visitors, who may have been kept away by the rain; the statues naturally did not mind it.
Sometime in the midst of their sight-seeing the Marches
had dinner in a mildewed restaurant, where a compatriotic accent caught their ear in a voice saying to the waiter, “We are in a hurry.” They looked round and saw that it proceeded from the pretty nose of a young American girl, who sat with a party of young American girls at a neighboring table. Then they perceived that all the people in that restaurant were Americans, mostly young girls, who all looked as if they were in a hurry. But neither their beauty nor their impatience had the least effect with the waiter, who prolonged the dinner at his pleasure, and alarmed the Marches with the misgiving that they should not have time for the final palace on their list.
This was the palace where the father of Frederick, the mad old Frederick William, brought up his children with that severity which Solomon urged but probably did not practise. It is a vast place, but they had time for it all, though the custodian made the most of them as the latest comers of the day, and led them through it with a prolixity as great as their waiter’s. He was a most friendly custodian, and when he found that they had some little notion of what they wanted to see, he mixed zeal with his patronage, and in a manner made them his honored guests. They saw everything but the doorway where the faithful royal father used to lie in wait for his children and beat them, princes and princesses alike, with his knobby cane as they came through. They might have seen this doorway without knowing it; but from the window overlooking the parade-ground where his family watched the manoeuvres of his gigantic grenadiers, they made sure of just such puddles as Frederick William forced his family to sit with their feet in, while they dined alfresco on pork and cabbage; and they visited the room of the Smoking Parliament where he ruled his convives with a rod of iron, and made them the victims of his bad jokes. The measuring-board against which he took the stature of his tall grenadiers is there, and one room is devoted to those masterpieces which he used to paint in the agonies of gout. His chef d’oeuvre contains a figure with two left feet, and there seemed no reason why it might not. have had three. In another room is a small statue of Carlyle, who did so much to rehabilitate the house which the daughter of it, Wilhelmina, did so much to demolish in the regard of men.
Delphi Complete Works of William Dean Howells Page 699
